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DJ Thomas May 2010
Long brown dream
her legs akimbo
apex flushed dark
arms bowed at hip
******* accusing
Breathless, the
******* seesaw
tight curls crown
angry beauty
teeth blaze hot
golden eyes
spit hate
spinning slowly left
proudly curved
bending exposed
face framed a
toppled heart
lips lick entice
three rising paces
the suite bar
long fingers reach
the glass held
waist high
pivoting back
all swift motion
a somersault roll
landing grinning
******* bouncing
a silent scream
lashes out blinding
red wine

All loves promises
tumbling bouncing emotion
an ****** spite

leaving me
naked rivoletto
sashed red
seeing blurred
ghostly negatives
of forever young
bouncing *******
I say “Goodbye
true love” to
the tall glass
on the bar
my coat and
open door
to the
clothe strewn

Clothed party act
a pint spinning somersault
quaffed down brim full
copyright© 2010
Zombee Oct 2014
nothing was as Beautiful --
You when you would stand aKimbo..

..boasting Insults  --  talking ****.

hips were Posing  --  so obTuse.
'cutest thing ive ever Seen.
Mateuš Conrad Aug 2016
i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.
Mateuš Conrad Nov 2018
.the fireworks are still going off, Guy Fawkes 2.0, and sitting there thinking... big bang... so there was a sound in vacuum? i see a firework go off, the bright explosive light, and then the thunderous balloon burst! boom! i tap my finger... i'm guessing a 1.2 second delay from seeing the light from the firework, and hearing the BOOM! so... in light of all this... are we 1.2 seconds ahead of the big bang, or 1.2 seconds behind it, actually having happened, as in: still happening... i mean... it's not like sound precursors light... and we are not exactly illuminating creatures for most part, but sure as ****, we're loud.

   i might have been looking for
a needle in a haystack,
or whatever it was i was looking
  but i have spoken to a few homeless
i remember about four congregated
around me in Trafalgar Sq.
one sunny afternoon,
    and that was the point where i knew
i was losing it, detaching myself
from the conventionality of "reality":
having meaningless conversations
with people wearing NPC-masks...
the voice inside my head started
thin out... until it fizzled out and i turned
into a writing machine...
if i had the same internal-monologue
with myself, i wouldn't be writing this,
a gaping abyss agitated by whatever
interacts with it,
and subsequently prompts such writing...
i put my hand around one of
the homeless men,
he didn't like it, i comforted him,
we'll just talk...
   then he started explaining to me about
his spot in the Sq.,
  he stood up, and indexed the spot,
the spot where i sat next to him,
another came and sat akimbo
like a child, listening to me intently,
two teenage girls passed
and he asked them:
      what do you see in his (my) eyes?
they replied nothing...
still somehow mesmerized like a child
in a primary school, listening intently...
red as a beetroot from all the *****...
i ended up giving him a book
i just bought in an indie bookshop...
christopher marlowes Dr. Faustus...
i stood up and abstracted a square,
drew both my index fingers
   around a slab of pavement
asking the stupid question:
                     do you think it's there?
or inside your mind?
                  then the homeless man
sitting in akimbo introduced me
to a northern irish veteran with PTSD...
drunk like a skunk...
         and then we walked into
the homeless shelter together,
   they didn't let me in,
because i didn't remember my national
insurance number, or had the card
for that matter...
          weeks pass...
   imagine the chances of this happening,
in central London...
i bump into the same man who sat in
akimbo in Trafalgar Sq. on the streets
of Soho... the chances... or meeting someone,
randomly, a second time, in London?
******* slim... slimmer than size 0
catwalk models... more like size -1...
and he told me that a spider crawled
      into his ear...
    he said that he was going deaf...
                   so i walked into a shop
bought a few beers and we sat in
a church courtyard talking with his friend
who showed off his buddha tattoo
and said: i'm going to walk to India...
subsequently we were ushered out...
because we were breaking the law...
and i thought: but you serve wine in
the church, don't you?
    there was no argument...
then there was the instance in Leytonstone
with the homeless talking about
pneumonia of some woman they
were friends with...
               many pleasantries hugging
what not...
          the most profound instance i had
was just outside Romford train station...
the same man i would later sit down with
and offer a cigarette to in Seven Kings,
just outside the O'Grady's Irish pub...
       i've seen how people interact with
homeless people... that snarky attitude...
they stand and bend over while talking
to someone sitting on the pavement on cardboard...
a toned down version of paddy bateman...
this ridiculing with intimidation...
ugliest crap imaginable...
   so i sat with this man...
     gave him my spare fiver...
       rolled up a joint...
   we went around the corner to smoke it...
some kid with a football ran up to us,
we passed... and then we asked each other questions...
the kid said he wanted to become a footballer,
me and the homeless man encouraged
him to take his dream seriously...
quickly the marijuana high smirk
left his face...
    apparently i had a diamond on my forehead,
claimed the homeless man...
but then i asked the very touchy question...
so... what made you homeless...
  i'll never forget what he retorted with...
my mother told me to never tell a lie.
  so the only reason he was homeless was
because he was an honest man, prior?
   oh... so this is what makes men homeless...
honesty, for one,
   and along with honesty,
   other traits that elevate valor,
    alongside the many other virtues...
well... "who would have thought"?
               like that wasn't painfully obvious
to begin with... namely...
how the rats, the skivvy, the immoral,
the sadomasochistic overlords of
institutions become rewarded exponentially...
while the man who replies
to the homeless question with:
    my mother told me to never tell a lie.
Mateuš Conrad Jul 2018
/                              don't know...
      maybe the song mein teil
just made me do it...
   or perhaps i became "lost",
or rather, bored with
video uploads in the sub-media?
perhaps i just like to
sit, "quasi"-drunk,
   imitating a balancing "act":


  of a "clue" into
      deciphering buddha...
but a turkish akimbo on
a windowsill?
          surely i can't be drunk
and do such a posture?
   guess i'm: seriously *******?!

but i am,
and i have a wrath
  that will eat everything in its way
and itself to conclude
     the ploughed field.

they could have encompassed
the happy, catholic labourer
on a construction site...
  where: feminism?
   falls flat, since there voices
are confined
to the canteen...

                 construction industry
is a no go zone,
   for feminism...
                but if they do want to
go there?
           industrial roofing...
         in summer:

******* WELCOME!

                     come! come!
               vee nee'd'zzzzzz uzzzzz!
    (k is not even
   while you're at church
giving it the boston terrier
better­ than counting sheep
while falling asleep:
count them....
1 by 1,
    1 by 1...
                   drop... like... flies....

mein teil!

            can't expect me to respect
the army with the women
so welcome...

     but i do expect the last
"army" to exclude with good intentions...

namely the construction industry...

    any women found
in this economic expression...
and i'll be looking for
a sioux on advice on how
to pitch a tent with
               a ******* bedsheet!

(making ****** sounds,
with a protruding tongue,
slapping the forehead...

           nope... lost by
surd encoding pass at this point).

        but it did happen...
how on earth blackadder
degenerated into mr. bean:
i'll never know...

    guess translating thespain-spresch
even if you're a plumber...

will this writing flop, or fail?
hell: i hope it doesn't succeed!
for starters.                 

but apparently it's all:
hands up in the air,
   like i just don't care(!)
          so heaven-sent

**** me!
               an over-sweated in
bolsheviks' cap!
                                      well done!        

since, if making **** is a liberty of
the opposite ***?

         what is the liberty of the equal
perspective: of the *** speaking
with this tonuge, that shares the same
constraints, rather than "the same"
what? and capitalist corporations are
not synonymous with the western
concept of communist communes,
collectivist "farms":

just like my grandfather predicted....
capitalist corporations
are hardly differentiable from
communist collectivists;

                           n'est-ce pas?                 /
Nigel Morgan Nov 2012
A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.

In a lone boat, rain cloak and hat of reeds.
An old man’s fishing the cold river snow.

I am alone in this mountain fastness, on a steep downward path in the deepest shadow. I play with the twelve characters of Lui Tsung-yaun’s poem. How few poems tell of the desolation of winter. The coming of Spring, the passing of Autumn? Yes. But the onset of Winter? Even my sharp memory only recalls a meagre handful of poems to this season: the time of the first snows. Against all good sense I set out from Stone Village too late in the year: now I search for comforting word images to accompany me on this journey. Just below the snowline I pass through a stunted forest of ancient walnut trees almost leafless; the unrelenting wind has dispatched them crinkled brown into the valley below. I see there a winding river. I see its distant lake. I think of this poem known since my teenage years, puzzled over that one could see in one sweep of the horizon a thousand peaks. Here are that thousand and more if the ranks of limestone pillars in these mountains can be counted as peaks. I count them as peaks. And those thousand paths? At every turn there is some fresh way falling into the valley, or a faint trail rising to the heights. But this path I tread asserts itself on the traveller. Its stones are worn and the excrement of passing pack animals sticks to my boots.

Last night a cave, tonight I will reach the village of Psnumako. My former guide provided its name with a disdain he could not hide. When questioned he warned me not to enter without a stout staff against the mastiffs that guard each house, supposedly ******* during the day but apt to break their bonds at the smell of a stranger.

The steep and ever steeper descent brings pain to my knees. At this hour of the day my body would prefer to climb to the heights, but descend I must. The cold, the damp cold begins to stiffen weary limbs. I am tired from a day’s travel, tired from three hard climbs, two descents and this, my third, to complete before nightfall. I enter a narrow gorge loud with clamour of running water, cascade upon cascade flowing from the heights, falling fast to the river soon to interrupt my path. I shall have to force a crossing. What passed for a bridge were two fallen pines lashed together.  Now they lie akimbo a little distant, thrown apart like sticks by the spring flood as the deep snows melt. I must divest myself of boots and lower garments and wade across, stumbling on stones up to my waist in swift waters, terrified under the weight of my pack that I will fall and be swept under and along. To travel alone at such moments is foolhardy, but on this cold afternoon I have no choice.

I am so intent on preparing for this crossing it is only when I reach the end of the path that I notice snow is falling, its flakes sharp and white against the dark-water flow. The whirl and turn of the water mesmerises. Fatigue, fatigue embraces me, a day’s fatigue holds me fast on the river’s stony side. I close my eyes and hear the water rush and place myself into the protection of a mountain charm learnt from a passing traveller. Dwarfed by the size of his burden I see him negotiate a narrow path high above a chasm; he walked trance-like to the intoning of this charm.

It is soon done, the cold crossing, and with a lighter step I walk the remaining leagues to the lake-side and sight of the village. There are the faintest sparks of light amongst the silhouettes of houses. Animals are being brought in from the home fields against the night. A sudden shout, the barking of dogs, and now the snow falls thick and fast.

The guttural dialect here is barely discernable as speech. We are from different worlds this shepherd and I who meet at the stupa guarding the village entrance. This is not a Buddhist shrine but an acknowledgement of some mountain giant of terrifying aspect. The shepherd sees my official insignia and nods, knowing I will require shelter. He utters what may be a welcome, but could be a warning, and leads me forth. The mastiffs leap and bay as I pass between the primitive two-storey houses, animals below, humankind above. He disappears. I stop and wait. He returns with a woman who beckons me to climb the ladder to what may be her home. A widow perhaps? She is alone unless the rank darkness hides a man or child. But there is none. I hear animals move and grunt under the floor, a mat of dirt and straw. There is a sleeping loft, a cooking corner. I can see little else. But I am out of the snow, the biting wind, the cold. She pulls at my cloak, wet and caked with ice. There is a bowl placed in my hands; a rough tea. I speak a greeting, but there is no reply just a rustle of straw as she moves across the room.

The stupor of a journey’s pause is upon me. After three days on the trail to the heights I am numb with fatigue. I need food and sleep. I need rest before a final trek into the wilderness. Beyond Psnumako Lake known paths end. Except for the tracks used by shepherds to move their flocks to different seasonal pastures, there is wilderness. I hope for guidance, for the whereabouts of the sages who, in the winter months I am told, leave their reed huts on the heights for caves in the lower valleys. I shall be patient, remain here a little while. I am now immune to the discomfort and dirt of travel. That is how it is. That is how is must be. I miss only the mental absorption of writing, the caress of the brush on a scroll. In my home in Louyang I keep brush and paper close to hand; wherever I may be I can write, even in, especially in, the privy. If a line comes to me I can write it down. Here there is only the comfort of memory.

To think that in the past I wrote of this mountain wilderness out of my imagination and the descriptions of others. I once thought of these remote places as havens of spiritual liberation.

In the hills there is the sound of zither.
White clouds stay over shaded peaks,
Red flowers shine in the sunlit woods
Rocks are washed in the stream like jade;

How very different is the reality of it all; in this emerging winter world of mist, where the sun rarely visits and most living things have departed, where wind colours silence and one’s footfall becomes consolation. The sound of stone rubbing stone on the path is the eternal present. There have been days when only a distant crow moves in the landscape. Lammergeyers are known in these parts, but I have yet to see one. If there are wild beasts, they shun me.

As this bowl of tea cools in my hands but warms my frozen fingers I form pictures of the past day on its dark surface. Before dawn from the mouth of a river cave I sensed changes in the qualities of darkness that have hidden the heights above me. Then a perceptible line appeared and divided the mountain from the sky. That line became variegated; there were trees bristling on the highest rocks. It appears that at this hour the prevalent mist settles in the valleys leaving the sky clear.

The woman comes to me. She kneels to untie my boots. She looks with a curious innocence at my strangeness, the distortion of my face, the cleft palette, the deformed upper lip, the squint of my left eye. She is kindly as I give her my best smile though my face seems frozen still. There is a whisper, a prayer of welcome possibly. Then she bows her head, unravels a long scarf to reveal a mane of oiled hair, and sets about removing my boots. I see only the top of her head, a severe parting, hair held tightly in wooden combs. I close my eyes to bring to mind the image of Xaoli, so slight in comparison, her butterfly hands flittering into and around my sleeves, her seeing touch mapping out the extent of me, each piece of clothing, only later my face.

