On December the tenth day
When it was night, down I lay
Right there as I was wont to do
And fell asleep wondrous soon,
As he that weary was as who
On pilgrimage went miles two
To the shrine of Saint Leonard,
To make easy what was hard.
But as I slept, I dreamed I was
Within a temple made of glass
In which there were more images
Of gold, tiered in sundry stages,
And more rich tabernacles,
And with more gemmed pinnacles,
And more curious portraiture,
And intricate kinds of figure
Of craftsmanship than ever I saw.
For certainly, I knew no more
Of where I was, but plain to see
Venus owned most certainly
That temple, for in portraiture
I at once saw her figure
Naked, floating in the sea.
And also on her head, indeed,
Her rose garland white and red,
And her comb to comb her head,
Her doves, and her blind son
Lord Cupid, and then Vulcan,
Whose face was swarthy brown.
And as I roamed up and down,
I saw that on a wall there was
Thus written on a piece of brass:
‘I will now sing, if that I can,
The arms, and also the man
Who first, pursuing destiny,
Fugitive from Troy’s country,
To Italy, with pain, did come,
To the shores of Lavinium.’
And then begin the tale at once,
That I shall tell to you each one.
First I saw the destruction
Of Troy, through the Greek Sinon,
Who with his false forswearing
And his outward show and lying,
Had the horse brought into Troy
By which the Trojans lost their joy,
And after this was engraved, alas,
How Ilium assailed was
And won, and King Priam slain,
And Polytes his son, for certain,
Cruelly by Lord Pyrrhus.
And next to this, I saw how Venus
When that she saw the castle’s end,
Down from the heavens did descend
And urged her son Aeneas to flee;
And how he fled, and how that he
Escaped from all the cruelties,
And took his father Anchises
And bore him on his back away,
Crying, ‘Alas!’ and ‘Well-away!’
That same Anchises, in his hand,
Bore the gods of the land,
Those that were not burnt wholly.
And I saw next, in this company,
How Creusa, Lord Aeneas’ wife,
Whom he loved as he did his life,
And their young son Julus,
Also called Ascanius,
Fled too, and fearful did appear,
That it was a pity them to hear;
And through a forest as they went,
At a place where the way bent,
How Creusa was lost, alas,
And died, I know not how it was:
How he sought her and how her ghost
Urged him to flee the Greek host,
And said he must go to Italy,
Without fail, it was his destiny;
That it was a pity thus to hear,
When her spirit did appear,
The words that to him she said:
Let him protect their son she prayed.
There saw I graven too how he,
His father also, and company,
In his fleet took sail swiftly
Towards the land of Italy,
As directly as they could go.
There I saw you, cruel Juno,
That is Lord Jupiter’s wife,
Who did hate, all their life,
All those of Trojan blood,
Run and shout, as if gone mad,
To ******, the god of winds,
To blow about, all their kinds,
So fierce, that he might drench
Lord and lady, groom and *****,
Of all the Trojan nation
Without hope of salvation.
There saw I such a tempest rise
That every heart might hear the cries
Of those but painted on the wall.
There saw I graven there withal,
Venus, how you, my lady dear,
Weeping with great loss of cheer,
Prayed to Jupiter on high
To save and keep the fleet alive
Of the Trojan Aeneas,
Since that he her son was.
There saw I Jove Venus kiss,
And grant that the tempest cease.
Then saw I how the tempest went,
And how painfully Aeneas bent
His secret course, to reach the bay
In the country of Carthage;
And on the morrow, how that he
And a knight called Achates
Met with Venus on that day,
Going in her bright array
As if she was a huntress,
The breeze blowing every tress;
How Aeneas did complain,
When he saw her, of his pain,
And how his ships shattered were,
Or else lost, he knew not where;
How she comforted him so
And bade him to Carthage go,
And there he should his folk find
That on the sea were left behind.
And, swiftly through this to pace,
She made Aeneas know such grace
Of Dido, queen of that country,
That, briefly to tell it, she
Became his love and let him do
All that belongs to marriage true.
