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Suburbia I’ve given you all and now I’m nothing.
Suburbia three hundred thousand dollars December 1, 2001.
The cost of living’s too high.
We’re all just waiting around to die.
Suburbia when will you unlock your gates?
You've thrown away the key.
You won't even bother to read me.
Suburbia when will you pay attention?
When will you remove your mask?
When will you fall apart?  
When will you fail to live up to your standards?
Suburbia why are you so ignorant?
Suburbia why don't you feel guilty for your privilege?
Suburbia when will you evict me?
I’m sick of your strict covenants.
Why can't I paint my house yellow?
Suburbia after all it is you and I who are white.
You’re sheltering me.
You made me want to paint my skin black.
Can you meet me half way?
Somewhere in between these walls and freedom.
I’m stuck in the middle and I can’t get out of you.
I don’t think I’ll make it out alive.
Will you release me?
Are you telling me the truth?
I will find it.
I refuse to give up.
Suburbia stop pushing I know what I’m doing.
Suburbia your welcome sign got painted over.
Your people have given you a new name.
Suburbia I am sentimental about your driveway on Sunday mornings.
Suburbia I used to be a Catholic when I was a kid and I am sorry.
Suburbia I have blamed you for my depression and I am not sorry.
I challenge you every chance I get.
I've written myself out of you for thirteen nights straight.
I lost my virginity on the first night I snuck out of your house.  
My mind’s been made up since then.
You should have seen me reading Thoreau at the edge of your lawn.
My English teacher thinks I'll write better poetry once I leave.
I won’t stay here for longer.
I have un-American dreams.
Suburbia I still haven’t told you what you did to me.
I'm addressing you.  
Are you going to let the covenants control your identity?
I’m obsessed with individualization.
You roll your eyes when I walk down the street.
I look you in the eyes and smile as you mock me.
Why so serious?
You’re corporate American greed. You are what your money can buy. Your identity is merely a label assigned to you at birth that you’ve been fighting with your whole life.
It occurs to me that I am suburbia.
I do not see my reflection when I look in the mirror.
You are rising against me.
I don’t stand a fighting chance.
I’d better quit while I’m ahead.
Everything I own fits inside this backpack.
So I packed my **** and left for home.
I say nothing about the prisons or the millions of underprivileged who can’t afford you who dwell under the Birmingham Bridge and graffiti littered highway signs.  
You abolished us.
I painted over you now I’m off to play tag with the streets.
My ambition is to feel at home there.
Suburbia how can I make you listen?
Suburbia let me go.
Why won't you let me move on?
I will continue like a white horse in the wild.
Suburbia I will not make the rent this month.
Suburbia free me from your bounds.
Suburbia save me.
Save our people.
They must not dive.
Suburbia I am the only white on the outside.
Suburbia when I was twelve my cousins took me to the ghetto to buy ******* and the sun was sticky and they told me not to keep their secrets.
I felt like a spy.
Suburbia you're no better at fighting the war on drugs.
Suburbia they're shooting up next door.
Suburbia I thought you were supposed to keep me safe.  
Suburbia you want to eat us alive. Your power's mad. You want to take
my neighbors life and keep me as your slave.
You want to put a price on people and places that were never yours to begin with.
You herd black sheep away from your borders.
Your big bureaucracy segregated and destroyed the land.
Suburbia this is quite serious.
Suburbia this is the impression I get from lurking outside your white picket fences.
Suburbia is this correct?
I'd better get right down to it.
It's true I don't support you.
Suburbia I've given you all and now I'm leaving.
Miranda Renea Jul 2014
I grew up in suburbia-
With picket fences as white as the faces
Who say they're godly enough to save babies
(As long as they're not queer)
Because we don't have to live with the fear
Of corpses lining the sidewalks
Of our perfectly landscaped yards
We have no guards firing on peaceful protestors
Because our children are filed into orderly lines
Laid out for them at birth
But for what it's worth, we teach them of racism
From a white textbook that lies about founding fathers
Where segregation is just a word and
Oppression is hardly even mentioned.
Our children, who play at the age of 6
And lose their innocence at the age of 16
Suburbia is a life of it's own,
Gangly arms and legs
Like the teenagers who starve themselves
And steal their parents liquor
Just to get drunk quicker
Ignorant of those on the streets dying of hunger
No wonder I yearn to be far from this hell I call home.

