She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.

The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

Let me tell you about something I saw the other day,
when I was out walking through a field of hay.
The night was quite pretty, the air crisp and clear,
when I suddenly encountered a cat who was drinking a beer!
I walked a little farther and encountered some mice,
sitting around a card table, all playing dice.
The mice looked quite serious, they all dressed like thugs,
I was dumbfounded, and simply stared down from above.
Then I saw something that completely blew my mind,
it was a variety of animals, dancing in a conga line.
For hours and hours and hours they danced,
more animals joined in, even deer came to prance.
This party was larger than any I’d seen,
a couple of badgers were even smoking something green.
“Innocent” deer were snorting lines off of snakes,
and a couple drunk farm dogs were fighting with rakes.
A cat and a mouse were sitting in a barn,
entirely too drunk, they took turn telling yarns.
From across the field, you could hear an owl retch,
while a gaggle of geese slurred “Benny and the Jets.”
Sheep laughed, “Bahaha!” while dancing on tables,
the horses were getting it on in the stables.
This party was crazier than any I’d attended,
a pig even ended up losing an appendage.
As the sun came up, things started winding down,
all the cows went home, and the "Keg King" took off his crown.
I took this as my cue, it was time to depart,
so a couple mice and I hitched a ride on a farmer’s cart.
"Sayonara!" I yelled, "It's been lots of fun!
Everybody get home safe, try not to hurt anyone!"
But enough about me, let's talk about you.
That was my weekend, what did you do?

The ghost of you lingers on my mind
The echo of your words tangos across my heart
The feeling of excitement of falling in love in cyberspace
Sexting without remorse or grace
A friendship that hits below the waist
Intelligent conversations that strokes your passion and ignites your fire
I wonder if I'll have anything left to offer
Or would the sight of you take me higher up the ladder of my sinful desire

Your words drive my imagination wild
The touch on my skin, your fingers, lightly caressing my spine
This image in my head is so divine
Seriously hoping that one day, this feeling will be mine.
Pictures and thoughts exchanged on a whim
Something strange grows from within

Intellectually stimulating every part of me
Zeros and ones creates a digital reality
Here I am, imagining being in your arms
The sweetest words you whisper in my ear
My soul yarns for you to be here
Feelings your warm body against mines under the cover
I long for you, my WhatsApp lover


                         *©La Vida Love

they say you'll never forget
where you were on 9/11
i was nine
i sat in the kitchen
and watched the television
play out the violence hour after hour
my child-like mind conflated the Two Towers
in Tolkien's literary fantasy
with these acts of misanthropy  
and i was taught at the dinner table
that very evening
that all of life could be reduced
to capital letters defining a
cosmic struggle of Good vs. Evil

and yet
regardless of their affiliation
on this defunct
political spectrum of
left left
left right left
politicians canonize a legacy of
injustice and oppression and
in order to suppress
democratic expression
they propagate the notion
that dissent is treason

because the wars we wage are blessed
by the sagely insight of rich old men
who sit safely in mansions protected by
picket fences as white as their skin
while they play off our emotions and
turn us into thoughtless sheep
content to stomach the whims of
politicians propagating vengeance

i will speak this out even
when my voice shakes
because i have seen the hypocrisy
of this war on terror
that relies on terror
to cultivate more terrorists
in order to perpetuate the notion
that Orwell posited

war is peace
freedom is slavery
ignorance is bliss
isn't it

in my naïveté
i rejected the reality of
torture and murdered children for
i nursed a secret hope that
despite the pictures and videos
that served as empirical evidence
we were still somehow
the good guys and
they were the bad guys

but Americans rained white
phosphorous on Fallujah
dropped the world's first
and hopefully last
atom bombs on Hiroshima and Nagasaki
we toppled democratically elected socialists
whose interests betrayed our self-serving agendas
cultivating a policy of extra-judicial assassination
regime change is the name of the game
just ask the CIA
they'd tell you
business is booming but
then they'd have to **** you

so i switched off my TV screen
and picked up books
i read Slaughterhouse-V
and treasured the way Vonnegut
looks at the lives of even
bees and butterflies as valuable
intoning "so it goes"
every time a living thing dies

i read O'Brien's
recollections
of Vietnam
a month later
he said that
like white lies
tall tales and
fishermen’s yarns
every war story
has a bit of truth

and i've seen the proof
in the photographs of
Abu Ghraib and Guantanamo Bay
in the aftermath of drone strikes
that left pieces of kids scattered
across the desert sands of foreign lands

