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Thom Jamieson  Aug 2018
Jamais Vu
Thom Jamieson Aug 2018
He dreamed he was loved.
A love guarded fiercely, with passion.
A love that was not unconditional.
Not the blank slate love of a child
or an animal so programmed by instinct.
This love was willful and earned.
Having glimpsed an injured brilliance
beneath the flab and sweat and stench she weaned it to health.
Making it stronger, and brighter,
and more prominent with each passing day; until it erupted.
And he was transformed.
to embody that brilliance.
And she protected that embodiment.
Letting nothing call it to question.
She cared for him as he never could for himself.
She soothed and softened
and loved the deep furrow from his brow.
And her passion overwhelmed him.

And he wanted for nothing.

And when he opened his eyes
To **** and filth
with only the kiss of concrete
and the banter of horns
and obscenities
and footsteps.
******* FOOTSTEPS.
Heels pittering purposefully to mask exhausted uncertainty
Brogues, and wingtips clicking; with a cocky juvenile illusion of importance.
Boots plodding heavily under the weight of duty,
to build, and fix, and secure for the others.
And through a fog laid thick and throbbing
by poisons chased dutifully the night before;
he felt her fierce love for a fleeting moment
Guarding, and loving his shining brilliance
until it erupted from him;
With bile and blood, **** and regret
coldly rejected by his concrete companion.
And she was gone once again.
I almost never write in the third person but thought I would give it a try (part of my narcissism therapy ;) )  Feedback welcome  (also part of it...:))
Nick Strong  Feb 2015
Seagull
Nick Strong Feb 2015
Watching a seagull floating lazily
Through an invisible blue ocean
Effortlessly soaring on invisible waves
Course dictated by winds currents
Piercing eyes watching, senses alert
Casting a moving shadow, cross the deep
Tracking a path none knows
Swooping, surfing ocean’s rollers
Wingtips gently kissing wave peaks.
Beautiful bird in flight, a nuisance  around fish and chips ....
Ottar Aug 2013
I

Gut drawn across history, reaching to this day and a time,
                                               teaching to play the sublime,
hourglass.
Where no grain has gone through that passage, unchanged
           And some wait at the threshold, not ready, unsteady.
There is a tug o'war back and forth,
till time always wins.
Time or forgiveness erases my straight forward sins.
All that bends lined up just so,
timeless,
fast or slow,
no one alive knows!
Just how it was meant to be
so let it...


II

Can you catch them, the leaves of fall,
is there chase enough in you to play with them all,
as the sounds of Autumn, have the pace,
which invites you play face to face with
what you hold, end of the rainbow,
Summers gold, treasured,
with subtle pleasure.

Where is your wisdom, where is the care, you leave behind
to find some solemn place of peace,
in a world that won't let you practice your passion,
it is after all out of fashion,
so bow a little more
and I will listen for the wind,
which may blow your notes like leaves and sheetmusic,
like laundry on the lines,
which you have to memorize or read,
in the cold
until the sun sets, the lights dim and the candle wick
is extinguished.
Still you dream of summer.


III

Sitting in the outdoors on a chair built for two,
I sit alone, so much to see and to hear,
as there is music playing, but I do not know from where,
the bees buzz and travel like they can feel the vibrations,
dragonflies dance in pairs, wingtips touching the sky and clouds,
hummingbirds find the flowers sweeter than before,
is that a cello out of doors?,
but the traffic on the street, fails to compete,
and the music goes on and I am replete,
but I listen still, to drink in more,
I would rather be no other place than where I am now
I close my eyes, and keep them that way as
I fear surprises among other things,
but this music is filled with the comfort it brings
the empty space beside me in this double chair,
if the empty space were to leave what would I have?,
feed me in my loneliness,
fill me, though I may be alone,
I will be able to share,
the Joy of caring,
with any who come near and love what I love best,
but my emptiness moves with me,
when music, like love, is a test of trust.

IV

The rocks meant to trip me up make my feet find footing,
as to step on the wrong rock means to fall
on my face
or land displaced,
oh the hard, hard heart-ed rocks,
my fingers lose skin,
don't trust my eyes
alone
don't trust my feet
alone
don't trust my memory,
to get me home,
I have to forget where I was so I can know to keep
going, because I need to go,
to the water,
the clear water,
it gives me credence,
when the water runs clear,
I drink it in and I am revived,
so pour this rocky music into me and
when I wake up, I will take up where life
has left off. And give it another day on the rocky slopes
that rocks my hopes,
there is no easy life.

