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Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Milan  Sep 2020
Zara 1
Milan Sep 2020
ZARA! ZARA! he called,
not a single response.
ZARA! ZARA! he called again...
zara looked at his eyes, and went dead all his life..
he screamed as he hugged her,
as if she was going to "respond."
he screamed and kissed her,
as if she was going to feel.
this time,
he lay his head on her chest.
crying, crying, and crying
wishing for this not to really end.
but this time,
zara was for real..
she went dead and will never be back again.
as he was laying his head,
zara was still not there..
zara from up above,
sending tears through rains,
meaning to tell him.
meaning to show him.
meaning to tell him to stop, and realize what he has still not lost.
lightenings occurs
sound of thunder
they all are angers from zara:
"YOU DON'T ONLY MISS ME! BECAUSE I DO TOO. YOU DON'T ONLY MISS ME!BECAUSE I DO MORE THAN YOU DO! YOU DON'T ONLY LOVE ME! BECAUSE I DO MORE AND MORE! YOU DON'T TELL ME DON'T GO! BECAUSE YOU DON'T WANT ME TO! AND AM SORRY I JUST DID AND YOU CAN'T BRING ME BACK! BECAUSE I AM ALREADY GONE! NOTHING CAN BRING ME TO YOU! ONE SHOT IN THE HEART CAN BRING YOU TO MY ARMS. AS I HAVE PROMISED THOSE ENDLESS, TIGHT WARM HUGS.."
he looked at the sky,
shedding tears,
gave a smile,
and send all his love to up above..
so she wont be lonely,
and feel the love he always promised he would give and for her to feel.  
He looked down, and kissed her,
looked at the sky...
and..
goodbyed her.
as he shed his last tears,
her shirt was a big drop of tears..  

-Mila
Jupiter moon v Saturn Methane


Today Javk Dyer and Chris Mainwaring are having a fun day at Jupiter Moon oval, to celebrate the after life UFL tournament, and Jack Dyer started the ball rolling with two space kickers, Daniel Morecmbe and Graham Thorne, and Graham Thorne kicked about 2 goals and 17 behinds and he beat Daniel Morecambe who just kicked 1 goal and no behinds and after they was over we went to the handball competition run by Tony Campbell, and we had some great participants like Don Bradman and Tony Grieg, and Zara Baker came in and was the first to get a bulls eye, and she got it twice, and also Peter Sargent handballed two through the bullseye and him and Zara were looking like winning, untill Blske came in and scored a superb bulls eye three times and he won the hand ball competition, there were two more entries, who were Peter Harvey and graham Kennedy, but neither of them got bulls eyes, so Peter Sargent won the prize, the next thing was the tie up footy game, you see if you miss a goal you get a part of your body ******* and if you get a goal, you don't, so the aim is to not get it wrong, because you will find it hard to get free to kick your next attempted goal, so the first was Naomi Innes, and she kicked a behind and Ted Bundy tied her legs together, and then Brett Eggins kicked a great goal, and he yelled put, boys are better, your going down little girlie, and then Zara Baker kicked a goal and she went over to Brett and said, girl's are smarter than you, na, nani, na na, then Scott Macdonald came up and kicked a goal and went up to Zara Baker and said boys rule the afterlife, chicks rule the bed afterwards, and then Marilyn Monroe came over and kicked a behind and the boys tied her legs together and both Naomi and Marilyn were trying to be free the next time, and then River Phoenix had a shot and he scored a behind and he disgraced the boys when Ted Bundy came out and tied his legs together, yes Ted felt good and the final person was Micheal Jackson, and he scored a beautiful goal, and now for the second and last series, and first Naomi with her legs tied together, tried to push her legs up, and because it was tbe afterlife, Naomi pushed her legs and showed us her skills she learnt in death, then Brett Eggins, kicked another goal, and Brett said I am the ruler of this afterlife, no one will beat me, no way no chance no hope and then Zara Baker, who requested to run with the ball with defenders trying to stop her, but that was a trick, because little Zara Baker was too fast as she swung around everyone and scored her second goal, and she said, go Zara, go Zara, I am the greatest in the afterlife, oh yeah I am and then Marilyn Monroe came to magically kick with her feet tied together, and she tried a full somersault over the top of Jupiter moon and scored a great goal and Marilyn said, I am the greatest kicker in the after life, and seeing I don't know much about Aussie rules, I seem alright, dudes, River Phoenis had the next kick and he wasn't too lucky and Ted Bundy tied his hands together as well as gag his mouth, and he is the loser, so he is going to burn in hell or get burnt by the methane, whatever came first, Micheal Jackson came in next to score a great goal,  and Zara, Brett and Micheal Jackson were our winners, congratulations to you 3 dudes, yes this was a great day at Jupiter moon, and everybody had fun.
Aabid Rumi Feb 2017
Koi ghilla na ab aur na koi shikayaat hogee
Ab jo mohobat tujsay hoge,wo bakamaal hoge...
Dekh liya hai jo  mizaaj hummnay teraa
Koi khata na ab aur na koi kammee hogeee