Why should I use more constraint,
Or seek my words to paint,
In speaking of love? It shall not be;
I know no such facility.
And then to tell the manner
Of how they met each other,
Were a process long to tell,
And over-long on it to dwell.
There was graved how Aeneas
Told Dido everything that was
Involved in his escape by sea.
And after graved was how she
Made of him swiftly, at a word,
Her life, her love, her joy, her lord,
And did him all the reverence
Eased him of all the expense
That any woman could so do,
Believing everything was true
He swore to her, and thereby deemed
That he was good, for such he seemed.
Alas, what harm wreaks appearance
When it hides a false existence!
For he to her a traitor was,
Wherefore she slew herself, alas!
Lo, how a woman goes amiss
In loving him that unknown is,
For, by Christ, lo, thus it fares:
All is not gold that glitters there.
For, as I hope to keep my head,
There may under charm instead
Be hidden many a rotten vice;
Therefore let none be so nice
As to judge a love by how he appear
Or by speech, or by friendly manner;
For this shall every woman find:
That some men are of that kind
That show outwardly their fairest,
Till they have got what they miss.
And then they will reasons find
Swearing how she is unkind,
Or false, or secret lover has.
All this say I of Aeneas
And Dido, so soon obsessed,
Who loved too swiftly her guest;
Therefore I will quote a proverb,
That ‘he who fully knows the herb
May safely set it to his eye’;
Certainly, that is no lie.
But let us speak of Aeneas,
How he betrayed her, alas,
And left her full unkindly.
So when she saw all utterly
That he would fail in loyalty
And go from her to Italy,
She began to wring her hands so.
‘Alas,’ quoth she, ‘here is my woe!
Alas, is every man untrue,
Who every year desires a new,
If his love should so long endure,
Or else three, peradventure?
As thus: from one love he’d win fame
In magnifying of his name,
Another’s for friendship, says he;
And yet there shall a third love be,
Who shall be taken for pleasure,
Lo, or his own profit’s measure.’
In such words she did complain,
Dido, in her great pain
As I dreamed it, for certain,
No other author do I claim.
‘Alas!’ quoth she, ‘my sweet heart,
Have pity on my sorrow’s smart,
And slay me not! Go not away!
O woeful Dido, well-away!’
Quoth she to herself so.
‘O Aeneas, what will you do?
O, now neither love nor bond
You swore me with your right hand,
Nor my cruel death,’ quoth she,
‘May hold you here still with me!
O, on my death have pity!
Truly, my dear heart, truly,
You know full well that never yet,
Insofar as I had wit,
Have I wronged you in thought or deed.
Oh, are you men so skilled indeed
At speeches, yet never a grain of truth?
Alas, that ever showed ruth
Any woman for any man!
Now I see how to tell it, and can,
We wretched women have no art;
For, certainly, for the most part
Thus are we served every one.
However sorely you men groan,
As soon as we have you received
Certain we are to be deceived;
For, though your love last a season,
Wait upon the conclusion,
And look what you determine,
And for the most part decide on.
O, well-away that I was born!
For through you my name is gone
And all my actions told and sung,
Through all this land, on every tongue.
O wicked Fame, of all amiss
Nothing’s so swift, lo, as she is!
O, all will be known that exists
Though it be hidden by the mist.
And though I might live forever,
What I’ve done I’ll save never
From it always being said, alas,
I was dishonoured by Aeneas
And thus I shall judged be:
‘Lo, what she has done, now she
Will do again, assuredly’;
Thus people say all privately.
But what’s done cannot be undone.
And all her complaint, all her moan,
Avails her surely not a straw.
And when she then truly saw
That he unto his ships was gone,
She to her chamber went anon,
And called on her sister Anna,
And began to complain to her,
And said that she the cause was
That made her first love him, alas,
And had counselled her thereto.
But yet, when this was spoken too,
She stabbed herself to the heart,
And died of the wound’s art.
But of the manner of how she died,