Allen Ginsberg once said
“America I’ve given you all and now I am nothing”
The Wonder Years once said
“Suburbia I’ve given you all and now I am nothing”
But I’ve found fallacies in both of these,
I feel it’s more like
Suburbia I’ve given you all
And now I’m an awkward 20 year old
Who doesn’t know how to talk to black people
Suburbia I’ve given you all
And now I’m way too confident walking around the city at night
Because I forget there are communities
Where people actually have to lock their doors,
Suburbia I’ve given you all
And now I have a 16 year old brother
Who thinks the word *** and **** jokes are funny
Suburbia I've given you all
And now my father hates that I'm for gender equality
Well dear daddy,
I hope this offends you.

Because I am offended
By a community that tells **** victims they were asking for it
I am offended by a community
That tells my best friend Liam
That he's just confused, that
His love for Adam is an abomination
I am offended by a community
That offers equality as thinly veiled oppression,
With houses decorated in the decadence of degradation,
All the while their perfect sons and daughters
Are dying of depression because
The hilt of a gun is so much quicker
Than the drugs of their addiction

Suburbia, you are the seed of suicide
Feeding off of your violent silence,
Your white fences slice our tongues
And leave us mindless.
Suburbia, you have betrayed us.
Taught us ignorance is bliss with
Algebra instead of how to do taxes,
Spent more time worried about
Girls' shoulders instead of *** education,
Taught me not to speak unless
My hand was raised as if praise
Is given to authority without question,
Funny how they forgot to mention
Our country was founded on rebellion.

But suburbia, I forgive you
And so I humbly ask of you,
Find the keys of compassion within the heart and
Shed the lock of ignorance that grips your mind
The door may be rusted but it can open with time
Suburbia, I beg of you
Join us in the war of love
Let us all raise our fists and
Paint peace signs on our wrists,
We are disobedient dandelions swaying in the sun,
Words of kindness rolling off our tongues
Like pacifistic shots of a gun
Firing respect instead of rounds
And burying hate instead of bodies in the ground.
***This is a group piece. The lovely Mary Hamula is the other writer that worked on it with me.
Isabel  Nov 2017
suburbia
Isabel Nov 2017
Suburbia; picket fences as white as the faces that live behind them. Rows of houses. The balustrades made of privilege, leading up to the verandas of entitlement. Semi-detached houses, almost too close for comfort. Discord versus conformity.

In their own little worlds, unaware of the squalor on the other side of town. Otherwise aware but unconcerned. Their suburban paths paved in a circle so they stay, their children stay, and suburbia is never empty. Constant noises. The whirring of toy cars being controlled with remotes, (exactly like the people who are oblivious to the fact that suburbia is attempting and succeeding to control and mould them into perfect, upstanding citizens) doors sliding, the murmur of voices,

“mum pass us the salt please”
“can we get some ice cream?”
“I’ll be home before the street lights turn on”.
  
Behind the cloned houses all made from the same stencil, are partners barely tolerating each other. Smiling at the neighbourhood get together's behind undisclosed differences. Poise and status. Stand tall. Nobody can know.

“Merry Christmas here’s a camera!”
Home videos. Grainy images, recollections.
“I remember that! You tripped over right after I finished recording!”
“It was my first time on roller skates give me a break”.

Video tapes and cassettes turned memory cards and USB’s, scattered with chunks of suburbia. Purposeless clips of picket fences, swings and gates being brought to life by wind.

A man is trying to grow grass in his new front yard but the birds keep eating the seeds. He digs up the dead grassy patches and starts again. A monotonous cycle like a drum rhythm with no end in sight.

Suburbia is a ritual of routine. Everyone gets what they want. Daddy can buy them a car, a house, friends. The whole **** world, you can have it your way. Upturned noses and superiority towards the people living in filth and squalor, they could help them, they have sufficient funds to lend, but choose to do nothing instead continuing to scrutinise them and place themselves on a higher pedestal.

Children grow up in sheltered suburban lifestyles blissfully unaware of what really goes on. Homophobic jocks and flirty dancers are born. Living apart from their nearby communities,
decaying away in studio apartments and cozy bungalows, watching some reality tv show, filmed in America, and footy games on their 55-inch television screens. Eating organic strawberry and coconut gelato and still thinking that they need more.

Some stray from the paved path of concession and “have it easy’s” and the ‘other side’ leaves an impact on them. Gratefulness, compassion, understanding. “Better go back and tell your friends, it’s not so scary down here in the ghetto huh” Race, social and working classes. Segregation is back with a vengeance, though it was never really gone, was it? Only covered up with some form of guilt and then continued by white supremacy.