Humpay jo karam huva tha,aaj  samj aanay laga
Pehle  shayed tanha thay,aaj har taraf shor behnay laga
Huvi jo gustakhi ,andher khudkay jank naa sakhay
samma unki mohobat ka , Na janay khudpay kabsay chalnay laga....

shambal  raha tha jo dheery dheery,lo aaj bikharnay do zara
Kuch apni tasveer mai,rang merey b bharnay do zara
Koi inaam ** teray kabil ,rakhdu wo terey kadmou mai
Laikin tujsa naa kio aur na  tere jaisi koi hogee....
Ab jo Inayat tujpay hoge,wo lazawaal hogee..

khaaboon mai kho kr hum haqeeqat ko jaan naa sakhay
Sab tha pani he pani par hum kuch pebchaan naa sakhay
Zindagi ki mojoo pay sawaar hum bataktey rehai veeran-e-samandar mai
Muntazir mai sahil unka tha ,par hum kuch dekh naa sakhay..

Ilteja jo kabhi kee hee nhi,aaj jee bhar k faryaad karnay do zara
Dabay zakhmu ko andher he andher aaj samandar karnay do zara
Hai qabool ab sab tera,zindagi mai bas shamil hoga  
Rahai naa sansay mujmai sahee,Laikin  judaa naa Rumi say tu hogee

Ab jo ebadaat tujpay hogee,wo bemisaal hogee..

########penned by Aabid Rumi
AGAR KOI KAMI HOGI TOH BATA DENA MUJAY
MAI KHUD KO SAWAAR LOOGA BAS AAP K LIYE
Bliss Dec 2018
Mann hi mann sochti hoon..
Ke kash tere aane jaane ka pta hota.
Toh phir mae tujhe rok kr kehti...
Tham ja, zara sun toh mujhe,
Aa chl aaj thoda ek doosre ko jante hai,
Samajhte hai, ke har badalte mausam mae tu
itna khoobsurat kese ban jata hai?
Zara samjha toh, kese tere aane se kisi ki zindagi khushaal aur kisi ki khamosh ** jati hai?
Aey waqt chal aaj thodi si guftagoo krte hai.
Kuch sawal jawab krte hai.
Aey waqt zara aaj do pal mujhe bhi deja.
Kuch tu mujhe sunata ja aur kuch mujhe sunta ja..!!
So Lets plan a date?
Just you (time) and me
Curly hair and ******* eyes
Pink lips and hands so dainty
Radiant smile and chubby cheeks
Someday I'll call you Zara.

Sparks so faint yet we feel its touch
Hand in hand my love and I
Picking out names for the future you
Someday we'll call you Zara.

Still in school reading those books
Preparing your future home
Mummy can't wait for your arrival
See you in the future my baby Zara.
#Zara means "light" in Hebrew and also "Princess" in some cultures.
Kripi  Jun 2013
Tu Jo Kahe
Kripi Jun 2013
Jaanaa bas ek ishara to kar,
Tere kadmon mein la du sehar
Meri ab qaid khwahish na kar,
aake mere baazuon mein bikhar
Teri baahon ke saaye mein aake pighalna chahungi

Tu jo kahey hasna chahungi,
Tere sang chalna chahungi
** nuks mujhmein gar kahin............Main khud ko badalna chahungi


Feeki feeki si zindagi,
Tu ghol de aa chashni
Tod de sab bandishein,
Aa thaam le le chal kahin

Tanhaai ne hi hasaaya hai, tanhaai ne hi rulaaya hai
Tujhe dekh kar ke yun laga, tune mujhko khud se milaaya hai
Ladkhadati rahi, kabse thi main magar,
Tujhko paake zara ..sambhalna chahungi
Tu jo kahey hasna chahungi, tere sang chalna chahungi
** nuks mujhmein gar kahin......
** nuks mujhmein gar kahin......
Main khud ko badalna chahungi