My reverie is broken by the entrance of two men. They squat behind the woman and, after taking in my ugliness and my hairpins of office, patiently wait for her to finish and retire. We stand and bow, then sit again amongst the straw.

‘Honoured Lord, I am Yun. You have travelled from Stone Village? And beyond?’

I pass him the Emperor’s seal he cannot read, but remain silent.

‘You are seeking those who live in the heights? The village only sees their servants, young boys sent for a goat or flasks of barley spirit. They bring herbs our women favour. Some have seen their huts when seeking lost animals. Now it is said they are gathered in the caves like animals waiting for the spring moon.’

‘When was the village last visited by their kind?’

‘ Hanlu, my Lord, the time of cold dew, two boys appeared with a pony. There was trading. They brought Chrysanthemum flowers and herbs for two geese and wine. They left scrolls for passage to Stone Village. Now the snows fall we may not see them until the Spring’

‘How far are your summer pastures? Have you any who would guide me there ?’

‘We do not seek these places after the first snows. The sages haunt the region beyond Chang Mountain. Before the 11th moon you might pass into the valley of Lidong where it is believed their caves lie, but to return before the Spring will not be possible.’

‘How many days there?’

‘Allow four. A difficult way, unmarked, rarely trodden, much climbing. There is one here who we could send with you – part of the way, and at a price, My Lord. Dahan travelled two seasons since as groom to a party of six with ponies, but then in late Spring.’

‘I will stay three days.’

‘Just so My Lord. Xiu Li will see to your wishes.’

And they depart, Yun’s companion has remained silent throughout, though searched my face continually. By the door he places his hand against the stout bag that carries my lute. ‘Guqin’, he says tenderly.

This instrument is my pass to the community of the reclusive. I am renown for my songs and their singing. My third-best guqin has not left its bag since Stone Village and I fear damage despite all my care on the path.

Later, as the village mastiffs gradually cease their baying as the quarter moon rises I take this instrument and place it across my lap. Its seven silk strings I wipe with a cloth and gently tune with its tasselled pegs. I then prepare myself through meditation to avoid the intrusion of distracting thoughts. With my eyes closed I allow my hands to seek out and name each part of guqin: from the Forehead of the Top Board, to the String Eyes, the Dew Collector, The Mountain, Shoulder and Phoenix Wings, past the Waist, the Hat Lines and the Dragon’s Beard, to the Dragon’s Gums and thence to the Inner Top Board. I can feel the Pillar of Heaven – the sound post – has moved a little in my recent travels. So too the Pillar of Earth – but with care I move both to their rightful positions. And so on naming the inner and outer parts of each of the two boards that make up the guqin. I begin to regulate my breathing and allow the fingers of my left hand to stroke and touch, to press and oscillate in the manner of vibrato. Zhoa Wenji describes twenty-three kinds of vibrato. I feel in turn each of the hui, the thirteen gold studs that mark the harmonic nodes and allow me to play the guqin by touch alone. In these moments of preparation I hear the words of my teacher: a good player makes sounds that are plentiful but not confused. As the moon reflecting on water, so the sounds are together but not combined. Like wind in the pines, they are combined but also spread out. Such sounds are valued for their lightness. Avoid the addition of inappropriate  "guest" sounds. This is the refined theory of the guqin. To be knowledgeable about music, one must seek this, then one can realize its beauty.

I have tuned to the Huangzhong mode. The song *Amidst Mountains Thinking of an Old Friend
I have brought to mind. I recall the words of The Slender Hermit who says of this piece that its interest lies in holding cherished thoughts, but having no way to tell these to anyone. There are emotions about the present time, longings and laments for the past, but there is no way to express any of this. And so this piece.

In this poor reed hut the room is filled with mist and haze,
how far away are the things I love;
the old plum tree seems exhausted, its flowers about to die,
the mountains are lonely and I am nostalgic for past times.
The moon shines brightly on this lovely evening,
from this distance I think of my old friend and wonder where he is.
The green of the mountains never fades,
but before I know it my hair will turn white;
the moon is waning and flowers wither,
Old friend, I dream constantly of meeting you.
How hard it is to recall the joy of our last meeting!
With the many mountain ranges,
and its hidden tigers and coiled dragons,
I am unable return to you in Chang An.
The road is distant, the tall trees make the road dark,
and the world is vast.

I mourn Aquila and Lyra
separated by the Milky Way like the cowherd and weaving girl,
on the ground we are separated by 1,000 li
in the sky we are each in a separate place,
though our passions remain strong
There has been no warm correspondence,
there is restraint to the bright harmony,
and the flowing streams are swallowed by the setting sun.

The thought of this song of mid autumn touches me before its words have issued from my lips. I play the last two lines in harmonics and sing.
Zuo Si was the brother of the courtesan and poet Zuo Fen. This short story is based on a chapter from my novel Summoning the Recluse. The opening poem appears in a translation by David Hinton from his collection Mountain Home.
Neha Nathani Apr 2015
on drowsy mornings
I steal glances
at you

your eyes
are looking at mine too

and when
by chance
you meet my gaze

my hands
are charged
with fire ablaze

they want
to reach you,
my fingertips

but your angled
elbows glued
at your hips

standing akimbo
I can feel
you repel
Nigel Morgan Apr 2013
after the painting by Mary Fedden

I kept seeing her around and about, but mostly on the beach. This is a small community and after five years or so I know who everyone is, except those who visit in the summer, though I am getting to know some of the regulars. I reckon she’s my age. When she looks at me in the store, and I look at her and smile, her smile tells me these things.

I have trouble with my hair. It’s thinned and doesn’t grow quite as it should. When I was pregnant and then nursing my children it was positively luxuriant. But later, and despite medical advice (and treatment I was unsure about and abandoned) it became an embarrassment, until he reassured me (just once) and I became an ‘adored woman’. He never ever spoke of it again and loved me so wholly and beautifully I had no reason for it to matter in his company, in his arms.

But seeing her, and often on the beach, more and more regularly, seeing her with her mane of strong dark brown hair flowing behind her in the wind, I felt a curious desire for such a wealth of hair. In fact, I began to feel something stir in me that was desire of a different kind. I can’t think I had ever looked at a woman in quite that way in any previous life. It was always men I sought, I wanted.

Her name is Sara, no h, just an A at the end. She said that when I eventually introduced myself. We were walking towards each other, barefoot both on that glistening skin of water the sea creates between the tides coming and going. It was about midday and I was, I was thinking and walking. I do this now. I don’t bring my sketchbook, I don’t look everywhere I can and more so, I have begun to retreat into my most private self. Perhaps it’s my age and so many years of feeling I had to be wholly attentive and active. Being in this remote place, almost permanently, has slowed me down, and I have begun to dream, to see beyond what I usually would have seen moment to moment. I’ve been re-reading the prose and poetry of Kathleen Raine, who understood this sea-swept place and was haunted by its ghosts, and who dreamed.

Never, never, again
This moment, never
These slow ripples
Across smooth water,
Never again these
Clouds white and grey
In sky crystalline
Blue as the tern’s cry
Shrill in the light air
Salt from the ocean,
Sweet from flowers

Oh yes,  
‘the sun that rose this morning from the sea will never return . . .’* I have become a watcher, no longer an observer. I put my camera away last winter and now hold moments in my memory. Here I can sketch. I can have all the time I need, and more. And I knew when I began to talk to Sara I wanted beyond anything else to sketch her, to know her line by line with the pen, and later bring the texture of her into paint.

Painting is where I am now. It’s direct, mesmeric, challenging, wholly absorbing. My needles and thread only deal with our clothes, my clever printing and collaging lies dormant in my studio, a studio I rarely enter now. I have a room upstairs in the loft that is all light and sky. There’s just an easel, a table, a chair, a small bookcase, a trolley-thing of paints and brushes. Even that’s too much. I always collected things around me. I brought so much in from outside and now I’m trying, trying to have as little as possible. This is where I will paint Sara. I’m already thinking this as we take the first tentative steps towards knowing one another. Names, where we live, (we both know). Partners, family, children? I have all this, but not here, only my companion, my love who caresses me with such care and attention. There are my cats and my hens. She has no one, or rather she talks of no one. She asks the questions and avoids giving answers. She just nods and doesn’t answer. Otherwise, she’s a straight yes / no person. She doesn’t feel she has to qualify anything.

We’re standing together. We’re intent on looking at each other. Words seem a little unnecessary because what we both want to do is look. ‘I can tell you paint’, she says, ‘It’s your finger nails’. My perfect nails and the pads of my fingers hold the evidence of a morning at my easel. ‘I have seen your work’, she says, ‘One could hardly not. You’re well known beyond these shores.’ I feel myself blushing slightly. I thought blushing had stopped with the menopause, not that it troubled me much, the menopause that is. Blushing though was a torturous part of my adolescence, but let’s not go into that.

‘Your husband,’ she says, ‘he’s up very early. I see him sometimes here, on the beach.’
‘Do you get up at five?’ I am surprised. My husband gets up before five.
‘Sleep is difficult sometimes. I walk a lot. I need to be out, and walk.’

Her face, her head is larger than mine. She is a larger woman altogether, bigger *****, long-legged, but with youthful ******* that seem taut and well-rounded under her brown frock, no, her brown dress. I only think frock because that’s what he says – ‘I love that frock.’ And he means usually whatever I am wearing now that’s old and rich in memories of his hands knowing me through a dress, sorry a frock, which remains for me (and possibly for him) the most sensuous of sensations, still. Au nature has its place, and I love the rub of his skin and body hair. But when we are lovers, and we are still lovers and usually when travelling, in hotel rooms or borrowed cottages, or visiting friends and dare I say it, staying with our various children. Last autumn in Venice, in this large, amazing marble-tiled room, with this huge bed, he undressed me in front of a window opening onto our own terrace, and I was beside myself with passion, desire, oh all those wonderful things. And for months afterwards I would return to that early evening, remembering the lights coming on all over the watered city as he kissed and stroked and brushed my body through my Gudrun Sjödén frock. I would replay, find again over and over, those exquisite moments of such joyful touching as he then undressed me, and with such care and tenderness I felt myself crying out. Well, he says I did. In one of his poems (for your eyes only, he had whispered) he admits to his own celebration of those moments again, again.

Sara’s dress is calf-length. There’s nothing else. As the breeze wraps itself around the loose-fitting brown cotton her naked figure is revealed inside itself. No ring, no jewellery, nothing to hold her hair now flowing behind her. She has positioned herself so it does; flow out behind her. This is so strange. Am I dreaming this? We have become silent and together look in silence at the sea. I can hear her short breathes. She turns to me with a smile and looks straight into my eyes – and says nothing – and then walks backward a few steps – still with her warm smile – turns and walks away.

I tell him I met Sara today and ask if he sees her on the beach in the early mornings. Yes, he has, in the distance, mostly. He has said good morning to her on a few occasions, but she has smiled and said nothing. Five o’clock is far too early to say anything, he says. She swims occasionally. I keep my distance, he says with a grin.

I tell him I would like to paint her. I should, he says, You should go and ask her, do it, get it done and out of your system. It’s time you stopped being afraid of the face, the portrait, the figurative. I’d give so much to have been able to paint you, he says ruefully, my darling, my dearest. And he strokes my arm, kisses my cheek, then, he slowly and carefully kneels down beside my chair, places his arm across the top of my thighs so when I bend to kiss him his bare forearm touches the edge of my *******. He puts his head in my lap, and I caress his ears, his quite white hair.

Sara’s door is open. She’s living in Ralph’s cottage, a summer-let habitable (just) in the nearly autumn time it is. I call, ‘Sara, it’s me’, thinking she’ll recognize my voice, not wishing to say my name. She appears at the door. ‘I have the kettle on, she says, ‘I had a feeling you might be by.’ Her accent is, like mine, un-regional, carefully articulated, a Welsh tinge perhaps. There’s an uplift and a slowness in some of the vowels. ‘You will come in’, she says, more a statement than a question. It’s rather dark inside. There’s a reading lamp on, but she has the chair, her chair, close by the window. There are letters being written. There are books. Not Ralph’s, but what she has brought with her. Normally, I would be hopelessly inquisitive, but I can’t stop myself looking at her, wondering even now, in these first few moments in this dark room, how I will position her to paint her form, her face, her nature. What will I paint? I look at her still-bare feet, her large hands.

And so, with mugs of tea, Indian tea I don’t drink, but here, as her guest I do, but without milk, we sit, I on the only other chair (from the kitchen) she on the floor. And she watches me look about, and look at her.

‘I’m rather done with talking, with polite conversation. That’s why I’m here to be done with all that for a while.’
‘I came to ask you to sit for me. To let me draw you, paint you even. You can be completely quiet. I won’t say a word. I’ve never, ever asked anyone to sit for me. I’m not that sort of painter. But when I saw you on the beach it was the first thing that came into my head.’
‘I should be flattered. Though I have sat for artists before, when I was a little younger,’ surprisingly she mentions two names I know, both women. ‘I know how to be still. But, those are days in a different life.’
‘I only want to paint you in the life you have now.’ And I realise then that what I want to paint was Sara’s ‘aloneness’. I think then I have never been truly alone since he came into my life and took any loneliness I had from me. Whenever we are apart, and still there are times, he writes to me the tenderest letters, the most touching poems, he quotes his Chinese favourites down the telephone. We always, always speak to each other before bed, even when we are on different continents and time-zones. He told me I was always his last thought before sleep. And I wonder if I would be his last thought . . .

‘Do you want to do this formally?, said Sara.
‘I don’t know. Yet. I’d like to draw you first, be with you for a little while, perhaps to walk. A little while at a time. Whatever might suit you.’
‘Would you pay me? I have little money. It would be useful.’
‘Of course’, I say this directly, having no idea about what one pays a model. He will know though. He knew Paula Rego and didn’t she have a female model? I think of those large full-length figures rendered in pastels. Her model’s name was Lila, who for more than 25 years, had sat for her, stood for her, crouched for her, hour after hour and day after day. I remember a newspaper piece that went something like this: since 1985 Lila has helped to give life, in paint, and pastel, and charcoal, to the characters in Paula Rego's head. Lila was all Paula Rego’s women.