And all the words said and replied,
Whoso to know that does purpose,
Read Virgil in the Aeneid, thus,
Or Heroides of Ovid try
To read what she wrote ere she died;
And were it not too long to indite,
By God, here I would it write.
But, well-away, the harm, the ruth
That has occurred through such untruth,
As men may oft in books read,
And see it everyday in deed,
That mere thinking of it pains.
Lo, Demophon, Duke of Athens,
How he forswore himself full falsely
And betrayed Phyllis wickedly,
The daughter of the King of Thrace,
And falsely failed of time and place;
And when she knew his falsity,
She hung herself by the neck indeed,
For he had proved of such untruth,
Lo, was this not woe and ruth?
And lo, how false and reckless see
Was Achilles to Briseis,
And Paris to Oenone;
And Jason to Hypsipyle;
And Jason later to Medea;
And Hercules to Deianira;
For he left her for Iole,
Which led to his death, I see.
How false, also, was Theseus,
Who, as the story tells it us,
Betrayed poor Ariadne;
The devil keep his soul company!
For had he laughed, had he loured,
He would have been quite devoured,
If Ariadne had not chanced to be!
And because she on him took pity,
She from death helped him escape,
And he played her full false a jape;
For after this, in a little while,
He left her sleeping on an isle,
Deserted, lonely, far in the sea,
And stole away, and let her be,
Yet took her sister Phaedra though
With him, and on board ship did go.
And yet he had sworn to her
By all that ever he might swear,
That if she helped to save his life,
He would take her to be his wife,
For she desired nothing else,
In truth, as the book so tells.
Yet, to excuse Aeneas
Partly for his great trespass,
The book says, truly, Mercury,
Bade him go into Italy,
And leave Africa’s renown
And Dido and her fair town.
Then saw I graved how to Italy
Lord Aeneas sailed all swiftly,
And how a tempest then began
And how he lost his steersman,
The steering-oar did suddenly
Drag him overboard in his sleep.
And also I saw how the Sibyl
And Aeneas, beside an isle,
Went to Hell, for to see
His father, noble Anchises.
How he there found Palinurus
And Dido, and Deiphebus;
And all the punishments of Hell
He saw, which are long to tell.
The which whoever wants to know,
He’ll find in verses, many a row,
In Virgil or in Claudian
Or Dante, who best tell it can.
Then I saw graved the entry
That Aeneas made to Italy,
And with Latinus his treaty,
And all the battles that he
Was in himself, and his knights,
Before he had won his rights;
And how he took Turnus’ life
And won Lavinia as his wife,
And all the omens wonderful
Of the gods celestial;
How despite Juno, Aeneas,
For all her tricks, brought to pass
The end of his adventure
Protected thus by Jupiter
At the request of Venus,
Whom I pray to ever save us
And make for us our sorrows light.
When I had seen all this sight
In the noble temple thus,
‘Oh Lord,’ thought I, ‘who made us,
I never yet saw such nobleness
In statuary, nor such richness
As I see graven in this church;
I know not who made these works,
Nor where I am, nor in what country.
But now I will go out and see,
At the small gate there, if I can
Find anywhere a living man
Who can tell me where I am.’
When I out of the door ran,
I looked around me eagerly;
There I saw naught but a large field,
As far as I could see,
Without town or house or tree,
Or bush or grass or ploughed land;
For all the field was only sand,
As fine-ground as with the eye
In Libyan desert’s seen to lie;
Nor any manner of creature
That is formed by Nature
Saw I, to advise me, in this,
‘O Christ,’ I thought, ‘who art in bliss,
From phantoms and from illusion
Save me!’ and with devotion
My eyes to the heavens I cast.
Then was I aware, at the last,
That, close to the sun, as high
As I might discern with my eye,
Me thought I saw an eagle soar,
Though its size seemed more
Than any eagle I had seen.
Yet, sure as death, all its sheen
Was of gold, it shone so bright
That never men saw such a sight,
Unless the heavens above had won,
All new of gold, another sun;
So shone the eagle’s feathers bright,
And downward it started to alight.

