Submit your work, meet writers and drop the ads. Become a member
Wheer 'asta bean saw long and mea liggin' 'ere aloan?
Noorse? thoort nowt o' a noorse: whoy, Doctor's abean an' agoan;
Says that I moant 'a naw moor aale; but I beant a fool;
*** ma my aale, fur I beant a-gawin' to break my rule.

Doctors, they knaws nowt, fur a says what 's nawways true;
Naw soort o' koind o' use to saay the things that a do.
I 've 'ed my point o' aale ivry noight sin' I bean 'ere.
An' I 've 'ed my quart ivry market-noight for foorty year.

Parson 's a bean loikewoise, an' a sittin' ere o' my bed.
"The amoighty 's a taakin o' you to 'isen, my friend," a said,
An' a towd ma my sins, an' s toithe were due, an' I gied it in hond;
I done moy duty boy 'um, as I 'a done boy the lond.

Larn'd a ma' bea. I reckons I 'annot sa mooch to larn.
But a cast oop, thot a did, 'bout Bessy Marris's barne.
Thaw a knaws I hallus voated wi' Squoire an' choorch an' staate,
An' i' the woost o' toimes I wur niver agin the raate.

An' I hallus coom'd to 's choorch afoor moy Sally wur dead,
An' 'eard 'um a bummin' awaay loike a buzzard-clock ower me 'ead,
An' I niver knaw'd whot a mean'd but a thowt a 'ad summut to saay.
An' I thowt a said what a owt to 'a said, an' I coom'd awaay.

Bessy Marris's barne! tha knaws she laaid it to mea.
'Siver, I kep 'um, I kep 'um, my lass, tha mun understond;
I done moy duty boy 'um, as I 'a done boy the lond.

But Parson a cooms an' a goas, an' a says it easy an' freea:
"The amoighty 's taakin o' you to 'issen, my friend," says 'ea.
I weant saay men be loiars, thaw summun said it in 'aaste;
But 'e reads wonn sarmin a weeak, an' I 'a stubb'd Thurnaby waaste.

D' ya moind the waaste, my lass? naw, naw, tha was not born then;
Theer wur a boggle in it, I often 'eard 'um mysen;
Moast loike a butter-bump, fur I 'eard 'um about an' about,
But I stubb'd 'um oop wi' the lot, an' raaved an' rembled 'um out.

Keaper's it wur; fo' they fun 'um theer a-laaid of is' faace
Down i' the woild 'enemies afoor I coom'd to the plaace.
Noaks or Thimbleby--toaner 'ed shot 'um as dead as a naail.
Noaks wur 'ang'd for it opp at 'soize--but *** ma my aale.
Dubbut loook at the waaaste; theer warn't not feead for a cow;
Nowt at all but bracken an' fuzz, an' loook at it now--
Warn't worth nowt a haacre, an' now theer 's lots o' feead,
Fourscoor yows upon it, an' some on it down i' seead.

Nobbut a bit on it 's left, an' I mean'd to 'a stubb'd it at fall,
Done it ta-year I mean'd, an' runn'd plow thruff it an' all,
If godamoighty an' parson 'ud nobbut let ma aloan,--
Mea, wi haate hoonderd haacre o' Squoire's, an' lond o' my oan.

Do godamoighty knaw what a's doing a-taakin' o' mea?
I beant wonn as saws 'ere a bean an yonder a pea;
An' Squoire 'ull be sa mad an' all--a' dear, a' dear!
And I 'a managed for Squoire coom Michaelmas thutty year.

A mowt 'a taaen owd Joanes, as 'ant not a 'aapoth o' sense,
Or a mowt a' taaen young Robins--a niver mended a fence:
But godamoighty a moost taake mea an' taake ma now,
Wi' aaf the cows to cauve an' Thurnaby hoalms to plow!

Loook 'ow quoloty smoiles when they seeas ma a passin' boy,
Says to thessen, naw doubt, "What a man a bea sewer-loy!"
Fur they knaws what I bean to Squoire sin' fust a coom'd to the 'All;
I done moy duty by Squoire an' I done moy duty boy hall.

Squoire 's i' Lunnon, an' summun I reckons 'ull 'a to wroite,
For whoa 's to howd the lond ater mea that muddles ma quoit;
Sartin-sewer I bea, thot a weant niver give it to Joanes,
Naw, nor a moant to Robins--a niver rembles the stoans.

But summun 'ull come ater mea mayhap wi' 'is kittle o' steam
Huzzin' an' maazin' the blessed fealds wi' the Divil's oan team.
Sin' I mun doy I mun doy, thaw loife they says is sweet,
But sin' I mun doy I mun doy, for I couldn abear to see it.