i see the toxic side-effects of
systemic violence in the eyes
of homeless veterans suffering
on the streets with PTSD
a flicker of fear livens a
deadened gaze at the sound of
every backfiring engine
as if they're a thousand miles away
on some distant shore

betrayed by their own
government once again
a Purple Heart is
a death sentence
when there are 22
military suicides a day
thanks for your service
now die in silence

like bad religion the phrase
war crime is rather redundant
and i testify not because i
aim to disrespect the
men and women in uniform
on the contrary

when i say
**** war
it is because i
cherish every brother
and every sister
who has perished in the
churning gears of conflict

they shoved tall tales of hope
for a collegiate education
and far-flung travel
down our throats
just sign here
right along the dotted line

we want you
to march into hellfire
we want you
to send missiles into
tiny huts and villages
tracking cell phone signals
we want you
to sit down
shut up and
just do as you're told

to every fallen human who
has been sent off to fight on
behalf of this
or any other
corrupt nation
i sincerely apologize
for not taking to the streets to protest
a vitriolic ideology

i regret filing my taxes
when 54% or more of our budget goes to
military expenditures so they could
stick an M-16 in your hands
and ship you off to die for abstract
and so often arbitrary phrases like
freedom and justice for all

you were robbed of your liberty
by a capitalist system that seeks profit
like a false prophet for
bank accounts soar in times of war  
and in my apathy i hammered
nails into your coffin

and i pride myself on  
being an anti-militaristic
non-violent anarchist because
i don't hate soldiers
if i did i would remain
silent and apathetic
and let the government
abuse its youth

i celebrate humanity
regardless of ethnicity and creed
which is precisely why i despise
this system that sacrifices
generation after generation for
conquest and imperial notions

pray tell
will we turn from the
error of our ways
wake up from
this terrorist daze
before it's too late
and say

the State can try to
whitewash history but
i refuse to let them
brainwash me

Shoo! Shoo!

Cried the old lady in the boot,

as she chased the children

              from her sole.

While this humorous situation ensues,

      Humpty-Dumpty watches from his perch

a-top the King’s great wall,

               entirely unaware of his seemingly pre-destined fall.

It’s a shame that we never look far enough forward,

     to understand why we are breaking our backs;

well, if you don’t factor in the children who might be stepping on the cracks.

-

In another land of far away,

                the clouds rolled in and threatened the village with rain.

The itsy, bitsy spider was out of luck,

                           for his swimming lessons weren’t until the following week.

I guess Mother Nature just couldn’t control her urge to purge

         the dying earth with her liquid scourge.

-

Well I know that I’m not a Grimm sibling,

          and Mother Goose isn’t on my menu,

but looking back on these childish yarns,

it’s tempting to say that fairy tales

                aren’t really all that tall.

Maybe what our society needs,

        is a reflection on the stories we used to believe.

Gemini in seasonable  evening,
serenely swirling in Septemberous
ferris wheels
reeling in the vast domain
of lonesome leviathans
and witch-fires;
nowhere bound in the boundless fecundity
[ the feral joys of creation... ]
twins
meander in gravity's
well of souls,
swollen with unknowns and proteins;
golden rods in pointless foam
brewing the elixir vitae
in the Dippers cup. the Milky Way,
a wayward gush
from an ancient Mother Goddess,
plump and shameless, pumping teats
to nurse worlds
infused with divine rays of gamma and x...
why set dark apart
from firmament burning
spheres?

dragons
must clutch eggs in the void
as much
as fork tongue white dwarfs.
of course, the Source
unfolds
as  Love does. it's purpose,
in thrall of fearless veracity,
spinning yarns for glad garments
to clothe the naked dread
of such fearful symmetries
as roam the wild delights
of the infinite
meringue.

the Pi
on the window sill,
tempting the circular frame of reference
to square with the sublime Will.
another Fibonacci in your
bedpost,
to better hobnob with
broomsticks.
everything annihilates hatred.
from within,
we sojourn to sovereign super-continents
of opulent peace.
profound realities surge serpentine
with Meaning.
we are outdone on the inside by small minds
and farcical
hearts.

so at night
look up.

Love's Tongue Is
Love's
Word.

NOW

Well, GI Jack is welcome back, he left his legs in 'Nam.
He wakes at night in sweat and fright, then drinks another dram.
He doesn't know quite where to go, so seeks his uncle, Sam.