V

Are your days dragged on for many hours past twenty four?
They at work want you to work more for less,
you walk in the door to change your dress,
and out you go again, so you pack you wallet with
cash, credit and disdain,
you walk slow as to shuffle not to be resistant,
so you actually see something near or distant
that resembles life in the normal lane,
instead your ups take you down,
from there all you do is look up,
up and away.
The music mocks your life
of strife,
your significant other half,
is more than you will ever be,
there is no end to the mockery,
so pick up your bow,
and reach not for an arrow,
but strike your muscles and your nerves,
to see if you are alive after all,
well...?
Beware
Beware
for only fools imitate the wolves by
howling at the blood moon.
Or jaywalk without looking,
or stay on the treadmill from hour one beyond twenty four.
Time, the monotone and remains the same,
it us who fill the hours, for shame, at the pace.  


VI

Oh jump and run and hide as it has all been a dream,
the ogres are in the hills and trolls are under every bridge,
the master walks the fence line banging his club every twenty paces,
to see if any faces peek out from the shrubs which need trimming
and he sends his dogs to ferret out the weasel faced boys,
and the pink pigs with pigtails,
while we hid in the oak on the hill watching the sun stand
stock still and the tall trees dust the sky as they move in the breeze,
making room for the heart shaped moon,
for my love, my love...
we will soon be apart and no glue will hold us
together,
and once we will be together again it will
be like we never parted,
but you left me so soon at a terrible cost, on my heart strings
each butterfly that goes by lightly
reminds me of you,
each single cotton ball cloud,
that floats my way,
I wait for it to come over-head,
no, I run to where it is so,
I
can see your face gently in the shadows
and contours but you are playing at hiding while
I
seek your beauty in all things,
all things,
all things,
that we said were ours and did not possess,
because it all belongs to God.
As do you.

Sadly I must wait here for my time,
I will listen to this music, as I am by myself
lone cellist playing
while I hold it all in,
please come close before he plays the last staff,
the last bar, the last note,
then I will rest, sleep, dream and float,
on the notes he has played as they
carry me as close to you,
so I am sure to catch your tears.



Final Thoughts (Incomplete)
The measure of the flesh is found in six pieces, of these cello suites.
The measure of the heart for music is opened in these six pieces of mystery.
They that sound, from time to time, that they were composed yesterday.


©DWE29082013
Inspired by listening to Cello Suites No. 1 through No. 6 by JS Bach by Various artists, especially Pau (Pablo) Casals and reading the Cello Suites by Eric Siblin, great read, if you like that sort of thing.  
I think, I know that this poem will be in progress for a long time, until I find some understanding, of music theory or learn to play the violoncello. Started 20130825 finished 20130829
Jonathan Moya Jun 2019
Icarus’ sister exists only in living stone,
the watchful daughter of the craftsman
in the middle of his own labyrinth,
once his prized creation, placed in
the prime line of his drafts, design, eye
of his genius, now a relic existing
in a dusty nowhere cobweb corner
stained with Minotaur blood,
watching her fleshy father
falteringly stitch wax, feathers, twigs
to a frame that could not
take the water and sun of every day birds,
not even the weight of a son’s pride
who complacently raveled and unraveled
his father’s clew, half hearing  cautions,  
his mind flapping beyond the planets.

She cried over how Daedalus could
dote over such mortal error
while she exists in perfect neglect,
cried a tear turned prayer that
mixed with the dust, the murderous
blood crusting the rusty teeth of Perdix’s saw,
knowing hence  that men **** their best dreams,
fear the successful  flight of  their ideas, and  
that her faith, trust now forever lived with the gods.

Hephaestus heard her and bellowed her mind,
taught her to seek inspiration in the rejected
metal slivers that littered the workshop
like the sand of Naxos where Theseus
left Ariadne in her abandoned dreams.

In the cry of that other lost daughter
she heard the sound of ascent,
saw father and son in erratic flight
and followed to the top of the labyrinth
to watch two glints align in descent
and one splash into the sea.

Graced with the knowledge
that forbearers would
name the waters below for this fool,
she deposited Icarus in their father’s arms,
and flew away on brass wings of her own design,
wingtips skipping waves, seeking the sun.
Cade  Sep 2015
Wings
Cade Sep 2015
Wings,
soft, feathery, downy,
wings,
made for flight,
Forged for a fight,
wings,
scarred, ******, broken,
Wings,
---
Wingtips press against the soil,
Earthen, Brown,
the power of the Earth,
shared to me,
Ritual, complete,
I feel it all,
rich power,
---
Graceful wingtips,
trailing crimson,
across innocent marble floors,
oh how imbued with guilt,
they drag,
Jagger Bowers Apr 2013
You're changing this cocoon heart
The butterflies are too big for my stomach
so they venture to the ends of my being
I’m growing wingtips for fingertips that flutter when you laugh
And in the moments I make your eyes smile, I fly
All the while, unraveling the most fragile strands of myself
Like string simply because
The only thing holding me is your hands

