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Ahmad Cox Feb 2011
At the last minute of Valentines
I got my honey
A bunch of roses so she won't **** me
At the last minute of Valentines
I got my honey
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
6 roundtrip vacations
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
7 maids a waiting
6 roundtrip vacations
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
8 new yachts
7 maids a waiting
6 roundtrip vacations
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
9 airplanes flying
8 new yachts
7 maids a waiting
6 roundtrip vacations
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
At the last minute of Valentines
I got my honey
10,000 dollars
9 new airplanes
8 new yachts
7 maids a waiting
6 roundtrip vacations
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of flowers
So my honey won't **** me
At the last minute of Valentines
I got my honey
11 new purses
10,000 dollars
9 airplanes flying
8 new yachts
7 maids a waiting
6 roundtrip vacations
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
So my honey won't **** me
The last thing I got that truly broke me
12 different houses
11 new purses
10,000 dollars
9 airplanes flying
8 new yachts
7 maids a waiting
6 roundtrip vacations
5 mercedes benz
4 sets of earrings
3 diamond rings
2 box of chocolates
A bunch of roses
After this she better marry me
This parody is set to The 12 Days of Christmas
So here Ulysses slept, overcome by sleep and toil; but Minerva
went off to the country and city of the Phaecians—a people who used
to live in the fair town of Hypereia, near the lawless Cyclopes. Now
the Cyclopes were stronger than they and plundered them, so their king
Nausithous moved them thence and settled them in Scheria, far from all
other people. He surrounded the city with a wall, built houses and
temples, and divided the lands among his people; but he was dead and
gone to the house of Hades, and King Alcinous, whose counsels were
inspired of heaven, was now reigning. To his house, then, did
Minerva hie in furtherance of the return of Ulysses.
  She went straight to the beautifully decorated bedroom in which
there slept a girl who was as lovely as a goddess, Nausicaa,
daughter to King Alcinous. Two maid servants were sleeping near her,
both very pretty, one on either side of the doorway, which was
closed with well-made folding doors. Minerva took the form of the
famous sea captain Dymas’s daughter, who was a ***** friend of
Nausicaa and just her own age; then, coming up to the girl’s bedside
like a breath of wind, she hovered over her head and said:
  “Nausicaa, what can your mother have been about, to have such a lazy
daughter? Here are your clothes all lying in disorder, yet you are
going to be married almost immediately, and should not only be well
dressed yourself, but should find good clothes for those who attend
you. This is the way to get yourself a good name, and to make your
father and mother proud of you. Suppose, then, that we make tomorrow a
washing day, and start at daybreak. I will come and help you so that
you may have everything ready as soon as possible, for all the best
young men among your own people are courting you, and you are not
going to remain a maid much longer. Ask your father, therefore, to
have a waggon and mules ready for us at daybreak, to take the rugs,
robes, and girdles; and you can ride, too, which will be much
pleasanter for you than walking, for the washing-cisterns are some way
from the town.”
  When she had said this Minerva went away to Olympus, which they
say is the everlasting home of the gods. Here no wind beats roughly,
and neither rain nor snow can fall; but it abides in everlasting
sunshine and in a great peacefulness of light, wherein the blessed
gods are illumined for ever and ever. This was the place to which
the goddess went when she had given instructions to the girl.
  By and by morning came and woke Nausicaa, who began wondering
about her dream; she therefore went to the other end of the house to
tell her father and mother all about it, and found them in their own
room. Her mother was sitting by the fireside spinning her purple
yarn with her maids around her, and she happened to catch her father
just as he was going out to attend a meeting of the town council,
which the Phaeacian aldermen had convened. She stopped him and said:
  “Papa dear, could you manage to let me have a good big waggon? I
want to take all our ***** clothes to the river and wash them. You are
the chief man here, so it is only right that you should have a clean
shirt when you attend meetings of the council. Moreover, you have five
sons at home, two of them married, while the other three are
good-looking bachelors; you know they always like to have clean
linen when they go to a dance, and I have been thinking about all
this.”
  She did not say a word about her own wedding, for she did not like
to, but her father knew and said, “You shall have the mules, my
love, and whatever else you have a mind for. Be off with you, and
the men shall get you a good strong waggon with a body to it that will
hold all your clothes.”
  On this he gave his orders to the servants, who got the waggon
out, harnessed the mules, and put them to, while the girl brought
the clothes down from the linen room and placed them on the waggon.
Her mother prepared her a basket of provisions with all sorts of
good things, and a goat skin full of wine; the girl now got into the
waggon, and her mother gave her also a golden cruse of oil, that she
and her women might anoint themselves. Then she took the whip and
reins and lashed the mules on, whereon they set off, and their hoofs
clattered on the road. They pulled without flagging, and carried not
only Nausicaa and her wash of clothes, but the maids also who were
with her.
  When they reached the water side they went to the
washing-cisterns, through which there ran at all times enough pure
water to wash any quantity of linen, no matter how *****. Here they
unharnessed the mules and turned them out to feed on the sweet juicy
herbage that grew by the water side. They took the clothes out of
the waggon, put them in the water, and vied with one another in
treading them in the pits to get the dirt out. After they had washed
them and got them quite clean, they laid them out by the sea side,
where the waves had raised a high beach of shingle, and set about
washing themselves and anointing themselves with olive oil. Then
they got their dinner by the side of the stream, and waited for the
sun to finish drying the clothes. When they had done dinner they threw
off the veils that covered their heads and began to play at ball,
while Nausicaa sang for them. As the huntress Diana goes forth upon
the mountains of Taygetus or Erymanthus to hunt wild boars or deer,
and the wood-nymphs, daughters of Aegis-bearing Jove, take their sport
along with her (then is Leto proud at seeing her daughter stand a full
head taller than the others, and eclipse the loveliest amid a whole
bevy of beauties), even so did the girl outshine her handmaids.
  When it was time for them to start home, and they were folding the
clothes and putting them into the waggon, Minerva began to consider
how Ulysses should wake up and see the handsome girl who was to
conduct him to the city of the Phaeacians. The girl, therefore,
threw a ball at one of the maids, which missed her and fell into
deep water. On this they all shouted, and the noise they made woke
Ulysses, who sat up in his bed of leaves and began to wonder what it
might all be.
  “Alas,” said he to himself, “what kind of people have I come
amongst? Are they cruel, savage, and uncivilized, or hospitable and
humane? I seem to hear the voices of young women, and they sound
like those of the nymphs that haunt mountain tops, or springs of
rivers and meadows of green grass. At any rate I am among a race of
men and women. Let me try if I cannot manage to get a look at them.”
  As he said this he crept from under his bush, and broke off a
bough covered with thick leaves to hide his nakedness. He looked
like some lion of the wilderness that stalks about exulting in his
strength and defying both wind and rain; his eyes glare as he prowls
in quest of oxen, sheep, or deer, for he is famished, and will dare
break even into a well-fenced homestead, trying to get at the sheep-
even such did Ulysses seem to the young women, as he drew near to them
all naked as he was, for he was in great want. On seeing one so
unkempt and so begrimed with salt water, the others scampered off
along the spits that jutted out into the sea, but the daughter of
Alcinous stood firm, for Minerva put courage into her heart and took
away all fear from her. She stood right in front of Ulysses, and he
doubted whether he should go up to her, throw himself at her feet, and
embrace her knees as a suppliant, or stay where he was and entreat her
to give him some clothes and show him the way to the town. In the
end he deemed it best to entreat her from a distance in case the
girl should take offence at his coming near enough to clasp her knees,
so he addressed her in honeyed and persuasive language.
  “O queen,” he said, “I implore your aid—but tell me, are you a
goddess or are you a mortal woman? If you are a goddess and dwell in
heaven, I can only conjecture that you are Jove’s daughter Diana,
for your face and figure resemble none but hers; if on the other
hand you are a mortal and live on earth, thrice happy are your
father and mother—thrice happy, too, are your brothers and sisters;
how proud and delighted they must feel when they see so fair a scion
as yourself going out to a dance; most happy, however, of all will
he be whose wedding gifts have been the richest, and who takes you
to his own home. I never yet saw any one so beautiful, neither man nor
woman, and am lost in admiration as I behold you. I can only compare
you to a young palm tree which I saw when I was at Delos growing
near the altar of Apollo—for I was there, too, with much people after
me, when I was on that journey which has been the source of all my
troubles. Never yet did such a young plant shoot out of the ground
as that was, and I admired and wondered at it exactly as I now
admire and wonder at yourself. I dare not clasp your knees, but I am
in great distress; yesterday made the twentieth day that I had been
tossing about upon the sea. The winds and waves have taken me all
the way from the Ogygian island, and now fate has flung me upon this
coast that I may endure still further suffering; for I do not think
that I have yet come to the end of it, but rather that heaven has
still much evil in store for me.
  “And now, O queen, have pity upon me, for you are the first person I
have met, and I know no one else in this country. Show me the way to
your town, and let me have anything that you may have brought hither
to wrap your clothes in. May heaven grant you in all things your
heart’s desire—husband, house, and a happy, peaceful home; for
there is nothing better in this world than that man and wife should be
of one mind in a house. It discomfits their enemies, makes the
hearts of their friends glad, and they themselves know more about it
than any one.”
  To this Nausicaa answered, “Stranger, you appear to be a sensible,
well-disposed person. There is no accounting for luck; Jove gives
prosperity to rich and poor just as he chooses, so you must take
what he has seen fit to send you, and make the best of it. Now,
however, that you have come to this our country, you shall not want
for clothes nor for anything else that a foreigner in distress may
reasonably look for. I will show you the way to the town, and will
tell you the name of our people; we are called Phaeacians, and I am
daughter to Alcinous, in whom the whole power of the state is vested.”
  Then she called her maids and said, “Stay where you are, you
girls. Can you not see a man without running away from him? Do you
take him for a robber or a murderer? Neither he nor any one else can
come here to do us Phaeacians any harm, for we are dear to the gods,
and live apart on a land’s end that juts into the sounding sea, and
have nothing to do with any other people. This is only some poor man
who has lost his way, and we must be kind to him, for strangers and
foreigners in distress are under Jove’s protection, and will take what
they can get and be thankful; so, girls, give the poor fellow
something to eat and drink, and wash him in the stream at some place