When you're ******, baby
And I am drunk
And we make love
It seems a little desolate
It's hard sometimes not to look away

And think what's the point
When I'm havin' to hold this fire down
I think, I'll explode
If I can't feel this free now

If you won't let me fall for you
Then you won't see the best that
I would love to do for you
Instead you will be missing me when I go
'Cause I'm bored of hangin out
In your cold

When I feel loved, baby
I join the road
And the world moves with me
And I feel love start just slip away
Silently, quietly take my things and go

And think what's the point
Think where's the hope when comin' home

If you won't let me fall for you
Then you won't see the best that
I would love to do for you
Instead you will be missing me when I go
'Cause I'm bored of hangin' out
In your cold

And if you find one day
Find some freedom and relief
And with this freedom maybe
Maybe you will find some peace
And with this peace, baby
I hope it brings you back to me
Bring you home, take me home

If you won't let me fall for you
Then you won't see the best that
I would love to do for you
Instead you will be missing me when I go
'Cause I'm bored of hangin' out
In your cold

Oh, take me home
Oh, take me home
When you're ******, baby
Take me home
Oh

You're an illusion, Dido,
in a frame of broken glass.
Bleeding at the edges,
maimed on the inside.

Obstinate refusing other men's hands
entrenched in old habits.
You've built a new kingdom,
on the ruins of an old man's land.

There, alighted a lost bird,
pleading for a grain of wheat.
But he ate poisoned bread,
due to your undying generosity,


O unfortunate Dido,
You exasperated heart is healed.
But hit with the wrong arrow,
have you dived into the dark cave.

Blind to the falsehood
of your second darling.
The pain of the first trapped,
the unwanted ring.

Your call for help
dissolves in an infinite echo.
His fleet reached the open sea
and vanishes with your renewed happiness.

Escape the pain in your chest,
the ornate sword levied,
throw yourself into the fire of your sorrow and grief,
to finally fall into Sichaeus' arms.

I watch a lost warrior – Dido’s Aeneis
Wandering, a lost lamb
Protruding from the earth, a sore thumb
Stuck out
Uncomfortable
Obviously and avidly running
Into the arms of the earth
Mother
Burial and birth
Consecutive forms,
A staged production.

He whispers to me inside my dreams
A familiar voice with love that brings to me
All of those feelings that were so common when
It was just him and me, our dog and our bliss

I find myself talking to him of every day things
Just like when we used to be the best of friends
I say that I’m cooking our favorite meals
And then going to watch a movie entitled “Ghost”

It was his movie, the one that touched his heart
And it could send shivers through anyone’s spirit
All about a couple who were forced to live apart
One in the world and the other in the world to come

Now when I dream and awake with a start
I feel him near me, almost like a soft touch
But what truly sends shivers along my spine
Are the words dido he speaks from the other side

don't worry, even i think this is all a bit too wacky... but then i eat the placebo of feeling the emotions of https://goo.gl/tzEPhO / dido's no angel album, and i really concentrate on the symbol... and it feels less wacky after a while; i'm always apprehensive about influencing people, even if they number the 1 or 2 or 3, less than a dozen... these are sensitive areas, where there's a seemingly en masse acceptance for either accepting or criticising such potent reminders of human history... always apprehensive, only because i do not really care much about illuminating footnotes... always apprehensive... it's an apprehension born from not wanting to influence new arguments in these debates.*

