My waking time
in the narrowest part of the creek
chases spots in the shadows
a streak between bushes
thirsty tongue lapping green opal
cautious cotton on the fallen leaves
the priceless prowler in the morn mist
or in the dusk
the graceful glory
in the hinterland of my heart.

i’d rather write about the freckles on your back than think about all of the ways in which you quite possibly don’t love me.

i feel sick at the very thought of you picking me apart the way you did; fingers grabbing and stroking in a catastrophic symphony of skin and vulnerability.

let’s read between each other’s lines; share my sentences and punctuate my paragraphs with your mouth; because i can breathe easier on the mornings where i wake up wrapped around you.

because my moods change like the ******* seasons and the spinning in my head doesn’t want to stop.
                                         you tell me that i should probably get a therapist because no one that thinks about all the ways in which they could **** themselves has an ounce of mental stability.
                                          i tell you that i have been to four.
                                          names faded into a blur with hazy snippets of conversation remaining.
20mg.
                    30mg.
you tell me that trust issues and scars aren’t endearing and i tell you that neither is counting up the potential number of pills needed to dissolve your body into the living room carpet.

let me sink inside your skin and make a home in your flesh;
i tell you about the nights where i lay awake in the bath turning the water red.
                       tragic, isn’t it.

you tell me that this isn’t how my head should work and i tell you that i already know. everything you could possibly tell me i already know.
i know that 400 calories a day isn’t normal, and my hands shouldn’t shake all the time.
                                             i know.
please let me stitch myself into you, even just for a while; until i no longer feel dizzy and my world stops spinning.
i don’t need you to tell me that it will be okay, because honestly i don’t think it will be and, that in itself, is okay.
                                                                ­                 let me stitch myself into you, because my own skin can’t take it anymore.

let me call you back when my voice stops wobbling and my vision straightens out, but honestly, i’m terrified that it never will. what if this is it. headaches and tears and shaking and blood.
                                             and the debilitating, gut-wrenching feeling of pure and euphoric emptiness.

                                              tragic, isn’t it.

The poet lives two lives.
One on the outside,
And one in their mind.

When you look in their eyes
You could see an abyss.

If you looked long enough
You could sink into it.

But most people don’t see it.

Take the time to read the words, though,
And you would know for sure.

The poet lives in two different worlds.

We cannot write silence.
The beats.
The pause.
The breath.
The way it aches
and persists

and begs that,

if only for a moment,

our consciousness is only a whisper.
our bodies,
our lips,
the air that passes through falling chests
and stillness.

A melody of emotion.
Sleeping in the quiet of a heartbeat skipped
a word lost to the wind.

The wickedness of reticence
Encapsulated in air and time.

The moment stretched too long.
Hesitation perpetuated in the grip of fingernails
pressed into palms.

We cannot write silence,
but we can try.

to find a way to immortalize emotion
to create space
in the ceaseless drone of words that speak and spin.

I cannot write silence. But I can write
tears and years
and the burn of long-stretched lies.

I can write goodbyes and hellos
And dozen ways to say
I love to hate you
Or
I hate to love you
and sometimes
I cannot tell the difference.
Silence.
The space I have upheld for myself.

I love to hate you
Heart.

I hate to love you too.

I cannot write silence.
But I know it.
and I have held it in my hand.

There’s a red neon vacancy sign
that hangs in my ribcage
settled among vital inner workings.
Its electric buzzing company to the rhythm
of blood through my veins.

A forgotten motel heart,
containing only rundown furniture.
Black spots on the walls.
They are painted a peculiar colour
that is no longer in fashion.
Perhaps it never was.

- Emma Cooper