Tu ashq hai khushiyon bhara
Koi mast ehsas hai
Tujhe kya kahun mere waaste.. tu hawa nahi saans hai
Saara jahaan main maan lu, gar tu mere saath hai
Tere saath bhi jo likhe ** ghum, to dard sab raas hai
Tere saaye mein **.. ab meri har subha
Shaam banke tere saath dhalna chahungi

*Tu jo kahey hasna chahungi, tere sang chalna chahungi
** nuks mujhmein gar kahin......
** nuks mujhmein gar kahin......Main khud ko badalna chahungi......
It's a Hindi song
Awesome Lyrics
Dedicated To My Love
I will show it's translation in Atul's next poem

(Atul.... Please Help Me In Translating.....:-P)
judy smith Sep 2016
In light of the recent flood of indie designers coming forth to call foul on fast fashion retailers for copying their designs (paired with a few not-so-fast fashion brands, which have been called out for copying, as well), a common question seems to be: Why is this ok? In particular, why is it perfectly acceptable for Zara to copy these designers’ work? How is this practice legal?

Well, put simply, copyright law is not necessarily a friend to fashion in the United States. This is a blanket statement, of course, but it bears quite a bit of truth, nonetheless. Since copyright law, the sect of intellectual property law that protects "original works of authorship,” such as books, paintings, sculptures, and songs, does not protect useful things, such as clothing and accessories, it provides little protection for those things in their entirety. Creative elements of a design that can be separated from the functional elements are subject to protection, which is why elements of a garment, such as a print that covers it, may be protected (as Pictorial, Graphic or Sculptural Works). This protection-by-separation method, however, does little to ward off copiers.

Moreover, unlike in most cases of the copying of garments, the copying of original jewelry designs often tends to give rise to legal ramifications as jewelry is afforded greater copyright protection in its entirety than garments are. However, as evidenced by Nasty Gal’s continuous sale of infringing jewelry designs, for instance, this also does little to deter copycats.

Other forms of intellectual property protection (think: trademark and patent protection) arguably are not ideal for fashion designs either. Trademark law only protects a designer’s name or logo – with some exceptions under the doctrine of trade dress which are relatively rare. Patent protection – namely, by way of design patents – is not terribly useful for designers because it is expensive (patent protection costs thousands of dollars to achieve) and takes a relatively long time (upwards of one year) to obtain. That’s simply too long for most fashion brands, whose business models depend on trends and season-specific wares. Taken together, this is why fast fashion retailers make hundreds of millions of dollars by copying high fashion designs and only are very rarely sued – let alone penalized – for doing so.

It is worth noting that this is not the case in other countries – namely, in the countries of the U.S.’s international fashion competitors. Copyright protection in the UK is not terribly dissimilar from that in the United States. However, the European Designs Directive introduced a unified system of industrial design rights for both registered and unregistered designs throughout the European Union. This allows for the protection of garments and accessories in their entirety.

Due to its history as the home of innovation in terms of high fashion, it is not surprising that France enjoys the most extensive and longstanding legal rights in connection with fashion designs. The country’s copyright system provides protection for garments and accessories. The same type of protection also applies to Italian designs.

So, it is within these loopholes that retailers like Zara, Forever 21, H&M;, and the like can operate legally (for the most part) and profit from the designs of others.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/****-formal-dresses
judy smith Apr 2017
Presumably the next big thing will be soles — socks with holes. Or maybe zits — pants with zips.

It’s made me wonder what else is ahead for us this season, so I headed to the mall to find out.

Topshop proclaims the return of triple denim (noooo!), the corset and coats worn as dresses. The latter should be worn undone to the waist and half falling off in order to “create a cold-shoulder silhouette”. Doesn’t make such sense during a Melbourne winter, I must say.

Topshop also has a very worrying item called a “monochrome gingham flute tie sleeve top”, which looks to me very much like a chequered table napkin worn backwards with ribbons at the elbows keeping the sleeves on. I’ll pass on that one.

Over at H&M;, winter’s “new mood” is all about “sustainable style” containing recycled materials. That means a simple flannel top is reborn as “conscious fashion” and a blue worker-style singlet becomes a “lyocell vest top”.

What would they call hi-vis? Apparently, the fash pack call it “haute reflecture”. Yes, really.