I am a kite
I ascend to the top of the universe with mirth, unafraid of falling,
And fall, I do
I fall over and over again every time your cheeks blush
And every time you bring me back down to Earth
You bring me in, and you hold me close
And what puts my mind at ease is
Our ribs are starting to fit together like puzzle pieces
Our hearts are fusing like science I can’t comprehend,
But if God was a card dealer, I’d understand, because
God dealt me the very,
Very best hands

Your hands
that shock mine every time I touch them
And when that happens we never fail to search
For the sparks in each other’s eyes
We peer into each other’s souls
Finding atoms that fizz like fireworks
I am finding God in your electricity
We hold still for the Lord
But absolutely nothing about this is static

I am the ocean
There is more life swimming inside of me than anyone’s ever seen
And somehow you are still more astonishing
You are the moon
From dust, God made you to hold me
You push and pull me
Like tides, gently rocking me to sleep
We are standing still
But love is not something we can stop if we squeeze

Like trying to catch rivers in our bare hands
We’re finding it more enchanting to catch each other’s raindrops on our tongues
Because we are water cycles, and some days
We are drenched in this love
Finding it ironic how our torrential downpours only lift us up
So, we hold hands
Run through the rain
And know that no matter how hard we squeeze
It will never stop

I want to go dancing
I want my feet to sing louder than my voice
I want them to sing in tune with the colors your lips make when you sing
Because I’m so close to colorblind that the rest of my senses are heightened
And nothing tastes sweeter than the
Rainbows you whisper on my eardrums

But I want to feel softer than this
I want to touch subtler than two magnets never ever can
But still have the same fervor
I want our ribs to feel less like rickety fences
And more like toy xylophones
Or the color spectrum

So one day we’ll have mapped out each other’s blues
And we can truly say, we’re on the same wavelength
So that one day,
Our hearts will beat lullabies on our skeletons,
Reminding us even the hard things in life can be beautiful
If we let it

I know that fuzzy feels cozy
And change can be crippling
But as I dream stars through the silk sheets
I hold your hand
And pray you won't supernova in the morning
Janette  Aug 2012
The Echo:
Janette Aug 2012
And so resounds the echo...

Sewn against your shadow,
handstitched destiny edges,
unraveled in the fire,
pulses rage
in heart-paced whispers,
collision of midnight panther
pelts, bleed into powder silk,
ravage the gentle merge,
your touch upon my awakening
sway me softly in your gaze
taste me with eyes that pierce
my soul from wingtips of butterflies
cast from the fire of your existence.
Unfold the unspoken words
dripping in the creases of this
throbbing...needing...wanting
heartbeat-slip-stitch,
suture seal the ache
of gossamer flesh
pressed against raven,
twin glances,
the bookmark,
fingertips
tracing the eyeprints
of your words upon me.

...so resounds the echo...

As echo wrecks the body
in a fever of words, purged
from the ****** night,
that devoursand devoursyour lips,
my hands' gentle cradle, spread
its roots dark these russet
threads the gold, swept
wetly over hands, like nerves,
quickening and so laden
with tremors, these words echo echo

Slip knot tongues intertwine,
tangled tasting breathes, exhaled
in slow moans surging, purging
that drinkand craveand need
m o r e
beneath hands that unleash
the fervor, lips pressed through
the flames, as gossamer falls
upon panther silk,
an exigent trespass,
beyond the touch
beyond the kiss,
educe the quake and the quiver
within this rapture.

...so resounds the echo echo...
nic Sep 2012
and there i was.
all of 3 and a half,
draped in hopping silhouettes;
neck deep in swaying hips
and blaring tunes
tied to kick drums.
dramatic rim taps
and wingtips cluttered
cross the wooden floor.
surrounded by tall men with
tall women whose heels
unforgivingly grazed
the groaning floor boards.
their gowns thick
as kitchen curtains
that seemed to flutter
like butterflies in hurricanes.

i heard the summer whisper;
her hums sweetly floating
through grand windows
tall as ten of me;
tasting the rhythm
with her tongue,
she blew a cool sigh;
flooding the steaming stew
of old souls with young bones.
sunk real deep between
4 counts and hi hats
to twirl her way
into their step;
a type of swing
'cept it had a bounce to it
like steeple chasers.
those ladies with copper faces
and stone seasoned roots
with joints as old as time
played tag with the down beat.
those daddys dodging
in their tailoreds
like taxis in traffic;
toxic with a plague of ghouls
like the Count, King Cole
and Billie, Fitzgerald, Gillespie.