What atta stannin' theer fur, an' doesn bring me the aale?
Doctor 's a 'toattler, lass, an a's hallus i' the owd taale;
I weant break rules fur Doctor, a knaws naw moor nor a floy;
*** ma my aale, I tell tha, an' if I mun doy I mun doy.
An enclave ingests his crimes now stout with berry that envy sarcastic remarks as he starts the day in Washington with just a kiss of chocolate as his petticoat tweets out the holes of her oboe that made him stubborn 'bout hash another day inside this break where he's played this game of luxury but a catalyst theme that still remain in between the day or night with the glorious goods and world now
a song about egtions
barnoahMike Nov 2010
_I'LL NEVER FORGET  "THAT-NIGHT" It was 8;00PM, a Thunder and Lightening  storm had just begun  and what seemed like thousands of BB sized HAIL WERE  PELTING  the roof,  making it Hard to Hear the  Ringing Phone ! !     I Barked OUT a  "HELLO",,,the tearful,   hesitant voice on the OTHER END....CRIED OUT... " Come over  quickly"  She pleaded and  continued with  "IT'S LIKE DEMONS Have CONTROL OF HER ! ! !   ,and SHE KEEPS CRYING OUT ..  AUNT BEA,,, Aunt Bea... Over and over"_  .      This was going to require a SPECIAL-EXORCISM  I Stated... "I'm ON MY WAY" !             Upon my Arrival , I was greeted  by a trembling,sobbing  LaCretia,,claiming,  "HURRY  to the Library Room.,Rochelle is waiting ! !"         The repeating AUNT BEAS   were spoken as if Gargling...   "WHAT are her Symptoms "  I Queried ?    IN A VERY-SLOW  Determined Voice, LaCretia   detailed the following,,,,     "She has the BLUES,  She has the BLAHS,  She has BLEMISHES,   She has BOWEL Constriction,   She has been BLASPHEMING,  She has BUTTOCKS Wrinkles,   She has  BREAST quivers and has been having BELCHING FITS "! ! !     I THREW MYSELF ON THE FLOOR IN PRAYER...Asking for the strength to DEAL-WITH  these DEMONS...** A N D _Here's what CAME-OUT of  ROCHELLE,,,, (#1)=BREEZEWAY-LIPS= when encountering these rascals ,it's highly suggested  that  WE BE UNDER  Proper Cover..    (#2)= BISTRO-BREATH-LEADER= Demons that emit SPECIAL AROMATICS  into the air ,that keep screaming  ,,"IT'S TIME TO EAT"....(#3)=BEHEMOTH -TESTER=  Demon assigned to see how BIG OF A MONSTER  he can turn you in to ....( #4)=BRAZEN-FELLOWS=  Demon who attempts to Get "YOU" TO   **** INTO EVERYBODYS BUSINESS,  and ruin their whole day & night...! ! !      I   THEN SHOUTED OUT  TO *ROCHELLE *    " ARE there any more " B " DEMONS IN there ??"     Rochelle, collapsed to the floor,, I promptly RUBBED-IN  the BROWN SHOE POLISH  into the soles and heels of feet,, FOREVER-BLOCKING *" B " DEMONS ,  the ONLY-ENTRANCE to our BODIES ..__  Rochelle ,with a new found strength, lifted herself from the floor,  Gingerly grasped my hand,  Pulled me "VERY-CLOSE" .    KISSED   me with a FERVOR , THAT I   CAN "TASTE"     TO THIS very-day...     I bid LaCretia and Rochelle "GOOD-NIGHT",,   AND FOUND MYSELF "WHISTLING" and  "THINKING"  as I walked to my Vehicle.... "The Demons are increasing their activity ! !    I MUST  "BE-PREPARED" for the *NEXT-CALL*PERHAPS  FROM  *  Y O U * ??_
copyright 2010      by barnoahMike           Mike Ham
The Ripper May 2016
This mask, the embodiment of humanity's edge; vvhere Poe resides
&& serial killers thrive.
They are my shadovv, cast upon concrete; I am their pulse:

BEA
       TING
  BEA
         TING
      BEA
             TING

Not an X-ray can find
that loose thread to be pulled,
it can't be seen!
BUT:
I just knovv it's there; like the tickle in the depth of my lung,
setting boundaries:
to be broken,
  break me:
like darkness; vvhere bone decays into new life.
Marry my depravity,
    merry: my curiosity,
       take me as I am;
         leave me as you are.
https://www.youtube.com/watch?v=TRJleJL84_E
ryn  Feb 2015
Bottled
ryn Feb 2015
.
•...mouth
wide  op-
en, glis-
tening...
in the li-
ght•aw-
aiting to
swallow
this lone
piece of parch-
ment•on it i've scribbled
all my heart could write•bea-
ring sweet nothings, sure and si-
lent•now... take this scroll•down
your neck... it'll effortlessly slide...
•to the core of your very soul•my
message would  follow your gui-
de•your opening i'd then gladly
seal •so your contents would...
remain guarded • time is now
to set adrift all i feel...•....now
ride the waves through jour-
ney uncharted•let the curr-
ents take you• let the tides
and winds be your friends
• ...  my quiet well wishes
would see you through •
in hopes that you would
be received by my love's
deserving... and...  open



