Remember
Back in the day
When those parties
In Venice
That say would have 25 people or so
Walking through?

Now they were
Too big
Over-packed with
50-200?
With frat boy vibes?

Dana Rick and I
Arrived at one
And I thought a
At the sliding glass door
Oh God
And quickly escaped to the kitchen
Cutting through the living room
Where there was the make shift bar
Nothing much in the
Fridge

Anyway
I made my drinks
And turned around
To cross back
And somehow Dana was there
In front of me

She raised her hands
And wiggled through the bodies

While I
Said
NO
I will dance
When I feel like it
I choose

So I began to follow
And every elbow knees hip and arm
Reached out to touch me
Knocking all the contents out of
my little plastic cups

And though
I got to the other side
Contemplatively
Looking back
Empty

The three of us
Went to stand on the side of the house
Safe
By the water meter
And I laid down my cups
Laughing

So the moral of this story
Although I think it’s obvious
Is to
Go
With
The
Flow

Venice parties
You know those
200 in a space made for 50?
A monster that
You had to
Protect yourself from?

Three of us
In the living room and I got
To the Kitchen. For safety.

Serving adequate, and me
on my way back
Drinks in each hand
Bodies through Dana leading
Her arms above her head
bouncing she won’t spill a drop
The other hands follow
again, me with
stubborn arms
refusing
thus liquid contents emptied and
Sticky
the floor underfoot
Splashed

Outside
The water meter stood laughing
told us about the flow and to go with it

The Provocation on Highway 401/ By Maria Mitea

There will always be a provocation, temptation, elation
Someone inviting you for a fresh breath to take in, and out
when you, the day-to-day maker are driving, loving, or maybe make money
with a hammer in your hand hitting on a red iron.

Hey, you two, and three, five four, or maybe ten, and even thirteen
on a pin-up, or pin down you choose to live in Bohemia, or maybe,
not, or again maybe free love, wanderer, adventurer, or vagabond
with a hoarse voice, will invite you "Going Out West", and change your name.

I am in, even though I don't know what I mean, Please, before I start to write let me park at WalsMart, and my apology if you feel ignored or bored.
I have an important encounter on Wikihead with Tom Waist, intrigued if he meant anatomy or a cut of meat from the leg of a lamb, or maybe he liked to be, or feel in between for the rest that moved in thin blood and sotto voices.

I pulled in, and find out that Tom Waist was born after the ussr famine,
agogy to see what lives in his guts, what a bad habit, "girl! go back and read what's the challenge about." I hold in from searching his words and thoughts that he played on a yellow paper, and think " Hm, he was born after the famine, his music and poetry must've been concocted from hunger starving for life itself."

I click one more time wikihead, and I see that indeed he did all he could do on earth and not only, but he also dug underbelly, living in between starving his audience to tears with his hoarse voice and appetite for art. Then I need him more. I can feel how he invites us all for artistic addiction, and I need him more, on a smartphone, I am digging his music and stumble into the "House where nobody lives", bursting into tears.

There will always be a provocation, temptation, elation
Someone inviting you for a fresh breath to take in, and out
when you day-to-day maker drive, love, or maybe make money
with a hammer hitting on a red iron,

Hey, you two, and three, five four, or maybe ten, and even thirteen
on a pin-up, or pin down you choose to live in Bohemia, or maybe,
not, or again maybe free love, wanderer, adventurer, or vagabond
with hoarseness in his voice, will invite you "Going Out West",
and change your name.

I read again and again, and one more time I listen to a spot fyi " Going Out West", and ask if this was the "voodoo ... , I am gonna make myself available to you" without losing your composure you have your "voodoo" means that brought me back in tears in the "House where nobody lives",

Ones, hey, you two, and three, five four, or maybe ten, and even thirteen on a pin-up, or pin down you choose to live in Bohemia, or maybe, not, or again maybe free love, wanderers, adventurers, or vagabonds with hoarse voices will invite you "Going Out West", and change your name.

Out West I found that
Dangerously glittering bohemian lifestyle.

Where Los Angeles falls down with joy
And rumbles deep from its canyon bellies

And when you need some sadness
You split to Berlin
And come back with none of your clothes.

Of a night on a battered red leather sofa
It's moved with us three times
It sits in a room with a broken bay window
And we sit on it too
And we sit on it too

Drinking yellow anise from mismatched glasses
With ice, not warm water
Singing stories, spinning yarns with broken bottles
Of girls with leopard-print hands
And the straw man in the moon
The straw man in the moon.

The cord hangs on the wall:
A symbol, but not symbolic
As chords rise, break off and fall
All a sham, but not shambolic
A sham, but not shambolic.

Swapping tales and anecdotes of cars parked between cake stalls
And days with names that don't suit them
People dying for causes they don't understand
And war is an island; a land hyperbolic
A Green land, a war land; unplanned hyperbolic.

Linguistics are twisted and brass tales are dropped
A cork is unwrapped from the web where it popped
But the darkness is rising, the hours are ticking
The side is hitched up so we all know we're doomed.
We hear children singing in the guitar strings,
Their screeches rising as they fall,
Our speeches diving as they fall.

And speaking of speeches, he says, a performance is mine
But in France, man... in France the markets are open
And the fields of Provence roll down to the menhirs of Carnac
And Brocéliande lies to us all,
And Brocéliande lies to us all.