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Lvice Dec 2017
W a nn a  
g o
w a nn a taste the open   r o a d

l e t  strangers look at me f u nn y
want to catch this t r i p

wi t h you

wanna be a mess
           have my feet on the dash
b e  s o me  w h e r e  o p e n
kereso  Mar 2011
kx jqz?
kereso Mar 2011
ee eee
ee ee eee
t tttt tt
tt taa.

aa aaa
ai ii ii i
i inn nn n
nn n oo.

oo o oo
ssss sss
rr rrr rr
lll ld.

dd dh h
h hcc cu u
u mm mf fp
pyy gg.

w v b.
Mateuš Conrad Sep 2015
well the left is dead, and the left turned into tartan, i guess the islanders
are gearing up to a male patriarch where ***** go free with jealousy
rather than queened freely;
i know the left died, but to have it third day resurrect
in scotland, i'd never think the tories flavoured
outside of plum plucked blue;
only when a politics is unappealing to quote no vote,
is a change of monarch at hand,
and then why such the left disappear almost completely?
it's one thing for tyranny to leave a listening airy cleft
where once thought reigned tyrannically un-dialectical,
but it's another cased scenario to suddenly
lever a man to contort into a female face on either
photograph or coin, so we leave the wonders of chillingly
easy rhymes of song from the 1960s to the 21st complex,
and we leave the reign almost feeding a reprimand
for the multi-cultural having no artistic endeavour
in a counter. multi-cultural will not provide a counter-culture,
given the scenario of tyranny to aggregate all into taxable citizens,
perhaps that's rome shrunk into the vatican for the alphabet to survive,
perhaps why latin is "dead" and perhaps why poetry is dead,
because the only walky talkies are women in retirement;
forget dialectics even, remind yourself of dialogue first!
in the end, like the pre-socratics, i'll be a snippet of words
to bruise myself on fame post-mortem;
of course i live in readied tyranny, no one votes
and the left of politics was taken my northern nationalists...
in the end, thank **** at least that happened!
the king wears a kilt!
and? better my youth be a foolery in the realm of vocabulary
than prancing in tutu and bra on a table in ibiza;
yes, i'll be courteously french while i age in the silent winery:
that place where you won't even hear a corkscrew.*

the politics is long, i'd rather live on nn the faroe islands,
but it reminded me of a charles in henry's nursery rhyme:
charles the first survived, slow motion:
beheaded, in ****, later did some philanthropy;
conspiracy almost ******, gaffed choking on a peanut peel, never married -
entered the nunnery via public opinion that'd never allow a scandal or a ****** birth.

intelligence is uncomfortable,
let's leave it to the pigs
or play dead among the dogs,
or levy it with questions in gushing recurrence;
intelligence is uncomfortable,
let's utilise it with someone saying:
i rather speak to someone 100 prior or 100 years after.

or as later proved: among the citizens an uncomfortable censor
was a woman, that's the thing:
misogyny and homosexuality are almost alike:
gays love to talk to women but loath to butter up a sour bread dough,
misogynists loath to talk to women but love to **** 'em;
where's the middle way buddha? where's the middle way?
socrates turning into a misogynist disguised in homosexual accents
in old age? the old man got away with acceptable norms in old age,
almost, they figured out his **** pure and minded his cranium crucible divergence
from: young boys readied for pedophiles spoke more flowers
than my wife while cooking compost of fruits!

ah! i live in a spicy tomorrow, gearing up to charles the third's
reign with talk of the amputated left limp either side of the diaphragm
equator, hence the scot nationalists,
whereby we have beauty anorexic strutting eager for a faint in a cabbage patch,
and we best test tube in pigmenting alkali,
writing songs about life, not poetry of that ideal: "from the cosmos"
of autobiographic detail of metaphysics to exclude evil from a humming choir;
or as i took to my father in sepia:
beauty in anorexia, language in bad grammar and even more a terrible spelling
that never experienced the lines of detention to conform,
and then all the moral freedoms to not think about
and when thought about, quickly attached to **** smear
girly literature;
but do i go around talking of my easily-read literature?
so why this italian pole girl ruining my diary of saved orientated ordination?
she jealous or just illiterate the she-troll of all?

misogynists are like homosexuals, although the prior have no politico thumb,
we love ******* the brains out, we hate being boyfriends
from magazines or the psychology sections of saturday newspapers editions;
plus we like our own company, which is hard to grasp;
i mean, we love women within the membrane of ****** temperatures twinning,
but that's hardly the right temperature for conversation akin to vishnu and lakshmi.
now, if you the STATE seriously
and society: not so much...
well then... soecietal construct arguments
of the anglo-sphere far left
are so bogus...
i'm talking about STATE formations:
gradations,
i could seriously whiff up a solipsistic
perfume with a **** on a crowded
northern line at elephants
and castle: is there a dormant volcano
in the vicinity of the station?
it's always so ****** hot...
anyways...
                    social-constructs: ha ha...
i just saw Lenin turning in his mosileum...
maybe even blinking...
i'll send a dog actor to investigate:
bells like St. Bednards'-Pavlov's...
slobbering: woo woof... found a dead body:
let's audit!

typical Saturday night:
although no BBC radio 3 or 4...
i leave that for work nights...
when i'm off and there's some clairty of the V
and some haze of the M
and some: moozeeck...
then i turn into that soppy DJ
listening to Beyonce and: if i were a boy...
and i get to think about Edie and Reyla
and my mother and father
and the dead...
because i can't really think about
Reyla's mother or her father
so she's like the inversion of my father
and mother
whereby she can think of my mother and father
concretely...
like my father thinks about my mother's
father and mother, concretely...

but this audit is not because i'm actually
outperforming most people in the workforce...
but because there was a death
and in how the SIA licensing "scheme" is
orientated: duty of care...
tertiary police authority...
                             safety, security, service...
oh i know the dry tongue
but in this profession there are two options:
like and unlike a construction site:
dealing with caged animals and people in open
society is one glad tiding of comparative lit.
basically...
you either get physical, abuse your power...
don't understand people...
**** life... therefore you don't think about it...
or...
you get metaphysical, disuse your power...
begin, understanding, people...
the prepositions are omitted for a reason...
reason being: understanding...
begin to UNDERSTAND         of / off people is not enough...
there must be an omission of guilt:
via understanding... the -ing form is paramount...
if someone commits suicide in the workforce...
and you have a clean-slate conscious-conscience...