‘Sara’, I said, ‘help me please. It’s taken more than a little courage to come to see you, to ask you. My husband says I should do this, finally get myself painting the person, the face, body, not as some exercise in a life class, but the real thing.’
‘Of course’, she says, ‘Let’s go and walk to the point.’

And we did. Not saying very much at all, but I suppose I did. She made me talk and gradually I laid my life out in front of her, and not the life she would have found in those glossy monographs and catalogue introductions, and God forbid, not in those media features and interviews that I suppose have made me a name I’d always dreamed of becoming, and now could do without.

‘I suppose you have a studio’, she said suddenly, ‘Is that where you’d want me to come?’
‘Yes, I have a studio. No, I don’t think I want you to come there. Not at first anyway.’ I was floundering. ‘ I’d like to draw you, paint you possibly on the beach, where we met, so there would be sea and sky and breeze blowing your hair.’
‘And a steamer out on the horizon belching smoke from its funnel and the sea blowing white horses and dancing about. I’d be right by the seastrand with waves and spray and foam, and under a greyish sky. Not a sunny day. A breezy day. In my brown dress, sitting on the sand by the tide marks, looking out to sea, looking at the steamer away in the distance, sitting with my left hand behind me holding myself up, and the shape of my legs akimbo bent slightly under my brown dress. How would that be?’
‘Perfect’, I said.

And it was.
on Valentine’s Day he is working on black painting hears knocking at door with rag brushes in hand he asks “who is it?” “it’s Reiko! come on mr. birdfishdog open up” he has grown afraid of her nervously shuffles brushes rag in hand guardedly opens door there stands Reiko Lee Furshe shoulders pulled back arms akimbo black leather jacket black tight jeans black pointed toe boots hair cut extremely short looks like handsome young boy grinning “hi aren’t you going to invite me in? want to **** and ****?” Reiko’s altered appearance suddenness alarm Odysseus "why did you cut your hair Reiko Lee?" she says "it’s my hair and I can do what I want with it i shaved my legs armpits and ***** too want to have a look?" he replies "no no way why? why did you cut your hair?" she says "because i felt like it and because i know how much you love my hairiness Odys i wanted to displease you i’m female again!" she defiantly glares at him he looks away slowly closes door hears her holler “*******!” listens as footsteps race down stairs out building he drops paintbrushes rag rushes to front window looks out watches her saunter away down street until she is gone writes Reiko Valentine poem he will never send

love listens when you speak understands what you think love watches while you sleep love holds back as you leap love lounges while you run frantic love picks your pocket puts you in checkmate love builds nest hatches egg love rips open your chest plucks heart away love is racehorse love is rattlesnake love pretends not to notice while you ******* love swings on gate love visits your grave love impersonates a poet love slits your throat love devours everything leaves crumbs for hate

he receives Valentine card in mail from Mom wonders if ultimately his fate is somehow sorely connected to her what if Mom stands in way of every woman? what if stars lead away from recognition as painter instead steer straight back to Mom? what if each is trial to other as if their souls are entangled in insolvable riddle ancient curse? he drinks himself to sleep

Laius and Jocasta are king and queen of Thebes in ancient Greece they have baby boy oracle prophesies boy will grow up **** father marry mother to nullify prophecy Laius Jocasta decide to **** their son back then it is common to abandon unwanted or damaged baby on mountain for vultures child survives grows to be man he travels gets into fight on road kills stranger who unaware to him is his father King Laius traveler Oedipus goes to Thebes solves Riddle of Sphinx saves city he is made king unknowingly marries his own mother King Laius's widow Queen Jocasta Oedipus rules wisely he and Jocasta have four children eventually Oedipus and Jocasta realize what ******* Oedipus is Jocasta commits suicide Oedipus pokes out his own eyes becomes wandering beggar assisted by daughter Antigone at time of their marriage Oedipus is young naive but Jocasta is middle-aged woman maybe deep down Jocasta knows she is marrying her handsome son it is thrill to sleep with him maybe it is only after Oedipus realizes truth in disgust confronts Jocasta that she is driven to suicide Jocasta cannot live with herself because she has known truth all along and now she is found out Oedipus can live with himself yet he plucks out eyes because he never wants to see truth again

Odysseus continues to work on black painting many weeks pass slowly snowdrifts begin to melt on occasion sun appears in sky Penelope calls to catch up with him says she is in hurry has met really cool guy is falling in love again their conversation is brief he hangs up receiver considers how resilient Penelope’s heart is she seems so much more capable of getting over heartbreaks
Sam Hawkins Apr 2013
Saturate and brimming of my hometown Boston,
of its sunshine Marathon peoples and bomb images,
my heart fracture rend.

On the third day—resurrection of all my sadness
came to me, feeling fresh and born to fruition,
so this grew.

It grew and through my tears coming,
I stood to witness two loving sparrows
on a window branch.

My sadness at some abeyance, studying and curious
I was of her--all akimbo shivers and rock-in-roll, of him--
flying feathered stone, rolling from branch to branch
and coming home, repeatedly.

Circles flying within moving circles!

Did something happen
with the last jiggle of her branch?

Did you see that? Science says
what they were doing—they had finished.

(But what to believe of Science?
It calls their loving--mating rather).

Now to tell you—the sequencing was this:
when I was full knocked down
on account of my grief,
and I hardly had strength to go on,
a Beatles song flew in and gently pierced my heart,
singing to my ear: Why don't we do it in the road...
no one will be watching us...why, why don't we do it

O, Spring Life of Sparrow surprises!
Open road, that budding tree,
any new notion is something grand!

How do I say now? That you two
were most helpful, your innocence
forever abiding?

Fly off Sparrows, forever prayer!
I speak this with all my love.
Butch Decatoria Sep 2018
Hell is like waiting in a long line for the zoo
So this must be limbo...

Time stretches / skeleton skin skeins
The tock the tick / the clock
Schizophrenic melancholia
Mockingly sickening
Traffic of panic / deafening
Time stales / takes Forever
A long while - in limbo
Zombie shock / mind akimbo

And loneliness is a box
This corpse sits in
As existence / outside frightful / persisting
***** and spritz-ing
Our vibrant thangs
Songs shouts to gang sign slangs
Even when the lyrics
Go deep
Six feet sorrow
Hip hopping to defeat

But we gots to love it
The life we have
The Flava and the savor this last dance .
Makes me wanna Dougie
Percolating / jump / criss cross
Vanilla bean / jump jump

But what is a song to a diminished bird
No cage more cruel than the loss of worth
Hearts depart from its soul
Jester / fools / without cheer
No cartwheels glee or clue
Happy days adieu
High times zero new
Birds to the sky / fist pump / guns
This is for the Razza
End what's done begun

Waiting to get thru
Theme parks colorfully masking
Reality's streets and truth
Inmates as we are forced to wait
Hate is quicker to arrive
Behind bars hollows Time
Takes our forever
Even waking up
Still in limbo / thirsty without a cup
Same ole system
Who's business makes slaves
Kept blind and silently afraid
In a state / of mindlessness
Now worse than before

Schitzo screaming schisms
Crazy IS the war
Fear wreaks havoc
Boom boom back to a room
In your head goes the bomb
Shrapnel wounded / half none...

Are we there yet?
Just farts in the wind
Waiting is hell / how does life begin?
Just passing by / passed away / a passerby
Yelling and complaining
Let me in ? Get me out ?
Ghost to life's boo hoo / poor you
What happens to dreams wasted
In the zoo
Eyes turned frozen
Cold uncaring
Dying and lying / lifeless stories to share
As beauty within is in despair
As beasts overcrowd the fair
Flotsam in limbo float
Alone in its killer cold
Time still passing / parole / on hold
Much hope

Where are we
If there is nothing
No penny for fairy tale wells

Wishes are dead in fountains
Rich and heavy to the bottom
With tossed currencies. Fell.
How will a coin speak
Who will ever know
If we do not paint out loud
The masterpiece of the dream?

Tell me dreamer what time do you have
Still waiting?

In this zoo...

When it always was and is
And always will be

Up to you.
Revised retitled
Mateuš Conrad Jul 2016
Nietzsche once said: poets are shameless with their experiences: they exploit them. i think he was wrong, maxims aren't exactly atoms of accuracy and unchanging ontology... i see poets as shameful with their experiences: they don't exploit, they simply exaggerate their experiences - the oldest truth out of Eden was a lie... what poet could possibly reinvent such parameters as necessarily truth-worthy upon revision? the fear of telling a lie encompasses maximums, or truths untested / undemanding... the oldest truth out of Eden was a lie... the youth of refreshed Eden-like hopes is the ageing original, neither truth, nor life - but simply the unattainable regurgitation once fabled by Roman enforced bulimia and the Welsh long-bowman V wedged into the throat like an oyster into the world.

what they sold the ultra-left fanatics
and kept at juggling pace stalling
worth's of economics comes to bite back...
in my family?
the only ones readied for a coffin
are my grandparents, my parents aren't secure,
i ain't one for prawn cocktail starters either  -
i won't repay my student loan...
because i won't be working McDonald's till
dusk asking myself: so what was the point
of educating myself? i guess working at
McDonald's was the answer already
waiting for me once graduation time came.
me? i'm analysing the fears of living
on the streets... but as one homeless man began...
you're a diamond in the rough...
i just gave him a cigarette and talked with him
in Turkish akimbo.
oh pooh you, papa won't pay! how *sad
i hear you antagonising both left and right these
coming days.... of course the right you fear...
fear and shrivel and tremble and dust...
i came from a family of Communist party members...
you think the Vatican aid will suffice?!
i'm into the lessons of the founder -
i believe in forgiving your enemies,
but in a way that does not enact tribal satisfaction
of culprits kept in cages... i believe like yhwh believed
concerning Cane... roam free! lie forever more!
i don't believe forgiving a culprit once all the laws
were passed is worthwhile the message -
i don't believe in zoological jurisprudence -
i want the LIES... i want a person to exact their
role in society to a full potential... like the god
of the old testament i was the law of free-roam -
i want the lies to suffocate the culprit...
i can name him any day you like, but i like the odd tease
and fake of reprimand -
i want the culprit to roam free like Cain -
i want a zenith of lie to extend beyond a mere cage
and an environment of prison - i want the obsession
of the everyday life to encompass the term -
if forgiving is the lesson, then i will not want any laws
exacted - completely free, away from prison -
away from a similitude of criminality -
the "normal" person - oh sure, call me mad,
i faked madness a long time ago, so i could be granted
a quasi-diplomatic immunity -
Broadmoor Hospital is closing... care in the community...
oh wait... but you called me mad?
i sought my reason in Polish neurosurgeons and kept
them knit-picking lies and deceptions in a society
i once wished to integrate into, as prescribed
by my use of English; yet... left aside, i turned to Russia,
in the Axis tribunal i was least offended.
they can ridicule all they want... i know my weakness
when i see it, and subsequently utilise it in the staff gimmick.
their language undermines them - their language
undermines them... old Jack shredded the Union
in the 19th century... of course they're slow to pick up
the realities ahead - p.c.s.d. (post-colonial stress disorder)
mimicked in every soldier coming back from Afghanistan.
vircapio gale Jul 2012
the story went as though
she'd always known the sea
and trusted in its depth
to mellow any ill, caress her
open lovingkind as in a dream.
and dream she would upon the waves,
having settled into floating reverie.
she'd close her eyes and inhale being
there among herself caressing only
ocean, only breath, all sunlit space
to draw her earthly trials gently out.
softened beachside noise would fade
and let alone her ears to hear
the water oneness dipping clear
and deeper in the troughs, for distance
from the stranded holidays,
the beachy noise of seaside frills
and bear her boyancy to rest
in lilting motion, peaceful cresting sleep
atop an intercontinental,
earthsize water bed.
her trust profoundly spanned
the trans-atlantic rift
and any rift to set apart her undulating
ancient ocean mastery. moon
and sun were kneading vastly where
her snores were lost in starfish whispers balancing
the tidal volume set
to always fill and keep afloat,
or otherwise to wake in
sputters and a salty throat.
her body settles into swinging comfort
napping over waves so deep the shore recedes...
... what bright, kind, clarity cascaded in your dreams?
what heart you had, embracing open quiddity,
never sinking nowness breath alert in lucid sleep
and water surface mystic skyward shallow course?
to merfolk gazing up in wonderment
you limply crossed their bouncing sky,
just another flight of fancy in a world of mystery?
did you dream you were a whalesong
sphering out to carry sadness sonorously? did you
school the many impulse-thoughts to clump and flee
the jaws of time? did you bask in light
and find a shining womb of self
to nurture once again and labor out anew?
did gravity make sense to you?
i float sometimes and live that question true.
sleeping far you drifted out and out and in and out of view
and whistles drowned in gathered drama fear
'my grandma! my grandma!'
screamed my cousin at the lifeguard
sweating ******* and leaping over stroke to spash
into your side a breathless shouting mess for you to calm
and ask 'what's wrong?' and angle slowly back to shore
in fits of giggles, bubble laughter at commotion's reach.
they blink in crowds, standing herdlike on the beach.

and now you swim your last,
another summer day.
like any other i awoke
and fed you eggs, so soft
     (at first it wrinkled my nose),
but taste is strange, and slimy works
just fine sometimes,
like in the absence of teeth.
she never liked her dentures,
     (she said she couldn't taste her food)
and gummed her frozen dinner meals with a smile,
like it was the greatest thing in the world.
     (in fact she'd often say, 'that was the best meal i had ever had',
     and with a force that made me happy to suspend my doubt)
and who am i, judging
that which you select? your pills,
your diapers and your vote,
your shows, your nursery rhymes,
your crown manipulation,
your age?
i use abjection well,
as something not unlike a whetstone for denial.
performing daily rituals i abhor
i retrain and edit, revising social eyes:
dilapidated fictions, safer norms
and mores tailored to a loan
with interest from the self.