                           BEFORE

One can't ignore - his ma was poor, and seasons sometimes cruel,
yet Jack was brave and well behaved and surely no one's fool
so joined the ranks that man the tanks, as soon as he left school

He learned to **** our foes at will (ordained a sacred rite)
then packed his bag, unfurled his flag, when sent away to fight.
And yes, the tide was on our side (for, clearly, might makes right)

Through tangled days in jungles' maze, he sought the enemy
behind the trees where, ill at ease, he fought the Yellow sea -
upon the waves of gravelled graves he sailed a killing spree

The ****** dropped and cooked the crops, charred huts along the way
and tanks, with zest, erased the rest, their villages of clay.
(Yes, turret guns are loads of fun with roaring roundelay.)

While on the hunt with other grunts, he burned some babes alive
and wondered why frail things must die, while evil's phantoms thrive -
<When folly ends, he'll make amends if only he'll survive>

With ***** traps (sticks smeared with crap), yes, Charlie fought unfair.
He hid in holes with snakes and voles and snuck up everywhere
and like a mite within the night, caught Jackie unaware

At battle's end, Jack sought his friends - their souls were washed away
and only he and destiny were left in disarray -
with bed and pan, just half a man, the man of yesterday

When Jack awoke beyond the smoke, his frame no longer whole,
he found instead some suture thread neath wraps to hide the hole,
and realized a further prize: a chair on wheels to roll

His head felt light, as well it might, at Victory Day Parade
(across his chest, you've surely guessed, his medals shone, arrayed)
for when he rolled, while others strolled, his boots no longer weighed


                           AFTER

Well, Jack stayed home (no roads to Rome) to start his life anew
receiving dole which took its toll as largess went askew
for sure enough, when times got tough, his uncle, Sam, withdrew

To walk the streets with fine elites (or else some *** who begs)
or find a job (or even rob) requires both your legs.
And those who can't, are viewed askant like those we call the dregs.

For getting by he tried to ply and mine his medals' worth -
a wooden cup, a mangy pup, a smirk when miming mirth,
and best of all, at midnight’s call, beneath a bridge, a ‘berth’

He clutched a sign 'A dime to dine?', if anybody cared,
but soon he found, as time unwound, that victors seldom shared.
And Jackie's pride was slowly fried by vacant eyes that stared


                           ENLIGHTENMENT

He took to drink to break the link with thoughts of what he'd done
and threads of doubt began to flout the yarns Big Brother spun
of freedom's ring and other things, like what it was we'd won

His vague unease arrayed a breeze with words that chilled the air
and like the fogs above the bogs, they floated through the square
where people sat at tea to chat, and shrieked 'How could he dare?'

Yes, freedom's price is never nice: like storms before the flood
the Daily Rag was on a jag, was looking out for blood,
deemed Jackie's thoughts untamed and fraught, then dragged him through the mud

By hacking clues, they plucked his views like grapes upon the vine.
Big Brother came, blamed Jackie's name for thinking out of line,
shut Jack away from light of day, eclipsing freedom’s shine

The Junto Brass, with eyes of glass, were robed in fine array
to hear the words (though slightly slurred) the witness gasped to say,
while Justice snored (the waterboard awash with Perrier)

Well, Jack was charged with laws enlarged in secret dossiers
within the guise of spreading lies and leading thoughts astray -
The Jury's out... the rabble shout “well someone's gotta pay”

The Judge (who fears the mind’s frontiers) inclined his head to yawn
while making haste through courtroom waste, though slightly pale and wan.
(A voodoo Loon withdraws as soon as Night condemns the Dawn.)


                           ETERNITY

While in his cell, the verdict fell - the sighs of Silence, rife
While in his cell, the verdict fell - the Reaper played a fife
While in his cell, the verdict fell - the price was Jackie's life


                           EPILOGUE

Well Jackie's ghost, unlike the most, still mused upon the praise
for misdeeds done in victories won when cruising in a craze,
and once again upon the sin of thinking, nowadays
where, cunningly, humanity’s served lies, and trust betrays.
Then, reconciled, it simply smiled at fortune's wanton ways.


                           EPITAPH

A mind was caught while thinking thoughts neath Sammy’s prying gaze
and forced to stop by concept cops, else join the castaways.
For now it's law to hold in awe the brave new world's malaise
and cerebrate with programmed pate, adorned with thorned bouquets,
then mimic mimes in troubled times - and no one disobeys.
With freedom’s death, truth holds its breath awaiting better days.