Most concerning is a shirt with “trumpet sleeves” so wide they’d need a separate seat at a restaurant. Even then they would end up dipping into the dinner of the person sitting at the next table. It may help you work out what to order, but it’s not likely to win you any friends.

At Zara it’s all about a “limited edition ballet dress” that will look perfect under a “moto jacket” Did they forget the r? Or are they too cool for correct spelling?

There is also something very strange called “over-the-knee high-heel sock boots”, which are $100. Give them to someone you loathe this Easter.

Zara also wants us to wear “Mum-fit jeans with side stripes”, which will no doubt just draw more unwelcome attention to the dreaded maternal hips. Who needs that?

They also have a velvet sack-style dress with a drawstring at the mid-thigh. It’s the style that doesn’t discriminate — it’s guaranteed to look unflattering on everyone.

So what other trends should we be running away from this season? Fashion insiders tell me “street-chic utilitarianism” is all the rage. That seems to involve wearing a flak jacket 10 sizes too big in a rotting-flesh colour paired with floral leggings with built-in shoes.

There’s also “new shirting”, which looks to me like the same thing as “old shirting” but has the added disadvantage of being just about to fall off your shoulders at the most inopportune time.

Trust me, you don’t need that and you don’t need an ironic-slogan T-shirt that tells the world “This was not a gift” or “This is a white T-shirt”.

I am also quite interested to know that “bra out” is apparently a trend and I wonder if that means I should stop tucking my daggy mum-bra straps into my tops.

Now, as someone who spent most of Wednesday this week at work with a large shop store label hanging out of the back of my skirt, I’m obviously not a huge fashionista.

But even I can see that never before has there been such a gap between clothes the fashion-conscious labels are promoting and everyday pieces we actually want to wear. You know, clothes that are well priced, well made, last more than a few seasons and aren’t made by five-year-old Bangladeshi orphans.

THERE’S no doubt something very weird is going on when there’s a waiting list for Yves Saint Laurent’s $10,000 jewelled boots and jewellery made of real succulents is being tipped as the next big thing. But really, who wants to have to remember to water their earrings?

Wandering around Zara this week (from where I bought the $89 skirt I forgot to take the label off), I was interested to see sale racks packed with off-the-shoulder tops, summer denim and lots of body suits. When are they going to learn women don’t want press studs up their privates?

I know that in fashion everything new is old anyway and that’s what really concerns me.

I’ve been around long enough to remember all the best worst fashion disasters such as pooh-catcher pants, velour tracksuits, trucker hats and platform sneakers.

Frankly, there are some items that don’t deserve to be wheeled out again. They include leg warmers — because your ankles don’t get cold when you work out, do they? And let’s not revisit male crop tops, because a hairy muffin top is something we don’t need to see.

Back to jindows. Just because Topshop tells us they’re “globally trending in the denim space”, it doesn’t mean you need a pair.

Remember. You didn’t need jeggings, coatigans, skorts or flatforms. And you sure as hell don’t need jindows.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/bridesmaid-dresses
Neeraj katta  Jan 2019
Judai
Neeraj katta Jan 2019
Judai
~~♥~~
Suno jaana
Mujhse kai logo ne pucha hai.
judai kaisi hoti hai.
judai kaisi hoti hai.
Me kehta hu
Zara thehro batata hu.
judai kaisi hoti hai.
judai aisi hoti hai.
bhari mehfil me bhi
kahi tanhai me kho jana.
Kirchi kirchi kanch ke
tukdo sa bikhar jana.
Or un tukdo me ek hi bas
ek hi chehere ka nazar ana.
Judai aisi hoti hai.
Simatna chah kar bhi
khud se na simat pana.
Har kisi ke samne
muskan chehre par le ana.
Dard saare chupane ki
ek nakaam si be-matlab
koshish kiye jaana.
khud apne aap se us
lamhat me nafrat si ** jana.
Judai aisi hoti hai.
Mulakato ke naam pe
milna u to kai logo se
har chehre me usi bas Usi chehre ko dhundte jaana.
Naam uska apne
lab pe saja lena.
Us ki kahi koi baat
yaad ane par rote hue thahake mar ke hans dena.
Or hans kar ke ek dam se khamosh ** jaana.
Naam uska le kar gir padna.
kai raato tak aansuo se
takiyo ko bigo dena.
Duao me usi ke liye
haatho ko failana.
khwabo or khayalo me
usi se wasta rakhna.
na mil pane ka ghum
is dil ko satana.
Or fir tut kar bikhar jaana.
Judai aisi hoti hai.  
Jhukaye gardan fir kabro me apni lout aa jaana.
Jise ham ghar bhi kehte hai.
Use Suna sa dekh kar kadmo ka theher jaana.
fir na utha pana.
Ye sab kya hai
judai ki nishani hai.
Na mil pana, satana, or har kadam har moud par tut'te bas tut'te jana.
Judai aisi hoti hai.
Jaise andheri si gufao me  talash roshni ki ** jaana.
jaise kisi apne ke haatho se haatho ka bichad jana.
Fir na mil pana.
kisi apne ko jata dekh kar
Dur se aawaze laga kar rokna.
Apne haatho ko jhatak na or diwaro pe patak dena.
Or bas kuch na kar pana.
bhari aankho se use
dur hote dekhte jana.
Palkey tak na jhapkana.
Fir aansuo ka jaise
sailab aa jana.
judai ki aag me
jalna,jhulasna
or zinda reh jana.
judai aisi hoti hai.
Judai aisi hoti hai.
Nk Sairam :)
JAMIL HUSSAIN  Oct 2016
Glance
JAMIL HUSSAIN Oct 2016
Jis Ki Janib Woh Nazar Apni Uttha Lete Hain
Uss Ki Soyee Hui Taqdeer Jaga Dete Hain

