Submit your work, meet writers and drop the ads. Become a member
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
The name Theodore has its Greek anthropologies, Jewish anthropologies and also Germany anthropologies. The Greek anthropological perspective of The name Theodore indeed has something to do with the gods.However, the Greek way of looking at life was a frustrated thinking.To them everything was a god. They had  a plethora of gods; utopia,cacotopia, Thespis, muse, clio, calypso, and Theodore was a half a god like Gabriel who impregnanted Mary on behalf of God as Joseph the cuckold carpenter patiently looked musing the ballad of a cuckold peasant . So Theodore and Gabriel were godsend.I  have not delved to know what it means among the Jews, But am aware of the the cultural and anthropological surroundings of the name Theodore in Germany . It is a name of a male person  signifying extra-masculine behavior. I also write poetry in Deutsch, so i know  substantial cultural values of the people of Germany.  Like in this case the modern  social  naming systems . I am aware of the anthropology of this Deutsch nomenclatural position.Why would link this name to Greeks but not Germany may due to  some silent social and emotional  disposition in Europe  that the  English speaking Europeans have a soft spot for  the Greek culture.While at the same time they become victims of high adrenaline level when exposed to anything Germany. they always get repulsed when the word Germany is mentioned.So one's  thesis on nomenclatural values of the name Theodore depends on which side of European  consciousness one is found; is it Germany friendly consciousness or Germany threatened consciousness? The dystopic component of the name Theodore is purely cacotopic with zero element of utopia , as extra-masculinity is a swine of  engendered civilization  all the times.


Yours

Alexander  k  Opicho

NB/ i kindly  invite Theodore to come to  Kenya so that we do a joint research on the Swahili perspectives of the name Theodore, in Kiswahili the name Theodore  is subverted to bwana tadayo
Djs  May 2013
Crime Scene
Djs May 2013
As dreadful as an eruption
Deceased like winter
Chest tightening
And fists clenching
As roses ***** right in the throat
Used razor blade on one hand
And tabs of acid on the other
A vast and lonesome world
Population: one-half
Two mindsets coming in unison
Psychedelic tendencies, suicidal thoughts
Insanity occupying a dystopic atmosphere
Swirling smokes, colourful spheres
Intensifying a bloodshed scene
Three, two, one, a blue-green string cut
"Don't do it!" they yelled
"It's not worth it!" they said
But too late, Death grinned at their faces
No pulse, no heartbeat, no memories
No single presence of bliss
Just a cold, pale,
Lifeless
Body in the dark abyss

*-djs
Decimating Destitution

Ravaged wreckage,
Ruins and rubble,
Depressing debris,
Ashes about,
Sky soaring shroud,
Misery maxed,
Fallen freedom,
Corroded cache,
Pillaged poverty,
Explosive extremities,
Covert corruption,
Dystopic dynasty,
Unknown utopia,
Infinity is inept,
Forsaken faith,
Rejected religion,
Cataclysmic calamity,
Decimating destitution.
Nadia Aug 2019
Wanderers by Chuck Wendig

The walkers didn’t choose their fate,
Leaving their homes to mindlessly advance;
The shepherds following in their wake
Chose to give flock survival a fighting chance

The greatest minds can’t figure out why,
What’s wrong or where they are going;
The world is unraveling in plain sight,
Diseases of mind, body and politics growing

Black Swan knows the truth of it all
But should you trust an artificial intelligence?
The world is dying, this isn’t a false alarm
Survival requires action more than elegance

When civility is gone and kindness is far,
When the options are dire and more dire,
People's lives are defined by who they are
When everything has been thrown in the fire

The stories are visceral and the lives distinct;
Unyielding hope rails against relentless despair
Disparate pieces of humanity lithely linked
In a brilliant, dystopic, grimly amusing affair

NCL August 2019
This book was long and satisfying. Well worth every secound of the hypochondria it invoked
Fugit Fumus dived into a basket
of oysters just to make the ***
the underbelly of transformation
bodes unwise for this colloquial soul
Cloistered Lisa lost her circumspection
when she settled for dystopic Dan
from such a wretched family
with pneumatic drills
they'd rather shutter than amend
Homunculus Jan 2021
**** if I know.
I scarcely understand much anymore.
I am but a puddle of coherent reminiscences
oozing across the floor into decoherence and
diffusing into maximum entropy.

We are in Hell:
all is Maya,
all is Mara,
all is Dukkha.
Yet, we are slaves
who love our chains.

And I am a lifeless, fetal,
**** economicus,
mortifying de rigeur
in the ossified skull of a
long forgotten **** sapien.

If only those kinship instincts could've
survived the havoc we've wrought.
Look at what we've done.
Look at what we do.

**** for money.
**** for oil.
**** for land.
**** for 'justice.'
**** for God
**** for 'the cause'
**** for the sake of killing,
and pave over what's left.

Leave a few trees and bushes for our
dystopic terrarium.
'Our Synthetic Environment,'
old Murray[1] called it.

Now, walk into the forest.
Be there. Stay there.
Do you feel it?
Any of this nonsense we call
'civilization'?

Or
is it that you feel something more. . .  
poignant?
More true?
To a point where our heated debates
appear as no more than frivolous diatribes?

When do we stop all this narrative solipsism
and get to the ******* point?
None of this is real.
Our thoughts are not our own.
Have they ever been?

The Spectacle [2] reigns supreme
as we idle spectators
speculate idly upon it.

Borges's fable of the cartographers [3]
has reached its apotheosis,
and we are its unwilling
and unwitting victims. . . .
A bit too much wine is the culprit here, I suspect.

