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Mar Orellana  Mar 2019
Dust.
Mar Orellana Mar 2019
I know you won’t read this
and I know you won’t care
but I will tell you what it was like.

It was blurry.
it was slow
but time was running fast.
It was dusty feet
and dusty souls.
It was feeling nothing
and then all at once.
It was hating you
to drown the urge of hugging you.
It was writing a poem
and post it
wishing you will relate to it.

But who cares,
you don’t.
May 2017.
I wrote this instead of telling you, even though you were there, dancing next to me. And we were made out of poison, finding new ways to hurt each other.
Agnes de Lods Aug 11
A warm wind touched my face.
I walked out into the open space,
I saw a blurry, fading horizon.
Somewhere, you are,
I am here, after a sleepless night,
Writing another reflection,
Tired like an empty battery.

I do not like the masks that shout.
The fight over who is right.
I do not want an analysis.
I touch the bark of the tree,
I hug the birch with my arms.
I see its white pages,
Written with irregular lines,
Torn, fluttering in the wind,
Which I cannot read.

Her eyes look straight into me,
They understand –
How well they understand me.
The rustle of leaves lessens the tension.
Autumn will come soon,
The summer wind whispers to me:
This country, this language,
These people, these doubts.

This is not blind luck,
This is your blessing,
Purple, rainy months, a fleshy heart,
Falling hair, joy when relief comes,
Crying into a pillow –
So as not to disturb another’s dreaming
About the so-called reality.

Bare feet touch the ground.
I tread carefully on the edge of worlds,
To be both here and there
With my integrity.
I am everything and nothing.
I am gestures, epilepsy,
The belief that I see human thoughts,
Inconsistent with what they say.

Blue, sun, and somewhere you.
How good that you stayed.
When everyone was saying:
She is different,
She talks to ghosts.
You stayed, showing me
Your true face.
Cindra Carr  Jul 2011
Again
Cindra Carr Jul 2011
She broke my heart again
It failed as she skipped out of reach
It’s okay
Little things can go unnoticed
How big can a heart really be?
She gave it a kick as she stumbled over it
That paled in comparison when she stepped on it
I gift wrapped my heart
I even sang a little tune as I tied the bow
She had that look though
A little moue of surprise and a stutter
My heart dropped and I leaned back
Bracing myself always feels like it should help
But, then she broke it
Kicked it
Stepped on it
Scuffed it for sure
It got a little blurry
I knew as soon as she said
“We can still be friends right?”

cc062911
Homunculus Jul 2016
A few days ago, North Korea said that the imposition of sanctions by the United States amounted to an open "declaration of war" and went on to state that in response to military exercises to be carried out by the US and South Korean armies, that they are "fully ready to cope with them with nuclear weapons any time,” Okay. Let me just make one thing abundantly clear: these jokers have been talking this game for the last four decades, and it has all amounted to precisely nil

As regards Kim Jong-Un, I will ask that I be excused by my reader for the brief detour into contemporary African-American Vernacular English that this piece will now take. (crack knuckles, clear throat, hawk phlegm, adjust junk) Dear Kim: You ain't ****. *******, and your little ***** *** on some old *******. You ain't ****, you ain't never gon' be ****, and you never was ****. Furthermore, you ain't standin' on **** but a failed state and a fast-fading personality cult. All we hear is talk, talk, talk, talk, every year from you and your decrepit, syphilis riddled father before you; and quite frankly, it's getting old. Boring, even.

Do it, we dare you. See what happens, you glorified, overfed man-baby. You blurry greyscale xerox of Mao's bloated corpse. You, who have mistook a flimsy house of cards for an ironclad fortress. You naked emperor. You, whose very 'empire' is the deformed and emaciated plant which reluctantly sprang from a salted and desolate earth. You, whose 'hermit kingdom' constantly shrinks toward zero while the entire world watches, laughing!

We rest assured of the emptiness your threats. We can topple your house of cards at the flick of a wrist. In one fell swoop, our elite tactical urban forces will subvert and destroy your poorly trained, weakly organized, and honestly pitiful excuse for a nation. Why, if we wanted it, you'd be gone in a New York minute. And don't even try to come at us with tough talk about nukes. *****, we been had nukes, and here's the thing: ours are bigger, better, and more numerous than yours. You push that button, and we bomb your sorry little ***** back into the stone. You EMP us, our allies bomb you for us. Bearing all these considerations in mind, I once again reiterate:

WE AIN'T SCARED OF YOU. COME TEST US!

