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A rose in the high garden that you desire.
A wheel in the pure syntax of steel.
The mountain stripped of impressionist mist.
Greys looking out from the last balustrades.

Modern painters in their black studios,
Sever the square root's sterilized flower.
In the Seine's flood an iceberg of marble
freezes the windows and scatters the ivy.

Man treads the paved streets firmly.
Crystals hide from reflections' magic.
Government has closed the perfume shops.
The machine beats out its binary rhythm.

An absence of forests, screens and brows
Wanders the roof-tiles of ancient houses.
The air polishes its prism on the sea
and the horizon looms like a vast aqueduct.

Marines ignorant of wine and half-light,
decapitate sirens on seas of lead.
Night, black statue of prudence, holds
the moon's round mirror in her hand.

A desire for form and limit conquers us.
Here comes the man who sees with a yellow ruler.
Venus is a white still life
and the butterfly collectors flee.

Cadaqués, the fulcrum of water and hill,
lifts flights of steps and hides seashells.
Wooden flutes pacify the air.
An old god of the woods gives children fruit.

Her fishermen slumber, dreamless, on sand.
On the deep, a rose serves as their compass.
The ****** horizon of wounded hankerchiefs,
unties the vast crystals of fish and moon.

A hard diadem of white brigantines
wreathes bitter brows and hair of sand.
The sirens convince, but fail to beguile,
and appear if we show a glass of fresh water.

Oh Salvador Dalí, of the olive voice!
I don't praise your imperfect adolescent brush
or your pigments that circle those of your age,
I salute your yearning for bounded eternity.

Healthy soul, you live on fresh marble.
You flee the dark wood of improbable forms.
Your fantasy reaches as far as your hands,
and you savor the sea's sonnet at your window.

The world holds dull half-light and disorder,
in the foreground humanity frequents.
But now the stars, concealing landscapes,
mark out the perfect scheme of their courses.

The flow of time forms pools, gains order,
in the measured forms of age upon age.
And conquered Death, trembling, takes refuge
in the straightended circle of the present moment.

Taking your palette, its wing holds a bullet-hole,
you summon the light that revives the olive-tree.
Broad light of Minverva, builder of scaffolding,
with no room for dream and its inexact flower.

You summon the light that rests on the brow,
not reaching the mouth or the heart of man.
Light feared by the trailing vines of Bacchus,
and the blind force driving the falling water.

You do well to place warning flags
on the dark frontier that shines with night.
As a painter you don't wish your forms softened
by the shifting cotton of unforeseen  clouds.

The fish in its bowl and the bird in its cage.
You refuse to invent them in sea or in air.
You stylize or copy once you have seen,
with your honest eyes, their smal agile bodies.

You love a matter defined and exact,
where the lichen cannot set up its camp.
You love architecture built on the absent,
admitting the banner merely in jest.

The steel compass speaks its short flexible verse.
Now unknown islands deny the sphere.
The straight line speaks of its upward fight
and learned crystals sing their geometry.

Yet the rose too in the garden where you live.
Ever the rose, ever, our north and south!
Calm, intense like an eyeless staute,
blind to the underground struggle it causes.

Pure rose that frees from artifice, sketches,
and opens for us the slight wings of a smile
(Pinned butterfly that muses in flight.)
Rose of pure balance not seeking pain.
Ever the rose!

Oh Salvador Dalí of the olive voice!
I speak of what you and your paintings tell me.
I don't praise your imperfect adolescent brush,
but I sing the firm aim of your arrows.

I sing your sweet battle of Catalan lights,
you love of what might be explained.
I sing your heart astronomical, tender,
a deck of French cards, and never wounded.

I sing longing for statues, sought without rest,
your fear of emotions that wait in the street.
I sing the tiny sea-siren who sings to you
riding a bicycle of corals and conches.

But above all I sing a shared thought
that joins us in the dark and the golden hours.
It is not Art, this light that blinds our eyes.
Rather it is love, friendship, the clashing of swords.