she didn't call herself a 'nudist,'
though she lived beyond the fence
living **** for decades saying
'i'll never leave, i love my home.'
we played dominoes 'til noon
'another kind of indoor game, one on a side'
her interpretation of my being there
changed soon, like my aversion
for the liquid yoke she buttered with a spoon.
our neighbors loved her and i,
and to meander down our path,
lay their towels and sit
like all there was to do was visit.
she hobbles from her plants back to the sink,
and filling the cat dish, stands
century-old arms akimbo
in the doorway, with a sigh to wake the sun.
being of caretaking was never so fun.
holding hands i help her over roots,
around the rocky sections, through
the easy path and level now
she hobbles sure, the cane a decoration
for her pride at being old and young
at heart and quick at stories overtold
in grooves to satisfy the sense of time.
greetings shower us with beaming smiles,
inching to the sandy edge. denuding,
joining everyone, we stand engulfed
in air. modern digambar to don
a vaster cloth of letting be.
skinny dipping grandma, and me.
the water slips around
her fraglile skin, human driftwood
knotted with a smile.
a grand mother slipping through akashic cracks
to undiscover friends their seeing core.
they wonder at the shore
of hoary plight
and wonder on, once we're gone.
Silver Wolf Feb 2014
Its 1 am
tv still blaring strong from the family room
loud and obnoxious making itself clear with
bright lights flaring over her head
she wishes it would dim and she
stares a computer screen straight in the face
searching relentlessly for comfort as if
typing in the right combination the right keys will
unlock some hidden mystery

she explores the websites about feminism and gender studies because
she’s trying to reclaim her soul
her lost power and
let it resurface
be bold
she’s just trying to discover who she really is,
underneath the layers of femininity where she hides
underneath it all
her real identity resides waiting for the right moment
to surface and set free so
for now she settles for dreaming,
dream big darling and it will all come true
they practice and they preach
just keep dreaming and everything will be okay
in the end

even though she’s lost and
her feet still ache to find the way and
her chest protrudes much more than she would like and
this body feels completely wrong because
there’s a much better one in sight if
she will just sit out the rain and
try her best to change instead of
obstinately conforming,
twisting and
contorting because

it’s not her
it’s a stranger
this body feels foreign,
alien, its completely wrong
her ribcage rattles
her heart beats  
pounds like a bird
can you hear it cry?
warbling because that dress is too tight
not right with ruffles lining everything
an itchy feeling that just won’t go away and
a ****** she tries so hard to conceal
so bare
she shivers and
reaches for a sweater but that
doesn’t hang right either it
clings in all the wrong places and
digs in so she used ace bandage and adhesive tape
to compensate but
her efforts prove futile
just cut deeper
the hatred runs deeper until it
has carved a path and continues to erode old scars
gradually wearing away until salty granules remain

a stubby grimy hand craves the feeling of sharpness and
slip into oblivion
let blackness take over
mess with her head
all it takes is the right amount of little round candies in
various shades of rainbow and
several purges,
spinning with white stars and
pyschadelic patterns flowing into shapes that could be spotted out of
a cheap kids kaleidoscope and then
just dark
eternal blackness
the nothingness
that haunts more than anything
worse than finding her corporal ****** defects
still there
more prominent than ever

maybe she’ll wake up and find
its all a dream
anyway we’re all dreams aren’t we but
they say her dreams aren’t right
who knows anything anyway? surely not
the ****** up government who
calls her a mistake and tries to
mask people like her and
conceal them from precious model citizens BUT
the government is ******* and
the people are angry anyway
if you’re not angry than something is wrong
if you don’t feel that you’re not alive
you’re just DEAD so
shut up with your conservative ******* and
stop traumatizing innocent people who
simply want their rights and a voice
to call their own
Mateuš Conrad Jan 2016
you know the avatar of vishnu
sitting pretty,
pretty calm,
he sat there, lost his hair,
became a bald & fat idol in china
miles away from nepal...
became an idol with that famous waving cat
(maneki-neko): ola ola... hello to you too.
so the avatar of vishnu is sitting
peacfully pretty,
but this avatar of shiva ain't...
he's on a windowsill... head-banging while
the supposed meditation takes place...
he's on to it, the next vogue of mindfulness
and feminism... he's like: **** it...
let the zeppelins in, london on the fork fried,
give us bacon and other assumptions
of king above all beasts.
but at the bus stop i met four would-be ballerinas,
four lolitas nonetheless,
aiming for a party, went into the shop
were asked for i.d., but the look of them
no more than 15...
smoked my cigarette in the umbrella of
the bus shelter... true to feminism got *****,
'can you buy me some *****?'
i don't care about your lies, you don't
have to lie to me,
'but honest, i have a picture,
i'm over the age of consent! look!'
my moral compass is missing on this matter,
plus you're so petite one of your musketeers
gave you away, flesh that never grew to the bone...
'but please! we're going to a party! we can't
go empty handed!'
took the 10 quid note and went in,
they wanted a medium sized bottle,
under 10 quid of ***** and 4 women?
no chance. put the note in my wallet
and bought them a 70cl bottle of *****,
3 quid extra so they could, just, shut, up.
apparently there was no party when i handed
them the confidant compliment of uncle...
you know that bit where nietzshce criticised
socrates for engaging in dialectics to create
a rude society? i think not engaging with dialectics
creates rude societies... where children
are above and most opinionated...
and the elderly are below and exposed to sadism:
as england row row rows the boat for an iceberg
to thus sink.
yes, the four of them, happy enough
to be believed to have discovered the *******
and happy enough to have almost lost it.
Ben Brinkburn May 2014
There is no honour where
thieves are concerned
skidaddling along Old Compton Street
pretending to be rich
striving to drink anything before lunch anything
the hoof
just so long as it’s over 40% proof
that’s important
drunk on the beach at
Playa Manzanillo
tumbling dice
touch of Midas
maybe the gold will rub off onto me
like pollen on a bee stuck to the legs
stuck to the fur
cribbage pegs
croupier blur
dealt a hand
relax with a mojito
hands clawed in the sand
cursing the might-have-beens
wishing for the might bes
chips one square out
90 degrees north
45 degrees south
the painted boats pulled up on the shoreline
Venezuelan Coastguard Launches
scouring the Windward Island monied coke lines
louche and free and slightly depraved
devil you do devil you don’t

and maybe

I should have done the dealing
instead of playing with what is dealt
career crossroad choices
casino neon
instead of
hot strand paper
Chinese lanterns many
spectral colours
remember Brazil?
‘Praia do Diabo!’
memories of London days
Oxford nights
Brooklyn JFK haze
Sao Paulo frights
chewing Samurai pizzas
watching a thunderstorm spewing rain
over Granada
on a boardwalk mozzarella sticky teeth
swordfish and octopus ink throw on
some red capsicum peppers
sliced like dragons tails
now that’s some pizza
dreams of blackjack and ***
high tail and lucky spots
working out my next move
on Isla de Margarita

what was the name of that bar
in Bayswater?

With the gambling room beneath-
old school, East Enderesque
not all are run by Chinese you know and
not that one run by Laotians from Vientiane either
no no no the other….one
and you wore that dress
covered in red sequins the one you slinked off
to the summer ball in Oriel in
the one in which
you shimmered and crossed dimensions
polymorphed through parallel branes
with legs to lick
******* to ****
later limbs akimbo
in the good old days of propitious spots and slam ships
when the moon was less lonely
and the ocean had less reservation
and me, well
I had all the luck.
From the forthcoming collection 'Mythopoetic'
Mateuš Conrad Jan 2016
poetry, or...: how spontaneous can you be?
in real life? you're on a bus,
going home, and a stranger chats you
up with the lines:
there's a massive rave in an abandoned
warehouse a mile from here...
glow-sticks, ecstasy, techno techno,
goldfish square box dance moves to represent,
wanna come? hmm, a. or b.?
who the hell would write poetry thinking
of an armchair? i'd write poetry even
if i had to sit for a year in akimbo:
apparently turks drink coffee in that pose,
while samurai think about the buddha's
ego like a sword: thought the platitude of
a battlefield, hence their pride and peace
when slaughtering.
Janette Oct 2012
It is nothing,
a mordant of the soul,

an elixir, a panacea, a placebo
for my lesions, there in the thistle, grows
our drastic garden of red posies and hyacinths,

such little things, on the verge,
lilting as the decorum begins to bobble
and slump sideways, and murmur,

on Mondays I can swallow the octave
of your absence, tendrils and all,
red quince limbs parting from the deluge

and in its wake, the wreckage
of black pumpkins and purple corn, hanging
pendulum at our door,

the Autumn lights summon a lavish song to harvest,
thirty seven colours in the brocade you gift me,
tangled and heavy the years upon my bones

begin to spur and flower
into cunning disruptions,
and stratify upon my body like rinds of ricepaper,

vellum for another wish
in the complacent burial of mango flesh,

as my song liquefies,
drowns you, inundates
each alveoli, and our love

in the swallowing gush, perched,
begins to shudder,
devoured by its symmetry,

stem cells all akimbo
in the shallow pitch of days
bound in a nostrum of wine and liquorice

it is nothing, really,
a mordant for the soul, a tulle filament
twitching in a raincoat of lightning....
King Panda Aug 2017
I am unsure of the geology
of where you’re from.

I expect there exists
shelves and sheaths

pale grey-yellow
like serum in the blood

and rocks resembling
sun-weathered lobster

all of this enclosed by

a festoon of green pine—
its regalia cut sonic

and naked
wrung and wrung again

by august.
on the edge

a cabin is hemmed on
the skirt of ocean—

spikes of molding logs
propped and resting

a wave comes in.

a wave goes out.
a wave stays to shake

your hand.
introduces itself as

sensate verge
and wonderment.


I can only imagine what
it is for you.
Mateuš Conrad Aug 2016
i'm actually writing in Turkish akimbo on the floor,
****** uncomfortable,
can't do the hunched monkey spine of Blitzkrieg...
the problem lies with my cat,
a Maine **** that's actually a bloodhound
come bed time... his ******* operatic meows
get to me... he will meow down any werewolf's howl
any night of the week, with 200 variations...
he's like a dog when bedtime comes,
he rapes his way into my room,
takes comfort in my writing chair,
keeps me up listening to βετo βετα's
between two selves - i call this the reason
for never stealing from Hinduism...
outside of Hinduism the economic model works
just as effectively as Auschwitz with cows...
come to petted animals, putting yourself
second doesn't... you get to see the many variations
of character in these buggering fur-*****;
****** got gassed, i see it as a natural karma...
because why would he have a Jewish girlfriend
who committed suicide with him the bunker?
i won't pity them... ****** knew the measure
of things, having been gassed himself
he knew the wounds: and so will millions who
thought world war i was fought in vain...
remind me... as once the northern invaders
accommodated the Roman alphabet and dropped
the runes... what you conquer you express
as an incorporation of certain qualities...
luckily the German work ethic was unshaken...
but it shook the English sensible life:
work! work! work! ready meals in between:
two favourites! two! cheese cauliflower and lasagne.
to keep up the once colonial Herrwettlauf in
charity limbo... you ain't donating to any Africans...
Bobbie Geldof fooled you...
it goes into milking the ivory skinned skin-heads
once retired... Africa is more than just a suntan...
it goes back into ensuring we don't work
in Chinese factories under lynching-contracts...
case no. 0 (or contract) - we'll just call you when we need you,
otherwise we'll contract the cheap steel and cheaper
salt from the Dead Sea:
new social order... after all that colonial piracy i'm sure
we can afford investing in a body mass indexes...
is this how efficiency is structured?
quality control and quantity control...
well, capitalism knows quality control...
but it does't have the foggiest about quantity control:
hence so much waste, and supermarkets throwing out
food into the gutter... the quality control is there,
but the quantity control is missing: always excess, always
excess, always excess... sure i get the Muslim
argument about drunken Brits in Spain and Leicester...
but what about those Saudi children speeding
in their sports cars? no one going to criticise them?
after 50 years... our shame will be a greater
instigator of global warming than a diesel engine...
cheeks puffing up into rose and rose and everything's
finally not so rosy as we thought.
so here i am, writing in uptight akimbo without
the writer's hunch of reverse Darwinism,
all because my Maine **** is acting like a bloodhound,
gets depressed before bedtime...
why are these animals needing my bogus company?
when it comes to music i'm selfish; ah! he
doesn't like the night and the modern orchestra of
grizzly exhaust engines doing the baritone with rasping
the new church bell (phlegm) with a hark uvula...
it's called Irish poker for a prayer...
the van de graaff toy generator is on in the darkened room -
then the typing ****** him off, he's off...
thank **** for that...
but why is it that the once infamous Axis strategies
are creeping into those that strove to defeat them?
we are getting Japanese karaoke culture,
we're getting welcoming euthanasia programs spanning
the dicta of Belgium and Switzerland,
as people want dignity in their death...
they're queuing up to the once known enemy...
maybe it's because these Axis powers were
never colonialists...
                                 just finishing watching Indian
season two you get the picture...
god and the dodgy monkeys...
stay... sit! stay... sit! **** it, let's lynch that Eton ****
of privy accents... ol chap... ol chappy...
trot along... the turban bomber and half
the thought that a Pole learning obedience from
Russian and German would learn to be cinnamon
skinned in England... i'm almost suspecting the
Irish are the SS in the project.. generation of the Vietnam
saint soaked in gasoline... oddly enough
that has no place in Europe, apologies that i don't
share the sentiment... it's obviously the
counter crucifixion scene and emblem,
i told you be afraid of the blonde ferret...
i see the prognosis just like Britain exiting the European
union... California is not even America,
who gives a **** about the American Secular Vatican, anyway?
it will be like as if Canada was part of America
and resembled Scotland in the Jackshit Union...
gross the vote on the puppet...
the Democrats will get New York (the equivalent
of London) - i don't know how to twin Reading,
and that blue belt of remain campaigners linking the two,
half of who would speak as much of French
as an advert concerning the sales of socks...
or enough German to order a pint of beer in a Bavarian
pub... well, Canada would vote like Scotland,
one revolutionary figure (who was actually Muslim,
and never cared for African-American concerns
of Baptism... singing hallelujah was never part
of the do)... can't be replaced with another revolutionary
figure... he was never exactly a Martin Luther King Jr.,
more of Malcolm X than you thought...
that strip between London and Reading
will be translated into Ronald Reagan's resurrection...
a billionaire is more ridiculous than
an actor? well... who we going to call the pretty boy
and the favourite of media cartoonists? boots on the ground,
a society that doesn't practice dialectics is not
only rude, but out-of-date...
the debate of the park bench now resides in separate
stadiums, monologues that involve something
that physics unearthed: two sources of negativity
existing in two places, at the same time...
if this is a debate, then i got the postal code wrong...
the dialectics of knowing nothing became: i still know
nothing, but i have 4 million people supporting me.
i imagine the cavemen to be less subjective that we
try to imagine ourselves as resembling, Michael Palin
in the Sahara... cavemen worked on instinct, not on
appeal to the intellect... that thing
about the jokes of the vibrating lips and the index finger
moving against them to invent the Mongolian harmonica...
given the complication of urban life... well...
you'll hardly revise that bit... that part of life is gone...
i assumed that the more we evolved the less
naked we became... but given evolution and having
created this parasitic symbiosis with the natural
elements... the more i think of it: the more naked we're
becoming - the more dependent -
the original sin as conceived from the delusion that we
were disabled by our originally conception of nakedness...
it only comes now... once the dependency kicks in
and we're all in bow-ties and cocktail dresses...
hello Herr Fetish and page 3 milking of the farmyard
cows of our imagination - Islamic eye-fetish,
we heard of footfetish... must be about oral ***...
knees baby knees, Arab has eyefetish on your knees...
i have a fetish for hands... see how the cameraman zoomed
in on the hands of the women fencing?
once instinct governed us... and instinct's expression
of intelligence was: i challenge the alpha male,
i'll get **** with his concubines in the harem...
these days intellect governs us... and intellect's
expression of instinct is: i challenge the alpha male,
i'll whip up a horde of lawyers, file a lawsuit
and get away it because he nudged me in a supermarket...
honestly, i don't think educating people was a great
evolutionary step forward...
we have more law-prose liposuction on the pages of
history than a Tolstoy could muster a novel -
and because we taught everyone literacy,
the once necessary backbone of our economy,
the workers... well... let's just say that the Founding
Fathers made their muscles into oysters and molluscs,
floppy protein spaghetti... wiggle wiggle, yeah, wiggle wiggle, yeah...
defeating Communism in a place of the world that was
prone to some sort of religiosity, enzyme John Paul II -
i'd bruise his forehead and lips against those airport tarmacs
i'd get to be the inventor of sand-paper and
the Antichrist's assault on the biblical reference:
it only takes on saint to defeat the congregation... it starts with him...
or with that Calcutta Lady and Hitchens...
and oh... lookie here... up pops Hydra China:
America will be great again... but chances are...
the hot dog and the hamburger will never be re-invented...
watch the pendulum... op op oop oops here it swings
while the Hawaii communal laugh about starving
on coconuts.
Nat Lipstadt Sep 2013
I lay with two women.