Au(Or)al Tune
When (O)ppo(u)rtun(e)ity knocks –
            Ah, pour that tune into me
               n(O)t
just write or speak
            but
                        /zIg:zAg/
            gut--
                        --teral mut--
            --ter yarns
                        With
Mouth-churn--
--ing-beat-lick--          
                        --ings.


Half-grown seedling ([her]bal:e(X)ssen(10)ces)
                                    into sm(O)ke
adolescent (O)re worn from being p(o)(o)r—
                      it was nE(X)CESSary for:
battles
birds
beats
b(O)(O)ks
bottles
bucks
b(O)nes
boys
bei­ng(bad)


sm(O)ke-rings w(ear)y with surr(end)er      
      stripped
            v(O)wel
                    for
                       v(O)wel
thr(OU)gh the yawn: (O)nly
            “(O)h.”

             (O)h
              … foll(O)ws

                        the
You’re w(or)th-knowing-ONLY-(O)nce
            type of l(i)ke.
VERSE/VERSUS: the
You’re-w(or)th-knowing-AT:LEAST-(O)nce
            type of l(i)ke
VERSE/VERSUS:
                        for (u)s

it’s the worst type of verse
                        when it’s
            them:VERSUS:us
                     (verses)

likewise -- (O)r worse --
it should really be about//
      a bad in (u)s: Y(O)U:ME


(O)h after a
                        kn(O)ck
(O)h after a
                        t(u)ne:://
(end)-verse
for worse – it’s an
(end)-versus-us
                        type of verse.


(O)ppo(u)rtun(e)ity
            pouring
            ringing e(X)cesses
like
                     ear-worms to
                     hear words to
                     heat hearts.

Ah::rest that mouth-verse onto me.
            (restful//fluster)
Ah::rest that mouth
            (silent//listen)
soulless gall(O)w r(u)ng
lipless v(O)wel sl(u)ng
            like
ARTS::between::STARS
            then
VOICES RANT ON::into::CONVERSATION
            then
PAYMENT RECEIVED::yet::EVERY CENT       PAID ME

worst-verse:
           Y(O)u//like hanging
                        your dipTH(O)NGS
on (O)pportun(e)ity’s d(O)(O)r
            like
                        sm(O)ke-rings
            like
                        being(bad)
            like
                        Y(O)U:ME
            like
                        (O)h. n(O).

(end)-verse:
worst-verse:
            L(I)ttle.Kn(O)wn.V(O)wel::
            n(O)(O)se big for (u)s

            ALL.

My dear Father...
The **** do I say? Such a way with words, as those cracked records claim.

You thought so too though, you always did say, but how are there words for a heart torn away? A soul ripped in half and this gut wrenching pain?

How you were a hero - I've heard so many say,
You taught, you motivated,
You wiped tears away. You existed to spread love - yet felt unworthy to claim.

The demons you fought
your silence so dark,
They'd never let you see,
Just how loved you are...

True.
Deep.
Unique love.
Each one of us precious, In the Michaelest ways.

You suffered so deeply,
And what scares me the most,
That though we all suffer, you were my stone.

Our heads have such darkness, a uniqueness WE shared. Though all heads have shadows,
Ours was a PAIR

You've helped me through so much,
I couldn't describe. Your wisdom, a sculptur, has guided my life. My biggest regret, you'd never accept, that you were a catalyst, that helped me to live.

You taught me so much,
you've held me in strife,
Sitting right with me, endless yarns about life.
Or virtually advising, from far distance lands.
But the space never mattered.
Your love had no span.

I wish you could've seen, and accepted inside,
You were so special, cherished, and kind - My Godlike of a guide, and when the world caved in, I sought YOU for advice. No one will ever understand me like you. What peace I can find comes from the Truth - that our yarns WILL continue, sometime I know soon.

Your wisdom and beauty, your insights to life, you've gifted me so much, I'll cherish inside. Our bond can't be altered, I know that, not ever, for good or for bad, I am you - forever.

A lyrical poem about King Midas,how everything he touched turned to gold,and how he learned not to be greedy.


This is the tale of an ancient king
   Who loved all thing that pleasure brings
Who as a babe asleep in bed
     A trail of ants marched to his lips and fed
The young prince as he lay asleep
   With the choicest grains of wheat


Midas grew and gathered wealth
    With which he might enjoy himself
But aside from wealth, his fingers were green
    To he loved to prune and **** and clean -his garden,
every sort of rose
    He planted there and he watched them grow.