21st century schizoid man...
London is Blade Runner
i get paranoid in the workplace
through the silent treatment of:
how to trickle down a compliment
from on top...
to the pawn king down below:
that's not like pyramids and work force
works...
         the hierarchies and bypassing
them with flukes...
a typical Saturday night for me...
managed to find a Pirate ship that
screened Deadpool & Wolverine...

                 the dialogue... brilliance...
**** **** the stuttering on TT FF uck...
the caviats... the resurrection of scratching match...
but not my genre...
an overarching yes culturally necessary:
who started it: Superman and Batman...
cinematic anti-glory...
    watching Michael Keaton summed up
that difference
in terms of target audience...
DC is mature comics
Marvel is immature comics...

                                  "immature":
archetypical exploration
versus... dark psychological underpinnings of DC...
the fantasy of the psy narrative
associated with the self-morph dynamism
of identifying a "self": in pop culture by image:
rather than idiosyncratic: wording...
caricature of mannerisms...
the immaturity of com-cons... as image-stylists...

oh... i will switch off from this idea of work:
since most people don't see this as work
when not in construction:
no physical labour just physical endurance:
but no concept of work...
some bypass the lethargic stupor:
leperosy-catatonia...

                          but they are not the ones
on the extreme of wanting to become physical
and adrenaline fission corpus of attention-caffeine booster...
i like to think i was a stutter in
my youth:
but sometimes i BOOM and BELLOW
like not Ginsberg's howl... how how... anaemic dog's
bark: how...                     howl is such a feeble word...
like owl...        but not owl...
owl is also eagle...

                 how...                  how...
HYWH
  
   rugby goal post aH
   rugbly goal post bH

         game of Y (3 dimensions)
   game of W (wave of time,
    2 durations, 90 french minutes)

2 durations? beginning and end...
durations are the equivalent of dimensions,
the spatial-temporal realm
is subject to the
dimensionability-duration conflation... action:
not -ation Nn-Nn-Nn-Nn-Nn-             (+)

3 dimensions
2 duration...

         just thinking... within 3 dimensions...
          there's 2 dimensions of history...
    as time passes it becomes geological and squashed...
like dinosaurs...
so time shrinks
   as space expands...
and at the end of it: there will only be a blink
of the great eye...
and everything will restart...
         a rugby game is 2 durations or one duration?
it can't be 1 duration: 1 duration is life of an individual...
2 durations is life of a citizen
which is 2 durations of a rugby match
or a movie: there'a a beginning and an end...
a 1 duration system has no beginning
therefore has no end...
what would be a 3 duration dynamic?
oh **** me... i don't know!
mysa  Jun 2018
ru nn in g o ut
mysa Jun 2018
have i run out of words?
because

i

cant
..seem

t o



          fi n d


                                  t
                           h
                                  
                                                    e

                      m
Circa 1994  Oct 2016
category 5
Circa 1994 Oct 2016
my bed is the void,
or at least I wish it was.
I feel like swirling and twirling,
in the abyss.
I want to touch the face of The Son
and be buried in the earth
so I can know what it is to feel the weight of it
pressing me downwwwwwwwwwwwnnn
                                                    wwwnnn
                                                              nn
                                                                  nn
                                                                      n before watching my bones take root

I am a weepy willow
in the midst of a hurricane.
I am sleepy branches,
I hang my head in shame.
Periods ****** hope,
they **** a sentence;
I wonder what else they can bring to an end
Meka Boyle Jan 2013
I do not miss you in moments,
But rather the lingering space that lies in between them:
The soft "nn" sound preceding "one mississippi"
Falls stagnant as I attempt to count out measurements of my grief.
Your presence is too large to be condensed into the language of time,
Hours and minutes limply droop over each other,
Until nothing is certain besides your existence.
Two mississippi, three mississippi,
I slowly drag out the syllables in a subtle defiance to your untimely exit.
Your time isn't yet over, I've kept you alive,
Pushing air into your crumpled lungs by counting sheep.
The moments in which you fell are recycled here,
Like stale air in a small cement cell,
They propel my time forward the same way they stopped yours.
I do not miss you during desperate sentences full of almost there prose,
But instead during the white space that runs between each line.

Four mississippi, five mississippi.
Phoebe Jan 2015
a home of unrest survives in my old town where
madness seeps through jaundice colored halls,
lapping life from rotted brains.

grim photos of grandchildren
deform walls,
but old folks don’t remember.
they wear nametags.
who am i? residents wail
for mommy, their ’86 kitten,
a bus pass from chicago or
the wrong god.

her eyes are sallow.
tunnel vision, they say.
cloudy hues without purpose.
bags under gramma’s lids hang
          like dead gangsters
and bifocals settle around her neck,
in case she gains a pang
              of clarity.

Lovely Rita,
once a fat cook is now slender as a fang.
she forgets to eat.

my guttural granny, she stutters
incoherent, mostly.
but today, she babbles
        an omen.

watch o u t
      thing s are
    g o nn a
h h h appen
  
she retreats,
deteriorating.

— The End —