that is sheltered from the wind.”
  On this the maids left off running away and began calling one
another back. They made Ulysses sit down in the shelter as Nausicaa
had told them, and brought him a shirt and cloak. They also brought
him the little golden cruse of oil, and told him to go wash in the
stream. But Ulysses said, “Young women, please to stand a little on
one side that I may wash the brine from my shoulders and anoint myself
with oil, for it is long enough since my skin has had a drop of oil
upon it. I cannot wash as long as you all keep standing there. I am
ashamed to strip before a number of good-looking young women.”
  Then they stood on one side and went to tell the girl, while Ulysses
washed himself in the stream and scrubbed the brine from his back
and from his broad shoulders. When he had thoroughly washed himself,
and had got the brine out of his hair, he anointed himself with oil,
and put on the clothes which the girl had given him; Minerva then made
him look taller and stronger than before, she also made the hair
grow thick on the top of his head, and flow down in curls like
hyacinth blossoms; she glorified him about the head and shoulders as a
skilful workman who has studied art of all kinds under Vulcan and
Minerva enriches a piece of silver plate by gilding it—and his work
is full of beauty. Then he went and sat down a little way off upon the
beach, looking quite young and handsome, and the girl gazed on him
with admiration; then she said to her maids:
  “Hush, my dears, for I want to say something. I believe the gods who
live in heaven have sent this man to the Phaeacians. When I first
saw him I thought him plain, but now his appearance is like that of
the gods who dwell in heaven. I should like my future husband to be
just such another as he is, if he would only stay here and not want to
go away. However, give him something to eat and drink.”
  They did as they were told, and set food before Ulysses, who ate and
drank ravenously, for it was long since he had had food of any kind.
Meanwhile, Nausicaa bethought her of another matter. She got the linen
folded and placed in the waggon, she then yoked the mules, and, as she
took her seat, she called Ulysses:
  “Stranger,” said she, “rise and let us be going back to the town;
I will introduce you at the house of my excellent father, where I
can tell you that you will meet all the best people among the
Phaecians. But be sure and do as I bid you, for you seem to be a
sensible person. As long as we are going past the fields—and farm
lands, follow briskly behind the waggon along with the maids and I
will lead the way myself. Presently, however, we shall come to the
town, where you will find a high wall running all round it, and a good
harbour on either side with a narrow entrance into the city, and the
ships will be drawn up by the road side, for every one has a place
where his own ship can lie. You will see the market place with a
temple of Neptune in the middle of it, and paved with large stones
bedded in the earth. Here people deal in ship’s gear of all kinds,
such as cables and sails, and here, too, are the places where oars are
made, for the Phaeacians are not a nation of archers; they know
nothing about bows and arrows, but are a sea-faring folk, and pride
themselves on their masts, oars, and ships, with which they travel far
over the sea.
  “I am afraid of the gossip and scandal that may be set on foot
against me later on; for the people here are very ill-natured, and
some low fellow, if he met us, might say, ‘Who is this fine-looking
stranger that is going about with Nausicaa? Where did she End him? I
suppose she is going to marry him. Perhaps he is a vagabond sailor
whom she has taken from some foreign vessel, for we have no
neighbours; or some god has at last come down from heaven in answer to
her prayers, and she is going to live with him all the rest of her
life. It would be a good thing if she would take herself of I for sh
and find a husband somewhere else, for she will not look at one of the
many excellent young Phaeacians who are in with her.’ This is the kind
of disparaging remark that would be made about me, and I could not
complain, for I should myself be scandalized at seeing any other
girl do the like, and go about with men in spite of everybody, while
her father and mother were still alive, and without having been
married in the face of all the world.
  “If, therefore, you want my father to give you an escort and to help
you home, do as I bid you; you will see a beautiful grove of poplars
by the road side dedicated to Minerva; it has a well in it and a
meadow all round it. Here my father has a field of rich garden ground,
about as far from the town as a man’ voice will carry. Sit down
there and wait for a while till the rest of us can get into the town
and reach my father’s house. Then, when you think we must have done
this, come into the town and ask the way to the house of my father
Alcinous. You will have no difficulty in finding it; any child will
point it out to you, for no one else in
John Clare  Jul 2009
May
May
Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen
Ulysses was left in the cloister, pondering on the means whereby
with Minerva’s help he might be able to **** the suitors. Presently he
said to Telemachus, “Telemachus, we must get the armour together and
take it down inside. Make some excuse when the suitors ask you why you
have removed it. Say that you have taken it to be out of the way of
the smoke, inasmuch as it is no longer what it was when Ulysses went
away, but has become soiled and begrimed with soot. Add to this more
particularly that you are afraid Jove may set them on to quarrel
over their wine, and that they may do each other some harm which may
disgrace both banquet and wooing, for the sight of arms sometimes
tempts people to use them.”
  Telemachus approved of what his father had said, so he called
nurse Euryclea and said, “Nurse, shut the women up in their room,
while I take the armour that my father left behind him down into the
store room. No one looks after it now my father is gone, and it has
got all smirched with soot during my own boyhood. I want to take it
down where the smoke cannot reach it.”
  “I wish, child,” answered Euryclea, “that you would take the
management of the house into your own hands altogether, and look after
all the property yourself. But who is to go with you and light you
to the store room? The maids would have so, but you would not let
them.
  “The stranger,” said Telemachus, “shall show me a light; when people
eat my bread they must earn it, no matter where they come from.”
  Euryclea did as she was told, and bolted the women inside their
room. Then Ulysses and his son made all haste to take the helmets,
shields, and spears inside; and Minerva went before them with a gold
lamp in her hand that shed a soft and brilliant radiance, whereon
Telemachus said, “Father, my eyes behold a great marvel: the walls,
with the rafters, crossbeams, and the supports on which they rest
are all aglow as with a flaming fire. Surely there is some god here
who has come down from heaven.”
  “Hush,” answered Ulysses, “hold your peace and ask no questions, for
this is the manner of the gods. Get you to your bed, and leave me here
to talk with your mother and the maids. Your mother in her grief
will ask me all sorts of questions.”
  On this Telemachus went by torch-light to the other side of the
inner court, to the room in which he always slept. There he lay in his
bed till morning, while Ulysses was left in the cloister pondering
on the means whereby with Minerva’s help he might be able to ****
the suitors.
  Then Penelope came down from her room looking like Venus or Diana,
and they set her a seat inlaid with scrolls of silver and ivory near
the fire in her accustomed place. It had been made by Icmalius and had
a footstool all in one piece with the seat itself; and it was
covered with a thick fleece: on this she now sat, and the maids came
from the women’s room to join her. They set about removing the
tables at which the wicked suitors had been dining, and took away
the bread that was left, with the cups from which they had drunk. They
emptied the embers out of the braziers, and heaped much wood upon them
to give both light and heat; but Melantho began to rail at Ulysses a
second time and said, “Stranger, do you mean to plague us by hanging
about the house all night and spying upon the women? Be off, you
wretch, outside, and eat your supper there, or you shall be driven out
with a firebrand.”
  Ulysses scowled at her and answered, “My good woman, why should
you be so angry with me? Is it because I am not clean, and my
clothes are all in rags, and because I am obliged to go begging
about after the manner of tramps and beggars generall? I too was a
rich man once, and had a fine house of my own; in those days I gave to
many a ***** such as I now am, no matter who he might be nor what he
wanted. I had any number of servants, and all the other things which
people have who live well and are accounted wealthy, but it pleased
Jove to take all away from me; therefore, woman, beware lest you too
come to lose that pride and place in which you now wanton above your
fellows; have a care lest you get out of favour with your mistress,
and lest Ulysses should come home, for there is still a chance that he
may do so. Moreover, though he be dead as you think he is, yet by
Apollo’s will he has left a son behind him, Telemachus, who will
note anything done amiss by the maids in the house, for he is now no
longer in his boyhood.”
  Penelope heard what he was saying and scolded the maid, “Impudent
baggage, said she, “I see how abominably you are behaving, and you
shall smart for it. You knew perfectly well, for I told you myself,
that I was going to see the stranger and ask him about my husband, for
whose sake I am in such continual sorrow.”
  Then she said to her head waiting woman Eurynome, “Bring a seat with
a fleece upon it, for the stranger to sit upon while he tells his
story, and listens to what I have to say. I wish to ask him some
questions.”
  Eurynome brought the seat at once and set a fleece upon it, and as
soon as Ulysses had sat down Penelope began by saying, “Stranger, I
shall first ask you who and whence are you? Tell me of your town and
parents.”
  “Madam;” answered Ulysses, “who on the face of the whole earth can
dare to chide with you? Your fame reaches the firmament of heaven
itself; you are like some blameless king, who upholds righteousness,
as the monarch over a great and valiant nation: the earth yields its
wheat and barley, the trees are loaded with fruit, the ewes bring
forth lambs, and the sea abounds with fish by reason of his virtues,
and his people do good deeds under him. Nevertheless, as I sit here in
your house, ask me some other question and do not seek to know my race
and family, or you will recall memories that will yet more increase my
sorrow. I am full of heaviness, but I ought not to sit weeping and
wailing in another person’s house, nor is it well to be thus
grieving continually. I shall have one of the servants or even
yourself complaining of me, and saying that my eyes swim with tears
because I am heavy with wine.”
  Then Penelope answered, “Stranger, heaven robbed me of all beauty,
whether of face or figure, when the Argives set sail for Troy and my
dear husband with them. If he were to return and look after my affairs
I should be both more respected and should show a better presence to
the world. As it is, I am oppressed with care, and with the
afflictions which heaven has seen fit to heap upon me. The chiefs from
all our islands—Dulichium, Same, and Zacynthus, as also from Ithaca
itself, are wooing me against my will and are wasting my estate. I can
therefore show no attention to strangers, nor suppliants, nor to
people who say that they are skilled artisans, but am all the time
brokenhearted about Ulysses. They want me to marry again at once,
and I have to invent stratagems in order to deceive them. In the first
place heaven put it in my mind to set up a great tambour-frame in my
room, and to begin working upon an enormous piece of fine
needlework. Then I said to them, ‘Sweethearts, Ulysses is indeed dead,
still, do not press me to marry again immediately; wait—for I would
not have my skill in needlework perish unrecorded—till I have
finished making a pall for the hero Laertes, to be ready against the
time when death shall take him. He is very rich, and the women of