1: Murray Bookchin, radical social theorist and major figure in the ecology movement.
2: "In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation." - Guy Debord, Society of the Spectacle, 1967
3: The Borges story, credited fictionally as a quotation from "Suárez Miranda, Viajes de varones prudentes, Libro IV, Cap. XLV, Lérida, 1658", imagines an empire where the science of cartography becomes so exact that only a map on the same scale as the empire itself will suffice. [source: Wikipedia]
decompoetry  Aug 2010
The Lost
decompoetry Aug 2010
They sat on the stoop,
on the rooftop,
on the grass.
They watched,
they saw,
they turned away
in disgust
and disarray;
vowed never to see,
but to be.

Ideas sprayed on parchment:
plans for the future,
true ideals
indestructible,
fit to last.
It was their turn
to undo the past.

They would create change,
destroy order,
and recycle the entrails
into a revolution,
one that would have an outcome;
an outcome not of the worst
but of the best.
They’d pierce straight through
this vanilla-stained vest.

They looked in each others' eyes
and smiled at what they saw,
for within each pupil
glowed a fire;
a fire of the downfall
and revival
of this world
they've come to know
and hate.

They knew one day soon
their hatred would spin
and move in the other direction;
the direction of light,
of true happiness
and peace.
The soothing sparks
rocketing from their eyes
convinced them so.

They knew they would succeed,
unlike others who have tried,
they knew how to win,
knew not to try
but to do.
They would release
their envisioned paradise
from their grasp
and upon the oblivious.

But as they grew older
an event occurred
that would cause a change,
a change that would make sure
to reject any other,
a change that would be the annihilator
of their dystopic utopia.

A small occurrence,
unrecognizable,
a brick thrown
shatters through the window,
triggers a false realization.
The shards succumb them
into the seducing
sepulchral-inducing cage
that keeps them bookmarked
to the same opening page.

Vents crack,
in pours the fog.
The mist once loved,
now loathed,
seeps through the fracture,
smothers their hope,
breathes their air,
air they used to dream,
now nothing more than a theme.

Fear drags them down
like the others,
devours wonders of the unknown,
slashes at their flesh,
shrieks of monotone,
visions escape from the wound,
wounds of which sealed
with reminders of the failed,
never to be reopened,
their appetite remains forever lost.

Now they walk
back and forth,
forth and back,
hands in pockets,
shoulders shrugged.
What's the time?
They've lost track.
All watches are smashed,
big hand frozen on yesterday.

They are the lost,
previous dreams forgotten,
left in the rain,
drifted away
down the drain,
never to regain
their once beloved ambition.
Instead they gather
gritty ammunition
and float towards
certainty, the predictability
of a future that ceases in a puddle.
They are the lost.
Stefan Michener Oct 2016
A gashed and gaping pumpkin burns
emits a rancid rotting odor
greeting pre-diabetic heathens

Black cats and screeching bats
startle the littlest of the munchers
in a city decayed by blood and rust

A bridge tilted by a millimeter
lords over rushing river and splinters
struts in metal fashion before the storm

Gladiators hallucinate between concussions
Lions and christians and furry huns
leap from alleys and dumpsters and gutters

Bands play and march and dazzle
rippling brass and silver on a field
before brazen cheering plebians

Hear the song of a thousand dreams
a thousand shouts singing out of key
uncertainty brings the cacophony down an octave

Presidential box matches the drapes
Imagination finishes the vision of a short
master stroke invoking the myth of the tyrant

Setting sun on an amateur showdown  
in the shadow of an errant arc
choking the last gasps from a senile warrior

Passing boredom in a controlled climate
Cringes in a backseat with no batteries
dying echoes of "are we there yet...."

Babies and mental patients despair
over loss of closeness and peace
disappeared into dystopic hysteria

Hobbits and goblins and Big Bird frolics
in a sanitized concept of Hell
among treats and smiles and winks
Jenny Sep 2013
-Slightly sadistic 17-year-old girl seeks suitable mate
Re: matters of dystopic fantasties
- A cannibalistic companion, mayhaps
to soothe lingering curiosities held captive by the bright red and steady rhythm of dripping blood
Disclaimer: this advertisement (pronounced ad-vur-tiz-ment) is not a cry for help - but next week's definitely will be
"Hi, I'm not usually like this, I haven't really done this sort of thing before, but..."
thinking to self I would like to carefully extract your organs and construct a small fortress out of them. I would like to staple your mouth to my mouth. I would-
"Oh, what? No, I didn't say anything."
- I'm imagining you as more of a shadow, all tangible beings seem bleak to me - but could you still hold my hand???
"Yes, it's lovely outside. Beautiful weather."
- But when we venture outside its proven that our eyes are much too sensitive for the light and inside beckons as much cooler and safer, inside of me is dangerous - and inside of you is an inferno



(Please set me on fire)
NotMyRealName Mar 2015
Don't tell me there's no hell              
I've felt its heat on my neck    
The tongue of a long lost lover
Her immortal delight is to impart the dystopic truths she's learnt of the world
She told me that my blood tasted of citrus fruits
and iron
and rain
She whispered that everyone had their own flavour of pain
So why resist my dear, drink up
find your poison and drown in it
You don't need to hide it from me
I want my flames to caress your skin
I want to see you burn
It's an intimate little sin
but don't worry sweetness
Soon I'll help you pass that sin
Watch the flames spread from person
to person
to person
Then you won't have to hide it at all  Everyone will be in your own personal hell  
Then you'll know that the flames you've felt at your neck all this time weren't the promise of some place deep underground
It's a cage
Constructed with great pain
Occupying your cranium

— The End —