Rather than the picture you patiently trace,
it's the breast of Theresa, she of insomniac skin,
the tight curls of Mathilde the ungrateful,
our friendship a board-game brightly painted.

May the tracks of fingers in blood on gld
stripe the heart of eternal Catalonia.
May stars like fists without falcons shine on you,
while your art and your life burst into flower.

Don't watch the water-clock with membranous wings,
nor the harsh scythe of the allegories.
Forever clothe and bare your brush in the air
before the sea peopled with boats and sailors.
Sylvia Plath  Jun 2009
Mushrooms
Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
The lion had just lost his dear wife,
Madam lioness a couple of years ago,
She was in the prime of her life,
When she succumbed to deathly udder cancer,
Mr. Lion grieved with all energy of the bereaved beast
To make it worse, he was also terminally ill
Of the vicious lung cancer, boring his windpipes,
That when he respired sweet music came out,
Like classical xylophones of eyeless Mehrun Yurin,

His sons were away commanding respective territories
Each son a territory in the order of traditional monarchy,
No one was to cook for the sick lion, don’t mention washing,
Hence the sons hired the squirrel alias madam Caroline,
She cooked as she did all other chores in the palace,
She was good in a concocting a matchless soup
From white mushrooms and cured goat’s meet,

As Caroline cooked she also sampled by tasting for her perfection
This little by little tasting made her to increase the strength,
Her skin became smooth, her buttocks swell
Her tail became shorter and steady, but very clean,
Her skin very oily and comely, exuding no evil smell,
Her walking style purged to majestic fashion
Even the type of songs she sang
Were not peasant spirituals,
Mr. Hyena wondered and wondered;
Is the squirrel pregnant?

Only to discover she was not,
But she has a new job;
Of cooking for the sick king lion,
Hyena also heard from the public domain
That she often cooks, goat meat and mushrooms,
But the ram tail twice in week; Tuesday and Sunday,
Jealousy and bigotry, malice and prejudice ganged up at once
And gripped the hyena simultaneously,
And swore to himself that come anything;
Spells of sunshine or blizzards of snow,
He must and must; root out the squirrel
From the palace kitchen,

That bright morning he went to the palace,
Singing a Christian song in praise of Lazarus,
Who resurrected from the dead,
He entered the palace still singing,
He commanded every to stand, put off the laurels,
For he wants to pray for the sick,
He made long and noisy circumlocutions of a prayer,
With regular stamping of feet and amen,
Commanding the devil of cancer to leave,
The lungs of the king, the mighty lion.


He said final amen and all sat down
Two sons of the king, the young lions,
Were all in somber moods, their father was sick,

From the kitchen, the squirrel surfaced,
With goats meat on a metallic platter,
He served the sick lion first,
Then each of them present,
On the first taste of food,
Hyena lost control of nerves
His tail jumped out of the white trouser
That he was wearing that day,
He ate voraciously with a crazy appetite,
No such delicious food had ever crossed his way.

He cleared his food first as expected,
Then he kept mum like a stooge,
Only wagging his long tail
His long tongue hanging out
Flagging in avarice like leaves of banana,
When all others stopped eating,
Hyena began in form of a question,
To which the lion’s family listened
Indeed with kingly caution;
Am asking you the king,
Why is Madam Caroline the squirrel,
Eating your food everyday,
And you are dying of a treatable disease,
To which she has the medicine,
Why is she betraying you?
To such a simple death?

All the lions plus the sick one
Jumped to the squirrel with all horror,
For the squirrel to bring the cure
Or the be killed first be the lion dies,
She pleaded for a minute to bring the drug,
Hyena in full gear of happiness
As his friend chews misfortune,

She blamed her small body size to be the  barrier
To bringing the medicine for king lion,
But nonetheless medicine was available,
Lions roared tell us! Where is the medicine?
In a soft voice the squirrel said;
The only cure for this disease of the king,
Is a fresh liver of a male hyena!