When someone different comes along, someone who isn't on one of Cosmo’s diets, someone who doesn't wear heavy makeup, or is a size eight or below, someone who doesn't live in a palace made of dreams, someone who must truly work hard if they want things that aren’t necessities. How do they respond? They shun, they backstab and they gossip whilst sipping exotic wine from crystal glasses on their freshly manicured suburban lawn.

Unquestionably sheltered from the world of hate and love they have to find themselves through material objects, careless people and careless, empty conversations. What they truly need is conversation that doesn’t notice or need status, background, or possessions. Lemonade stands and garage sales. One man’s trash is another man’s suburban treasure.

Numbing. Overwhelming. Rumours and lies. They can recognise every face they walk past on the footpath, and they know that every face will recognise them back. I suppose if their face is known, their mistakes are easily remembered.

Vines begin to grow and engulf a half-stained deck weathered and worn by the hot sun. Whispers and disgruntled sighs fill the street as the suburban mums express their distaste towards the house down the road with its paint peeling fence and overgrown shrubs riddled with weeds.
“That house brings down the whole street I reckon. I wonder who lives there”
“I heard that it’s an old lady that got sick”
“Yeah, I heard that her husband left her for some young woman. Imagine that!”
“Well I would leave too if my garden looked like that. Gardens show pride and they represent your personality. I wouldn’t want to get involved with them”

Flesh is flesh. There is no separation between that body and the next. No one will ever view your life the way you view it so why bother trying to provoke your neighbours and make them think themselves inferior? Repress the mask, be yourself.

Make suburbia change for you.
Suburbia; houses designed to look pleasing. Families fit like puzzles, on the surface. Mother can drop off her youngest, complete chores with her eldest and be home in time for her favourite shows.
Ritual, routine, clockwork.
Kendra Gatz  Feb 2021
Suburbia
Kendra Gatz Feb 2021
Suburbia
Ain’t no good for ya
Take the veil off your eyes my dear
And you can finally see clear
Suburbia
Ain’t no good for ya
You’ll see all your deepest fears
You never really were safe here

Impaled on a white picket fence
Wondering where your friends went
They took off the masks from their faces
From their books they ripped out your pages
Can’t tell friend from foe
Sugar and salt
Are hard to tell apart
There’s really no way to know
Until it’s too late
Call it chance or call it fate
Wake up and smell the roses
Wipe the blood from your noses
Under the street lights
On these late nights

Suburbia
Ain’t no good for ya
Take the veil off your eyes my dear
And you can finally see clear
Suburbia
Ain’t no good for ya
You’ll see all your deepest fears
You never really were safe here

It paints a pretty picture
But it just cleans up the mess quicker
You’ll go crazy from the whispers
The truth hurts
But so does this life
It paints a pretty picture
But it just cleans up the mess quicker
You’ll go crazy from the whispers
The truth hurts
But so does this life

Suburbia
Ain’t no good for ya
Take the veil off your eyes my dear
And you can finally see clear
Suburbia
Ain’t no good for ya
You’ll see all your deepest fears
You never really were safe here
In Suburbia
Juliana  Mar 2021
Suburbia
Juliana Mar 2021
I see a little house on the hill
Nothing but time to ****
I write this song
'Cause there's still too long
Till the weekend in suburbia

I'm just some dumb kid
And I've been trying to hide it
Stuck on the bridge
But I fell with it
Just tell me my face is blue
Trust that I'm being true
My happy little pill of suburbia

It's just for tonight
Don't go looking for goodbye
I don't mind that you think you're right
Standing in the eye of suburbia

You don't need to go
But accept that you withdrew
Love it, do you?
The quiet in suburbia

I need you to trust that I'm lost
I've been out here for too long
'Cause you know that I can't trust
****** up for nothing
I'm all alone, in suburbia

That last one was my antidote
Telling you it's time to go
Like kids on concrete, oh
Reminds me I'm not home
In suburbia
Inspired and Found in "Blue Neighborhood" and "TRXYE" by Troye Sivan
I stand in my garden and look around
Who knows what happens in these small towns​
Behind the curtains in suburbia
Who knows what really happens there?

The mild-mannered man you meet on your stroll
Could have 5 Japanese, plastic *** dolls
Behind the curtains in suburbia
Who knows what could happen here?