the place will talk if he is laid out without a pall.’ This was what I
said, and they assented; whereon I used to keep working at my great
web all day long, but at night I would unpick the stitches again by
torch light. I fooled them in this way for three years without their
finding it out, but as time wore on and I was now in my fourth year,
in the waning of moons, and many days had been accomplished, those
good-for-nothing hussies my maids betrayed me to the suitors, who
broke in upon me and caught me; they were very angry with me, so I was
forced to finish my work whether I would or no. And now I do not see
how I can find any further shift for getting out of this marriage.
My parents are putting great pressure upon me, and my son chafes at
the ravages the suitors are making upon his estate, for he is now
old enough to understand all about it and is perfectly able to look
after his own affairs, for heaven has blessed him with an excellent
disposition. Still, notwithstanding all this, tell me who you are
and where you come from—for you must have had father and mother of
some sort; you cannot be the son of an oak or of a rock.”
  Then Ulysses answered, “madam, wife of Ulysses, since you persist in
asking me about my family, I will answer, no matter what it costs
me: people must expect to be pained when they have been exiles as long
as I have, and suffered as much among as many peoples. Nevertheless,
as regards your question I will tell you all you ask. There is a
fair and fruitful island in mid-ocean called Crete; it is thickly
peopled and there are nine cities in it: the people speak many
different languages which overlap one another, for there are Achaeans,
brave Eteocretans, Dorians of three-fold race, and noble Pelasgi.
There is a great town there, Cnossus, where Minos reigned who every
nine years had a conference with Jove himself. Minos was father to
Deucalion, whose son I am, for Deucalion had two sons Idomeneus and
myself. Idomeneus sailed for Troy, and I, who am the younger, am
called Aethon; my brother, however, was at once the older and the more
valiant of the two; hence it was in Crete that I saw Ulysses and
showed him hospitality, for the winds took him there as he was on
his way to Troy, carrying him out of his course from cape Malea and
leaving him in Amnisus off the cave of Ilithuia, where the harbours
are difficult to enter and he could hardly find shelter from the winds
that were then xaging. As soon as he got there he went into the town
and asked for Idomeneus, claiming to be his old and valued friend, but
Idomeneus had already set sail for Troy some ten or twelve days
earlier, so I took him to my own house and showed him every kind of
hospitality, for I had abundance of everything. Moreover, I fed the
men who were with him with barley meal from the public store, and
got subscriptions of wine and oxen for them to sacrifice to their
heart’s content. They stayed with me twelve days, for there was a gale
blowing from the North so strong that one could hardly keep one’s feet
on land. I suppose some unfriendly god had raised it for them, but
on the thirteenth day the wind dropped, and they got away.”
  Many a plausible tale did Ulysses further tell her, and Penelope
wept as she listened, for her heart was melted. As the snow wastes
upon the mountain tops when the winds from South East and West have
breathed upon it and thawed it till the rivers run bank full with
water, even so did her cheeks overflow with tears for the husband
who was all the time sitting by her side. Ulysses felt for her and was
for her, but he kept his eyes as hard as or iron without letting
them so much as quiver, so cunningly did he restrain his tears.
Then, when she had relieved herself by weeping, she turned to him
again and said: “Now, stranger, I shall put you to the test and see
whether or no you really did entertain my husband and his men, as
you say you did. Tell me, then, how he was dressed, what kind of a man
he was to look at, and so also with his companions.”
  “Madam,” answered Ulysses, “it is such a long time ago that I can
hardly say. Twenty years are come and gone since he left my home,
and went elsewhither; but I will tell you as well as I can
recollect. Ulysses wore a mantle of purple wool, double lined, and
it was fastened by a gold brooch with two catches for the pin. On
the face of this there was a device that showed a dog holding a
spotted fawn between his fore paws, and watching it as it lay
panting upon the ground. Every one marvelled at the way in which these
things had been done in gold, the dog looking at the fawn, and
strangling it, while the fawn was struggling convulsively to escape.
As for the shirt that he wore next his skin, it was so soft that it
fitted him like the skin of an onion, and glistened in the sunlight to
the admiration of all the women who beheld it. Furthermore I say,
and lay my saying to your heart, that I do not know whether Ulysses
wore these clothes when he left home, or whether one of his companions
had given them to him while he was on his voyage; or possibly some one
at whose house he was staying made him a present of them, for he was a
man of many friends and had few equals among the Achaeans. I myself
gave him a sword of bronze and a beautiful purple mantle, double
lined, with a shirt that went down to his feet, and I sent him on
board his ship with every mark of honour. He had a servant with him, a
little older than himself, and I can tell you what he was like; his
shoulders were hunched, he was dark, and he had thick curly hair.
His name was Eurybates, and Ulysses treated him with greater
familiarity than he did any of the others, as being the most
like-minded with himself.”
  Penelope was moved still more deeply as she heard the indisputable
proofs that Ulysses laid before her; and when she had again found
relief in tears she said to him, “Stranger, I was already disposed
to pity you, but henceforth you shall be honoured and made welcome
in my house. It was I who gave Ulysses the clothes you speak of. I
took them out of the store room and folded them up myself, and I
gave him also the gold brooch to wear as an ornament. Alas! I shall
never welcome him home again. It was by an ill fate that he ever set
out for that detested city whose very name I cannot bring myself
even to mention.”
  Then Ulysses answered, “Madam, wife of Ulysses, do not disfigure
yourself further by grieving thus bitterly for your loss, though I can
hardly blame you for doing so. A woman who has loved her husband and
borne him children, would naturally be grieved at losing him, even
though he were a worse man than Ulysses, who they say was like a
god. Still, cease your tears and listen to what I can tell I will hide
nothing from you, and can say with perfect truth that I have lately
heard of Ulysses as being alive and on his way home; he is among the
Thesprotians, and is bringing back much valuable treasure that he
has begged from one and another of them; but his ship and all his crew
were lost as they were leaving the Thrinacian island, for Jove and the
sun-god were angry with him because his men had slaughtered the
sun-god’s cattle, and they were all drowned to a man. But Ulysses
stuck to the keel of the ship and was drifted on to the land of the
Phaecians, who are near of kin to the immortals, and who treated him
as though he had been a god, giving him many presents, and wishing
to escort him home safe and sound. In fact Ulysses would have been
here long ago, had he not thought better to go from land to land
gathering wealth; for there is no man living who is so wily as he
is; there is no one can compare with him. Pheidon king of the
Thesprotians told me all this, and he swore to me—making
drink-offerings in his house as he did so—that the ship was by the
water side and the crew found who would take Ulysses to his own
country. He sent me off first, for there happened to be a
Thesprotian ship sailing for the wheat-growing island of Dulichium,
but he showed me all treasure Ulysses had got together, and he had
enough lying in the house of king Pheidon to keep his family for ten
generations; but the king said Ulysses had gone to Dodona that he
might learn Jove’s mind from the high oak tree, and know whether after
so long an absence he should return to Ithaca openly or in secret.
So you may know he is safe and will be here shortly; he is close at
hand and cannot remain away from home much longer; nevertheless I will
confirm my words with an oath, and call Jove who is the first and
mightiest of all gods to witness, as also that hearth of Ulysses to
which I have now come, that all I have spoken shall surely come to
pass. Ulysses will return in this self same year; with the end of this
moon and the beginning of the next he will b
Now there came a certain common ***** who used to go begging all
over the city of Ithaca, and was notorious as an incorrigible
glutton and drunkard. This man had no strength nor stay in him, but he
was a great hulking fellow to look at; his real name, the one his
mother gave him, was Arnaeus, but the young men of the place called
him Irus, because he used to run errands for any one who would send
him. As soon as he came he began to insult Ulysses, and to try and
drive him out of his own house.
  “Be off, old man,” he cried, “from the doorway, or you shall be
dragged out neck and heels. Do you not see that they are all giving me
the wink, and wanting me to turn you out by force, only I do not
like to do so? Get up then, and go of yourself, or we shall come to
blows.”
  Ulysses frowned on him and said, “My friend, I do you no manner of
harm; people give you a great deal, but I am not jealous. There is
room enough in this doorway for the pair of us, and you need not
grudge me things that are not yours to give. You seem to be just
such another ***** as myself, but perhaps the gods will give us better
luck by and by. Do not, however, talk too much about fighting or you
will incense me, and old though I am, I shall cover your mouth and
chest with blood. I shall have more peace to-morrow if I do, for you
will not come to the house of Ulysses any more.”
  Irus was very angry and answered, “You filthy glutton, you run on
trippingly like an old fish-***. I have a good mind to lay both
hands about you, and knock your teeth out of your head like so many
boar’s tusks. Get ready, therefore, and let these people here stand by
and look on. You will never be able to fight one who is so much
younger than yourself.”
  Thus roundly did they rate one another on the smooth pavement in
front of the doorway, and when Antinous saw what was going on he
laughed heartily and said to the others, “This is the finest sport
that you ever saw; heaven never yet sent anything like it into this
house. The stranger and Irus have quarreled and are going to fight,
let us set them on to do so at once.”
  The suitors all came up laughing, and gathered round the two
ragged tramps. “Listen to me,” said Antinous, “there are some goats’
paunches down at the fire, which we have filled with blood and fat,
and set aside for supper; he who is victorious and proves himself to
be the better man shall have his pick of the lot; he shall be free
of our table and we will not allow any other beggar about the house at
all.”
  The others all agreed, but Ulysses, to throw them off the scent,
said, “Sirs, an old man like myself, worn out with suffering, cannot
hold his own against a young one; but my irrepressible belly urges
me on, though I know it can only end in my getting a drubbing. You
must swear, however that none of you will give me a foul blow to
favour Irus and secure him the victory.”
  They swore as he told them, and when they had completed their oath
Telemachus put in a word and said, “Stranger, if you have a mind to
settle with this fellow, you need not be afraid of any one here.
Whoever strikes you will have to fight more than one. I am host, and
the other chiefs, Antinous and Eurymachus, both of them men of
understanding, are of the same mind as I am.”
  Every one assented, and Ulysses girded his old rags about his *****,
thus baring his stalwart thighs, his broad chest and shoulders, and
his mighty arms; but Minerva came up to him and made his limbs even
stronger still. The suitors were beyond measure astonished, and one
would turn towards his neighbour saying, “The stranger has brought
such a thigh out of his old rags that there will soon be nothing
left of Irus.”
  Irus began to be very uneasy as he heard them, but the servants