*hands•
J Warren  Sep 2013
Jewels
J Warren Sep 2013
Shards of sail staple sky to sea as fingernail-thin boats lean in to the horizon.
The surge of surf converses constantly with the silent shore, urging its message upon the oblivious beach.
My children scramble on the man-made groyne, a facsimile of wild rock, in which they find caves 'with a proper rock on top' (Bea) and 'a hundred miles deep' (Willem).
We are here on bikes, salt wind in our hair, and my *** slowly absorbing moisture from the almost-dry sand as they unburden their youth upon the rocky playground.
And then come the treasures.
A flat shell the size of my palm and worn pearlescent smooth.
A fossil pebble of concentric ingrained ripples.
'Something amazing Mummy,' comes the cry. 'You have to see this stone; the colour of Coca Cola,' shouts my boy.
More treasures emerge and are grafted on to the sandy pile.
Quartz-like lumps and a mussel entangled with tiny seaweed strands and miniature white shells, like micro leaves and hints of feta in a fancy restaurant.
The boy wears welly boots, no socks, and a plastic medal around his neck. 'Batman, Batman, Batman,' comes the cry, while Bea determinedly scans heaven and Earth for jewels to stud her imagination.
judy smith Jul 2016
Meeting a renowned Pinoy designer, Michael Cinco, was the highlight of my nth trip to Dubai last month. He is so unassuming that I almost forgot how famous he is. Some of his A-list Hollywood clientele include Lady Gaga, Beyoncé, Jennifer Lopez, Kylie Minogue, Mila Kunis, Paris Hilton, Tyra Banks, Rihanna, Toni Braxton, Fergie, Nicole Scherzinger and Christina Aguilera.

Michael’s regular clients are Anne Curtis, Marian Rivera-Dantes, Kathryn

Bernardo, Liza Soberano, Ruffa Gutierrez and Bea Alonzo.

Miriam Quiambao and I immensely enjoyed bonding with Michael. He treated us to an authentic Lebanese dinner at the resto below his plush condominium right across the world’s tallest building, Burj Khalifa. Kudos to Michael for being the only Filipino designer who was invited to present his collection at the Paris Haute Couture Fashion Week’s “Couturissimo,” held last July 3.

He’s world-class yet down-to-earth. That makes him all the more remarkable. Pinoy Pride is something Michael wears so well. CincOoh la la! (Visit michaelcinco.com.)

Here’s my chat (via Facebook) with Michael:

What was the Paris Fashion week experience like?

About 15 years ago I was strolling along the beautiful Jardin des Tuileries. I was so in love with the place that I had a vision and a dream… I said to myself, one of these days I’ll have my show in this stunning garden. So when Asian Couture Federation approached me to have a show in Paris, I immediately begged to hold it in Jardin des Tuileries. Showing my collection in Paris Haute Couture Fashion Week has always been my ultimate dream. Seeing your collection on the runway of your dream garden is one of the greatest achievements in my life.

Among local celebs, who are the five best-dressed on your list?

Marian Rivera, Anne Curtis, Cherie Gil, Kathryn Bernardo and Liza Soberano. They all wore my couture dresses and they all looked amazing.

Any memorable moment with the celebs?

To be honest, I never met any of them. I dressed up some of the most beautiful Filipino Celebrities and Hollywood celebrities wore my clothes on the red carpet and in their music videos. When the producers of the movie “Jupiter Ascending” asked me to go to London to meet Mila Kunis and Channing Tatum, I declined because I was too shy to meet them. The stylist of Jennifer Lopez asked me to meet her backstage. Also, the manager of Kylie Minogue asked me to go to her room for fitting but I just sent my assistant because I was scared and shy.

Who is the easiest celeb to dress up?

Most of them are easy to dress up because they all look fabulous in my couture dresses.

What are your three fashion do’s and don’t’s?

Do’s: Be yourself; create your own style; wear something that will make you feel confident.

Don’t’s: Don’t wear a dress two sizes smaller than your body; don’t follow someone else’s style; don’t try to achieve what you see in glossy magazines—they are all photoshopped!

If you were asked to design an outfit for President Duterte, what would it be like?

A bullet-proof couture barong.

What’s your advice to aspiring designers?

Young designers of today should realize that fashion is not all about glamour. The fashion world is very cruel. You will be judged, criticized and rejected.