The hyena was frozen with surprise,
Like any other foolish bigot,
He begged to leave as his time was over,
No answer came to his request,
Other than abysmal darkness
Of violent death gulfing his body,
King lion drunk Hyena’s blood
In addition to the liver
On the squirrel’s instructions,
The lion became well
And began walking strong,
Out of this joy
King lion  promoted the squirrel
To be a minister of health
In the kings palace.
SophiaAtlas Jul 2019
Violets are blue,
Your blood is red,
The window was open,
I’m under your bed.
Lol. Once again, another creepy pasta poem :)
I love creepypastas :)
david badgerow Dec 2011
the world sits on the wing of a dove
being swallowed whole by a fiery goddess
descended from heaven on a chariot of ivy
i am incarcerated by shaking flesh and itching cloth
the road before me is giant and knows no bounds
the graveyard is warm and wet with spirits and dew
and red clouds are born from fire in the dawn
there is an intelligent horse being ridden by a snarling insect
and this man has come to claim our souls
our sunset blood burns boils blisters until a million animals wounded
i'm still alive, transfigure me into a creator
choke up my nostrils with the scent of your ***
invade my lungs with the burn of your god
caress my toungue with the infinite promise
enter my brain from above, and regurgitate your anxiety on me
slimy worms devour a psychadelic tomato laughing
into transendency, an eyeless eel has dissappeared into a pocket
i speak from balconies, from terrible heights, from hastened windowsills
in a million desperate quarrelling cities
this is where i **** up illusion, i give up to despondency
i ring the great iron bell that resounds with corruption, with hatred, with hideous *** and admiration,
i scream and cavort on rooftops alone with a black & blue midnight
covered in electric lights and gunpowder tongues
here comes the disintegration of my mind
disgraced by the eye of the earth and spat into
a realm of salivating light
i am swimming through digested heartbreak and melancholy livers
sickened by madness and homemade bombs and ******
the rainclouds carry a truckload of babies' hearts
and it's raining eyes over the city now
the cry of the mind escapes from waving mouths in impotence
as millions of bacteria invade the brain
may these lines be answered by the bird of the sun
by the worm at my ear
by the sight of my skeleton
by the stench of ***** in the air
by the dead gong shivering through midnight
by the bleeding eye of abandoned dreams
by the prophets in proclamation
by the god of all my sorrows
beyond the brittle towns asleep

beyond the brittle towns asleep
i look where stealing needles of foam
in the last light

thread the creeping shores


as out of dumb strong hands infinite

the ***** deep upon me
in the last light
pours its eyeless miles


the chattering sunset ludicrously
dies,i hear only tidewings

in the last light
twitching at the world
Jane Doe May 2012
The roadside weeds that clutter my hometown,
tangled skinny stems and yellow flowers.
Sing oh reverence, glory come down
to us, they sing, in daylight’s fading hours.

I cannot stomp them out, I cannot press them
in between the pages of my books.
Flower after flower, stem by stem
grow ugly. I can barely stand to look.

The preacher, he had called the place salvation
when telling us to where the high road led.
But the stars all seem to spell damnation,
and the moon, an eyeless, bloodless head.

Tonight the roadside weeds sing mercy, mercy
come for a homeward soul in need of thee.
Jared  Dec 2019
Eyeless
Jared Dec 2019
Someone once told me that the greatest evil in life was to not be able to see all the beauty that it has to offer--
To be eyeless.

But looking around, how could it be so evil ... so wrong to not be able to see?
Glance in any direction, and all that is, is a hellscape.

Violence glorified, the devil incarnate.
Vicariously living through the blood of others--the hate.

Not to mention the soapboxes made of tissue, and the horses so high they could scrape the very sky.

And I'd be remiss to fail to mention all the masks.
A mask for work, a mask for when we're out.
A mask for family?
You need not even ask.
We even have our very own mask to wear when we stare at ourselves in the mirror.