girded him by force, and brought him [into the open part of the court]
in such a fright that his limbs were all of a tremble. Antinous
scolded him and said, “You swaggering bully, you ought never to have
been born at all if you are afraid of such an old broken-down creature
as this ***** is. I say, therefore—and it shall surely be—if he
beats you and proves himself the better man, I shall pack you off on
board ship to the mainland and send you to king Echetus, who kills
every one that comes near him. He will cut off your nose and ears, and
draw out your entrails for the dogs to eat.”
  This frightened Irus still more, but they brought him into the
middle of the court, and the two men raised their hands to fight. Then
Ulysses considered whether he should let drive so hard at him as to
make an end of him then and there, or whether he should give him a
lighter blow that should only knock him down; in the end he deemed
it best to give the lighter blow for fear the Achaeans should begin to
suspect who he was. Then they began to fight, and Irus hit Ulysses
on the right shoulder; but Ulysses gave Irus a blow on the neck
under the ear that broke in the bones of his skull, and the blood came
gushing out of his mouth; he fell groaning in the dust, gnashing his
teeth and kicking on the ground, but the suitors threw up their
hands and nearly died of laughter, as Ulysses caught hold of him by
the foot and dragged him into the outer court as far as the
gate-house. There he propped him up against the wall and put his staff
in his hands. “Sit here,” said he, “and keep the dogs and pigs off;
you are a pitiful creature, and if you try to make yourself king of
the beggars any more you shall fare still worse.”
  Then he threw his ***** old wallet, all tattered and torn, over
his shoulder with the cord by which it hung, and went back to sit down
upon the threshold; but the suitors went within the cloisters,
laughing and saluting him, “May Jove, and all the other gods,” said
they, ‘grant you whatever you want for having put an end to the
importunity of this insatiable *****. We will take him over to the
mainland presently, to king Echetus, who kills every one that comes
near him.”
  Ulysses hailed this as of good omen, and Antinous set a great goat’s
paunch before him filled with blood and fat. Amphinomus took two
loaves out of the bread-basket and brought them to him, pledging him
as he did so in a golden goblet of wine. “Good luck to you,” he
said, “father stranger, you are very badly off at present, but I
hope you will have better times by and by.”
  To this Ulysses answered, “Amphinomus, you seem to be a man of
good understanding, as indeed you may well be, seeing whose son you
are. I have heard your father well spoken of; he is Nisus of
Dulichium, a man both brave and wealthy. They tell me you are his son,
and you appear to be a considerable person; listen, therefore, and
take heed to what I am saying. Man is the vainest of all creatures
that have their being upon earth. As long as heaven vouchsafes him
health and strength, he thinks that he shall come to no harm
hereafter, and even when the blessed gods bring sorrow upon him, he
bears it as he needs must, and makes the best of it; for God
Almighty gives men their daily minds day by day. I know all about
it, for I was a rich man once, and did much wrong in the
stubbornness of my pride, and in the confidence that my father and
my brothers would support me; therefore let a man fear God in all
things always, and take the good that heaven may see fit to send him
without vainglory. Consider the infamy of what these suitors are
doing; see how they are wasting the estate, and doing dishonour to the
wife, of one who is certain to return some day, and that, too, not
long hence. Nay, he will be here soon; may heaven send you home
quietly first that you may not meet with him in the day of his coming,
for once he is here the suitors and he will not part bloodlessly.”
  With these words he made a drink-offering, and when he had drunk
he put the gold cup again into the hands of Amphinomus, who walked
away serious and bowing his head, for he foreboded evil. But even so
he did not escape destruction, for Minerva had doomed him fall by
the hand of Telemachus. So he took his seat again at the place from
which he had come.
  Then Minerva put it into the mind of Penelope to show herself to the
suitors, that she might make them still more enamoured of her, and win
still further honour from her son and husband. So she feigned a
mocking laugh and said, “Eurynome, I have changed my and have a
fancy to show myself to the suitors although I detest them. I should
like also to give my son a hint that he had better not have anything
more to do with them. They speak fairly enough but they mean
mischief.”
  “My dear child,” answered Eurynome, “all that you have said is true,
go and tell your son about it, but first wash yourself and anoint your
face. Do not go about with your cheeks all covered with tears; it is
not right that you should grieve so incessantly; for Telemachus,
whom you always prayed that you might live to see with a beard, is
already grown up.”
  “I know, Eurynome,” replied Penelope, “that you mean well, but do
not try and persuade me to wash and to anoint myself, for heaven
robbed me of all my beauty on the day my husband sailed; nevertheless,
tell Autonoe and Hippodamia that I want them. They must be with me
when I am in the cloister; I am not going among the men alone; it
would not be proper for me to do so.”
  On this the old woman went out of the room to bid the maids go to
their mistress. In the meantime Minerva bethought her of another
matter, and sent Penelope off into a sweet slumber; so she lay down on
her couch and her limbs became heavy with sleep. Then the goddess shed
grace and beauty over her that all the Achaeans might admire her.
She washed her face with the ambrosial loveliness that Venus wears
when she goes dancing with the Graces; she made her taller and of a
more commanding figure, while as for her complexion it was whiter than
sawn ivory. When Minerva had done all this she went away, whereon
the maids came in from the women’s room and woke Penelope with the
sound of their talking.
  “What an exquisitely delicious sleep I have been having,” said
she, as she passed her hands over her face, “in spite of all my
misery. I wish Diana would let me die so sweetly now at this very
moment, that I might no longer waste in despair for the loss of my
dear husband, who possessed every kind of good quality and was the
most distinguished man among the Achaeans.”
  With these words she came down from her upper room, not alone but
attended by two of her maidens, and when she reached the suitors she
stood by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a staid maid servant on
either side of her. As they beheld her the suitors were so overpowered
and became so desperately enamoured of her, that each one prayed he
might win her for his own bed fellow.
  “Telemachus,” said she, addressing her son, “I fear you are no
longer so discreet and well conducted as you used to be. When you were
younger you had a greater sense of propriety; now, however, that you
are grown up, though a stranger to look at you would take you for
the son of a well-to-do father as far as size and good looks go,
your conduct is by no means what it should be. What is all this
disturbance that has been going on, and how came you to allow a
stranger to be so disgracefully ill-treated? What would have
happened if he had suffered serious injury while a suppliant in our
house? Surely this would have been very discreditable to you.”
  “I am not surprised, my dear mother, at your displeasure,” replied
Telemachus, “I understand all about it and know when things are not as
they should be, which I could not do when I was younger; I cannot,
however, behave with perfect propriety at all times. First one and
then another of these wicked people here keeps driving me out of my
mind, and I have no one to stand by me. After all, however, this fight
between Irus and the stranger did not turn out as the suitors meant it
to do, for the stranger got the best of it. I wish Father Jove,
Minerva, and Apollo would break the neck of every one of these
wooers of yours, some inside the house and some out; and I wish they
might all be as limp as Irus is over yonder in the gate of the outer
court. See how he nods his head like a drunken man; he has had such
a thrashing that he cannot stand on his feet nor get back to his home,
wherever that may be, for has no strength left in him.”
  Thus did they converse. Eurymachus then came up and said, “Queen
Penelope, daughter of Icarius, if all the Achaeans in Iasian Argos
could see you at this moment, you would have still more suitors in
your house by tomorrow morning, for you are the most admirable woman
in the whole world both as regards personal beauty and strength of
understanding.”
  To this Penelope replied, “Eurymachus, heaven robbed me of all my
beauty whether of face or figure when the Argives set sail for Troy
and my dear husband with them. If he were to return and look after
my affairs, I should both be more respected and show a better presence
to the world. As it is, I am oppressed with care, and with the
afflictions which heaven has seen fit to heap upon me. My husband
foresaw it all, and when he was leaving home he took my right wrist in
his hand—’Wife, ‘he said, ‘we shall not all of us come safe home
from Troy, for the Trojans fight well both with bow and spear. They
are excellent also at fighting from chariots, and nothing decides
the issue of a fight sooner than this. I know not, therefore,
whether heaven will send me back to you, or whether I may not fall
over there at Troy. In the meantime do you look after things here.
Take care of my father and mother as at present, and even more so
during my absence, but when you see our son growing a beard, then
marry whom you will, and leave this your present home. This is what he
said and now it is all coming true. A night will come when I shall
have to yield myself to a marriage which I detest, for Jove has
taken from me all hope of happiness. This further grief, moreover,
cuts me to the very heart. You suitors are not wooing me after the
custom of my country. When men are courting a woman who they think
will be a good wife to them and who is of noble birth, and when they
are each trying to win her for himself, they usually bring oxen and
sheep to feast the friends of the lady, and they make her
magnificent presents, instead of eating up other people’s property
without paying for it.”
  This was what she said, and Ulysses was glad when he heard her
trying to get presents out of the suitors, and flattering them with
fair words which he knew she did not mean.
  Then Antinous said, “Queen Penelope, daughter of Icarius, take as
many presents as you please from any one who will give them to you; it
is not well to refuse a present; but we will not go about our business
nor stir from where we are, till you have married the best man among
us whoever he may be.”
  The others applauded what Antinous had said, and each one sent his
servant to bring his present. Antinous’s man returned with a large and
lovely dress most exquisitely embroidered. It had twelve beautifully
made brooch pins of pure gold with which to fasten it. Eurymachus
immediately brought her a magnificent chain of gold and amber beads
that gleamed like sunlight. Eurydamas’s two men returned with some
earrings fashioned into three brilliant pendants which glistened
most beautifully; while king Pisander son of Polyctor gave her a
necklace of the rarest workmanship, and every one else brought her a
beautiful present of some kind.
  Then the queen went back to her room upstairs, and her maids brought
the presents after her. Meanwhile the suitors took to singing and
dancing, and stayed till evening came. They danced and sang till it
grew dark; they then brought in three braziers to give light, and
piled them up with chopped firewood very and dry, and they lit torches
from them, which the maids held up turn and turn about. Then Ulysses
said:
  “Maids, servants of Ulysses who has so long been absent, go to the
queen inside the house; sit
Maids, not to you my mind doth change;
Men I defy, allure, estrange,
Prostrate, make bond or free:
Soft as the stream beneath the plane
To you I sing my love's refrain;                                  
Between us is no thought of pain,
Peril, satiety.

