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it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache
anonymuse Jul 2012
Hell, what can i say,It's always been this way.
we connect randomly.(is this seat taken?)
break off.(stupid boy|girl segregation)
diverge. (across bus aisles)
recconnect. (hugs before you leave, subtle smiles)
risk.(hopped, hid, rode again in my seat those last few miles) .
create boundaries.(best friend, I'm with her, you're with him)
overstep(i daydream of you...)
overstep.(i dreamed of you last night...)
overstep (i dreamed of you last night again...)
recreate.(i ignore you when you speak, what was that last thing you said?)
walk on blind faith, a little too quickly.(we took two days to talk this over, two weeks to get into bed)
remember we are friends amidst all this ( i did)
and suddenly all the feelings, (or thoughts spinning in my head)
the ones that are thretening to surge freely through me, (undo me)
no restraint, (undid)
threating to take over my actions, my heart, my affections (am i mislead?)
(theyve already strangled my reason)(I'm brainless, because of you, undead)
experience a subtle but calming shift( smootheeee like thisssss)
when i remember(what we said)
I suddenly understand(this isn't wonderland)
why it is I don't want to leave(friends fight, we are friends)
you mean so much more to me(than i could even begin to express)
than emotions high arguing and a dozennn days ive cried( they are nothing compared to it)
you are my friend, (im beginning to think best)
and well, i just... i want you here, (just like this)
I just, want you here, just like this.
Hell, what can i say,It's always been this way.
we connect randomly.(is this seat taken?)
break off.(stupid boy|girl segregation)
diverge. (across bus aisles)
recconnect. (hugs before you leave, subtle smiles)
risk.(hopped, hid, rode again in my seat those last few miles) .
create boundaries.(best friend, I'm with her, you're with him)
overstep(i daydream of you...)
overstep.(i dreamed of you last night...)
overstep (i dreamed of you last night again...)
recreate.(i ignore you when you speak, what was that last thing you said?)
walk on blind faith, a little too quickly.(we took two days to talk this over, two weeks to get into bed)
remember we are friends amidst all this ( i did)
and suddenly all the feelings, (or thoughts spinning in my head)
the ones that are thretening to surge freely through me, (undo me)
no restraint, (undid)
threating to take over my actions, my heart, my affections (am i mislead?)
(theyve already strangled my reason)(I'm brainless, because of you, undead)
experience a subtle but calming shift( smootheeee like thisssss)
when i remember(what we said)
I suddenly understand(this isn't wonderland)
why it is I don't want to leave(friends fight, we are friends)
you mean so much more to me(than i could even begin to express)
than emotions high arguing and a dozennn days ive cried( they are nothing compared to it)
you are my friend, (im beginning to think best)
and well, i just... i want you here, (just like this)
Nova Flames  Jun 2013
Whistle...
Nova Flames Jun 2013
I spit that non fiction, when i say life is my addiction, I'm such a contradiction;
you can call me COURAGE the cowardly. don't OVERSTEP your boundary.
the lames seem to bow to me, and if life were a *****. i'd charge her by the hourly.
i feel FREE like a SEED, in the wind
there's no need to pretend
that no thought is more electric than your intent, i intend
to manifest success. my game infrared,
sounds like a different dialect, fresher than disinfect, dangerous like Russian roulette.
when its us or them
the beast against men
melanin augments; to increase my inner G for the main event!
Twinkle Aug 2014
She stands tall and slender like poetry
Her eyes hard as steel 
Her face a mask of sovereignty 
She's seen it all in her industry 

Outwardly she appears calm
Don't be fooled by her charms 
Her mannerisms are her keeping
Don't overstep your line. 