why is it always either 1:30 or
13:30 when men hold sway the hour hand
and women the minute hand...
or it's either 18:05 or 6:05 when women
hold the hour hand and men the minute
hand? well, never mind, a new
interpretation of the ☿ (mercury), lineage
of all sourced prophecies, the crescent horns of
mobilised islam, by the power that mobilised it,
that of the feminine nature...
and that femininity mobilised islam in
christianity with the emergence of the nag hammadi
library, and no official plan to instigate it
along the lines of canonical orthodoxy...
an undercurrent emerged in christianity with
the parallelism drawn by the historian josephus,
a false prophet, the unearthing of the library in
egypt... the flight of joseph, mary and infant jesus
to egypt... but as the symbol clearly suggests...
the crescent moon became mobilised by a
feminine ontology... St. Thomas' gospel working
its way, into the mainstream, although well hidden
in the undercurrent... replacing all known
canonical orthodoxy - and you know,
if your prophesy about the end of the world,
and to prove your prophecy to be true with the
culmination of the atom bomb, and the only
way you can imagine proving your words true...
then i guess you'd have to get yourself crucified
to make everyone follow your words to ring true
should they actually be rather unconvincing;
a crucifixion would desirably create a *****-like
influx of people who'd believe you
and follow all the preparations through -
Pythagoras' estimates about the future had
about 30 followers... and he's still covered in dust
in school libraries and mathematics lessons;
judaism is still a minority religion:
the last words of convictions from it were written by
Isaiah, who was cut in half for going among the
people, as a former courtesan.

I cannot love a Dido
so it remains unfortunate that you are, Dido.
Your love is riddled by a curse,
and my flight remains stronger than fight.
You cannot threaten your life on our love,
and expect me to stay in your grasp.
I loved before you, Dido, and I will love after you.
Do not bound me to Carthage, when a great Empire is calling to me.

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei

THE PROLOGUE.

Our Hoste saw well that the brighte sun
Th' arc of his artificial day had run
The fourthe part, and half an houre more;
And, though he were not deep expert in lore,
He wist it was the eight-and-twenty day
Of April, that is messenger to May;
And saw well that the shadow of every tree
Was in its length of the same quantity
That was the body ***** that caused it;
And therefore by the shadow he took his wit,                 *knowledge
That Phoebus, which that shone so clear and bright,
Degrees was five-and-forty clomb on height;
And for that day, as in that latitude,
It was ten of the clock, he gan conclude;
And suddenly he plight his horse about.                     pulled

"Lordings," quoth he, "I warn you all this rout,               company
The fourthe partie of this day is gone.
Now for the love of God and of Saint John
Lose no time, as farforth as ye may.
Lordings, the time wasteth night and day,
And steals from us, what privily sleeping,
And what through negligence in our waking,
As doth the stream, that turneth never again,
Descending from the mountain to the plain.
Well might Senec, and many a philosopher,
Bewaile time more than gold in coffer.
For loss of chattels may recover'd be,
But loss of time shendeth us, quoth he.                       destroys

It will not come again, withoute dread,
No more than will Malkin's maidenhead,
When she hath lost it in her wantonness.
Let us not moulde thus in idleness.
"Sir Man of Law," quoth he, "so have ye bliss,
Tell us a tale anon, as forword* is.                        the bargain
Ye be submitted through your free assent
To stand in this case at my judgement.
Acquit you now, and *holde your behest;             keep your promise
Then have ye done your devoir* at the least."                      duty
"Hoste," quoth he, "de par dieux jeo asente;
To breake forword is not mine intent.
Behest is debt, and I would hold it fain,
All my behest; I can no better sayn.
For such law as a man gives another wight,
He should himselfe usen it by right.
Thus will our text: but natheless certain
I can right now no thrifty tale sayn,                           worthy
But Chaucer (though he *can but lewedly         knows but imperfectly
On metres and on rhyming craftily)
Hath said them, in such English as he can,
Of olde time, as knoweth many a man.
And if he have not said them, leve* brother,                       dear
In one book, he hath said them in another
For he hath told of lovers up and down,
More than Ovide made of mentioun
In his Epistolae, that be full old.
Why should I telle them, since they he told?
In youth he made of Ceyx and Alcyon,
And since then he hath spoke of every one
These noble wives, and these lovers eke.
Whoso that will his large volume seek
Called the Saintes' Legend of Cupid:
There may he see the large woundes wide
Of Lucrece, and of Babylon Thisbe;
The sword of Dido for the false Enee;
The tree of Phillis for her Demophon;
The plaint of Diane, and of Hermion,
Of Ariadne, and Hypsipile;
The barren isle standing in the sea;
The drown'd Leander for his fair Hero;
The teares of Helene, and eke the woe
Of Briseis, and Laodamia;
The cruelty of thee, Queen Medea,
Thy little children hanging by the halse,                         neck
For thy Jason, that was of love so false.
Hypermnestra, Penelop', Alcest',
Your wifehood he commendeth with the best.
But certainly no worde writeth he
Of *thilke wick' example of Canace,                       that wicked
That loved her own brother sinfully;
(Of all such cursed stories I say, Fy),
Or else of Tyrius Apollonius,
How that the cursed king Antiochus
Bereft his daughter of her maidenhead;
That is so horrible a tale to read,
When he her threw upon the pavement.
And therefore he, of full avisement,         deliberately, advisedly
Would never write in none of his sermons
Of such unkind* abominations;                                 unnatural
Nor I will none rehearse, if that I may.
But of my tale how shall I do this day?
Me were loth to be liken'd doubteless
To Muses, that men call Pierides
(Metamorphoseos  wot what I mean),
But natheless I recke not a bean,
Though I come after him with hawebake;                        lout
I speak in prose, and let him rhymes make."
And with that word, he with a sober cheer
Began his tale, and said as ye shall hear.