It takes hard work, patience and strong determination to achieve your goals. Create clothes that people will wear. If you want to create art on clothes, make sure they will sell.

Lastly, be humble and never give up. Believe that anything in this world is possible. Believe in your dreams and if you have faith and confidence in God, all of your impalpable dreams will come true.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
Sia Jane  Jan 2014
Eleven Minutes
Sia Jane Jan 2014
9 January 2014   02.21am

"We all have feelings for our girlfriends Bea, it doesn't mean we have to act on them.."

Silence filled the room
Two opposing forces
Love lust passion
Hate anger fear
What was once owned
Has now been taken
Walking towards her
Reaching out, hand movements
So slow and graceful
An aura so compelling, senses heightened
Bodies shifting as though
Magnetic forces were playing
A sultry dance acting out
Underneath the candelabra
Eyes locked mirroring feelings
Left unspoken, razor sharp tongue
Hips graze, music intensifies
An atmosphere fraught with
Tension, favoured to be cut by a knife
Hesitating lips part with a subtle urgency
Circulatory movements dancing feet
A lowly finger fondles an inner thigh
Ever so slightly withering, exuberant pleasure
Eyes connect, glistening from the light
A smile pacifying both women
Others gazes capture their movements
For now, they are the only ones
Whose love and light fills this room
Alone, unhinged, they kiss
At first tentatively, then feverishly
Drowning, they are both saved
The lovers bodies blend into one
Possessing one another
Nothing is lost in that moment
Desperately clinging to affection
Souls freed, emotions making miracles
Two lovers effortlessly become
One soul being.

© Sia Jane
KS Julianne  Aug 2014
sinai bea
KS Julianne Aug 2014
day fell and night was seen, and i found my version of an annabel lee.
and looking back, it was nothing short of a mistake or maybe three,

when i looked at her, sat down and held a lying dream.
but if you found her in the side of the road, sobbing with only gin to hear,

would thee agree with such a cynical mind to leave her to grieve?
because given the chance or just half the shot,

would thee agree with such a cynical decree to torture annabel lee?



for i agree that to a certain degree i was idiotic to believe,
to blind myself from the truth of whom i thought to be my annabel lee.

but still, everything overseas were nothing but another thing to see,
another thing we would not care to leave compared to whom i believed to be annabel lee.

yet i agree that to a pointless degree, i blinded myself completely to not believe
i agreed to let myself to be blinded to a degree where i would not believe,

believe that whom i thought to be my annabel lee had such a wicked creed.



and that's the tale of how began the leave, how my "i's" no longer stood alone
and instead was held hand-in-hand with my *****, annabel lee.

that's the tale of how began the leave, of how i gave everything for annabel lee,
of how i began to love, under the pretense of being free,

the tale of how i began to love the annabel lee that would do nothing but destroy me.
that's the tale of the beginning of the end as i set the guilty free,

the tale of when i let annabel lee destroy the world  beneath my feet.

for yet still the reddest of moons and the brightest rainbows
would pale next to my annabel lee;

for even the blackest of suns and the darkest of exploding stars
would never compare to sinai bea.

really, can you blame me?
I sat down to watch the radio

There was nothing on TV

I have two hundred channels

But there was sweet F.A for me

I could have watched one channel

And learned to fricasse

A chicken raised on wild grains

By a woman chef named Bea

I started checking channels

But I decided in mid flick

That I was getting tired

And I was also  feeling sick

So I sat and watched the radio

Since there was nothing on TV

I have two hundred channels

But there was sweet F.A for me

I worked on through the listings

English, French and some bad ****

There were movies on one station

That were made 'fore  I was born

Out of all the things I saw on there

The best show I could see

Was something shown in black and white

Made in nineteen sixty three

My TV s high definition

With cables left and right

But to find a show I'd like to watch

Was taking half the night

So I sat and watched the radio

Watching nothing happen fast

But as I sat there watching

I travelled bckwards  to my past

Still flicking through the channels

Trying to find something to see

I thought I'd found a hockey game

But it was all in Punjabi

So, I listened to the music

Watched the radio, passing time

Then I thought, why do I have this?

With what I paid, it was a crime

eleven channels showed the same

times 8 networks made

at least eighty eight tv stations

That didn't make the grade

Twenty two were pay for view

The French networks were ten

Then the networks there in Real HD

And so, it started once again

Pay for **** was fourteen strong

New shows added two

Weather, sports and info shows

Now I was at one eighty  two.

I could have bought alot of stuff

On informercials through the night

I could have bought Pro Active

But instead I watched the light

I turned back to the radio

With the station light in green

It was better than the tv set

And all the crap I'd seen

So, Tonight I watched the radio

There was nothing on TV

But as I sat there bathed in that green light

The music showed me all I need to see.

— The End —