She's fought a hard battle 
Laid claim to the highest throne
She's driven out the competition 
But now she stands alone

At what cost comes success
The sacrifice of sanctity 
The loss of integrity 
A woman fighting in a man's world
Play by the rules or risk your dignity

The fall from grace will be so steep
One she'd rather not see coming
So she dances while she can
Her ballerinas grace has u enchanted 

When the time for the show is over
When the curtains r drawn and the lights are dimmer
She takes off her mask and weep miserably 
She has only loneliness
To keep her company
For the ambitious career woman.
Muggle Ginger Aug 2012
I’ve recently developed a hypothesis
It’s crazier than the idea of an atheist
The truth is the hardest pill to swallow when it stings like a vaccination
So I’m dealing with the fact that my love may be broken

I’ve had a broken heart but those can be repaired
With time, effort and divine intervention
The fibers of the heart can be re-stitched together
But my love – my ability to love – seems to be destructive

When you care too much, you lose what you wanted most
I wanted you; so I said so
That worked like a poison, numbing your feelings for me

My love is like a broken boomerang
I throw it out with heartfelt emotions
Hoping and waiting for your love in return
But my love never comes back at all
It doesn’t even come back as a letter ‘returned to sender’
It simply died when it was on its way

Whether in your negligence or on the journey love take us on
My love died like a single drop of water in the desert
I wish I could figure out the enigma of love and the defect mine seems to have
My love is broken like a bird without her wings
Grounded against her nature and denied to possibilities of true life

My love is withering in my own heart – you can only love yourself so much
I was ready to give you all I am
But somewhere along the way I feel like my love is not only broken…

I tried another time to love another soul
My broken love had a heart attack and died in route to the grave
It wasn’t taken to a hospital because my love was a lost cause
Something unworthy of its name; love

My love was never seen as love by any other being
It was seen as infatuations or crushes that crushed life out of attraction
So now that my love is dead, what do I have to offer the world?

We all respond to lost love in our own way
I would fight until I had no breath or strength – then again
Maybe it’s not my love you need, or even want

That’s the trouble with loving you
I overstep, overlook and over-wish
My love was just too strong for it’s own good
Now I weep in the arctic for the faithless cruelty

An arctic that I call summer from the frozen tundra of my heart
Hell has frozen over – hell has become my heart
Tori Jurdanus May 2014
Ahh, the friend zone.  Have you ever been there? Stuck between wanting and not being wanted by who you are certain must be the love of your life? Well don't you worry your lonely little head any longer, because experts have finally developed a fool-proof way to escape this unfair wasteland void of affection.

Step one:
Admit what has happened.  You, friend, have been friend zoned.  For some unfathomable reason, girl has deemed you, undesirable. Do not be discouraged when she calls you brother.  Instead, accept the challenge of making ****** seem appealing.

Step two:
Spend less time with her.  Make her feel as if she values your company more than you do hers.  She will begin to feel confused and lonely. When she calls, do not pick up until at least the fifth ring.

Step three:
Up your flirting game. If she doesn't respond positively, send her a sarcastic remark via text guilting her into giving you more attention.

Step four:
Change. Change everything about yourself until you lose the person she first befriended.  When she sees you, it will be like looking in the face of a stranger.

Step five:
Break the touch barrier.  Invading a woman's personal space with unwarranted physical gestures is a sure way to make her used to your dominating body movements.  Soon, she should submit to her instincts, and to you.  

Step six:
Stop doing things for her.  You can't expect a girl to want to date you when you already give her everything a boyfriend would and she doesn't even have to put out.  (I mean, the only reason women even have *** is to keep their man around).  Instead, tell her to do something for you, like making a sandwich.

Step seven:
Explain to her why her boyfriend, girlfriend, other love interest, or singleness is not right for you.  I mean, her.  She is, after all, incapable of making her own decisions, or else she would not need to lean on you for advice.  Understand that you are better than anything else she could want, she just doesn't know it yet.

Step eight:
Date other people.  Women easily become jealous of other women.  This will make her small mind react territorially.  Much like step two, this will lead her to feel insecure around you, and she will begin to show you only her most formal, prettiest parts.  

Step nine.
Confess your feelings for her.  Humans in general can never tell when someone is romantically interested.  Overstep boundaries, tell her how you are almost too good for her, and she will never find someone like you.

