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Tom Atkins Feb 2020
You cannot find it
on the most recent maps.
Once you could.
A tiny dot in small print.
But not any longer.
It is too small.
In the middle of nowhere,
a confluence of four farms,
two roads,
an ancient Methodist church
and a country store turned museum.
If you happen to be there,
there is a sign.
Just one,
To announce your arrival and departure,
all in a blink. The sort of place
we make fun of,
or worse,
miss altogether.

And yet, people live here.
No fewer than they did in the day
when they rated a dot on the map in four-point type.
They are born here,
Grow up and age here.
Die here.
There is drama. Love is discovered
and lost.
Faith is found and lost.
They suffer, no fewer and no more
than a generation ago.

Your grandfather lived
on one of the four corner farms.
Your father was born here
and lay in the small oak crib
that now lives in your upstairs bedroom.
Your house, in fact, is a museum of sorts,
artifacts of generations scattered about,
proof that this place exists
not just in geography
but in soul.
About this poem.

I live in a little village called West Pawlet, Vermont. When I first moved here. It’s small. Including the farmers on the fringes, maybe 300 people according to the last census. When I first moved here, I used to think of it lovingly as “Nowhere, Vermont.” I often thought you could write a series of sketches, Lake Woebegon-like, about the area and the people.

Even though I worked most of my career in big cities, places like this have alway sung to me. I suspect it is because of the time I spent on my grandfather’s farm in Carsley, Virginia. I loved that time. I love that place. My great aunt, my father’s sister, still lives in my Grandfather’s house.

We forget such places. They get lost in headlines and the business of life. But they too are part of life. A place like Carsley, or here in West Pawlet, only looks bucolic. In reality, every challenge and vice and struggle of the big cities lives here as well, just without the resources to help them, because they are, after all, invisible.

Except to those of us who live here.
Tom Atkins Jan 2020
Spanish moss hangs from the Live Oak,
a slow, beautiful murderer in the big city,
redolent of memories, blue music and smokey rooms,
drag queens crooning, a fight or two
late in the night while you sipped bourbon,
content in the corner,
listening less to the music than an internal dialogue,
devils and angels in your head
dancing a tattoo, making sultry peace with each other
as you scanned the crowd, seeking a distraction
as you courted oblivion at the stroke of midnight.

You sigh,
there is no glory in the memories. Life lived
and long ago discarded, without regrets
and without longing, happier to be in the light,
but parts of you were shaped by dark nights,
bluesy music and the grind of tinder before tinder,
a fire that never took in you,
a dead man in a plaid shirt in the corner of the bar
who somehow left more alive than he arrived.
There’s old times blues playing at my favorite diner. That’s what inspired this poem that is only partially autobiographical.

I do love old smoky blues bars. There are fewer of them here in Vermont than in the south where I lived most of my life. I lose myself in the music and atmosphere.

I am rarely happy with my poems. This one, I am happy with.
Tom Atkins Jan 2020
At the midday tide, the boats are tied and secure,
survivors of another night gathering fish.
The small village has gone quiet,
save for a few tourists.

You are one of those tourists,
happier off the beaten path and familiar photo ops,
content to sit at the tiny coffee house for hours
and simply watch the ebb and flow of the town,

to hear strange language all around you,
to sit still enough, long enough
that you fit in, and disappear in the landscape.

You once wanted to be famous,
before you were broken, shard by shard, eroded
until only the shining shell, that brittle shell
was left, and easy target, easily shattered.

Easily shattered and painstakingly put back together.
Forget fame. Forget the stars, you are content now
just to be alive, a man with roots who travels,
more content to listen than talk, finally aware

other people’s stories matter more than your own,
a container for others’ pain and sadness and salacious tales.
You have become the keeper of secrets,

sipping coffee here at the edge of the Northern Sea,
happiest when alone with the woman you love,
sipping coffee and holding her hand across the table,
watching, always watching, for the next story.
On my poetry blog, I illustrate my poems with my photographs. Today's
picture was taken in the Netherlands. I spent a day there once, doing just what the poem says, sitting at a small cafe, sipping some amazing cappuccino and watching the flow of the village all day long. Days like that are the best.

I picked the title simply because that word, salacious, has a “made you look” quality, that is in contrast to the simplicity of the moment in the poem. I like that kind of wordplay.
Tom Atkins Jan 2020
No longer the guardian.
No longer the hero.
Simply a soldier, a pawn in the battle,
unnoticed, fighting your own small battles,
your shield and skin and soul marked,
somehow still standing,
somehow able to wake in the new morning,
stand, and prepare for battle one more time.

There are no victories,
only the tide of war, the ebb and flow.
and a determination not to drown
in your own blood,
sure now, after a decade and more,
that you will not die of your wounds.

Even the broken
have power.
It is all a matter of how, or if
you choose to wield it.
One of my strongest beliefs is that even broken, we have power to help and heal the world around us.
Tom Atkins Jan 2020
Dreams.
Never ordinary.
Surreal landscapes.
Unrecognizable creatures.
Dead people dancing.

Voices.
Always voices.
Voices of the dead.
Of betrayers and lost loves.
Voices of strangers in the night.

Colors.
Impossibly vivid.
Bursts of light in the darkness.
often with music.
Full moon madness every night.

as if your mind rebels in the dark,
unwilling to allow you the peace you dream of
in the day.
I dream a lot. In color. Often with a soundtrack. So vividly that at times I wake up and it takes a moment to determine which is real and which is a dream.

I am sure a dream reader would have a field day with me. Mostly, I am glad they fade quickly.

Tom
Tom Atkins Dec 2019
You sip your coffee in a nearby diner.
The place is empty.
It is too cold outside for wandering,
even to familiar places.

Part of you is still numb,
Historic wounds still holding sway.
You sip your coffee in a strange kind of meditation,
waiting for the feelings to break like river ice.
I am a slow processor of emotions.

I was first exposed to winter rivers clogged with massive blocks of ice piled one on the other until the surface resemble building blocks thrown in a two-year-old’s temper tantrum, when I moved here to New England. Ten years later I love seeing it.

I really am at my favorite diner. It really is empty. Even the cook is downstairs doing some kitchen prep. I use my time in the diner to write, which involved working on breaking my emotions loose.

From those three things, this poem.

But lest you think it was that easy and clear, this began as a long, long rambling sort of poem.  It is a bad writing habit of mine to write around the main thing. I once had a writing teacher, Richard Dillard, who said my life would be spent finding the poem in my poem. He was right. More than he knew.
Tom Atkins Dec 2019
There are flowers on the window sill.
Wildflowers in a blue vase.
A small oasis
in a life that is anything but.

You release a sigh,
and with it, tension.
You focus, completely on the still life

and feel your own heart still,
your breath slow.
You fall into yourself,

You sip your coffee,
your morning slowed to the point
you control it. Not the other way around.

There is a small smile on your face.
Today will be a day of victories.
You know it, not even knowing the battles that await you.

Still. Slow. Aware,
you are invincible.
How we start our day can color the entire day. The days I manage to keep to my routine of prayer, meditation, and writing, I can handle anything.

I have a lot of little places of peace around my house. Still life vignettes. They do my soul good. Not quite temples, but soul stilling none the less.

Today is a good day.

From those things, this poem.

Tom
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