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Zoe Mei May 2021
“You are the universe in ecstatic motion.” –Rumi

I am endless infinite possibility,
a Boltzmann brain fluctuated from the
furious buzzing entropy thrilling the
scattered melted formless universe,
collapsed into the thin singularity string of
an impossible human being.
The world is testament to my stunning genius
a grand hallucination of my own creation
and I am my own invention.
JV Beaupre Feb 2021
In the beginning there was procrastination,
and I can't wait to start putting that off.

To begin or not to begin that divides us all.

Deferring action never increases entropy,
and lengthens the life of the universe.

Completion happens once, but delay has no limit.

I'm not dithering, just exploring all the options.

This "beginning" poem has just been hijacked by hesitation,
and dragged down the rat hole of reluctance.

Oh well, there is always tomorrow.
One can always say, my muse took a snooze.
Oskar Erikson Feb 2021
granted, taking this loss
somewhat harder
than expected. couldn't have been the sort of guy who asked for permission
to grieve
it
sort of happens.

i am taking a little breath before the next break so speak now or
forever hold my hand

you were doing so well
so was I
we are falling
without a plan to land
.
- Jan 2021
S
I’m afraid of entropy. A thing so fearsome, it can only be alluded to with the letter S. It is haunting; it looms silently over everything, only expressing itself materially in the mess that litters itself on the edges of highways, in a crowded mall, in a subway full of disparities, in images of landfills. Images so foul and beyond our imagination, they look almost like artful depictions. We find beauty in them, abstract them to colors and shapes and assure ourselves in the efficacy of our ideology. Chaos surrounds us, makes a necklace around the circumference of the ocean and hangs upon the necks of its oldest inhabitants. The shell of a sea turtle looks like infinity. It carries the resonance of a pool of water, an entanglement of snakes, a rat king, a mangled mess of necklaces. Unbreakable chains. Putrid and infinite. The stuff that emerged from Pandora’s box. We yearn for boxes, we want to contain our sins, our sorrows, our shame. We look for safety within four walls, in the shadows of concrete structures, in straight edges, things we can count. But silently, we despair, because we know, for all our effort, it does not suffice. Everything around us builds in complexity and in inextricability, linking the mother and child to the predator and prey, holy things become impure, ugly things become common in our collective imagination. We try to filter out the horrid symbols completely, but they linger like an albatross hung round our necks. Our spines weaken, our postures relax. We feel the humidity and the stench of garbage follow us to the countryside. Poppies lined in gunpowder and pain. ***** tinged with the scent of blood. Products spring forth from the ground, but they aren’t the bounty promised by our ancestors. They are made of plastic and tin. They long to be recycled, made homogenous again, but that fearsome letter. Will always have its way.
Ayesha Nov 2020
on and on it goes
deep into the past— and forward.
  Still, on and on it grows
a spiral unfolding 
                                eternity
sideways, upwards, downwards
   — inwards
                  on and on—
and where all— that could be imagined— meets
       is this now.
Is this now?
    there we all sway
        there we’ll all stay
shallower than light
empty— empty—         emptier yet.
and there we’ve been.
shining fires— vanquished stones
betrothed, sundered;                        
carved into our very own       e n tr opy
   and deformed back to cosmos.
we’ll be there—
when we are; or are not.
scattering like pollens.
      Unseen.
                       far—

far away from this now
this mesh of a single thread
         on           and on which goes
On— on still
as strings long passed whirl around us again,
and what’s to come late

— comes already.
we are. Are not we?
Francesca Grey Nov 2020
first, you lose your voice.
then you begin to fade; like the moon, as the sun burns it from the sky.
your sense of self grows small,
as if it's locked away, in a place between worlds.
you're not you anymore; just the ghost of summer as winter freezes the world.
i think this must be like the collapse of a star: silent, yet screaming.
and in space, there is nobody to hear you.
Anais Vionet Sep 2020
You can think of this
pandemic as an novel
slowly unfolding.

We are characters
caught up in the plot - we're the
heroes and villains.

We bring our desires,
educations, biases and
social reflexes.

All the small sins and
great vanities of mankind
have a home in us.

The challenges we
face, in chapters yet turned
would scare the angels.

Will, we, the people,
psychologically flinch
in this, our great hour?

If so, expect no
Crispian Day speech of legend
to mark our passing.
America has never been weaker or in such danger.
Emily Sep 2020
A babies' cry is as natural as
the mushrooms uprooting--
puhpowee--
two births into the world; life made anew.

But then there is

the rush of train tracks outside the window,
or the sound of a wolf howling at the moon,
the feeling of bare feet on dewdrops,
and watching a hawk sweep down to a lagoon

Dance the tango with me.
two left feet I am spores,
two left feet I am floating

and then I crash down,
burnt paper and burnt cigarettes,
I have a cut on my face,
I have cut tulips in a vase.

I wish I could stand in a mirror and
confront what I see
feminine physique, feminine plastique
two beady little eyes staring back at me

my eyes tell stories of deceit,
my eyes tell stories of no sleep,
when I look in the mirror I don't see me but a
bare-***** woman numb in her defeat

these suicidal lullabies in rose-colored dreams
are how I say hello to the world for I am
cruelly stuck in its'
twisted seams

one day I'll drink salt water and
float out to sea
Edna Pontellier,
I am the real tease.
Entropy - the gradual decline into disorder

Puhpowee- a  Potawatomi word that means the force that pushes a mushroom out of the ground, the unseen energy that animates everything

Edna Pontellier- the main character in Kate Chopin's The Awakening. The novel ends with Pontellier drowning in the waters of the Gulf of Mexico
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