(drop mic, walk away)
But in all seriousness: There's just something deep down in the collective consciousness of this country, perhaps even humanity generally, that secretly yearns, that requires, desires, and *pines away* for the glorious spectacle of the theater of war, isn't there? Something in us seems, beneath a surface layer of fear, to ask, nay to *implore* with all the swaggering braggadocio of a drunken frat boy: "Fight me. I dare you. See what happens." That subconscious, primal need to attain brute superiority in outward, tribalistic displays of dominance projects itself onto the global stage: But how, then, are we to understand this mechanism, and what are some of its consequences? Upon closer inspection, we will find the practical consequences of this act to be twofold. On the one hand: By generating this spectacle, the media are able to use it as a tool for maintaining within the public a mixture of frenzy at one pole and detached complacency at the other. By giving them a violent conflict to participate in vicariously, the war at once (a) creates for them an abstract, nationalistic identity, (b) sublimates their violent impulses, and (c) distracts their attention away from the material conditions of life in the country where the spectacle is being broadcast; effectively stifling the imperative to rebel against those conditions where they might otherwise have been taken as unjust. War pacifies, war stupefies, and above all war unifies. On the other hand, the previously mentioned tendency to outwardly display dominance serves as an effective means for geopolitical elites and those striving to be such, to affirm reaffirm their hegemony on the world stage by making ****** examples of those that would presume to cross them. In this regard, there is perhaps no greater or more apt an example than the twin bombings of Hiroshima and Nagasaki in the second world war.

There is much more to be said about these matters in seriousness, but for the sake of brevity, I leave it here.
JWolfeB Nov 2014
Light , curvy rays,
bending,
while traveling from air to water world.
My eyelashes - window wipers.
Crystalline lenses,
sending lovely
but blurry pictures
wait.. let me focus my retina,
underwater dream,
or is it really you?

Dark, straight silhouettes,
frightening,
falling from the busy water above
My chest - darkened vents
reaching far,
wanting lovely,
but faint pictures
I can’t wait any longer,
for the dark room to lighten
I need you to show me

I take a deep breath
And dive in again.
Debrees of scars
And piercing pain.
Your soul still mauve and blue.
I press my lips
respiring pure love into you.

Breathe your best
into the spine of my life
Expelling fortitude
And forgiveness
Hidden in this deep blue
Revitalized for the first time
This moment opened its eyes
to see the beauty
of what beneath the surface lies
An amazing collaborative  with Dajena M. Such a great writer and a true pleasure to write a piece together.
Ophélie S Sep 2018
i.


not bad,
i commented to myself as i watched you do your thing
for the first time ever ;
not bad was my way to say
extraordinary
still is today
i have standards, you see and —
well...
they were met when i
heard you say,
"that's only half what
i can do."

let's get this straight:
i was the best at what i do until
you came around ;
it's not like i'm mad though —
quite the opposite 
in fact.


ii.


here's something else:
i have always liked the way your eyes
shot daggers
even when you were smiling ;
a death stare, they named it and, you know,
i won't call them wrong —
i'm rather fluent with the concepts of
death
and staring myself, after all.


ah,
do you remember?
when we spoke to each other —
it was always a sparring of
eyes
rather than words.


iii.


a fact:
you have been called cold
more often than
you have been called pleasant ;
i know  —
it's not like you'd disagree
not like you'd be stupid enough to
deny ;
cold is a comfortable shadow
to hide in,
something people like us
wear as a coat or
a scarf
from july to june.


now,
there's this saying that the addition of
two negative objects
turns them a positive
result ;
i'm not much of a scholar so, honey,
what's on your mind?


iv.


i get it now,
if i'm propellers
you are wings —
rather than a mirror, we're
distorted reflects
a thing evolution knows
a great deal about ;
this yearning is the aspect of you
i'd wish to keep
bottled up ;
"what for?" you'd ask.


no,
yearning is not a thing
i'm a stranger to ;
i've yearned for many things including
strength
sleep
serotonin
and you —
i've been struggling
to make them mine, though
perhaps because i'm never really trying.


v.


that's how you do it:
you take what you want with
clawed hands
accomplish miracles with
thunderous silence —
an entity of cruel fairness,
icy anger but —
what you want is a complicated
thing
with definite shape to your eyes
but blurry to those of
others.


okay,
i'm neither believer nor seer but
here's a little prediction :
the day you are satisfied is the day
hellmouth
shuts down upon us all and
half of me
prays for it.


vi.


about extremes —
some will say grey is a better shade and
though i confess
it does have its charms,
it still has to paint me a picture more striking
than a soul with
adamentine purpose.

see —
i stare as you pass by,
terrific in beauty
beautiful in hardness and
off —
goes my heart, sanity, ego
and shirt.

— The End —