Step ten.
Congratulations! You've done it.  You, sir, have escaped the friend zone.
She does not look at you when she walks by. She does not call.
You, are no longer her friend.
After Kait Rokowski's, How to Cure a Feminist.
T Zanahary Aug 2012
We sit in silence,
backs crooked,
the couches' cushions caving in.
The weight of passing hours
and minuettes alleviating thinking
in a miscellaneous metronome
ticking to bring time to a heaving chest.

Stay calm,
the pain of realignment will pass.
Burdensome they may be,
burgeoning wings will free you of...

Pressure collapsing this cage,
walls torn from studs,
leaving only this skeleton
surrounding us as we find delirium
the backbone of convulsing lungs watched,
earthquake mute laughter marring the faces
with jagged faults.
The cost of cracking,
we must accept the scarring permanent.
Breaks unplanned infirmities,
alone, our time line disrupted itself
and the heavens came,
tumbling down.

In silence,
we lay, arms barring
our escaping words.
Eyes overstep boundaries,
slipping through the gaps,
a second moment of
clarification fractures restraints
whilst beguiling brainstorms
sparked our interest.
Our tongues meet,
shyly.

rubies placed upon your breath
slipping against molded clay.
In sapphires
you and I hold nighttime
reflections of passion
contained in coal, waiting.
Ivory runs my length,
bending to ecstasy, breathing
shallow, asynchronous, failing
to find it's end in persistence.

In night
the danger dropped us, longing
that dusty light beaming down on
the show, Act 2 is
the comedy. Off.

Parallel parabola line diamond reflections,
allow for recall with brushed fingertips,
horse hair undertones realigning smiles,
abstract the paintings of today,
of yesterday, stealing away tomorrow
in a previous reiteration of our variant
indifference.

The wings of the demon opened
in symbolic solace, fell far
across this burning emotional
harbor, aflame
in angels' suicides.
We've fallen, taken knees to grace,
whispering eulogies the waves applaud.
Sands wash away to cupped stone
palms, caressing the troubled banks lost
in time. The blood washes away,
momentary marks, brown,
stained, it passes.

Demons foreshadow.
In their shade we are seen
falling into broken arms, sinew
stitched through hearts, still healing
strength gives way.

Our tongues meet
shyly,
this reunion a mistake,
now locked, staying stilled while
attempting apologetic phrasing.
We sit in silence,
backs crooked,
blank walls and barren recounts
crashing in.
UnderDog  Mar 2015
UnderExposed
UnderDog Mar 2015
My opinions are mine
don't overstep the line
I might be kind
But don't take that to mind
-UnderDog
Mariam Paracha Feb 2013
Insecure, was the sign on your door,
The door was always unlocked
You were quick to answer with every knock
Your back pocket held a mirror,
it is for protection you said.
A faint replication of self worth
Would stare back at you.

On stainless steel
tear stained water spots left paths
tracing back to your regrets
A slice of the world reflected
in the pointed mirror
everything was more burnished,
but inverted.
You used it
to cut through the ****** tension
Between you and your frivolous guests,
with slick, quick witted flirting.
So sharp,
you penetrated through
Leaving a piece of yourself inside their hearts.
No exit wounds.

When you stare at it in your clutch
it points north,
Towards the star that is always there
For you,
that will guide you home
But the magnetic attraction
towards your thirst for drama,
Sidetracks you.
Like a deflecting needle
That is no longer running on its axis
Free will, bouncing thoughtlessly
With the world no longer holding it captive
Not moving in accordance
To what keeps the world balanced,
What a thrill,
You like the way the world looks
So limiting, so manipulative
When it is reflected on the narrow surface
Wrong side up.

You grip the knife, carelessly
Until you overstep the boundary
Of right and wrong
And you trip on the tight roped tension
That you had strewn across
between you and the other side
And you stumble,
your canny dallying discourse
slips away,
hitting hard, landing straight in the back
of the one who loved you
for your innocent eyes
who didn’t come in
through the door with the sign
but instead came in,
through the window of your soul.

— The End —