In an Economy seat,
emblematic nowadays of
the global economy,
"value" disguised as
a shrunken package size,
for which the cost thereof
can hardly be described as

my extremities are engaged in
extreme sport,
my competition,
my aisle mates,
young ladies both.

In recognition of the
early hour of our departure,
I have been awarded by them,
a singular honor,
a distinguished cross, of sorts,
pinned with a medal,
for gallantry under siege,
the medal is not of
two crisscrossed rifles,
but crisscrossed elbows,
for gallantry
upon the cross
of the middle seat.

Blanketed and hooded,
or should I say "hoodied,"
slumber comes too easily to
my young traveling cellmates,
as does the
flexibility of the body.

They seem to revel in the words,
akimbo and limbo,
upon my adjacent
body parts.

My sides, my shoulders,
my haunches and paunches,
punched, pillowed and pilloried,
summarily donated
(with a consent slip
called an airline ticket),
to scientific research:
"In Furtherance of the Study of
Sleeping on Airplanes."

My lap, however, sacrosanct,
how else could I type,
of heartfelt matters,
read on,
for you have been both
punked and pranked!

My mind freely wanders
while body is
captive and captivated,
(did I mention they were
young and attractive?)
to the manner
in which we
juggle proximity.

My darling:
You lie beside me,
a distance of
but a few inches,
but closer still,
for I am inside you,
I am yours
for your flesh,
I take,
a blood vow,
sealed with divine blessings
of mine own composition.

For the children of my children:
You are crosstown,
but I hardly know ya,
I am of your flesh, your blood,
eternal and immutable,
no poem can be allowed
to reveal what I owe you,
secret debts unpayable
till and after
death us do part.

Proximity in my tears,
proximity in my fears
for all of us,
for thoughts of you,
come regular,
with every breath.

Proximity at the cellular level,
until that day your
words first emerge,
your are of me and my issue,
mine to behold,
mine with which to dream,
mind to mind and mine.

So now there are two,
where speech is not
a viable tool.
Know that when
I no longer compose,
I will still eternal communicate
in ways, beyond belief.

So many we touch, so briefly,
lose and fade from daily sight,
yet, forever, treasured,
measure for measured,
each one of you,
parcel posted upon who I am,
the tick in the tock
of my beating heart's
final prayer,
Grace after the Meal of Life.

At my funeral
please inform the rent-a-rabbi,
that I was this and that,
labels to write on post-its,
to be stuck on my gravestone
that no one will come visit,
but please someone,
tell him to say these words:

there was no between,
there was
no approximation,
no proximity,
there was no scientific instrument extant,
that could measure
the close love,
the heart and home
in which his faith resided,
for those who touched his life.
Mateuš Conrad Feb 2016
poetry is the perfect tool to plagiarise, well, technically "plagiarise", since it involves the circle, akimbo, a micro akimbo shuffle, sketching the same statue over and over until full circle, 360°.

paris, ah, paris, well d'uh, paris,
umbrella rich paris in the summer,
first year in edinburgh and it wasn't Scottish,
sunshine throughout the year,
one morn took to feet  and kneeling climbed
arthur's seat (figure of speech,
i.e. not really) to see the sunrise
better, came down, went into
a supermarket and bought myself
a bucket of cornflakes,
third year i danced on the old college
roof in the night listening to
the shins' *new slang
tried getting a girl up on the roof,
failed, i said:
by the white fluorescent tangles
and dangles of the firth of forth are
coming up like the northern lights!
she didn't care... on a roof on
prince's street threw chimney parts
off the roof... could have killed
someone... on the same street
a year before on hogmanay kissed
a ****** in a wheelchair in full love
for the new year, got scolded by yet
another girl... god, this misogyny isn't
really working out...
on a date in a jazz cafe, first time i read
a rendition of neil young's old man
loved it so much, got confused by
the girl dragging me into the ceilidth twirl
pit akin to turkish sufi dervishes with a partner...
but paris man... oh man...
first time round we drunk ourselves
into silly animals dubbed children,
ran out of the hostel / bar into the streets
trying to find the compass point of
the city that's the eiffel tower,
didn't find...
broke an italian girl's heart, my sprechen es
tour guide, who took me atop the sacre coeur,
hostel's name? something duck...
not quacking duck, laughing duck? don't know.
second time i had a canadian-russian
tour-guide speaking quebec french (i know,
the cliche irony)...
we spanked baguettes and cheese and wine
and talk of literature bundles together
as the sun settled beneath the eiffel tower on the grass,
a group of french girls were deliberating
a fancy of my lean legs and armpits (when
i weighed 86kg and was suntanned),
and the best moment of my second weekend stay
in paris?
watching a guy high on ecstasy play ping pong
to a drum & bass drumbeat in a shady parisian club,
true too with the hand movement,
higher than a kite in a sky of diamonds he was,
and, it was fun to remember it:
no brooding exercise of thought:
memory attracts no thinking, just re-imagination
and memory in orthodox terms is happy nostalgia:
it happened because i was there...
not this modern paris the slum **** hole of algeria;
apropos - modern leftists and their censorship
of people's vocabulary... listen...
i had long conversations with a communist
party member, ok, an ex-communist party member
(my grandfather), your socialism is ridiculing
vocabulary... added to the fact that this proto-atheism
is exclusive, it's not communist inclusiveness:
god is dead, lets work together,
origin of the species and corporation,
now everyone's as selfish as a tsar...
there's not togetherness - i'd rather be a jessy james
in such times than a robber of thinking something
doesn't exist... and that's my conscience on the matter.
kirk Nov 2018
I knew they'd be more sightings, it looks like I was right
The day has arrived once again, where things have come to light
Shinning armour is absent, and there is no gallant knight
Oh Annette, there's only Den, and your chastity's not tight

It seems Miss Tidy has returned, she's covered a long span
**** escapades displayed again, written by a big **** fan
***** heifers filled Cow Pies, diving in like Desperate Dan
I wouldn't mind a go myself, because I am a man

Bus stops and phone boxes, seem to be your mainstream media
Your depicted as a ****, and your appetite gets greedier
Every time that you appear, your antics are more seedier
Be careful of your infamy, you'll end up on Wikipedia

What the hell is going on, you've resurfaced once again
There's no accounting for good taste, with ******* different men
I don't know if it's better ***, than your getting from old Den
Oh Annette if you get judged, it'll be a Ten from ***

Bus shelters are the place, to read about your ***
Showing intimate parts of your life, like the local multiplex
Written words like **** and ****, are nothing to perplex
It's obvious what's going on, its hardly that complex

If **** *** is preferable, if it's not just a passing whim
You can lick my exposed ****, and I'll give yours a rim
A tight *** is just as good, as a nice warm ****
Oh Annette untidy your legs, and we'll go out on a limb

**** *** excites me, but there's just one small detail
Is your *** completely free, or is your **** for sale
If you use lubrication, then it never will get stale
Naked flesh I really like, that's probably cos I'm male

If telephone boxes we're obsolete, if bus stops did not exist
Where would Annette's news be then, from the *** obsessed artist
Would he try a public lavatory, would he have a different twist
Oh Annette If writings ceased, *** stories would be missed

George Formby leaned on lampposts, but I'm not sure I'm a strummer
Unless you count a *******, and you are a heavy ******
I'll wait until you come by, for one hell of a good ******
Outside in the night light, so much better in the summer

Could you be a lovely girl, or are you an ugly *****
**** ***** and ***** *****, are just the local lingo
Oh Annette if you want ***, don't wait too long in limbo
I can do it on all fours, as well as legs akimbo

Softer holes are better wet, **** positions don't much matter
Whether it is *******, or laying a bit flatter
Certain parties can be fun, if your naked on a platter
A very happy unbirthday treat, I'd share with the Mad Hatter

Do you bite as well as ****, be rough and rarely gentle
let passion take control of you, cos I'm not temperamental
You seem to be the kind of girl, to be experimental
It makes no difference if your a ****, it isn't accidental

There's nothing wrong with ***** *****, if they are never shut
Open all hours is quite fun, when you're an **** ****
I hope you have "**** Handles", that are looming round your ****
So Annette relight my fire, I don't want my long wick cut

Come on now be daring, because you seem like an old friend
I hope your ****** preferences, are not just a passing trend
So much is known about you, with all that has been penned
If your into *** ***, then give your **** a lend

Just how many blokes you've had, well I don't have a clue
There's Den of course but now and then, you try someone new
It doesn't really bother me, if you've had quite a few
You could be in fetish films, if your backdoor is blue

Perhaps I have misjudged you, and you are a teachers pet
And everything that has been said, is something you regret
But If the rumours are all true, then I would not forget
To stuff my ***** up your ****, and I'd say oh Annette !
What can I say about Annette Tidy, as you may or may not know, I discovered writings concerning Miss Tidy's shall we say carnal activities in February 2016, there we're further details of her misdemeanours 2 years later. Both sightings inspired me to write a poem the first of which is titled " Oh Annette Tidy" .
After the second sighting I then wrote " Oh Annette Tidy's Back Again " I thought I was done with our Annette until I began writing this new poem, so you might say the Annette Tidy saga has now become a trilogy of **** escapades, I hope you enjoy it and I wonder if this will be the last we will hear from Annette Tidy ?
Mateuš Conrad Mar 2016
.english colonialism used to be passive-aggressive, english post-colonialism is a strange dynamic of former colonial nations playing the endgame of colonialism with non-affiliated nations of the british empire (affiliated by trade anyway, although not based upon origins of the ruling elite's extending arm), there's a hot topic in england between the irish and the polish, the irish are provoking the polish into racism so someone else can look smug with a pakistani friend on the london tube.

you know the amount of pain i see writing my father's
invoices of manual labour with the irish *****
apparently running
the show protecting northern
irish outputs of poetry and cigarette smuggling -
keeping us migrants "in check"?
god the loathing,
i try to improvise each invoice
with an excess knowledge
of the english tongue to break through,
but my sole considering comforter
is still death,
**** this *******, i rather die
than see my father's eyes eye me
hurtful hopeful of seeing my "bright new life"
when i was nearly murdered by
an egyptian school-friend / childhood friend
and later told: boy you better pretend you're
mad... boy my ***, your father is just
an x-ray technician... go back
to the northern africa of your
pretending to be a semite and build
another pyramid... *******, **** all of this,
days of casual pretentious squeaky clean
non-offensive poetry are over...
gentlemen - let's broaden our minds... swear a little
take up oaths with truth...
we were born to down a pint of concrete before
ireland was born, rushing out of pubs
when the call was made: concrete has arrived!
run, run run run! break legs and whatnot,
because in an irish pub talking to a homeless
person in akimbo giving him a cigarette
is cause for argument with an irish girl
trying to get, familiar;
unlike the sword, a stick has two ends...
you can smack someone with it,
but then someone can rebel and grasp the same
stick and smack you with it, for a suckling
taste of a kiss in memory of reprimanding manners.

