Submit your work, meet writers and drop the ads. Become a member
Perhaps its in knowing that I want both love & the selling of soul. I want to live & forget past failures as any pain leaves, blending with the wind, going past to the distance, passing the horizon line. A breathe, a heartbeat, a smile & forget the rest. To what sequence of thoughts that are in play that leads to volunteer death of an individual?
https://www.youtube.com/watch?v=mGWuwhsrcCc&t=987s
riley minteer Nov 2019
i've never seen such
astounding things
a discovery made
on a passage within

i recall sleeping
in celestial cots
made up of cygnus,
pavo,
the enticing lot

green velvet curtains drawn
block out the sun
although the windows are no more than
one
surrounded
by ivies, scripture
and platinum-tipped
pens
the era of thought
all within my
mind...

i awaken from slumber to quite different sights

the very same forces that prevail in this place,
the forces above
alluding, brooding

the thief comes too smug,
wind thrashes the sails
a cynical offering,
all grief to repent,
the season of starving,
the season of lent

isn't it odd how the winds never billow?
over the strangest utopian lands
the islands of women with no trace of men
the archipelagos of shellfish on land
and that one place due north...
beyond arctic bird coves
where wisps of the sky
grace plat-inum snow

the things that you see when it's dark on the ocean
four sailors drunken on laughter and autumn-***
down though the seabed
the lowest of shores
the music through rafters,
flutes clamor and roar...

torn and burdened is the world,
but brokenness never equated unworth
the land once which was
trodden,
the seas overcame
i nod off to sleep
just to shake off the pain
the forces come crashing,
formed over the bluff
indifferently shouting,
unrighteously tough

here from my balcony
on french-spanish estate
once indifferent forces,
concluding in rain.
-riley minteer
“i've never seen such astounding things”
(from “forces at bay”)
Thursday, November 14, 2019
riley minteer Nov 2019
red rubies and studded emerald calvary charms...
they adorn my chalice of Château d'Yquem

i succumb to the music
of nothing around
the melody once heard divulged underground

i'll take up my post,
commit to the king
i'll see all that was once calvary's beings
through sixteen moons everything's peace-renowned,
till death drifts about,
blood drips from their gowns

i made a promise,
a promise i'd keep
a pinnacle dagger, obsidian knife,
out of the dark on a late summer night
taking the life of my childhood spite.
-riley minteer
“calvary charms”
(from “the observatory”)
Wednesday, November 13, 2019
Chandra S Nov 2019
The only seminal content that ever arises:
is from existence itself.

All else is borrowed thought.

Trust me,
the sky will not be the same tomorrow.

Originality is one-off.
WildLander Nov 2019
My final hour lay me down,
Pitch wings come gather round.
Stars defaced they shed no light
Whether by choice or lack of might.
The hands of Father Time stand still.
Upon my skin, a creeping chill.
Mother Nature takes up the knife,
She saws the fragile string of life.
She doesn't clip through and get it done,
She drags it out, she's having fun.
It's getting dark, I cannot see.
I don't know who is here with me.
Whether there is someone,
Or no one at all
It doesn't matter my life is done.
I've taken and tried, through it I've crawled
I've stumbled, got up, tried to run, once again to fall.
The soft black feathers, tender are they.
Cradled in wings of darkness I lay.
One last movement, the life line snaps.
And everything around goes black.
This poem was written with the intentions of trying to capture the final moments before a peaceful death.
riley minteer Oct 2019
un breloque,
a novel,
un tonique moitié plein

sweet chicory; wild,
a japanese maple

a lectern, a candle, a pendant;
lent
waves bring in water that melts the cement

holy

holy a lordy sing me poormans-hymn
nothing is true when nothing is not
to is is to be is to know now,
you see?

holy

who what is and who is what's not
this is truth spread out on loaf
this is riddle to a rhyming oaf
never simply,

holy

from highest heaven to lowest vale
carry the sound like an orchestra,
a procession of violent brasses rising…
-riley minteer
“who what is and who is what's not”
(from “standing in two gardens”)
Thursday, October 31, 2019
riley minteer Oct 2019
wine print on neutral veronese,
some drink to live,
some live to drink

i spent a lowly year "out back"
high up in the Adirondacks
i spent a couple grand and change
lay a lady lay again...

here lies conquer with no-seq
ne vis plus, prefaced as con
harboring the depth of write
just to overcome the wrongs
always drone as rhythm does

pin and doily on the water
mag-a-nolia, Julian, golden
life of old and orchards open
send a silhouette to the cabin door...

happy getting older, broaden
road and carriage,
stock and bale
bail and stalk
walk o’er hill
neatly seated at heron
seated on the bench i stole
i knitted up the overgrowth
and lay i shall think of the olds
of plum-stained linens from the gods,
rags and gore,
pale blue bones
the modern peril is destination and fortified knowns.
-riley minteer
“the overgrowth”
(from “standing in two gardens”)
Thursday, October 31, 2019
Denise Uy Oct 2019
my words are those taken from someone else's thoughts
they are fishes in a net with tiny holes that i say i caught
but they are also mine though they caught it first.
what is the difference between "im sad" and "im sad"?
and what is the difference between the same kind of fish?
if i grilled mine and you fried yours,
then that is the only difference.
there are no original emotions, only thoughts and concepts
Luminous words formatted
with clear conscious of vivid
strokes of the hands. A shame
that it didn’t get the results
as one desired.
https://www.youtube.com/watch?v=mGWuwhsrcCc&t=1032s
Poetic T Oct 2019
Normality tries to hinder influence
          of my cognitive

repercussions.

But elastic banded restraints
   keep stretching me to my
                                            limit.
Then I'm restrained before my
                                    first
                                            step..

   I try to move along but
I'm always behind where I took
                                  my first step.

My thoughts sharpened,
           and I collected every barded
emotion to stretch that restraint.

Taking that step I used my unblunted
            fortitude,
and instead of being withdrawn.
        

              I took my real step for the first

time.

normality was restraining and I took
       my individualism and broke free

from the expected norm...


   Who wants to be normal in a world
           of clones.
I'm the original me,  
       A coherence of self that's now
         non hindered by others normality.
Next page