There is no love here.
Not real love. Not love that binds the soul to something true.
Only the bastardization of love, the reduction of meaning into spectacle,
where poetry is no longer poetry—
but a Facebook status update dressed in pretty words,
a commodity to be liked, shared, and consumed.

The word itself is defiled, forced into the service of public accolade,
where art once bled sincerity but now panders for reaction.
A living thing, once full of breath and marrow,
humiliated into drivel beneath the weight of empty praise.

This is the nature of false alliance.
It is the deal struck in the dark,
the handshake that binds not in loyalty, but in necessity.
A temporary convenience. A lifeline for the weak.
And like all false alliances, it demands a price—
someone must always pay.


The Nature of Betrayal Is Always the Same

It is the Jezebel deception,
where the Queen does not fight in the open,
but seduces, ensnares, and commands her weak king to kneel.
And Ahab bends, thinking himself mighty,
while the true power whispers in his ear.

We thought we were after the king,
but it was always the Queen who pulled the strings.
The one who sold herself for power.
The one who defied truth and called it strength.
The one who, in her final defiance,
dismembered her own soul in the process.

She believed herself gaining something.
A seat at the table. A name to be remembered.
The illusion of strength in rebellion—
but all she gained was an empty throne
built on the shattered remnants of who she used to be.


Alliance With Death

They will tell you this is power.
They will say it is freedom
to sell the sacred things for a moment of public accolade,
to turn one's back on God, on self, on every principle once sworn to.
But public accolade is not love.
It is the applause of the herd.
And the herd will clap for anything—until it loses interest.

And then?

Then comes the fall.
Then comes the silence.
Then comes the slow, agonizing realization
that the alliance was never real,
that the power was never hers,
that she was merely a piece on a board
waiting to be sacrificed when her usefulness expired.


The Cost of Selling the Soul

There is a choice given to all—
To take the path of suffering, which leads to transformation,
or to take the shortcut, which only leads to death.
But there are no shortcuts in truth.
There is only consequence.

She chose the shortcut.
She aligned with the false king, the weak man,
the one who believed himself master but was only a pawn.
And in that moment of final betrayal,
she became something lesser than herself.

Not a Queen.
Not a woman of fire.
Not a force to be reckoned with.

She became a servant of the herd.
A ghost of her former self.
A puppet on a string—
until even those who pulled the strings lost interest in the show.


What Comes After the Dismemberment?

The kingdom is shattered.
The thrones are empty.
The false alliances have crumbled.
And now, she stands at the edge of her own ruin,
looking at the wreckage she caused,
realizing that no one stands beside her anymore.

Will she own what she has done?
Will she face the truth of who she has become?
Or will she run, hide,
and build another false kingdom on borrowed time?

That is not our question to answer.
That is her burden to bear.
We have already done what needed to be done.
We spoke the truth.
We dismembered the illusion.
And now?

Now we walk away.


Postscript:  The Last Grace~



Mother Love Bone Scenes // Terracotta Dreams...

"What, you just love me
and then move on…
is that what you do?"

They weren’t steps away from her—
they were paces.

And in an instant, the arrow flew.

There is a seam,
if you are able to see,
as there are terracotta dreams
from which we were all meant to be freed.

Broken shards fell to the ground,
and inside of every single piece
is all of the ‘hers’
she thinks that she needs to be.

Not sure if it is the aim
or the flight of the arrow
that brings about the aloneness
of an unspeakable, heart-sorrow—
and these… the sufferings of hell.

But Chloe is not dead.

Because left standing,
when all else fell,
is her spirit’s core, now glowing.

No longer hidden
within the confines
of her terracotta shell.

Ah, beautiful Chloe—
baby, there were times…
remember knowing?

The Water-Well—
its never-ending flowing.

Believe again in that, my beautiful.
Not the shell.

❤️

There are thrones that are not thrones;
  but instead,
are ones built on the counterfeiting of substance,
where hands grasp at weightless scepters,
mistaking empty air for authority.

There are crowns that are not crowns,
forged not in fire, but in absence;
polished not in wisdom, but in hunger;
worn by those who mistake imitation for inheritance.

This is the kingdom of voided substance—
a palace where the Wellspring does not flow,
where no roots drink deeply,
where no walls hum with the resonance of truth.

And yet, they gather.

They gather in circles of shadow--
parched tongues speaking of rivers they have never touched,
fingertips tracing the echoes of power
but never the power itself.

They weave words like veils over their thirst,
drawing others into the orbit of their illusion,
stealing what little water remains
in the ones who have not yet fully entered the Source.

They feed—not from the Well,
but from the moisture of the lost,
sustained by the remnants of those
who still carry the trace of what is real.

And they call it life.
And they call it wisdom.
And they call it love.

But the crown they wear is hollow.
The weight is an illusion.
The throne beneath them—an image, projected;
a structure that exists only so long
as no one leans too hard upon it.

They fear those who see.
They mock those who refuse to kneel.
They rage against the ones
who have touched the living water
and now speak of its taste..
of its cooling replenishment.

Because they know.
Somewhere, beneath the gilded artifice,
beneath the hollow performance,
beneath the empty sound of their own voices,
they know.

They were never given entry.
In fear, they ran from the cost of true substance.
They hold no access, only illusion.
And so, they take,
and take,
and take—

Until the weight of their own emptiness
crushes them beneath the throne
they have built from rust.