The fat, jolly woman to whom you say ' hello '
Her husband could be under the patio
Middle class suburbia
Anything can happen here

My next door neighbour's curtains twitch
In her back room she is a witch
Pentagrams​ in blood on the laminate floor
As she chats to the woman next door
She leaves a note out for the milk-man
Then she sells her soul to Satan

Behind the curtains in suburbia
Who knows what happens here?

It's not like the rough council estates​
Where people are driven by need and hate
The sheer boredom of suburbia
Breeds evil things that happen here
like know just time mind life feel world lost say we're things think love there's does people night away way thought got words long reality want better left make end eyes day man human dark experience remember really right death memory going place high good live city thoughts soul meaning great pain home sky believe shall change living oh fall light choice god consciousness existence years cause hard feeling thinking fear times 'cause dreams ask alive heart need past felt days dream sensation truth true use power knowledge wrong stars understand baby tell state thing face wave broken old you'll wave new broken nature you'll **** mental look far ah drug moment best ago air lose sleep dare try leave beautiful blue born lives escape sublime doesn't body dawn friends waiting feels young daze game control perception gone story mean sun head given writing act difference reason poetry philosophy psyche little trying touch deep greatest wonder choose drugs exist we'll moments score hold play set run self forget coming hope word future dead wish burn music emotion rain stop gaze pleasure glass one's what's lies sense wake hit remain real work bad stay open brain art seek space present happy spent acid pill social we've they're half-light used land held gotta help lie path finally listen actually longing rave water cold seeking caught energy reflection information anymore venturous goes came red hide start truly hand evil divine subtle matter kind lonely yes told eternity keeps line black edge ego context dusk horizon gonna spiritual tripping dimension data die white **** seen means care getting saw places sure freedom looking hurt fool wind flow search chance la took broke existential summer content flowing belief praise empyrean empathy discovery chemical aeon couldn't who's turn forth bit question eye judgement pray passion sound personal worth memories sanity accept universe embrace lack knows free makes rise language decide consider temporal society gain wander 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job romantic gazed envelope elements identity group sell foolish lucid dimensions brothers owe education november difficult recognition express properties glitter considering illusion appreciate discover resonance derived transcendental buzz notion risk scares riot rainy teaching drizzle direct experiences elation normality quote evolution versus lamplight method reflective endeavour cloth eats teenagers eventually haul club result relative breed threat subjective concerning solstice interpretations allows rational ultimately basis aligned numbness hypocrite charade morality dope chaser continuum undead exploits aeons research freeman appropriate ion ****** teachings dilation binge beatific intuitive transcendent escapism psychedelia metaphysical beta untitled mescaline otherworldly dreampt contextual experiential symbiosis codex dissociation cybernetic weren't life's let's mirror's well-being any-more entheogenic junkiedom signifiers mescalito zero-summing won't 'pataphysics window 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winning alcohol pay foolishly banish song cross encounters plays belonging famous shift burst alice tunes hood flickers glimpse gleam fleeting grant ride deja vu anticipation spot switch boyfriend order faded wrapped definitely short fish beach clock older dusted block station anchor longest deserve passing mark awhile lovers muse ache island totally existing comfort pride phone greek apollo bleeding unknown psychic powder remembrance tree train helps painted gambling tide tired acting blow build apologies silver fabric especially suspense band cascade flawless heat hunger nearly numb bread bright minus wide looks differently dive beating veins settle turning couch holds saying impression suspension meaningless plastic rich pointless occupied brief tiger sticks stones mask cake bitter concentrate drown forbidden shell dry walks unless regardless moved type shirt lone burns songs negative momentary staying police swing unseen ability analysis worries determined dreamt sink hopelessly 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suspended followed pierced hall marks ruled influence functioning contained losing stopping effect electronica relate fed temper facts dependent malleable convey bent delve horror wolves won lacking certainly fooled temple oblivious watches extension molecular random subtlety rem price sear covers truths judging stage frost conditions victory millennium realised confront trickster eve daughter defines awoke terror remembere
Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
David Walker  Dec 2012
Voices.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
Patricia Drake Oct 2013
Our paths are paved here
with smooth black asphalt
lined with s-cut stones
so we won't have to touch
ground
between our semi-detached
houses
and our small fenced gardens.
Our paths lead to nurseries
and to school
and a medium sized supermarket
and they are all flanked with well kept
bushes and lawns
This is Suburbia Danica
Our paths are made like circles
so we stay
Our children don't get lost
and our happiness doesn't
escape.
Again, this year, Denmark has topped the list of The Happiest People in the World. The poem is a footnote...

— The End —