Soon doth a lover's patience tire,
But ye to manifold desire
Can yield response, ye know
When for long, museful days I pine,                          
The presage at my heart divine;
To you I never breathe a sign
Of inward want or woe.

When injuries my spirit bruise,
Allaying virtue ye infuse                                            
With unobtrusive skill:
And if care frets ye come to me
As fresh as nymph from stream or tree,
And with your soft vitality
My weary ***** fill.
Oh fairest of the rural maids!
Thy birth was in the forest shades;
Green boughs, and glimpses of the sky,
Were all that met thy infant eye.

Thy sports, thy wanderings, when a child,
Were ever in the sylvan wild;
And all the beauty of the place
Is in thy heart and on thy face.

The twilight of the trees and rocks
Is in the light shade of thy locks;
Thy step is as the wind, that weaves
Its playful way among the leaves.

Thine eyes are springs, in whose serene
And silent waters heaven is seen;
Their lashes are the herbs that look
On their young figures in the brook.

The forest depths, by foot unpressed,
Are not more sinless than thy breast;
The holy peace, that fills the air
Of those calm solitudes, is there.
Ken Pepiton Dec 2018
Taken, gotten, or made, the point of anything
can pierce through everything…

slow
Slow think,
make real

re-al-ize
what fighting for life is…
this is the only
try,
it is not a test.

Take your time, use it wisely,
if that means anything.
Wise, I meant.
No offence, if wise is anathema to your kind,
die,
die if I knocked the reason for being right
outa you,
did you hear cognitive dissonance?
did it sound like
this. LOUD?
listen,
rolling rolling rolling
crash crumble rolled in nurse rime frosted
fables of monsters and maids
Thor, witharoar likka Lion King?

or the light brigade,
CHARGE?

thunder words from lost generations of
reasonless riddles for children,

Why did Peter Pumpkin-eater have a wife, but
couldn't keep her here?
Was that okeh? Oh, wait.
Ah, I see, I say,
they never tell that whole story any more.

Know why? They forgot it. In the war.

Duck'n'cover,no
crying, how long?
When begins forever? Did no one tell you, child?

Taken or made, the point of anything
can pierce through everything
like it was nothing, given
enough pre-sure-sup
poser-power

War, as a game, has a reason.

Battle, hitting, slapping

stop touch, stop now slap
slap back

or cry
oh no no ma

waddayahsay?  A theist or atheist
who started this war?

space case, or
lover of wisdom, met on the road
to Emmaus, discussing Wiles's proof
firming Fermi's connection to the matter of fear,
3, 2, 1

Kaboom, but with a whump you feel in your teeth

1, 2, 3 Fermat's last theorem ,
easy as pi an no re me

ABC to
Michael Jackson to
Howard Bloom because he

inadvertently, began
an-ionic converstatic re-vibe time warp
meme,
which vibe, started the legendary Sixties. I was alive.
Radioman,
a sixty cycle white-noise humm heard every where these days

There was a gospel song, "Turn Your Radio On".
my theme, open the window in the top of your head,
as it were,
a new,
as new as

a novel-state of water, H three Ohs, re-al-ity ification,
Ah, a shared Oh, I remember now, how this works…

like a poem

at the edge of a water vapor bubble in a boiling body of water,
at the edge of the bubble, water becomes a wall of water,
not vapor, not flowing liquid,

but a wall, insulating the vapor in pressing opposing force
to permit, from permission,
meaning with a message same as the message,

is that the right word? per-mission-grant, is power given,
agency,
that idea….
wait for the sign….?

By sharing an ion ic bond as a quest to make a point
for a free story to go,
the question marks you. Let the snake dance.

Press your point,

whetted edge,

slice through ties holding worthless axioms
with withered dendrites dangling disconnected
in participles
unfired for centuries muttering,
enchanting, enthralling enchained melodies
of ambitious syllables vying for idle minds
to rope in,
unbranded, wild
bucking ideas,
whip-twig, slap-face,
tanglewood  thicket, catclaw and mesquite,
willow,

wait.
And the old man remembered the willow whistle,
so He asked Grandfather,
How is such a whistle made?
And when he knew,
he made one.

A willow whistle with two notes,
like an Oscar Meir Wiener one.

-- and that was a different time
I got lost here, bucked up…
maybe
--- listen, way back--- we-ain't whistlin' Dixie---
we ain't marchin', as t' war.

D'thet mean some sign to pro-phet -ic take?
Tophet?
Ancient cannon fodder shield walls,
a moaning
Pro-phy-lactic warning of the danger of not
knowing exactly
what a war is for?

Get back on,
relieved of any idle baggage words believed
to mean other than I say.

Nullify
Idle words with cultural meanings from
what you thought you knew when you feared hell.

Loose
those peer-locked memes
made of meaninglessness, per se,

shaped and molded into fashions
of expression, once needles and awls,
now, dull as tinker's damns for swearing,
with any effect.

But tools, none the less, a stitch in time took a tool.
An awl or a needle, and a thread, thick or thin,
dependin' on the mendin' needed
to redeem an idle word,
its meaning all bloodied with the tyranny of time.

An awl or a needle,
a tool for a task, mending a tear
where curses, never meant, spent
the entire dark ages, lying, lying, lying

powerless, pointless aimless, proverbial proverbial proverbial
verbiage, vaneless shafts launched at unseen marks,
signs, as it were, a spark,
triggers,
rumored since the sixties,
the first sixties, when Cain killed Able.
Howard Bloom was but a mere gleam
in our mito-mother's eye,
but, no doubt,

his role is real,
in loosing the forces Ferlinghetti locked in
City Lights mystery of secret meanings room,
which un
mystified and blew away upon opening
the door to
meanings mapped on
scrolls rolling and unrolling
idle ideas,
rites of passage, as it were,
Pre-bat-bar-mitz vah
as a fashion
like VBS,

to tickle little minds and make em wiggle.
MEMEMEME, I did it,
mea culpa,

the holy place
Here we are…

On Vacation, leave a message.
-----

See, wee hairs in your ears wiggle, making,
signaling, the need

to scratch that itch, that itching hearing feeling ear… hear that

don't scratch, listen

listen

60 cycle humm, steady, bass, but no thump whumpwhump;
soft, deeep.
ooooooooo or mmmmmmmm or in betwixt, steady thrumm
hear another, and another… sixty in a second,

one in every million ambits twisting,
threading qubits, radiating signals in the field
wireless, blue-tooth... satellite...

can you feel that?

hummmms, all around us, since the womb.
We are not the children of the greatest generation,

We are the children of the last generation of
**** sapiens sapiens non-augmentable-us.

We, the augmented, recycled ideas,
possessing
minds of Adamkind,

is that a secret or a sacred?
Is this
a new thing, an
unknown unknown known known now?

Ah,
novelty.

Whose is fear? Who was afraid of Virginia Wolf?

Should I remain in fear of her now, if I knew why then?
God would know such answers.
Proving my imagined AI guides are not God,
but lesser beings,

haps I recall.
I defined these things,
these thoughts that shape themselves,
forming words and phrases
I saw
shiny. Crow-like,
gleams seen, captured and claimed mine,
I tucked them away,
a sign in a thought in an imagined image made 4
real once more, to be seen from the shore,
new land new world
a fourth for some, a fifth or more for others...

haps happen, I'm not sure how,

Born or emerged, as a bubble, what do you say?

Reserve judgment.
Grant me your grace for now, until you solve my riddle.

Ah, the old way.
Right. Which way,  'ere, 'ear
and do we roll the rock with silent haitch or harsh, shhh

someone's waking up,
a bit grumpy,
don't you dare oppose me in this, the kid is certainly my son

Michael went stark raving mad when I told him, Billie Jean knew better all along...
the link, axiomatic,
the fatherless child has been claimed

hence, the thread to Howard Bloom, meme-ic,
meme-ic, like the Roadrunner,

but with the real Coyote, as the hero in this bit of
whatever, such meandering maundified maun maund  
mound

wind blown crystal silicon dunes
mounded up to that point where granulated
beens and dones

begin to slide at an angle,
a ***** deter-mind by the weight of the rock

We made it.
I know where this is.

This is a novel that has Sisyphus being happy
as the main premise behind the idea of anyone ever being
able, en abled, or un-dis-abled or un-dis-enabled,
if one of those is right,

Sisyphus being happy
is the main premise behind
the idea of anyone ever being glücklich,
happy, blessed, lucky.

How happy is your ever after?
When did forever begin?

"A man is as happy as he makes up his mind to be"
Abe Lincoln, is said to have said,
after the seance, maybe.

You push on, dear reader, make some sense
re-ligare or relegare, but take a stitch,

pull-tight,
do what works the first time as far as it goes, and try each, as needed,
it may be that we invented this test.
To make us think it is a test,
to sort ourselves out.

Get back on,

see who went crazy and who found the thread, if the same thread
this is that, right,
the same train of thought,
the same idea
spirit wind
sign
?
A snake facing west standing tippy-tail on a singularity;
a point in time?

Why are you reading this?
Curiosity Shoppes trade in interesting, alluring, click-bait

Pay attention, watch, you shall see

imagine this is the dream,
the stream, the flow, the current, the cream

in a dime coffee at the drug store on the corner

the rounded-corner, in a square-cornered town,
the most right corner of the twelve that quarter what it was

Punctuate, wait, imagine you read ancient Hebrew or Greek and there
are no dyer diacritical's who can twist one's
end tensions into knots

dread extensions, we could sell those,
is that an idea? did somebody
sell white folks dread extensions and black folk dolly pardon wigs?

Did that happen the real real?

-----
Battlefield Earth, oshit
scientology ology ology ology

allaye allaye outs in free

WE we wee every we you imagine you are good in, we

We have a war to win again, we heroes rolling from your
myths of Sisyphus torn from minds trampled
in the mud beyond the Rhine,

Mushrooms. magi are aware, you are aware, of course,
this course includes Basic Mycelium Net Adaptation or Augmentation
BMNAA, eh? So you know.

Camus and many of his ilk were ill-treated, the questions
they asked were memorized, maybe in our cribs ala
Brave New World.

We are all Alphas, always were, of course, you know.

Shall we imagine

more? Re-legare, eh, sistere. Point .(Back to the top.)

or agree? Make peace.
Practice, like Eazy-Bake,
the cook must swallow the first bite. May the best cook win.
A continuing examination of opposing forces when good is the goal, who could be against that? The old word war is festering, inflaming evil to start a try, therefore,  I whet the edge and swing wide
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Nigel Morgan Dec 2013
A Tale for the Mid-Winter Season after the Mural by Carl Larrson

On the shortest day I wake before our maids from the surrounding farms have converged on Sundborn. Greta lives with us so she will be asleep in that deep slumber only girls of her age seem to own. Her tiny room has barely more than a bed and a chest for her clothes. There is my first painting of her on the wall, little more a sketch, but she was entranced, at seeing herself so. To the household she is a maid who looks after me and my studio,  though she is a literate, intelligent girl, city-bred from Gamla Stan but from a poor home, a widowed mother, her late father a drunkard.  These were my roots, my beginning, exactly. But her eyes already see a world beyond Sundborn. She covets postcards from my distant friends: in Paris, London, Jean in South America, and will arrange them on my writing desk, sometimes take them to her room at night to dream in the candlelight. I think this summer I shall paint her, at my desk, reading my cards, or perhaps writing her own. The window will be open and a morning breeze will make the flowers on the desk tremble.

