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My adoring stare
Loves you
Like I'm yours
But I stay behind
With my eyes down
So you may not know
For fear you may erase
Both our smiles
With the doubt
In your mind
Chances gone forever
 Mar 2024 Chuck Kean
B
In my Room
 Mar 2024 Chuck Kean
B
How lovely you look, so lit up.
I always keep my room
glowing like a subtle dream
sunset; orange, lavender, vibrant peach.
Now you're mine in the midnight hour
overcome by it, for a week.
Hoping you'll notice
the lonely pothos leaves
she's survived so much
we have both survived living with me.
I never liked this town
but you are so beloved
brought you here
now we're so above it.
Sipping on french champagne
(forgot to budget)
no worries, I'll be gone
this time next year
in some strange place with the curtain drawn
thinking of us here.
 Mar 2024 Chuck Kean
Ayesha
In dream, abundant
As roses to a girl
Whirl, pool, whirlpool
Wool, wisps, tickle
Taunt. In dreams, awake
Wide-eyed and red
Haunting choir, your joy
Multiplied, magnified,
Colourised. Shimmering,
Hung up to dry, to drip
In beads, as grief
On ground. In dreams,
Alive. Rattling, rumbling,
Merciless as a train
Touchable, unstoppable
A body of metal, of human
Full, of child, man, woman
Well, I – I I stand
Like a beehive at work
I – I – I curl my toes, my fingers
My bones. Contort. I am
Gyre, turning, turning,
Gyre, astray. You sigh
And it spreads like a scream
Hot, smokey, the steam-engine
Churns. Limbs move, move and
And the sky moves with them
The sun blinks between
Your windows, the ground
Mumbles, disturbed, grumbles.
And I, well. I – I do not
Give to the flight of soul
I do not limit myself to
Sweet. I am full on sweet.
On infatuation and yearn.
There is no music, no disection
Of beast. The violins move
Without their kin, and with them
Moves the world. I am
No pilgrim, O pilgrim love.
In dream, instilled, a storm at work
Red. Blue. Green. Red.
Blue. Green. You move
the birds. You do not
move me.
24/02/2024
~
Once upon a timid willow

The sweetest songs of

A hyacinth girl

Floated on waterlilies

Had a sleepwalking lyric

The moorings of her heart

Overlooking undercurrent

As she dared all things

Gently down the stream

~
You know that little
Grooved space
Just above
Your cupid bow
Lip?
I read somewhere
It can be
Dangerous
Philtrum. Philtron: Derived from a Greek word meaning love potion.  Not only erogenous but if hit just right it can render you unconscious.
My hand held tightly and that kiss on the brow
tells me time is leaving me right about now

My eyes are closed tightly and my heart rate so fast
I remember the day I met you, seems like the night before last
We'd party till midnight then party some more
Like lovers we'd walk barefoot on the sandy sea shore

I remember our big day watching you walk down the aisle
your eyes shining brightly over that wicked infectious smile
We made promises for ever our sacred wedding vow
sadly coming to fruition just about now

So don't be sad when I leave you when my hand turns cold
it's the beauty of living that we get to be old
Our life was made whole by that great ebb and flow
I loved you forever, now its time to let go

My hand held tightly and that kiss on the brow
tells me time is leaving me right about now
 Mar 2024 Chuck Kean
Anais Vionet
Attraction is a small and fragile thing.
We started with stolen glances,
in crowded halls, across a coffee shop.
I was glancing (I hoped he was glancing).

It was hard, we lived in a rushed way.
We were on schedules, we had routines.
I had doubts about having a boyfriend
but they fell away, like leaves fall off trees.

I’d been warned, "don’t saddle trouble."

But finally, feeling that we were
deserving of love’s rich value,
we came together,
as marble-hearted sinners
with the serpent's contempt
for God’s stable order.
Where In the crates of

song

notes and of

lyrics

Is the one, the singular
The Q of Stephen

to find among the

Beer bars.

Release Me

The song lay
unyellowed.

Then the growl

A finger width away.

But it was the

jazz then, the windows
thrown open

And you left

your song

without

pity.



Caroline Shank
3.10.2024
I'm listening to the house ,
the popping of the joists ,
the groans from years of delapidation . The arguing
with local foundations .

Age has its benefits in the forms of doors as they no longer stay moored to the walls but swing in indecision like the fools who stand in perpetual obsolesence .

Where then do my thoughts propel my rudderless oblivion ?
My angst , the thumb in many dikes , leaves me as powerless before the mass of my desperation .

How dare the Ghosts of daylight leave me marooned in the shadow of shadows .

I am confused and challenged by the hidden agendas and secret subpoenas of an alien race of thought .

And were I capable of burying the haunting images , would they not
sprout from my seeds of discontent and flourish
yet greater than before ?

. . . evidently so .
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