- and i do remember the good stuff coming
out of h'america...
    i once owned a copy of blue valentine
by tom waits on c.d.: scratched that record
from over-playing it...
found a vinyl copy in the shop today...
splashed out a staggering £20 on it...
lucky for me the mp3 record comes free...
     £20 is a lot?
       well... better that £20 which played
in the background as i finished off decorating
the kitchen...
   rage 2 deluxe edition for ps4 -
      £44.99... so sure... i splashed out...
          thank god i'm not a gamer...
with games it's like with movies...
   notably? vikings season 1...
     i thought i could watch it a second time...
   a bit of a hit and miss...
    with games and movies...
      when the narrative gets exhausted...
and you're still honing in on the narrative
whether a passive spectstor or the role player
in the game...
but investing in an album?
       background background...
and an almost infinite array of the comeos
against the record...
   one cameo decorating a kitchen
another cameo finishing the day off with
some cider on a windowsill...
   but once upon: that's what h'america was
about... united we stand,
divided we fall... blah blah...
           and it looks like that right now...
the cultural export zenith peaked and it isn't
coming back...
   not for a while at least...
now we only look at not the united
         but the balkanized states of europe...
the states pulling at each other:
where once there was a cohesive collective
      export of pure cancan h'americana...
tom waits' blue valentine...
                          now i'll am getting
"culturally" is a bunch of vlogger content...
export of problems,
existential qualms without support on
existential pillars from continental thought
of 20th century europe...
   19th century doesn't count:
   not even nietzsche does: but kierkegaard

what are those lyrics from that vomito *****
song enemy of the state?
we shall send you, in ever increasing number:
ships, planes, tanks, guns: that is your purpose
and, our pledge
... (1941 state of the union speech

most americans are not aware that soon
the primary export of our national economy
won't be cars, or food, or microwaves.
instead we'll be exporting death.
instead will be exporting death.

   perhaps, once upon a time...
now the export is quiet different,
   at its cultural zenith of exported values...
it would seem h'america choked on
a bitter pill... h'america no longer provides
the sort of culture worth exporting,
notably in cinema in music...
                               in literature...

the behemoth lost all of its juggernaut
momentum... and stumbled into rehashing old
ideas... it's not plagiarizm as such:
more a plagiarizm ex per se...

norman davies: god's playground -
   1795 to the present:

the Belweder is a palace in Warsaw...
(belvedere: a beautiful view)
constructed in 1660 -
  the White House in Washington D.C.
constructed in circa 1796...
by god, what a similarity!

   polish emigration to the u.s.a.:
in social terms their educational and communal
organizations are less effective than those of
the ukranians,
   in political terms their problems
command less notice than those of the blacks,
chicans or amerindians...
in the vicious world of the american ethnic jungle,
the 'stupid and ignorant Pole' is a standard
stereotype... once the noble lord...
reasons no doubt exist: like the irish and
the sicilians... the greatest influx came from
Galicia containing a large number of
the 'wretched refuse': people so oppressed
by poverty and near-starvation:
supressed linguistically, religiously...
the instinct of mere survival...
accepted the most degrading forms of employment...
exploitation: 'industrial *******'...
they were the gangers of the great american
railway age...
a canadian textbook can be cited
(j. s. wordsworth, strangers within our gates,
toronto 1972):
'it is hard to think of the people of this
nationality other than in that vague class of
undesirable citizens' -
   very much like to today:
   to think of canadians being a people
beloning to the making of mankind -
    without the canadian concept of mankind
being: peoplekind...
even woodrow wilson (then) prof. at prince-ton
deemed the Poles to be 'inferior'.

- but who was to ever to keep grudges...
grand torino - the movie, starring and directed
by clint eastie-boy-sparking-wood...
waldermar kowalski... dumb pollack...
why do poles no integrate within a community
bias as such?
                   the proverb:
if you want to succeed within a framework
of immigration: steer away from your
fellow countrymen...

                     almost all other cultures that
come, but the host's nitty-picky:
oh look at our asian labradors...
why can't you lick our ***** like they can?
etc. one example out of the many...
some people, i guess: prefer to be in
the background...
post-colonial powers need tokens...
akin to a sadiq khan:
papa was an immigrant bus-driver -
quick step up from daddy being a bus driver
to the position of mayor of london...
browny points!

the english are smug like this:
you hear even today -
not for our colonial past...
they say that consciously -
but subconsciously they are scoring
brownie points...
        i can't say they're doing this
unconsciously: since if they were:
there would be a unanimous concensus
and no: "diversity is our strength"

             besides... you can't exactly
conquer an island...
the norman conquest of 1066? it wasn't really
a conquest: for a conquest to actually take
place you'd require the native population
to be displaced / replaced by the invading
force - akin to the saxon invasion...
'don't touch, their, women...
we don't breed with these people...
what sort of people would you think
that would breed? weak people... half people'
(king Cerdic from the film king arthur 2004)...
proof being?
when the normans invaded and "conquered"...
they simply replaced the ruling saxon elite...
hence? the domesday book...
the ruling elites were being replaced
and the new ruling elites wanted to have
an account of who they were going to rule...
it was less a conquest and more:
a change of guard... since...
            the locals were first investigated
and subsequently left to their own devices...
there was no conquest:
               as such...
                but you can get on with your
day-to-day life on an island with natural
fortifications (the ******* sea)...
and produce your little whizz-kids down
the years...
   but imagine being squeezed by:
prussia... russia, the ottomans,
                  the mongols...
                             the swedes...
                and subsequently by the austro-hungarians...
matka królów (the mother of kings),
i.e.: Elisabeth von Habsburg...

   in conclusion... oh to hell with the whole
"incel" label... you have to pay for something
in the end... why not skip the *******'s worth
of pleasantries: the dating masquerade
and not get into the nitty-gritty with a *******
in one smooth stroke of a count worth an hour?
no hard-on shyness that way...
no ****-teasing...
whatever is an erectile dysfunction outside
of the brothel... doesn't seem to bother
whittle wichy while in a brothel...
so go figure...
                and relating to the stories of incels...
hmm... maybe it's the fickle women...
last time i checked...
i picked up a thai bisexual in a park,
a random stranger...
                took her home,
some beer, some jazz...
                  ****** her in the garden...
        i don't even think it's the case of
"i can't get laid" with these incels...
     english women: nuns on the outside...
latex gimp suited **** black boot licking
*** fiends in the bedroom...
   the madonna-***** complex...
the only aspect of Freud that resonates with me...

you know what, never mind...
      i'm just happy i collect vinyls...
free mp3 copy to boot...
and instead of spending 40+ quid on a game
that will become exhausted after one sitting /
completion (these are not arcade games,
nor are they the "free" new wave of games,
the ones where you play "superior"
opponents with a handicap -
since you didn't pay any in-game updates,
patience is a virtue,
   and someone people invest real money
into these games, but are still **** at them,
plus, these new wave games never really end...
i'll be dead and i won't be able to finish them,
added bonus? there's no NPC dimension
to them, added strategy: with a complete loss
of narrative / story-telling, genius!)
plus... how much does a vinyl player cost?
you can get one for under 70 quid...
sometimes vinyl bargains: under a tenner...
this one though, for 20 quid...
1 vinyl worth 20 quid once every two months?
oh yeah... i really splashed out on this one!

woman is a grand idea though...
    there is so much of woman i would be able
to love, if only the practicality of woman
wouldn't be associated...
alas: reality bites...
                                  aged 33 and i feel as if...
i have managed a good enough sample
where both sexes can coexist within the confines
of me entertaining them:
as if they were to never meet and "preserve"
the "fate" of "humanity"...
      i'm pretty sure there are plenty of people
who have been bullied into this trap
associated with the otherwise "intelligent"
dodo mentality...
                          besides, i'm about to find out,
whether or not, they sell liter bottles of whiskey...
using my braille tally:

            ⠁ ⠃ ⠇ ⠧ ⠷ (⠿)
            1  2  3   4  5  (6)
             a  b  l   v  à  (é)

                        from what i drank yesterday
for that lullaby... i'm starting to supect that:
what they label as a liter... is actually more -

    if after ⠷⠻ ⠷⠻ (i.e. 50ml  20x) i'm not left
with an empty bottle... well then i'm not left
with an empty bottle.
Mateuš Conrad Mar 2020
.perhaps in my company we wouldn't be... opening a bottle of red wine... to let it breathe... or pouring it into a bowl to give it more air to breathe with: otherwise on life-support machine through the bottle-neck... right here, right now, we have... a glass bottle of beer (13, guinness hop lager) and 4 cans of stella artois (the wife beater's lager, so they say)... yes... beer in cans... for all intesive purposes - a good way to transport beer... in aluminium cans... but we're not bums... we don't drink beer straight from cans... we pour our beer into a tall glass and wait... so the beer can exfoliate like aladdin's jinn in the glass... away from the confines of the can... we don't drink beer from a can... we can drink it straight from a bottle... but if it comes in a can... we pour it into a tall glass... just so... so there's some head on top... we're not english in that respect either... of cutting the head (of foam) off the beer... which is probably why i always order a stout in a pub... you can't pull one without the creme de la creme on top... a head on a beer is what makes it look less like carbonated **** or concentrated lemonade... we're not bums... we drink beer from glasses... never directly from cans - the metal gets in the way... a beer like a wine needs to breathe too.

i found that there are only two types of music styles
that are suitable for drinking -
that's... drinking and not going out -
playing a cat with an imaginary fireplace...
the less imaginary fireplace being:
a stare confined to... watching a pillow...
and the general schematic of a bed...
and sitting hunched in imitation: all crow because
no crow doesn't get you far
on golgotha of daydreams: if only i...
humble servant of dusty feet - the tourist,
the pilgrim - would set off...
         on an amphetamine riddled skew into
a messiah complex adventure...

                     but not me...
                once upon a time the only music
worth drinking to was the blues...
            a long, long time ago...
                hell: once upon a time any music
would do if we all decided to go dancing...
or at least waited for the dance to come of its own
volition and not mine: i.e. the me in i would
just be dragged under the teasing waves
and slurped out to sea...

                   a thousand waves are all but the single
tongue of some swindling kraken...
drinking and random shamanic interludes in
the youth of the night-club...
when there wasn't a tally for score or...
the ones shot down by manfred...
good thing he was called manfred...
   and not some swabian helmut! oi oi!
                                             von Richthofen!
and that was when...
           until came the five beers and on
the 4th it became apparent...
                                  the red garland quintet...
soul junction...

   and it's not... a gerry mulligan's night lights...
piano sentimentality and the ode
to all things urban, cosmopolitan...
                        yes... it's not grenadine in that
sulk of yours... it's cranberry juice...
the city and... the sewers and...
                                 jazz for the urban scenes
of: anywhere but the park...
the graveyard... a choo-choo slowing into
a station... and billy joel come:
mid-life crisis and a new york state of mind...
while over 'ere we have...
     teasing the woods: where concrete ends
and mud begins... thus we can have our Adam...

only today i was walking past his bride...
doing my odd citizen duty of recycling glass...
and buying the amber sedatives (carbonated)
for an evening with some cannonball adderley
or some donnie byrd... or a horace silver...
that's the beauty of jazz...
the music is all there is... the names come and go...
sonny rollins and the story behind
the bridge... and how he would pretend to
but not pretend to... retire and go off and practice
on the bridge so as to not disturb his neighbours...
all the details are there: on the vinyl sleeve
from 1963...

now that's jazz... i don't even want to mind
how pretentious this might sound...
but... it doesn't in that: jazz is jazz in that there
might come some great improv. -
after all: it's all somewhat improv. -
   but you can't really make such basic
        speedy-shoom-of-a-choo-choo whizzing past...
   classical music is all a priori...
                              jazz... it's all a posteriori...
how? when people phone in between
1pm and 5pm to and they make requests...
they sometimes ask for something specific...
but usually... they vaguely allude to... a feeling...
something "uplifting" - play something "uplifting"...
ergo... there's this... a priori "item"(?)
in the music that's... an expectation...

          i do know what jazz sounds like
a quintent: drums, bass, piano, trumpet, sax...
yes... the guitar... asking the algorithm:
a quintet is five - what is six?
        sixtet - d'uh... sextet... well that's the basic
"i know what jazz sounds like"...
but with jazz there's always this lag...
it's this lagging behind:
    i don't exactly know what i'll feel until
only after i've heard it and in the meantime too...
jazz is all a posteriori -

while classical music for me is all a priori...
given that... it's not exactly improvised:
there's the orchestra, the movie, the script...
   and it's such a music that doesn't worship
itchy fingers of improv. - the stale or rather:
the head-about-to-explode of scoring the music like
a dissected **** of beef...
the cuts for the violins the cuts for the woodwinds...
more so: the almost shy drumming...
the wet-drumming... like rain playing
rattle fingers on tin (roofs)... or what rain would
sound like... if it was made from sand...
either way... jazz is a baggage...

hardly any sort of envisioning a journey from
(a) priori through to (b) posteriori -
and at least with jazz... you never have to really
cite who's playing... in a passing gesture
for all necessary bookmark purposes
of: where i am in the library of jazz...
unlike in classical music... where...
it's either Mozart, Beethoven or then again...
some obscure composer... perhaps ola glejlo...
but it's less about the music per se:
it's about the music of THE composer...
bonus marks for keeping to a rigid diet of one
and completing the herculean task of digesting
his entire oeuvre...