Karin sleeps too, a desperate sleep born of too much work and thought and interruption. These days before Christmas put a strain on her usually calm disposition. The responsibilities of our home, our life, the constant visitors, they weigh upon her, and dispel her private time. Time in her studio seems impossible. I often catch her poised to disappear from a family coming-together. She is here, and then gone, as if by magic. With the older children home from their distant schools, and Suzanne arrived from England just yesterday morning, they all cannot do without lengthy conferences. They know better than disturb me. Why do you think there is a window set into my studio door? So, if I am at my easel there should be no knock to disturb. There is another reason, but that is between Karin and I.

This was once a summer-only house, but over the years we have made it our whole-year home. There was much attention given to making it snug and warm. My architect replaced all the windows and all the doors and there is this straw insulation between the walls. Now, as I open the curtains around my bed, I can see my breath float out into the cool air. When, later, I descend to my studio, the stove, damped down against the night, when opened and raddled will soon warm the space. I shall draw back the heavy drapes and open the wooden shutters onto the dark land outside. Only then I will stand before my current painting: *Brita and the Sleigh
.

Current!? I have been working on this painting intermittently for five years, and Brita is no longer the Brita of this picture, though I remember her then as yesterday. It is a picture of a winter journey for a six-year-old, only that journey is just across the yard to the washhouse. Snow, frost, birds gathered in the leafless trees, a sun dog in the sky, Brita pushing her empty sledge, wearing fur boots, Lisbeth’s old coat, and that black knitted hat made by old Anna. It is the nearest I have come to suggesting the outer landscape of this place. I bring it out every year at this time so I can check the light and the shadows against what I see now, not what I remember seeing then. But there will be a more pressing concern for me today, this shortest day.

Since my first thoughts for the final mural in my cycle for the Nationalmuseum I have always put this day aside, whatever I might be doing, wherever I may be. I pull out my first sketches, that book of imaginary tableaux filled in a day and a night in my tiny garden studio in Grez, thinking of home, of snow, the mid-winter, feeling the extraordinary power and shake of Adam of Bremen’s description of 10th C pre-Christian Uppsala, written to describe how barbaric and immoral were the practices and religion of the pagans, to defend the fragile position of the Christian church in Sweden at the time. But as I gaze at these rough beginnings made during those strange winter days in my rooms at the Hotel Chevilon, I feel myself that twenty-five year old discovering my artistic vision, abandoning oils for the flow and smudge of watercolour, and then, of course, Karin. We were part of the Swedish colony at Grez-sur-Loing. Karin lived with the ladies in Pension Laurent, but was every minute beside me until we found our own place, to be alone and be together, in a cupboard of a house by the river, in Marlotte.

Everyone who painted en-plein-air, writers, composers, they all flocked to Grez just south of Fontainebleau, to visit, sometimes to stay. I recall Strindberg writing to Karin after his first visit: It was as if there were no pronounced shadows, no hard lines, the air with its violet complexion is almost always misty; and I painting constantly, and against the style and medium of the time. How the French scoffed at my watercolours, but my work sold immediately in Stockholm. . . and Karin, tall, slim, Karin, my muse, my lover, my model, her boy-like figure lying naked (but for a hat) in the long grass outside my studio. We learned each other there, the technique of bodies in intimate closeness, the way of no words, the sharing of silent thoughts, together on those soft, damp winter days when our thoughts were of home, of Karin’s childhood home at Sundborn. I had no childhood thoughts I wanted to return to, but Karin, yes. That is why we are here now.

In Grez-sur-Loing, on a sullen December day, mist lying on the river, our garden dead to winter, we received a visitor, a Swedish writer and journalist travelling with a very young Italian, Mariano Fortuny, a painter living in Paris, and his mentor the Spaniard Egusquiza. There was a woman too who Karin took away, a Parisienne seamstress I think, Fortuny’s lover. Bayreuth and Wagner, Wagner, Wagner was all they could talk about. Of course Sweden has its own Nordic Mythology I ventured. But where is it? What is it? they cried, and there was laughter and more mulled wine, and then talk again of Wagner.

When the party left I realized there was something deep in my soul that had been woken by talk of the grandeur and scale of Wagner’s cocktail of German and Scandinavian myths and folk tales. For a day and night I sketched relentlessly, ransacking my memory for those old tales, drawing strong men and stalwart, flaxen-haired women in Nordic dress and ornament. But as a new day presented itself I closed my sketch book and let the matter drop until, years later, in a Stockholm bookshop I chanced upon a volume in Latin by Adam of Bremen, his Gesta Hammaburgensis Ecclesiae Pontificum, the most famous source to pagan ritual practice in Sweden. That cold winter afternoon in Grez returned to me and I felt, as I had then, something stir within me, something missing from my comfortable world of images of home and farm, family and the country life.

Back in Sundborn this little volume printed in the 18th C lay on my desk like a question mark without a sentence. My Latin was only sufficient to get a gist, but the gist was enough. Here was the story of the palace of Uppsala, the great centre of the pre-Christian pagan cults that brought us Odin and Freyr. I sought out our village priest Dag Sandahl, a good Lutheran but who regularly tagged Latin in his sermons. Yes, he knew the book, and from his study bookshelf brought down an even earlier copy than my own. And there and then we sat down together and read. After an hour I was impatient to be back in my studio and draw, draw these extraordinary images this text brought to life unbidden in my imagination. But I did not leave until I had persuaded Pastor Sandahl to agree to translate the Uppsala section of the Adam of Bremen’s book, and just before Christmas that year, on the day before the Shortest Day, he delivered his translation to my studio. He would not stay, but said I should read the passages about King Domalde and his sacrifice at the Winter Solstice. And so, on the day of the Winter Solstice, I did.

This people have a widely renowned sanctuary called Uppsala.

By this temple is a very large tree with extending branches. It is always green, both in winter and in summer. No one knows what kind of tree this is. There is also a spring there, where the heathens usually perform their sacrificial rites. They throw a live human being into the spring. If he does not resurface, the wishes of the people will come true.

The Temple is girdled by a chain of gold that hangs above the roof of the building and shines from afar, so that people may see it from a distance when they approach there. The sanctuary itself is situated on a plain, surrounded by mountains, so that the form a theatre.

It is not far from the town of Sigtuna. This sanctuary is completely covered with golden ornaments. There, people worship the carved idols of three gods: Thor, the most powerful of them, has his throne in the middle of the hall, on either side of him, Odin and Freyr have their seats. They have these functions: “Thor,” they say, “rules the air, he rules thunder and lightning, wind and rain, good weather and harvests. The other, Odin, he who rages, he rules the war and give courage to people in their battle against enemies. The third is Freyr, he offers to mortals lust and peace and happiness.” And his image they make with a very large phallus. Odin they present armed, the way we usually present Mars, while Thor with the scepter seems to resemble Jupiter. As gods they also worship some that have earlier been human. They give them immortality for the sake of their great deeds, as we may read in Vita sancti Ansgarii that they did with King Eirik.

For all these gods have particular persons who are to bring forward the sacrificial gifts of the people. If plague and famine threatens, they offer to the image of Thor, if the matter is about war, they offer to Odin, but if a wedding is to be celebrated, they offer to Freyr. And every ninth year in Uppsala a great religious ceremony is held that is common to people from all parts of Sweden.”
Snorri also relates how human sacrifice began in Uppsala, with the sacrifice of a king.

Domalde took the heritage after his father Visbur, and ruled over the land. As in his time there was great famine and distress, the Swedes made great offerings of sacrifice at Upsal. The first autumn they sacrificed oxen, but the succeeding season was not improved thereby. The following autumn they sacrificed men, but the succeeding year was rather worse. The third autumn, when the offer of sacrifices should begin, a great multitude of Swedes came to Upsal; and now the chiefs held consultations with each other, and all agreed that the times of scarcity were on account of their king Domalde, and they resolved to offer him for good seasons, and to assault and **** him, and sprinkle the stall of the gods with his blood. And they did so.


There it was, at the end of Adam of Bremen’s description of Uppsala, this description of King Domalde upon which my mural would be based. It is not difficult to imagine, or rather the event itself can be richly embroidered, as I have over the years made my painting so. Karin and I have the books of William Morris on our shelves and I see little difference between his fixation on the legends of the Arthur and the Grail. We are on the cusp here between the pagan and the Christian.  What was Christ’s Crucifixion but a self sacrifice: as God in man he could have saved himself but chose to die for Redemption’s sake. His blood was not scattered to the fields as was Domalde’s, but his body and blood remains a continuing symbol in our right of Communion.

I unroll the latest watercolour cartoon of my mural. It is almost the length of this studio. Later I will ask Greta to collect the other easels we have in the house and barn and then I shall view it properly. But for now, as it unrolls, my drama of the Winter Solstice comes alive. It begins on from the right with body of warriors, bronze shields and helmets, long shafted spears, all set against the side of Uppsala Temple and more distant frost-hoared trees. Then we see the King himself, standing on a sled hauled by temple slaves. He is naked as he removes the furs in which he has travelled, a circuit of the temple to display himself to his starving people. In the centre, back to the viewer, a priest-like figure in a red cloak, a dagger held for us to see behind his back. Facing him, in druidic white, a high priest holds above his head a gold pagan monstrance. To his left there are white cloaked players of long, straight horns, blue cloaked players of the curled horns, and guiding the shaft of the sled a grizzled shaman dressed in the skins and furs of animals. The final quarter of my one- day-to-be-a-mural unfolds to show the women of temple and palace writhing in gestures of grief and hysteria whilst their queen kneels prostate on the ground, her head to the earth, her ladies ***** behind her. Above them all stands the forever-green tree whose origin no one knows.

Greta has entered the studio in her practiced, silent way carrying coffee and rolls from the kitchen. She has seen Midvinterblot many times, but I sense her gaze of fascination, yet again, at the figure of the naked king. She remembers the model, the sailor who came to stay at Kartbacken three summers ago. He was like the harpooner Queequeg in Moby ****. A tattooed man who was to be seen swimming in Toftan Lake and walking bare-chested in our woods. A tall, well-muscled, almost silent man, whom I patiently courted to be my model for King Dolmade. I have a book of sketches of him striding purposefully through the trees, the tattooed lines on his shoulders and chest like deep cuts into his body. This striding figure I hid from the children for some time, but from Greta that was impossible. She whispered to me once that when she could not have my substantial chest against her she would imagine the sailor’s, imagine touching and following his tattooed lines. This way, she said, helped her have respite from those stirrings she would so often feel for me. My painting, she knew, had stirred her fellow maids Clara and Solveig. Surely you know this, she had said, in her resolute and direct city manner. I have to remember she is the age of my eldest, who too must hold such thoughts and feelings. Karin dislikes my sailor king and wishes I would not hide the face of his distraught queen.