Towards whom they raise their glance
His resting destiny they awaken in a trance


Teri Duzdeeda Nigahon Ko Dua Dete Hain
Jitne Chubte Hain Yeh Teer Utna Maza Dete Hain

For your peeking gazes, I pray
The more these arrows wound, the more delighted I lay


Jab Se Dekha Hai Unhein Apna Mujhe Hosh Nahin
Jane Kya Cheez Woh Nazroon Se Pila Dete Hain

Ever since them I saw, senseless I have become
What they pour from their glances, a mystery it has become


Takht Kya Cheez Hai Aur Laal-o-Jawahir Kya Hai
Ishq Wale To Khudai Bhi Loota Dete Hain

What is a throne and what are lustrous jewels?
Lovers surrender divinity against the rules


Aik Din Aisa Bhi Ata Hai Mohabbat Mein Zaroor
Khud Ko Ghabra Ke Naqab Apna Uttah Lete Hain

There is one such moment in love, indeed!
With nervousness, they raise their veil


Apni Barbadi Pe Khush Hoon Yeh Suna Hai Jabse
Woh Jisse Apna Samajhte Hain Mitta Dete Hain

Happy with my own ruin I am, ever since I have learned
Who they consider their own, obliterated have turned


Apne Daman Ko Zara Aap Bacha Kar Rakhna
Sakhat Aahon Se Bhi Hum Aag Laga Dete Hain

Your own hem a little, you save and claim
With deep sighs, we set the fire aflame


Jis Ki Janib Woh Nazar Apni Uttha Lete Hain
Uss Ki Soyee Hui Taqdeer Jaga Dete Hain*

Towards whom they raise their glance
His resting destiny they awaken in a trance


— Translated by Jamil Hussain, Sung by Nusrat Fateh Ali Khan
Shrivastva MK  May 2015
ABHILASHA
Shrivastva MK May 2015
Tu meri aakhiri abhilasha,
Pyar karle tu mujhse jara sa,
etna bhi mat ban anjan tu,
waqt dede apna thora sa,
Tu meri aakhiri abhilasha,
Tu meri aakhiri abhilasha. ...


wothon par meri muskan teri hain,
**** me mere jaan teri hain,
Dil to samjhta hain sirf pyar ki bhasha,
Tu meri aakhiri abhilasha. ..,


Tere bin sari duniya suna sa,
Rahne laga hoon main mra mra sa,
Mud ke dekh lo sanam jara sa,
tu meri aakhiri abhilasha,
tu meri aakhiri abhilasha.. .. ..


Jab se tera main ** gya hoon,
tere khawabo me kho gya hoon,
Kyon khafa ** mujhse bata do zara sa,
tu meri aakhiri abhilasha.. .,


tere dard ko maine apna bna liya,
apni sari khushi tujhpe luta diya,
Kyoki do dilo ka milan hi hota hain
pyar ki paribhasha,
Tu meri aakhiri abhilasha,
tu meri aakhiri abhilasha.. ..

— The End —