One day the old satyr- Silenus
   The teacher and friend of young Dionysus
Had straggled, drunken, from the crowd
    And staggering lost and singing aloud
he slept  off the wine in Midas’ Garden
    And  better pray that Midas gives him Pardon


Silenus woke and by guard was brought    Before Midas in the palace court
"What brings you here?" asked the King,
     I would like to know
‘Did you harm any of my roses.?’
     You didn’t !? Then Silenus. Take your pleasure
And dine and drink to double measure !

So Silenus,the lucky, old fun loving Satyr
    Grew steadily more drunk and fatter
All merrily the old soul chaffed
       King Midas who with him laughed
And when both had ate and drank their sate
    Silenus did this tale relate:

And he told a story to the king
    Of lands where he said he'd  been travelling
perhaps yarns spun from his dreams ?!
   of lands beyond the oceans stream
-peopled by folk of long life and health
    with very vast amounts of wealth !!  :)

Now Midas listened good and well
   To all Silenus had to tell
And when the story
   Came to end
He said: " please do point the way, my friend "
   For though Midas had more wealth than he would ever need
He was overcome by greed




So he sent ships and many men
   To sail the hyperborean
With eager, brave intent to find
   A land that perhaps  existed only in Silenus’ mind
And since no such place was found by Midas’ men
   They turned his ships
And sailed home again

Silenus loved to loaf around
   All day about the palace grounds
He grew indolent he was so lazy
    He  ate and drank all he could see
He thought” This is the life, great  stuff !
    But by now the king  had had enough !!


By this time  the lord Dionysus
   Was much concerned for his lost friend Silenus
Though not far  need he search or  roam
   For King Midas sent the old man home
And most pleased was the young god-boy
    For Silenus was his favourite friend and joy

So Dionysus conveyed  his gratitude to the king
    Does Lord Midas require anything ?
For the Lord Dionysus will grant
    Anything the king may want
And so the messenger was told
   May all that Midas touch be turned to gold




And all that Midas touched upon
Turned to gold and brightly shone
Midas’ table and his throne
   And all the contents of his home
And soon he had turned everyone
   To gold
Even his wife and sons

All this wealth it brought no good
   For Midas could not drink nor eat his food
Not a morsel could be ate
   But all turned to gold upon his plate
Golden fruits and golden meat
   Golden wine and golden wheat


And so the days they did pass by
    And a very hungered king did cry
That he did not want
    No he could not stand
His golden stores of treasure grand
    for he was hungry,thirsty, weak and dry
And not a morsel could that treasure buy

The poor king Midas he did sigh
   If he did not eat he soon would die
Alone he blubbered in despair
   He cursed himself and tore his hair
He could not stand it any more
   So he crawled half dead to Dionysus's  door

So thirsty, famished, very thin
   Midas begged Dionysus to release him
From the blessing that had become his curse
    For what fate could be any worse
Midas begged, he cried implored
   That life be restored
As it were before


The god he drank
   Deeply carousing
He found the matter quire amusing
    But although he laughed at Midas suffering
He had some compassion for the king
    He said “ I hope you have learned your lesson well
The king  listened to what he had to tell

At the source of the river Pactolus
   Near the mount of Tmolus
There you may drink and wash yourself
    And be restored to natural health
And all your golden treasures stored
    Shall all become as they were before

So Midas journeyed west to seek
   The water spring near the mountains peak
His thirst was as a burning flame
   But travelling onward soon he came
Upon the mountain
   When he saw it’s water
He broke down and cried with tears and laughter

They say that Midas was so relieved
    That never again did he ever greed
He learned that his greatest treasure was his life
   His good health, his sons and wife

The sands of the river Pactolus some say -  Are golden to this very day

In texts so normal we find
Unraveled yarns they left behind
To swallow a dry pill that bruises a dream
It tends to be the easiest of things

I’ve left my yarn in tranquil holes
Dug so deep and filled with snow
Underneath lie the bodies of old
I tell myself
Who could have known?

Mended with gauze and fixed with scraps
The vessel caves in and the flies come back
The whither and tremble of a soft human hand
Which quivers so lightly through weakened grasps

I ask this old woman now barely stable
Did your yarn precede the marvel
Of a young child, bold and able?
Did it graze him and make him wiser?
Powdered bone you hid under covers

How the leaves and meadows of your memories
Reach for both ankles, pushing you gently
Towards a beckoning boney finger that urges you closer
Will such saccharine visions bury six feet under?
So it goes

The yarns unravel now, as they always have  
From birth to the backwards prance of descent
She holds me, whispering me her loves, her life
And my tears unfurl with hers as I ache, hearing such words
Who could have known?