-       so i was walking past the most usual scene...
a car stopped... and she got out...
she must have been no more than 16 pushing 18...
the heavy make-up hid her otherwise boyish
contorts... a short black dress...
and as she got out of the cab...
she had her high-heel shoes in her hands...
   she was walking the cement barefoot...
i peered into her eyes... the lights were out...
perhaps her soul was screaming - perhaps this was
her first disappointment - and it was only... what...
not even 10pm on a saturday night...
my nights of youthful regret usually came after 3am
having to wrestle a berserker...
or how a dog looks like when it takes
to beer with a fond heart and only three legs...
god forbid but "they" would also cut my tail off
to further throw me off balance...
the walked passed and i looked into the cab...
a very, very nervous asian was looking at me
and then her... this didn't exactly look like...
she was ***** or was fighting to escape...
           aren't those scenarios usually stage in and around
woods - without any pedestrians walking past?
call it a trainwreck a carwreck...
                      or just running mascara...
that bad, eh?
at this point... society is a cruise ship...
and i'm stuck with ottis and none of that sentimentality
of the dock: running away with a bag of
chips wrapped in newspaper away from
seagulls... who... are apparently prone
to kleptoparasitism - a real thing... i swear to god...
the animals that want to eat in the realm
of trans-species... dogs have had their
kleptoparasistism repressed: crumbs from the table...
the chicken bones with hopes for
cartilege and someone who... is bad at
cleaning the flesh off the bone: pucker up...
move aside leech... watch this slurp...
ol' hank mobley and wayne shorter...
        one cascade after another...
5th beer in and...

yeah... so that's what a carwreck looks like...
for a girl in her late teens...
the cute black dress...
   getting out of the cab holding her high heels...
walking home barefoot...
she wasn't crying just yet...
but i could see puffy tender demon baron
of the soft cheeks readying to turn into
medussa's stare-grip... but not there yet...
this must have been her first time at "life"
and the night life and saturday...
         the cab driver looked scared shitless...
as if frozen in time... about to have his photograph
taken by a more sensible shadow of his...
i did think she just escaped a bad
session of prostitution...
but not even prostitutes look so ******* gloomy
as she did...

the ******* ***** it up -
the pundit ***** it up - the show goes on...
stage or no stage... an audience or no audience...
those eyes though... not yet crying...
but they felt... like wheeping oysters nonetheless...
you know when eyes are like that...
teasing bulging out... they appear dimmed
at first... but that's a dimming before
the sparkle of tears...
it's the 29th of febuary - yes...
mr. zodiac wasn't kind to those who still believe
in the horoscope but never tried
gambling on a winning team or horse...
it's still winter and those poor feet of hers...
she must have told the cab driver to stop...
hell... half a mile before she would get home...
a 6ft2 115kg sore thumb up with a beard
up ahead: stop! let me walk past him...
that's why i gave an inquisitive stare at the cab driver...
the cab driver was looking at me...
aren't the **** victims the ones jumping
out of the cab as it speeds off or whatnot?
so this was... staged?
              i read the "situation" wrong...
well no... i didn't find a lancelot in me...
there was no door to be held open...
           not tonight...
                                           i was in a mood for
beer and jazz... and luckily for me...
marvel of all marvels...
     haig club (1627) was sold at a bargain...
                        down from 25 quid to 16 quid...
goodbye excessive drinking the cheap *****...
hello: clubman haig... is it whiskey...
is it ms. amber... or is it chanel no. 5 -
                   is it whiskey or is it a perfume?
a snapper of a dinner standing-up...
   the scent of the last bite still on my moustache
even though i had washed my teeth...
the beer bottle opened - a drizzle on the hand
and then the hand smearing the liquid all over
the stinking hairs from an unwelcome scent...
i don't mind stinking like hops...
                  but hops is better than smelly food...

- regrets? ah yes... the "what if" universe at large...
that "whaf if" this and "what if" not...
"what if" yes and... when a man takes to walk
the street at night... he's only looking for empty
streets and... the hope of not seeing his reflection:
which is never about abruptly stopping
a cab and taking your shoes off
and walking in a tight-knit black dress
having met the world and...
                     was it heartbreak or just...
disappointment that... there are no unicorns
and she isn't daddy's precious?

any of the rudy van gelder editions...
                      "what if" i had more than just these
words... a barren wasteland of a flat
with no furnishings, not a book to call it a genesis
of a private library... not a single record
to play... no bed no curtains...
and she was the: honey-catch and snare and...
what if i were still in my late teens and
didn't have these invisible tattoos of historical
dates and the tattoos that riddle bones
that are... "habits of hygiene"...
      by hygiene i imply: ontological fixtures...
immoveable objects of accumulating my mortal
years for this formal circumstance of
the worst magic trick of all...
                   transient and... packaged elsewhere...
apparently going nowhere...

if this was a truly urban scenario...
but we're talking essex...
the outskirts of greater london...
if i bothered myself tonight i might go
to a place where i'd sit on a throne of a stump
of oak and listen to owls...
spot a rabbit, spot a badger... the foxes would
come of their own accord...
and perhaps even a deer or two... or three...
there's no glit of a picaddily circus romance:
when a girl decides to get out of a cab early
and put her porcelain toes on the wintry cement...
as if: supposing she be enticing me...
as i was thinking about the scared-shitless
cab driver...        

to have once upon a time believe in love:
the sort of love you'd see in movies...
but that's of course...
before you'd get a chance to see love...
in opera...
blue pill red pill... spiderweb of fiction...
blah blah...
watch the sort of love in movies...
then go and see an opera...
most notably verdi's la traviata...
  the movies fizzle out and you don't really
need to read this to begin with...
        i was in love once...
it was a love that was in love with itself...
          a mirage a carrot on a stick...
probably something akin to this sort of impromptu...
rescuing a girl walking barefoot home...
oh sure... happens almost every other saturday...

- the beer is for these musings, for the jazz
and for... cleaning the kidneys and a work-out
for the bladder... the shot-at-a-crescendo
will come with the haig club whiskey...
is 70cl really worth 25 quid?

- there's a difference between food with a USE BY date
and food with a BEST BEFORE date...
most notably goat's cheese...
once the best before date expires...
which is way way down the line from
the use by date... the cheese starts to taste
like... ash...

i should know since i know of the alternative
to doing shots of tequilla...
the salt is replaced with licking some cigarette
the tequilla is replaced with *****...
and the slice of lemon is replaced with
black peppercorns...

so i do know what ash tastes like...
piquant tastes: this omelette of an octopus and
of tongue...

- society is a cruise ship and i'm waving it goodbye...
welcoming a sunset of a sea as calm
as a mirror... telling my feet to take root
and stand... inaccessible...
otherwise... i am barren when it comes to having
some (h. p.) lovecraftian sensibilities from
maine... aloof and anemic... anemic with bloodshot

- of course she isn't a mystery...
the narrative would run: the little match girl...
hans... hans! hans?! hans andersen is drilling
a hole into my head about... a woman walking
home barefoot...
yes... but she is walkig home...
unlike the little match girl...
and unlike the little match girl...
this girl was carrying a pair of shoes with her...
it's not my problem whether
i'm the sore thumb that "got in the way"...
a fork in the road: like any other fork...
like any other road...

do you have to reach being 34 to see these
teenage break-ups and regrets come and bump into
you after you've done...
that most spectacular feat of towing a backpack
full of glass for recycling?
where is one to recycle bones?!

- right not all the ***** in the world is...
something of an adhesive... a hitchhiker pollen...
a hard-on of: ****** yourself for a hard-on
just because even flapping a pancake will do right now...
to ease constipation whenever necessary...

- it's a torilla... but it's wrapped like a burrito...
well... it's a torilla... kultur shock -
sarajevo - the entry level shock-awe and
blitzkrieg of drinking from the fountain
of the Haig...

- second tier... to treat pornographic movies
like... early cinema... silent...
otherwise a return to the magazine form...
and the ripe imagination readied for:
improv... or... when was the last time
my left hand didn't feel like an oyster...
and an oyster didn't feel like a leash...
and a woman's ****** stopped being
an hour worth 120 quid? -

             - third tier... the haig club whiskey
is not worth 25 quid... it's over-rated...
you're basically paying for the bottle...
i'll stick to my guns...
only the irish know how to make whiskey
on these isles... bushmills: mellow, tame...
the picts have decided to lodge
a smoking salmon into their barrels to die...
i'm supposed to have an aftertaste of vanilla...
with all that smoke... i'd be happy to taste
hungary and smoked paprika! that would
be a bonus to boot! -

- i can appreciate the picts for trying...
but let's just leave brewing whiskey to the irish...
and let's keep the english away from hops...
they'll make an undrinkable ale from it...
never the lager...

   - armed with balkan rock... standing before
the h'american monolith of tongue and culture...
or... just before what's filtered for the export...

- no... of course i don't think h'americans are dumb...
i just think there's only a naive majority...
i'm going to find the vermin and huddle among

- sooner or later we'll be calling the germans
come spring... for winter provisions...
"keeshond" or: hund... i much prefer the latter...
from under the iron curtain forged from
a broken jaw when biting the curb of:
under the silicon veil... nowhere else to go...
beside Ishrael...
          remains of the ottoman - which is hardly
me put into an iron maiden of akimbo...
where's the geisha and the samurai?!

- is your beard long enough?
      like mine... i tease it... catch it with braille
cardinals: the thumb the index and middle fingers...
twirl it... wait for some thread to tie it together
into a hanging ******* of a bundle...
while at the same time:
          before you... a throng of vermin...
this beard... a magic flute!
the zenith of my thinking...
and ultimately: the nadir of any narrative
that might be inclined to escape and
not become 3D...

- i listen to songs in german...
i put on airs of pride - my chin starts to contort into
the moon's scythe and sickle...
even if the night is overcast with beard,
or cloud...

- then i put on a record that's 20 years old...
deftones' white pony...
and i remember being a teen...
hungry for hormonal diet...
a diet to stop the bones from aching
as they grew extra sprouts:
adverse to the skin and photosynthesis...
bones that were expected to grow
entombed... not in flesh...

- sketches from the gasoline additive when
it comes to a beer, starter...
otherwise: elite... gonna breed on top
of the general... pucker up the tremor for a vibrato
kiss and leech her lips off...
to expose her most pristine:
todlächeln -
                           not a chelsea grin...
the joker lapse... i mean... extending the shaving
lines and just, completely, forgetting there's
any botox involved to grow a peach
from a duck of the reinvention of
the deflating balloon...

   leave no selfie without it...
                   herr grinsen: die / das / die / das...
i keep forgetting the definite plural and
the definite singular... feelz... feels...
maximum impromptu: das bösartigwimmern...
anything in german at this point...
sounds better than...
wenigbruder englisch...
                       dies, mein krawatte beste...
alle schwarz alle weiß:
      say to me... nein pinguine willkommen...

anything to keep these mosquitos these
zeppelins away... alt vater großartig Schwab
from this... herd of minor dicta
of the children of the house of ßaß...
translated nomad from the high pressure
***** basin of:
later, trajectory... later... the yawn and canyon...
and the sky above...

- beer first... whiskey after...
shrapnel... and gasoline... no car... no speeding...
fast but otherwise still walking...

            - a hurrah and the cohort of a hum...
to match the echo of the centipede...
         the silence and otherwise the simplified
complications of a conversation...
the bed torn between *** and sleep...
between saturday sunday and monday through
to friday...
   and the need to drink with someone else...
"the need"...
the skulls breaks at the sight of sea-riddled-and-*****
cliffs... daggers persuaded to be forever sharpened...
the fiddly parts of ***** as accountants when
it came to the pennies, copper, and granules
of sand... seized: the rivers of time...
constipated shock value elevated...
                                am i to find a lover when
the orchestra tells me...
these words will never find a dear sir / madam
or circle round for a yours sincerely...
                godzilla... the theme i remember from
the days when the japanese still had control over the beast...
otherwise... an overweight t-rex with...
arm extensions... the lotus feet of the chinese...
which also includes...
the savory diet of... tendering dog meat...
i.e. beating the dog to a plum softening...
which is: then again... not curing the already dead
curated meat...
life aware needs to be involved...
brick by brick brick on brick...
the status quo: made in china...

         cheap whiskey... although in an expensive bottle...
that is the haig club whiskey...
        so much for ezra pound admiring
the ******* ideograms...
what's to admire... when...
it ends up being a crude...
current latin emoji-infiltrated grafitti
equivalent to: CUL8R...
all that intricacy into the ideogram...
and all that remains is...
bat soup... and an advantage at playing
poker... omnivores...
you'd think that Islam would be...
more geared to break ranks among the omnivores...
like all the fickle gods... a good joke...
they abhor / are told to herd sheep
because: what sort of pig would survive the desert
and not become crispy bacon...
camels are fine too... as are their testicles...
never mind the pork leather shoes and pork
leather belts...
but the chinese omnivores are fine by
Allah: Muhammad & Co....