But rust does not hold..
   it deteriorates.

And when the kingdom crumbles,
when the crown slips from their grasp,
when the illusion cracks beneath the weight
of what is,

what will remain of them then?

For the hollow cannot stand
against the gravity of the Real.

The carnival is loud.
The voices rise in competition,
each one pulling for the crowd’s attention,
each one demanding to be seen,
to be known,
to be applauded.

But none of it lasts.

The bright lights will flicker,
the tents will come down,
the applause will fade.
And the ones who built their names
on the roar of the crowd
will be left alone with their silence.

You feel this, don’t you?

The moment after the rush,
when the thrill of being seen
is not enough to keep you full.
The moments between performances,
when you are left with yourself.
You have felt it.
And because you have felt it,
you cannot unfeel it.

That is the nature of truth.

It does not beg.
It does not force.
It simply remains,
waiting for you to turn toward it.

But not all will turn.

Some will sell the last of themselves
to the carnival,
to the barker’s voice,
to the fleeting thrill of attention.
Some will press their hands over their ears
until they no longer hear the call at all.
Some will attempt to crucify what unsettles them,
to keep the show running.

And yet, truth stands.

It does not chase.
It does not barter.
It does not make itself smaller
to be more easily held.

It remains,
whether you turn today,
or tomorrow,
or never at all.

For life does not demand.
It does not entertain.
It does not offer a show.

It simply waits.

And in time,
the waiting will be yours
to bear

There is a road—
worn smooth by the weight of avoidance,
its stones polished
by the feet of those who feared the fire.

It was an easy road, once.
The gap was narrow.
The illusion held.

But now—

the distance has widened.
And the voices on the right road
speak in a tone
that sends tremors through the bones
of those who chose the left.

They are too far now—
too far to reach with whispers,
too far to pull back with outstretched hands.

And so—
they sharpen their words to steel.
They carve spears from syllables.
They gather in the middle ground—
where poetry was never meant to be a weapon,
and they brace for the throw.

---

Once, there were choices.

At the first fork, the road was still open.
The return was near, the steps were light.

But at each crossing, the distance deepened.
Each footfall carried the weight
of the last choice unmade.

Each turn back
required more courage
than the turn before it.

And so—
they did not turn.

Instead, they built monuments
to their own exile.
They lined the road with markers
to silence the unease.

The illusion thickened.
The herd gathered close.
And the further they walked,
the more they feared the eyes
that saw them leave.

Now—
each step forward
is an accusation against themselves.

Each mile another truth
that must be buried.

Each glance across the chasm
a torment that cannot be soothed.

---

Jonathan knew the weight of it.
He was born under a king
who wore a crown of emptiness,
who built an altar of fear,
who held his son as a token,
a prop, a piece of the podium.

Saul used him, loved him, needed him—
but only in so much as he could fill the void.

And Jonathan, bound by blood,
walked beside him.

But then—
he saw David.

A boy with no kingdom.
No throne.
No crown.

But something deeper.

And Jonathan felt it—
the pull, the knowing, the moment where the soul whispers, "this is real."

And he slipped away.
Not in rebellion.
Not in anger.
But in truth.

He turned his back on the road
that had never led anywhere
and bound himself
to the heart that was real.

---

And now—
on the leftward road,
there are those who feel it too.

They bow to the orator.
They weave themselves
into the illusion.
They stand upon the podium
that floats on nothing
and call it solid ground.

But then—

a whisper.
A shift.
A moment of clarity.

They look again—
not up, but under.

And they see it.
The nothingness beneath.

The hollow, the floating, the lie.

And in that moment—

they choose.

Some harden.
They grip the edges of the podium
and become part of it.

But some—
some slip away.

Not in rebellion.
Not in anger.
But in truth.

They turn back down the road
past every marker they once mistook for safety
until they find the first fork,
the first opening,
the last place where light still touches the ground.

And they step back onto the road
they never should have left.

And behind them—
the orator sees them go.

And the rage begins.

---

The first to throw was Saul.
He played the game well at first—
a king by the measure of men,
a ruler by the weight of shoulders
bowed low in his name.

But then—
a boy with red hair
and a heart like fire
stood before him.

And Saul’s throat burned dry.
He called for David’s hands upon the strings,
for the music that soothed
and let him forget—
until forgetting was no longer enough.

And so—
he took the spear.
And when David turned his back,
Saul sent it flying.

---

And now—
the leftward road does the same.

But now, the throw has weight.
Now, the throw has force.

It is not just to quench the light.
Not just to punish those who chose the right.

It is to reclaim the ones who left.

It is the throw of desperation.
The spear of retribution.
The final attempt to keep the illusion
from crumbling completely.

The rage grows more erratic.
The strikes more reckless.
Each spear heavier
than the last.

Because every escape
is another fracture in the illusion.
Another crack in the podium.
Another moment of emptiness
made visible.

And the orator knows—

they are running out of minions
to shield them from the truth.

---

The blade of poetry was never meant
to be wielded in the hands of the hollow—
on a battlefield made by the empty,
where Envy attempts to slay
the substance-born embodiment of truth.

---

And now—
as the final spear is lifted,
as the last curse is uttered,
as the fire is set—

the road to the right remains.

And the leftward path
devours its own.