Today the sunrise is at 9.0, just a half hour away, and it will set before 3.0pm. So, after this coffee I will put on my boots and fur coat, be well scarfed and hatted (as my son Pontus would say) and walk out onto my estate. I will walk east across the fields towards Spardasvvägen. The sky is already waiting for the sun, but waits without colour, hardly even a tinge of red one might expect.

I have given Greta her orders to collect every easel she can find so we can take Midvinterblot off the floor and see it in all its vivid colour and form. In February I shall begin again to persuade the Nationalmuseum to accept this work. We have a moratorium just now. I will not accept their reasoning that there is no historical premise for such a subject, that such a scene has no place in a public gallery. A suggestion has been made that the Historiska museet might house it. But I shall not think of this today.

Karin is here, her face at the studio window beckons entry. My Darling, yes, it is midwinter’s day and I am dressing to greet the solstice. I will dress, she says, to see Edgar who will be here in half an hour to discuss my designs for this new furniture. We will be lunching at noon. Know you are welcome. Suzanne is talking constantly of England, England, and of course Oxford, this place of dreaming spires and good looking boys. We touch hands and kiss. I sense the perfume of sleep, of her bed.

Outside I must walk quickly to be quite alone, quite apart from the house, in the fields, alone. It is on its way: this light that will bathe the snowed-over land and will be my promise of the year’s turn towards new life.

As I walk the drama of Midvinterblot unfolds in a confusion of noise, the weeping of women, the physical exertions of the temple slaves, the priests’ incantations, the riot of horns, and then suddenly, as I stand in this frozen field, there is silence. The sun rises. It stagge
To see images of the world of Sundborn and Carl Larrson (including Mitvinterblot) see http://www.clg.se/encarl.aspx
Apollo’s wrath to man the dreadful spring
Of ills innum’rous, tuneful goddess, sing!
Thou who did’st first th’ ideal pencil give,
And taught’st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho’ last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
  ’Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish’d by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th’ ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro’ the sky.
  Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.
  Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op’ning morn,
As when Aurora fills the ravish’d sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.
  Wherever, Niobe, thou turn’st thine eyes,
New beauties kindle, and new joys arise!
But thou had’st far the happier mother prov’d,
If this fair offspring had been less belov’d:
What if their charms exceed Aurora’s teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.
  Now Manto comes, endu’d with mighty skill,
The past to explore, the future to reveal.
Thro’ Thebes’ wide streets Tiresia’s daughter came,
Divine Latona’s mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia’s prophetess began:
  “Go, Thebans! great Latona’s will obey,
“And pious tribute at her altars pay:
“With rights divine, the goddess be implor’d,
“Nor be her sacred offspring unador’d.”
Thus Manto spoke.  The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.
  Niobe comes with all her royal race,
With charms unnumber’d, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav’nly Venus, ’midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
“What madness drives the Theban ladies fair
“To give their incense to surrounding air?
“Say why this new sprung deity preferr’d?
“Why vainly fancy your petitions heard?
“Or say why Caeus offspring is obey’d,
“While to my goddesship no tribute’s paid?
“For me no altars blaze with living fires,
“No bullock bleeds, no frankincense transpires,
“Tho’ Cadmus’ palace, not unknown to fame,
“And Phrygian nations all revere my name.
“Where’er I turn my eyes vast wealth I find,
“Lo! here an empress with a goddess join’d.
“What, shall a Titaness be deify’d,
“To whom the spacious earth a couch deny’d!
“Nor heav’n, nor earth, nor sea receiv’d your queen,
“Till pitying Delos took the wand’rer in.
“Round me what a large progeny is spread!
“No frowns of fortune has my soul to dread.
“What if indignant she decrease my train
“More than Latona’s number will remain;
“Then hence, ye Theban dames, hence haste away,
“Nor longer off’rings to Latona pay;
“Regard the orders of Amphion’s spouse,
“And take the leaves of laurel from your brows.”
Niobe spoke.  The Theban maids obey’d,
Their brows unbound, and left the rights unpaid.
  The angry goddess heard, then silence broke
On Cynthus’ summit, and indignant spoke;
“Phoebus! behold, thy mother in disgrace,
“Who to no goddess yields the prior place
“Except to Juno’s self, who reigns above,
“The spouse and sister of the thund’ring Jove.
“Niobe, sprung from Tantalus, inspires
“Each Theban ***** with rebellious fires;
“No reason her imperious temper quells,
“But all her father in her tongue rebels;
“Wrap her own sons for her blaspheming breath,
“Apollo! wrap them in the shades of death.”
Latona ceas’d, and ardent thus replies
The God, whose glory decks th’ expanded skies.
  “Cease thy complaints, mine be the task assign’d
“To punish pride, and scourge the rebel mind.”
This Phoebe join’d.—They wing their instant flight;
Thebes trembled as th’ immortal pow’rs alight.
  With clouds incompass’d glorious Phoebus stands;
The feather’d vengeance quiv’ring in his hands.
     Near Cadmus’ walls a plain extended lay,
Where Thebes’ young princes pass’d in sport the day:
There the bold coursers bounded o’er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul’d the fury of his flying steed.
“Ah me,” he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser’s mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion’s bed,
Was struck the first, first mingled with the dead.
  Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th’ impending storm the sailor sees
He spreads his canvas to the fav’ring breeze,
So to thine horse thou gav’st the golden reins,
Gav’st him to rush impetuous o’er the plains:
But ah! a fatal shaft from Phoebus’ hand
Smites thro’ thy neck, and sinks thee on the sand.
  Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo’s hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan’d,
Together languish’d, and together groan’d:
Together too th’ unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang’d its snowy hue.
He flies to raise them in a kind embrace;
A brother’s fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch’d him (so the fates decreed:)
Soon as the arrow left the deadly wound,
His issuing entrails smoak’d upon the ground.
  What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t’ extract the crime-avenging rod,
But, whilst he strives the will of fate t’ avert,
Divine Apollo sends a second dart;
Swift thro’ his throat the feather’d mischief flies,
Bereft of sense, he drops his head, and dies.
  Young Ilioneus, the last, directs his pray’r,
And cries, “My life, ye gods celestial! spare.”
Apollo heard, and pity touch’d his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom’d to fall,
The fates refuse that arrow to recal.
  On the swift wings of ever flying Fame
To Cadmus’ palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express’d her anger and surprise:
“Why is such privilege to them allow’d?
“Why thus insulted by the Delian god?
“Dwells there such mischief in the pow’rs above?
“Why sleeps the vengeance of immortal Jove?”
For now Amphion too, with grief oppress’d,
Had plung’d the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona’s shrine,
How strangely chang’d!—yet beautiful in woe,
She weeps, nor weeps unpity’d by the foe.
On each pale corse the wretched mother spread
Lay overwhelm’d with grief, and kiss’d her dead,
Then rais’d her arms, and thus, in accents slow,
“Be sated cruel Goddess! with my woe;
“If I’ve offended, let these streaming eyes,
“And let this sev’nfold funeral suffice:
“Ah! take this wretched life you deign’d to save,
“With them I too am carried to the grave.
“Rejoice triumphant, my victorious foe,
“But show the cause from whence your triumphs flow?
“Tho’ I unhappy mourn these children slain,
“Yet greater numbers to my lot remain.”
She ceas’d, the bow string twang’d with awful sound,
Which struck with terror all th’ assembly round,
Except the queen, who stood unmov’d alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell’d hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb—indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.
  One only daughter lives, and she the least;
The queen close clasp’d the daughter to her breast:
“Ye heav’nly pow’rs, ah spare me one,” she cry’d,
“Ah! spare me one,” the vocal hills reply’d:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.
   “The queen of all her family bereft,
“Without or husband, son, or daughter left,
“Grew stupid at the shock.  The passing air
“Made no impression on her stiff’ning hair.
“The blood forsook her face: amidst the flood
“Pour’d from her cheeks, quite fix’d her eye-*****
  “stood.
“Her tongue, her palate both obdurate grew,
“Her curdled veins no longer motion knew;
“The use of neck, and arms, and feet was gone,
“And ev’n her bowels hard’ned into stone:
“A marble statue now the queen appears,
“But from the marble steal the silent tears.”
Sylvia Plath  Jun 2009
Wintering
This is the easy time, there is nothing doing.
I have whirled the midwife's extractor,
I have my honey,
Six jars of it,
Six cat's eyes in the wine cellar,

Wintering in a dark without window
At the heart of the house
Next to the last tenant's rancid jam
and the bottles of empty glitters ----
Sir So-and-so's gin.

This is the room I have never been in
This is the room I could never breathe in.
The black bunched in there like a bat,
No light
But the torch and its faint

Chinese yellow on appalling objects ----
Black asininity. Decay.
Possession.
It is they who own me.
Neither cruel nor indifferent,

Only ignorant.
This is the time of hanging on for the bees--the bees
So slow I hardly know them,
Filing like soldiers
To the syrup tin

To make up for the honey I've taken.
Tate and Lyle keeps them going,
The refined snow.
It is Tate and Lyle they live on, instead of flowers.
They take it. The cold sets in.

Now they ball in a mass,
Black
Mind against all that white.
The smile of the snow is white.
It spreads itself out, a mile-long body of Meissen,

Into which, on warm days,
They can only carry their dead.
The bees are all women,
Maids and the long royal lady.
They have got rid of the men,

The blunt, clumsy stumblers, the boors.
Winter is for women ----
The woman, still at her knitting,
At the cradle of Spanis walnut,
Her body a bulb in the cold and too dumb to think.