                               khadijah **** khuwaylid..
wrote the first surahs of the quran...
she was the literate:
the stephen vizinczey epitome:
                          in praise of older women...
last time i heard... muhammad was illiterate...
pray! that i've exhausted sympathy on
him being an orphan...
but not a ******* oliver twist thrown into
an orphanage! b'ooh h'oo...

                     the end... the whiskey isn't going
to drink itself;
as i have exhausted the patience of my bladder...
while there's the remaining concern
for a bewildering and a simultaneously
bewildered peacock... on the hunt for coy;
which is not exactly the darwinian daydream
of the short-hand greek alphabet...
the α-β male thermodynamic...
          the Σ-Δ female harem...
salmon swimming up-stream to spawn...
                             and... Ω-man / unicorn...
                     sha! schtil!
onlylovepoetry Jul 2016
"unconditional love dinner-dance"

so names the advert for an evening of a
big shot, posh charitable event,
which the glossy Gatsby East Egg magazine implies,
if you fail to attend said soirée, you nobody, will have no way to claim truly understanding the composition of an
unconditional love dinner dance

laugh internally, swirling,
riffing on eat love pray,
this ditty is what I instantaneously say...

what do these swells,
with their self-appointed importance,
know to probe/defame my claim,
to this poem's title?

these are the factors,
the stepping stones from
my minute to the minute next


am I not oathed, bound
by my very own name,
which life bestowed upon me at birth,
to compose of this love
in every etching lineage, signed verse kissed upon our faces,
then, as well, oh so well, so swell,
to kiss our babies
whose smooth skin has no familiarity with
time and all my love
all my love,
uncritically makes no distinction


she loves me through the silence
of my oohing and ahhing,
these sounds,
escaping willingly,
as delight unconstrained at the delicate deliciousness her love
has implanted in the dishes she preps,
with which she
preserves us


she love to dine upon
her laughter at
my akimbo'd imitation of
'so idiot, you think you can dance'
hip hop
begging me between crinkling boisterous hardy laughter,
please, not to hurt myself

she, a Martha Graham educated,
Argentine Tango ballet mistress,
a life long dancer whose genes forbid her
to pass by the sound of music
without breaking out, breaking into dance,
in perfect synchronicity
to whatever the composer calls upon her,
to present the music, to inform us,
in body graphic form,
what they intended us to
see within and between each note

I need no tuxedo,
no fancy dress,
no permissions to comprehend
the meaning, the actuality,
the unconditionally of

unconditional love dinner dance

I dine and dance with love daily,
and yes, to be very sure,
for is there any other kind?
Like starving locusts
they swarm the streets
looking for instant gratification
they'll never afford

Bodies akimbo
****** shaking from AIDS
old men withered and plain
children starved and bemused
all with their palms out
hoping to catch
a little glimpse
of hope

they are the most beautiful people
on Earth.
spysgrandson Oct 2012
I challenged him
burly ******* captain
stubbled beard as coarse as sandpaper
standing there in muggy dusk
arms akimbo,
mama san starched uniform stained with swagger and sweat

two silver captain's bars ******* any of my brilliance or bravado
all he had to do was speaketh the words
“need those maps, head out at 2230 hours”
and that was a death sentence
which was commuted to life
if four decades since has been life

there are not words for the black
of moonless jungle
except nothingness and paralytic fear
and through that lightless, lifeless, abyssness
I crawled, crouched and crept along
sometimes as slowly as the minute hand on my watch

the silence, the silence, the silence
became my splintered cross
to carry to my place of crucifixion
at my Calvary Hill behind barbed wire, blue lead barrels and
fearful eyes

silence, silence, silence, black wordlessness
black soundlessness
punctuated by shallow precious breaths
and imagined slant-eyed demons
waiting behind each berm
to turn the timeless night into timelessness
of more black

should I chamber a round?
and follow its solitary sound
into the silent holy night
and shatter my own fragile fright?
would that end this knowing without knowing?
and answer the question,
“is this fear worse than the answer?”
since questions have answers but answers have nothing
the nothing of which I was sure I would become a part
in the silence, the silence, the silence
of the black canopied jungle
in Tay Ninh Province
in 1967

where I was sentenced to death but allowed to live
in silent, black wordlessness
sentenced to live
to wonder, after all these years of shivering fright and flickering light
did the captain become a human?
And was I really allowed to live?
This is inspired by, dedicated to, and based on the experiences of one of my closest friends, R S, one of my few brothers in arms. It is a true story of a life altering event. One of my experiences is woven into the poem as well. My friend had challenged the judgment of a captain who was likely incompetent. As retaliation, the captain sent my friend on a bogus mission, one alone through the jungle at night, and one that would probably lead to his death. The part relating to my experience is in the 6th stanza and describes my feelings/terror when I was afraid to chamber a round, thinking the enemy was so close he could hear me.
Mike T Minehan May 2013
Sometimes I cup her breast
while she sleeps curled up.
Sometimes it’s just the merest brush of skin,
the toes, perhaps, that meet somewhere
in the shoal of sheets.
Maybe it’s just an arm flung carelessly
or a leg akimbo here or there.
Her flanks are also sleek and smooth,
and is it a dream I sneak
of riding wild and reckless
through the canyons of our sleep?
But mostly, just simply holding hands
stops me tumbling in the void.
I don’t know if she knows
she's my bridge across forever.
Oh yes, I know that I'm a dreamer,
and I know that forever never lasts,
but I still hold her, oh so gently,
through the darkness of my night.

Mike T Minehan
She walks like a ballet dancer
headed for a fight.
Hands in pockets,
elbows akimbo,
the whole a pair of isosceles triangles
balanced above the rapid
heel/toe heel/toe
rocking grace of her strides.

She knows--
where she goes, who she is
what she wants.
Sally A Bayan Nov 2013
I Am Like My Mother

In more ways than one,
I am like my mother....
This stands before anything else:
My family is my priority
I preach to respect seniority
But, sometimes I go soft
Upon hearing pleas from little voices.

My life is replete with family albums,
Sturdy wood furnitures that have lived
Through the years, and most importantly,
Old family traditions my siblings and I
Learned from my mother.
I would prefer for these to be observed
By the succeeding generations,
Where love and kindness to others,
Table manners and saying graces are only
A few of those lessons most often stressed.

The children in my family,
Thy grew up the way I was raised.
Humility is practiced at an early age,
Where no child speaks when not spoken to,
And helping with  the chores is a must...
They are taught early on in their childhood
As soon as they are able to understand...
We have a God, our Creator,
To whom we should always be grateful to....
From Him comes all our countless blessings...

My sisters and I...
We are like a sorority.
Hopefully, the other women in my family
Would eventually realize,
There is an expectation
That my mother's ways should be kept going...
This, my sisters and I would make sure of.

Each morning, my mother would look around
The whole house and its boundaries,
With both her arms akimbo.
Now, it is I who does the surveying,
But, with my hands clasped behind me.
Front, back and sides of the house
All kinds of plants and trees surround...
I make sure they are all green and lush.
Fruit trees and flowering plants in the summer,
Several wild flowers do sprout all year round,
To grace our lives through all kinds of weather.

My mother and I, we had an implied agreement,
We didn't discuss it, never brought it up
In any family gatherings.
It just happened that I knew her so well.
Now that I'm older, I've never been so sure...
I am like my mother,
In more ways than one...

(Written August 28, 2013)


Copyright 2013
Rosalia Rosario A. Bayan
Ann McGregor Sep 2012
Elbows akimbo,
We make casual conversation.
Your hand on my ***.
We discover the world
Seeing very much the same thing;
An arm, a leg
A slippery smile.
Geno Cattouse Oct 2013
The speckled puffer fish was a greedy scavenger
a greedy thing with no agenda but to grab the hook
I used to hate to touch them.******* eyes staring
Huge gopher teeth bare and sharp.

I was Huck Fin Carribean
Bare foot and rural as heck
Dirt ring around my neck
The dusty roads

The sweltering heat and the river would meet us
in the mangrove Forrest as we walked the
Picado road to river's edge.
A cranky dory sat tied of
for our convenience with a paddle or two.

We pushed of and fought the tide
to get us safe to the other side.
Aunt Doris would stand with'
arm akimbo a cigarette burning
between index and middle
a tiny smile stayed put.

The  Muttruce , as we named it
Flourished because no one would eat it
so the river teemed with catfish and puffy.
we did not eat catfish either some cultural bias. Lucky cat
but that bias died when the market for him found Belize.
Scary little blacked eyed buck toothed *******.

Dont know if they are on someones menu now.
They seemed a bit scarce last time i fished.
high priced export on the orient express I guess.

Price of popularity is no privacy
eaten to extinction.

Head up , eyes open
mouth closed.
Geno Cattouse Sep 2013
You stop to start my dear heart.
                                                 Whispers of cannot be invade your ears.
The night is cool and sullen. Your crystal ball swirling.musical chairs. Winding stairs with no answers.

The ceiling mocks your hopefull stares
Your pillow caresses as passion fruit swirls like crimson clouds.
Mocks aloud.

Easy to be hard.hard to be easy.

Rusted splatter lingers echoing past injustice.with scars stretched taut.

Sullen is the night.

                                                We ask the question.the answer stands akimbo. Glaring. Defiant to the senses.
Beginning's end ushers end's beginning.

Who is to blame?
The moth or the flame.           Truth is farce. A tepid liar.

Rules are amourphous. Real or tristy.
So. We ask.again.again.

Who is to blame?       Careless moth?
                                  Mercilesss flame ? to blame.
Mateuš Conrad Mar 2016
you can see me perched
akimbo on a windowsill
with chinese eyes
slicing rather than slit,
then ending up reading her poetry
of lies... then watching
a *****, as the antidote to the genre
of horror... she hides behind
the couch when horror comes,
he hides behind the couch when ***** comes...
and evil is a vector, and good is
a coordinate... thus said: as we pass;
you can see me perched in akimbo
on the windowsill, in a ****** nodding
via alcohol, with calm shuttered eyes.
Nat Lipstadt Nov 2017
one asks:

why do I not send my poems anymore,
have I seized up, ceased down, now but an engine rust requiem,
absent the needed viscous, numerous verbal oils running requires,
to commend to thee without hesitant reservation

I lie, and say because,
no one read them

write profusely, blouse tear-wet, hair ungelled, thoughts unglued,
this here secondary, truth birthing reply, outed post a time delay,
revealed, staggering reluctantly, like an akimbo drunk,
who imagines every step his, still straight-lined,
then, in shock, in a confessional, through a divide,
stumbling admits,
no, they are not

my poems can no longer be milkman delivered to your
morning doorstep porch coated in condensation-wet,
thick-heavy, lovely but-out-of-shaped, rotund glass bottles,
for both this charming old practice I remember,
it and my poems, are now time-wronged,
passed over by the courant new notion of a sell-by date,
for who dares to desire to live in the timeless paths
of risky tomorrows?

these times, when life is a continuous elegy,
simplicity is so complex,
when truths are hard to distinguish
harder to believe, why then,
insert any extra hardening, provision extra difficulties,
add poems that strain, needing patience and careful handling

so many people, me compris, pained out,
obsolescent, meteor victims of dinosaur extinctions,
now so common, remarkably recognized and remarked upon,
then quickly gone to a swamp burial ignominy unnoticed

my poems, complex and long, wordy and abstruse,
do fit your avoidance profile, why to make thee weep,
so many demanding your abbreviated attention span,
my intimate uncomfortable intrusions are your lowest priority,
and this, irony, was my masters thesis topic

so I lie

forsooth my poems are secret read by the Marrano thousands,
writ by a me-disguised, they're seeked and sought out
by those who require a personal pinpricking, a violin adagio daily,
tiny little irritant memory provocations and sooth sayings,
deemed inappropriate, for no predeterminant answers asked,
banished from today's new world symphony,
governed by a set of exclusionary convent rules,
that perforce demand a trigger warning:

place no peas neath my mattress, so I may sleep,
without the discomfiture, the unordered risk intensity of
dreaming without any restraint,
composing the future in the moment

11-13-17 1:31am
for Chris
Sarah Spang Jul 2015
There is a trail in Pennsylvania that is barely tamed
That winds on down the mountainside and fractures into veins.
It lashes through the trees and wood, like man-made ligh-ten-ning
And offers streams of water tasting pleasantly of spring.
This way is framed with micro-caves and fissures in the stone
Where sweetest water rivulets feed moss that's overgrown
Haphazard wooden walkways dot the snake-like trodden path
Their clumsy steps all akimbo; they bridge the wild gaps.

And even further down the trail, dodging brown tree roots
That point like gnarled fingertips and target untied boots
Below, like uncut diamonds lodged into the mountainside
Gushing waterfalls sing aloud, in ranges far and wide.
Their surging torrents babble in a distinguished harmonies
The wordless wind responds by rustling through the countless trees.

There, at last around the bend, before the lumbered river
A bench there sits within the shade where coolness draws a shiver
The wood is at the mercy of the lichen and the rain
That rush to bring that broken boards back to the earth again.

And there, amidst the other foolish carvings in the wood
Scrawled with hopeful youthful hands that did the best they could
The chips and angles buried in reveal what once was true
This is the final place where I will always love you , too.
Visit my Blog for Notes and Extras:
Ralph Akintan Jan 2019
Water of remembrance sprinkled
On the mountain crest of recollection.
Indulgent mussy memory catapulted
Stones of retentiveness into the
Courtyard of events like bricole
Of battles.
Pendulum of reminiscences swinging
On oscillating milage of roads like
Trotting horse with drippage of sweat
And itching foots.
Ghost of reminiscences restlessly
Roaming with carriage of yesteryear.

Final year educatees required
But list of items engorged dear
Mother's treasury

"where do l raise money
to buy oyinbo mattress, Ilori?"

Mind pullulated with weariness.
Intonation of worries.
Cantillation of wants.
Deficiency of measured means.
Oyinbo mattress beyond ladder
Of reach.
Gluttonously waiting to devour
Lesser items,
But rays of compulsion unslammed
The gate of respite.

Lordly arrival warmly welcomed by
The dorm room's porter,
Walking majestically to the bed-space
With the acquired cotton wool and raffia leaves mattress.
Gamut of items passed through the eagle's eyes of the housemaster.
Silver painted pail donated by a neighbour passed through the sentry of inspection,
And got its admission.
Mother's used cloak turned bedsheets
Passed through the rigorous scrutiny.
Newly built portmanteau unlocked and neatly dissected, item by item.

Agazed eyes focused on the cotton wool and raffia leaves hand-made mattress.
Expectations rattled mumbling astonishment.
Legs stuck in the mud of mystification.
Telepathic dews covered ocean of thought.
Tranquil silence engulfed vicinity,
Deflating the balloon of hope like a litigant awaiting verdict from the jurist's chambers.
Porter's gesticulating gesture connoted nothingness of demeaning disapproval, perambulating on the hilly terrain of approval.

Akimbo stood l.

Now the verdict!

Molten volcanic magisterial command erupted in a gestapo gesture,
Spudding out from the barytone's baritone voice from the selfsame housemaster,
From the bastion of authority,
And the house generalissimo like a wild brant squalled, matter-of-factly,

"we do not accept bed bugs cotton wool and raffia leaves hand-made mattress here".

Entreaties collapsed.

— The End —