So, I believe this person is wrong.  
The greatest evil is not to be eyeless but to have eyes and not see--
Not see the pointlessness of it all.
a little more experimental than my typical poetical diarrhea
gothicc  Mar 2016
third eyeless
gothicc Mar 2016
****** don't want respect no more
they just want clout
stealing **** they didn't used to be about
but i guess it's "**** or be killed"
and yeah, it's crooked
but the world doesn't let you be skilled in something that's already in you
i can't sit here and write for free
because i'm supposed to be looking for money
scratch my head and worry over answers i'll never find
i know what i want though
so i shade my eyes so they don't know i'm not blind
i can't go with the rest- it's a struggle
going against the flow
is bruising me; i'm wounded
the others like me are slowing turning wilted
i'm left standing in the sun
and even though i'm shining, they don't see it
they're eyeless and i'm the only one
Tawanda Mulalu Apr 2016
Pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek,
this is who I am. This is my story.
It is only coincidence that I sing it
to you,
but sing, nonetheless, I do. One morning
amidst the restlessness of my top-bunk sheets
I heard a whispering and thought it might be God it was
me. My unconsciousness begging me
for nourishment, silently loudly attacking
my awareness with questions: it asked why
I neglect it. Pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek,
is this, too, why your body vibrates
when your thoughts are feelings? Because you too
have recognized feeling as thought? That that
faculty of wonder you hush about as if a
***** secret of forgotten childhood memory
is something that is as real as
the metaphysical pores of a skin you cannot touch,
but know is not some foreign, distant, effacing
thing, but is thick, is thick, thick as words
creaking like old wood in a library filled
with students who read so much ******* to get into
college but never venture forth for such skin
in the skin of those unconscious voices in the
shelves? Selves: we call them books but they breathe.
The ideas wriggle in your veins like
a worm. They block your blood yet move
your soul. The stillness of your speechlessness
is some movement in itself. So I suspect of you,
pale-skinned girl from Indiana,
with freckles,
yes, freckles, on your cheek.
                                                So I suspect of myself.

I do not understand how else I could have been born
without eyes which we call eyes. I cannot see
why else.
                I cannot.
                                 You cannot.

There is light over there in that darkness.
               A glimpse of it- a sliver of silver
has shocked you into your paleness. Into my
blackness. It is the same difference. A different
same.
            
Line break:

A mirror tells me things with my eyeless eyes.
My brownness ***** me into journeys with
tunnels so deep that we call them pupils.
In the distance that I gaze into I find
myself gazing into a distance I gaze into. Fathom
it. Do not. Will not will it will it will not
willed. Touching it will wilt it without touching:
this is the soul you said does not exist.
              
             It is not there. It is.

In Indiana.

Where's that? asks my blood.

In Indiana.

Over there? my finger points out the window.

No. It is.

It is. Not.

Suddenly I smell something and it is myself.
It is not Indiana or freckles or pale-skin.
I ask you where it is.
Suddenly you smell something and it is yourself.
It is not Gaborone or curly-haired or black.
You ask me where I think it is.

What the **** do we know?
Science!
Astrea  Apr 2021
Dream Logic II
Astrea Apr 2021
II

Blue base and pink hues, black lining, framing the face saw once in dreams, a face with a name that began with the letter M. The other painting – a hazy black, red lips, no eyes – is a man’s face. Flying across shadowed, spiralling stairs, I encountered exits blocked by chairs – all these impressionist paintings hanging along the corridor, where a painter was explaining to his students the woman he met in his dream… they all called to me as a dream factory, dream logic – where everything was bound and unburdened, and we were told to identify faces in these coffin paintings. All day we tried matching, mouth stuttering half-formed names, lost faces, amputated body parts, strangers’ fragmented memory. Then the old lady I was working with let out a wail. She bolted, I followed, and there we saw creatures known as man and woman – to the woman on the right, she greeted with the M-lettered name, and to the man on the left she pointed at the eyeless painting, said, stranger, this is you– and they wept together.

— The End —