Will the hive survive, will the gladiolas
Succeed in banking their fires
To enter another year?
What will they taste of, the Christmas roses?
The bees are flying. They taste the spring.
When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. “Old friend,” said he to
the swineherd, “I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean.”
  Then Ulysses said, “Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off.”
  On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
  Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, “Light of my eyes,”
she cried as she spoke fondly to him, “so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw.”
  “Do not scold me, mother,’ answered Telemachus, “nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself.”
  She heeded her son’s words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
  Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father’s house, and they made him tell them all that had happened to
him. Then Piraeus came up with Theoclymenus, whom he had escorted
through the town to the place of assembly, whereon Telemachus at
once joined them. Piraeus was first to speak: “Telemachus,” said he,
“I wish you would send some of your women to my house to take awa
the presents Menelaus gave you.”
  “We do not know, Piraeus,” answered Telemachus, “what may happen. If
the suitors **** me in my own house and divide my property among them,
I would rather you had the presents than that any of those people
should get hold of them. If on the other hand I manage to **** them, I
shall be much obliged if you will kindly bring me my presents.”
  With these words he took Theoclymenus to his own house. When they
got there they laid their cloaks on the benches and seats, went into
the baths, and washed themselves. When the maids had washed and
anointed them, and had given them cloaks and shirts, they took their
seats at table. A maid servant then brought them water in a
beautiful golden ewer, and poured it into a silver basin for them to
wash their hands; and she drew a clean table beside them. An upper
servant brought them bread and offered them many good things of what
there was in the house. Opposite them sat Penelope, reclining on a
couch by one of the bearing-posts of the cloister, and spinning.
Then they laid their hands on the good things that were before them,
and as soon as they had had enough to eat and drink Penelope said:
  “Telemachus, I shall go upstairs and lie down on that sad couch,
which I have not ceased to water with my tears, from the day Ulysses
set out for Troy with the sons of Atreus. You failed, however, to make
it clear to me before the suitors came back to the house, whether or
no you had been able to hear anything about the return of your
father.”
  “I will tell you then truth,” replied her son. “We went to Pylos and
saw Nestor, who took me to his house and treated me as hospitably as
though I were a son of his own who had just returned after a long
absence; so also did his sons; but he said he had not heard a word
from any human being about Ulysses, whether he was alive or dead. He
sent me, therefore, with a chariot and horses to Menelaus. There I saw
Helen, for whose sake so many, both Argives and Trojans, were in
heaven’s wisdom doomed to suffer. Menelaus asked me what it was that
had brought me to Lacedaemon, and I told him the whole truth,
whereon he said, ‘So, then, these cowards would usurp a brave man’s
bed? A hind might as well lay her new-born young in the lair of a
lion, and then go off to feed in the forest or in some grassy dell.
The lion, when he comes back to his lair, will make short work with
the pair of them, and so will Ulysses with these suitors. By father
Jove, Minerva, and Apollo, if Ulysses is still the man that he was
when he wrestled with Philomeleides in ******, and threw him so
heavily that all the Greeks cheered him—if he is still such, and were
to come near these suitors, they would have a short shrift and a sorry
wedding. As regards your question, however, I will not prevaricate nor
deceive you, but what the old man of the sea told me, so much will I
tell you in full. He said he could see Ulysses on an island
sorrowing bitterly in the house of the nymph Calypso, who was
keeping him prisoner, and he could not reach his home, for he had no
ships nor sailors to take him over the sea.’ This was what Menelaus
told me, and when I had heard his story I came away; the gods then
gave me a fair wind and soon brought me safe home again.”
  With these words he moved the heart of Penelope. Then Theoclymenus
said to her:
  “Madam, wife of Ulysses, Telemachus does not understand these
things; listen therefore to me, for I can divine them surely, and will
hide nothing from you. May Jove the king of heaven be my witness,
and the rites of hospitality, with that hearth of Ulysses to which I
now come, that Ulysses himself is even now in Ithaca, and, either
going about the country or staying in one place, is enquiring into all
these evil deeds and preparing a day of reckoning for the suitors. I
saw an omen when I was on the ship which meant this, and I told
Telemachus about it.”
  “May it be even so,” answered Penelope; “if your words come true,
you shall have such gifts and such good will from me that all who
see you shall congratulate you.”
  Thus did they converse. Meanwhile the suitors were throwing discs,
or aiming with spears at a mark on the levelled ground in front of the
house, and behaving with all their old insolence. But when it was
now time for dinner, and the flock of sheep and goats had come into
the town from all the country round, with their shepherds as usual,
then Medon, who was their favourite servant, and who waited upon
them at table, said, “Now then, my young masters, you have had
enough sport, so come inside that we may get dinner ready. Dinner is
not a bad thing, at dinner time.”
  They left their sports as he told them, and when they were within
the house, they laid their cloaks on the benches and seats inside, and
then sacrificed some sheep, goats, pigs, and a heifer, all of them fat
and well grown. Thus they made ready for their meal. In the meantime
Ulysses and the swineherd were about starting for the town, and the
swineherd said, “Stranger, I suppose you still want to go to town
to-day, as my master said you were to do; for my own part I should
have liked you to stay here as a station hand, but I must do as my
master tells me, or he will scold me later on, and a scolding from
one’s master is a very serious thing. Let us then be off, for it is
now broad day; it will be night again directly and then you will
find it colder.”
  “I know, and understand you,” replied Ulysses; “you need say no
more. Let us be going, but if you have a stick ready cut, let me
have it to walk with, for you say the road is a very rough one.”
  As he spoke he threw his shabby old tattered wallet over his
shoulders, by the cord from which it hung, and Eumaeus gave him a
stick to his liking. The two then started, leaving the station in
charge of the dogs and herdsmen who remained behind; the swineherd led
the way and his master followed after, looking like some broken-down
old ***** as he leaned upon his staff, and his clothes were all in
rags. When they had got over the rough steep ground and were nearing
the city, they reached the fountain from which the citizens drew their
water. This had been made by Ithacus, Neritus, and Polyctor. There was
a grove of water-loving poplars planted in a circle all round it,
and the clear cold water came down to it from a rock high up, while
above the fountain there was an altar to the nymphs, at which all
wayfarers used to sacrifice. Here Melanthius son of Dolius overtook
them as he was driving down some goats, the best in his flock, for the
suitors’ dinner, and there were two shepherds with him. When he saw
Eumaeus and Ulysses he reviled them with outrageous and unseemly
language, which made Ulysses very angry.
  “There you go,” cried he, “and a precious pair you are. See how
heaven brings birds of the same feather to one another. Where, pray,
master swineherd, are you taking this poor miserable object? It
would make any one sick to see such a creature at table. A fellow like
this never won a prize for anything in his life, but will go about
rubbing his shoulders against every man’s door post, and begging,
not for swords and cauldrons like a man, but only for a few scraps not
worth begging for. If you would give him to me for a hand on my
station, he might do to clean out the folds, or bring a bit of sweet
feed to the kids, and he could fatten his thighs as much as he pleased
on whey; but he has taken to bad ways and will not go about any kind
of work; he will do nothing but beg victuals all the town over, to
feed his insatiable belly. I say, therefore and it shall surely be—if
he goes near Ulysses’ house he will get his head broken by the
stools they will fling at him, till they turn him out.”
  On this, as he passed, he gave Ulysses a kick on the hip out of pure
wantonness, but Ulysses stood firm, and did not budge from the path.
For a moment he doubted whether or no to fly at Melanthius and ****
him with his staff, or fling him to the ground and beat his brains
out; he resolved, however, to endure it and keep himself in check, but
the swineherd looked straight at Melanthius and rebuked him, lifting
up his hands and praying to heaven as he did so.
  “Fountain nymphs,” he cried, “children of Jove, if ever Ulysses
burned you thigh bones covered with fat whether of lambs or kids,
grant my prayer that heaven may send him home. He would soon put an
end to the swaggering threats with which such men as you go about
insulting people-gadding all over the town while your flocks are going
to ruin through bad shepherding.”
  Then Melanthius the goatherd answered, “You ill-conditioned cur,
what are you talking about? Some day or other I will put you on
board ship and take you to a foreign country, where I can sell you and
pocket the money you will fetch. I wish I were as sure that Apollo
would strike Telemachus dead this very day, or that the suitors
would **** him, as I am that Ulysses will never come home again.”
  With this he left them to come on at their leisure, while he went
quickly forward and soon reached the house of his master. When he
got there he went in and took his seat among the suitors opposite
Eurymachus, who liked him better than any of the others. The
servants brought him a portion of meat, and an upper woman servant set
bread before him that he might eat. Presently Ulysses and the
swineherd came up to the house and stood by it, amid a sound of music,
for Phemius was just beginning to sing to the suitors. Then Ulysses
took hold of the swineherd’s hand, and said:
  “Eumaeus, this house of Ulysses is a very fine place. No matter
how far you go you will find few like it. One building keeps following
on after another. The outer court has a wall with battlements all
round it; the doors are double folding, and of good workmanship; it
would be a hard matter to take it by force of arms. I perceive, too,
that there are many people banqueting within it, for there is a
smell of roast meat, and I hear a sound of music, which the gods
have made to go along with feasting.”
  Then Eumaeus said, “You have perceived aright, as indeed you
generally do; but let us think what will be our best course. Will
you go inside first and join the suitors, leaving me here behind
you, or will you wait here and let me go in first? But do not wait
long, or some one may you loitering about outside, and throw something
at you. Consider this matter I pray you.”
  And Ulysses answered, “I understand and heed. Go in first and
leave me here where I am. I am quite used to being beaten and having
things thrown at me. I have been so much buffeted about in war and
by sea that I am case-hardened, and this too may go with the rest. But
a man cannot hide away the cravings of a hungry belly; this is an
enemy which gives much trouble to all men; it is because of this
that ships are fitted out to sail the seas, and to make war upon other
people.”
  As they were thus talking, a dog that had been lying asleep raised
his head and pricked up his ears. This was Argos, whom Ulysses had
bred before setting out for Troy, but he had never had any work out of
him. In the old days he used to be taken out by the young men when
they went hunting wild goats, or deer, or hares, but now that his
master was gone he was lying neglected on the heaps of mule and cow
dung that lay in front of the stable doors till the men should come
and draw it away to manure the great close; and he was full of
fleas. As soon as he saw Ulysses standing there, he dropped his ears
and wagged his tail, but he could not get close up to his master. When
Ulysses saw the dog on the other side of the yard, dashed a tear
from his eyes without Eumaeus seeing it, and said:
  “Eumaeus, what a noble hound that is over yonder on the manure heap:
his build is splendid; is he as fine a fellow as he looks, or is he
only one of those dogs that come begging about a table, and are kept
merely for show?”
  “This hound,” answered Eumaeus, “belonged to him who has died in a
far country. If he were what he was when Ulysses left for Troy, he
would soon show you what he could do. There was not a wild beast in
the forest that could get away from him when he was once on its
tracks. But now he has fallen on evil times, for his master is dead
and gone, and the women take no care of him. Servants never do their
work when their master’s hand is no longer over them, for Jove takes
half the goodness out of a man when he makes a slave of him.”
  As he spoke he went inside the buildings to the cloister where the
suitors were, but Argos died as soon as he had recognized his master.
  Telemachus saw

— The End —