Then,
just as the summer silenced her hiss,
just as the sun
dug its heels into the dirt,
making its last ditch efforts
to remain present,
dusk untied its bows;
unwrapping a gift like glory.
and we were bathed in glory
that laughed like lovers
and kissed like dogs.
it drenched us in sloppy showers
glistening gold like sweat.
yet still,
we emerged refreshed.
so as the night
began its usual
chocking down of day
and good afternoons
cacooned into goodevenings,
i stood there;

all of 3 years old.
surrounded by silhouttes
that could only belong
to old souls with young bones
who belittled big bands
with their own vibrations;
those copper ladies
and skyscraper sized fathers
in tailored suits
who two stepped
to both sunsets and groove
grew into shadows.
and i stood in the midst of
those dimmed stars;
stamina riddled.
knowing that as
a summer day died,
a summer night
had only just begun.
Christine Ueri Sep 2013
Blackened bird upon my brow;
Corvus Christi on my crown:

Could there be, oh could there be
Balm, sweet Balm in Galilee
Wild Roses grown in Gilead
White Daffodils on Sharon's sea . . .

The shores, the shores of Sharon's sea:
wingtips lapping cedar beams
leave no trail of murrey'd deeds;
tapping shoulders with your blades
rustling in the hollow reeds,
among the Seals of Solomon
Two Lovers, lost in Lebanon,
rose, to where the Stars of David bloom --

She in gules and He in vert . . .

Sable Bird upon our brows;
Corvus Christi on our crowns.
July 4th, 2013
Jonathan Moya Mar 17
I tried on several of my father’s
old Brooks Brother suits
just before his funeral,
trying to save myself the expense
of an outfit I didn't need.  

Each was too tight on the collars.
too short on the sleeves, each
crotch inseam strangled my manhood.
I had outgrown them all.

Almost all of it will go to Goodwill-
except maybe for those old coal wingtips,
(still in their slightly battered but original box)
heels and soles worn down from hospital rounds,
the leathers evenly laced, spit and
polished to a proper navy shine,
solid and smooth, enough to go from
monolithic to Marley vinyl
without missing a beat.

I could almost hear “The Great Pretender”
play as he glided my future mom
(literally,”The Beauty Queen of Fulton Burrough”)
across the ballroom floor, and then,
suddenly stop, and leave her,
as the hospital pager buzzed on his belt.

All my father- a short, balding but
approachable looking guy, with the
devil’s goatee- ever needed to win
my mother over, was Nat King Cole.
What he left her with, was Harry Belafonte
swooning his existential sorrows out to her-
“Day-o, midnight come and I want to go home.”

I smelled the stale odor of talc
distinguishing itself from moth *****,
and was tempted to slip them on,
but figured the cost to resole them
wouldn't be worth the price. Besides,
that oxblood polish would be too hard
to find.  I left them there for the next
tenant to decide their fate.
J  Mar 2013
Angelus Sanguis.
J Mar 2013
Her eyelashes
turn into little shy rainbows
when the sunlight
kisses the windowpanes of her soul,
& the pots of gold
are the simple dimples
that nestle in the quiet hues of her cheek,
Like a cool evening breeze...
She is.
The wispy butterflies
that playfully flutter within my hollow chest acknowledge her presence,
their wingtips scraping my paper rib cage
& knocking loose the flickering light bulb
that calls itself my beating heart,
So set apart...
Is she,
that diamonds line the inside of her thighs
& i just happened to find
traces of gold
in the scars that saunter down her spine.
Jonathan Witte Oct 2016
My mother’s second cousin
went to a fine university,
majored in anthropology,
and wore Italian wingtips
and a black fedora pulled
down rakishly over one eye.

I hear he was a handsome man.

He joined Toastmasters
and spoke extemporaneously
to small crowds of strangers.

He packed a leatherette
bag and went bowling
every other Sunday night.

He took his children camping
and taught them to catch a fire
with magnesium and tinder.

He mowed the lawn
with lapidary precision;
neighbors admired
his yard: brilliant green,
sharp as an emerald.

He played the spinet piano
in the hallway after dinner,
the metronome clicking out time.

His black suits—
immaculate skins
of a domesticated
creature—smelled
of cigarette smoke
and fountain pen ink.

But, according to my mother,
something went wrong along the way.
He began to hunger for something that clawed
just beyond the evenly trimmed hedgerows.

He smiled at night, listening
to malevolent creatures leaping
from rooftop to rooftop.

He began to hate his wife’s
brown dresses: brown is
the color of compromise
,
he seethed to himself.

His voice became quieter;
bowling became a bother.

Eventually,
he left his fedora hanging
on the coat rack in the hall.
His neglected wingtips gathered
dust in the bedroom closet.
The pockets of his favorite suits
swelled with cryptic notes, written
to himself with stolen fountain pens.

One night, when the children were sleeping,
he set the table and killed his wife with a spoon.

I hear he was a handsome man.
Part two forthcoming.

— The End —