Notes to the Prologue to The Man of Law's Tale

1. Plight: pulled; the word is an obsolete past tense from
"pluck."

2. No more than will Malkin's maidenhead: a proverbial saying;
which, however, had obtained fresh point from the Reeve's
Tale, to which the host doubtless refers.

3. De par dieux jeo asente: "by God, I agree".  It is
characteristic that the somewhat pompous Sergeant of Law
should couch his assent in the semi-barbarous French, then
familiar in law procedure.

4. Ceyx and Alcyon: Chaucer treats of these in the introduction
to the poem called "The Book of the Duchess."  It relates to the
death of Blanche, wife of John of Gaunt, Duke of Lancaster, the
poet's patron, and afterwards his connexion by marriage.

5. The Saintes Legend of Cupid: Now called "The Legend of
Good Women". The names of eight ladies mentioned here are
not in the "Legend" as it has come down to us; while those of
two ladies in the "legend" -- Cleopatra and Philomela -- are her
omitted.

6. Not the Muses, who had their surname from the place near
Mount Olympus where the Thracians first worshipped them; but
the nine daughters of Pierus, king of Macedonia, whom he
called the nine Muses, and who, being conquered in a contest
with the genuine sisterhood, were changed into birds.

7. Metamorphoseos:  Ovid's.

8. Hawebake: hawbuck, country lout; the common proverbial
phrase, "to put a rogue above a gentleman," may throw light on
the reading here, which is difficult.

THE TALE.

O scatheful harm, condition of poverty,
With thirst, with cold, with hunger so confounded;
To aske help thee shameth in thine hearte;
If thou none ask, so sore art thou y-wounded,
That very need unwrappeth all thy wound hid.
Maugre thine head thou must for indigence
Or steal, or beg, or borrow thy dispence.                      expense

Thou blamest Christ, and sayst full bitterly,
He misdeparteth riches temporal;                          allots amiss
Thy neighebour thou witest sinfully,                           blamest
And sayst, thou hast too little, and he hath all:
"Parfay (sayst thou) sometime he reckon shall,
When that his tail shall *brennen in the glede,      burn in the fire
For he not help'd the needful in their need."

Hearken what is the sentence of the wise:
Better to die than to have indigence.
Thy selve neighebour will thee despise,                    that same
If thou be poor, farewell thy reverence.
Yet of the wise man take this sentence,
Alle the days of poore men be wick',                      wicked, evil
Beware therefore ere thou come to that *****.                    point

If thou be poor, thy brother hateth thee,
And all thy friendes flee from thee, alas!
O riche merchants, full of wealth be ye,
O noble, prudent folk, as in this case,
Your bagges be not fill'd with ambes ace,                   two aces
But with six-cinque, that runneth for your chance;       six-five
At Christenmass well merry may ye dance.

Ye seeke land and sea for your winnings,
As wise folk ye knowen all th' estate
Of regnes;  ye be fathers of tidings,                         *kingdoms
And tales, both of peace and of debate:                contention, war
I were right now of tales desolate,                     barren, empty.
But that a merchant, gone in many a year,
Me taught a tale, which ye shall after hear.

In Syria whilom dwelt a company
Of chapmen rich, and thereto sad and true,            grave, steadfast
Clothes of gold, and satins rich of hue.
That widewhere sent their spicery,                    to distant parts
Their chaffare was so thriftly* and so new,      wares advantageous
That every wight had dainty* to chaffare              pleasure deal
With them, and eke to selle them their ware.

Now fell it, that the masters of that sort
Have *shapen them to Rome for to wend,           determined, prepared
Were it for chapmanhood* or for disport,                        trading
None other message would they thither send,
But come themselves to Rome, this is the end:
And in such place as thought them a vantage
For their intent, they took their herbergage.                  lodging

Sojourned have these merchants in that town
A certain time as fell to their pleasance:
And so befell, that th' excellent renown
Of th' emperore's daughter, Dame Constance,
Reported was, with every circumstance,
Unto these Syrian merchants in such wise,
From day to day, as I shall you devise                          relate

This was the common voice of every man
"Our emperor of Rome, God him see,                 look on with favour
A daughter hath, that since the the world began,
To reckon as well her goodness and beauty,
Was never such another as is she:
I pray to God in honour her sustene,                           sustain
And would she were of all Europe the queen.

"In her is highe beauty without pride,
And youth withoute greenhood or folly:        childishness, immaturity
To all her workes virtue is her guide;
Humbless hath slain in her all tyranny:
She is the mirror of all courtesy,
Her heart a very chamber of holiness,
Her hand minister of freedom for almess."                   almsgiving

And all this voice was sooth, as God is true;
But now to purpose let us turn again.                     our tale
These merchants have done freight their shippes new,
And when they have this blissful maiden seen,
Home to Syria then they went full fain,
And did their needes, as they have done yore,     *business *formerly
And liv'd in weal; I can you say no more.                   *prosperity

Now fell it, that these merchants stood in grace                favour
Of him that was the Soudan of Syrie:                            Sultan
For when they came from any strange place
He would of his benigne courtesy
Make them good cheer, and busily espy                          inquire
Tidings of sundry regnes, for to lear                 realms learn
The wonders that they mighte see or hear.

Amonges other thinges, specially
These merchants have him told of Dame Constance
So great nobless, in earnest so royally,
That this Soudan hath caught so great pleasance               pleasure
To have her figure in his remembrance,
That all his lust, and all his busy cure,            pleasure *care
Was for to love her while his life may dure.

Paraventure in thilke* large book,                                 that
Which that men call the heaven, y-written was
With starres, when that he his birthe took,
That he for love should have his death, alas!
For in the starres, clearer than is glass,
Is written, God wot, whoso could it read,
The death of every man withoute dread.                           doubt

In starres many a winter therebeforn
Was writ the death of Hector, Achilles,
Of Pompey, Julius, ere they were born;
The strife of Thebes; and of Hercules,
Of Samson, Turnus, and of Socrates
The death; but mennes wittes be so dull,
That no wight can well read it at the full.

This Soudan for his privy council sent,
And, *shortly of this matter for to pace,          to pass briefly by
He hath to them declared his intent,
And told them certain, but* he might have grace             &

Better to be Pyramus and Thisbe
than god Apollo and Daphne?
As love oft triumphed by envy.
Oh to be Abelard and Heloise
or Juliet you and Romeo me!
Cleopatra, Marc Antony,
Orpheus, and Eurydice!
Martyrs to Cupid, were you wary
of the price to pay? Did you find peace
from Plato’s coined mental disease
in Pluto’s long halls of Hades
or the self induced daily shade of trees?
What of love dooming kin to Achilles?
When Dido and Aeneas meet
is her suicide guaranteed?
Pray tell us, can true love ever be free!