Submit your work, meet writers and drop the ads. Become a member
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.
Kemy  Sep 2018
The Scent Of A Man
Kemy Sep 2018
Umm, the presence and scent of a man
Magnetic attraction where his feet stands
His natural body charismatic aroma
Element of charms, seeping to awaken a woman out a sensual coma
Is it his eyes, the soul behind his life’s mysteries
Flirtation in his smile, tells me he has an undercover ****** history
It is his nose that smells out my charms
An enticing deep baritone voice, his spoken words, which turns me on

Is it the erratic heartbeat he has for a woman, his passionate relent
Stealing my breath, as he tenderly seals my lips in an impassioned moment of content
The strength in his biceps
His triceps
Strong, yet such comforting arms
An epitome of steel, circled around a woman in winter life’s storms
In the cold of night, his body providing your heated warmth

His chest, a hard pillow to tell your doubts, your uncertainties, your fears
Pulling you closer onto it, his reassuring words eradicating your tears
His intellectual mind to think as a man
A stimulating, slam bam and thank you ma’am, or your personal grand slam
His weakening love, taking your body beyond the stars
Woman from Venus, my handsome Man for Mars

His groin, and his family jewels from which it springs forth
Erected compass of his wand now pointing North
A woman’s reservation to tease, please, stroke, or allow it to choke
His loud murmurs shadowing your moans, echoing in the wind
****, I love the presence of men, and his undulated carnal sins
From the first taste of honey dipped Butter ***, me

As his giving oral fixation is traveling free
Freeing the elixir of juices that deems to flee
His hairy legs as he stands to lift my weight
In the shower, no wait, as I anticipate
Hooking my twerking bait
His physique in general…Oh, God thank you
Without the scent of a man, we women would not know what to do

Your presence to a woman is our earthly food
Our je ne sais quoi for our every ****** mood
Rather you are standing, lying still, or upside down
The blissful 69 number conquered as we’re fooling around
My Dream Weaver
My distance heartbeat receiver

His dripping sweat
Droplets to my skin have been met
The presence and scent of a man holds me throughout the night as our eyes finally rest
The best smell in the world is that man that you love.

Jennifer Aniston
e'er she is where he is, this is their mode of operation
e'er she is where he is, this is their mode of operation
such an oddity it seems, might it be a coincidence
such an oddity it seems, might it be a coincidence
this is their mode of operation, such an oddity is seems
might it be a coincidence, e'er she is where he is

the clock can be set, on their meeting point
the clock can be set, on their meeting point
it's a regular event, what a caper they cut
it's a regular event, what a caper they cut
what a caper they cut, the clock can be set
on their meeting point, it's a regular event

the odds are very good, they'll be hooking up
the odds are very good, they'll be hooking up
bingo what do you know, they're at it again
bingo what do you know, they're at it again
bingo what do you know, the odds are very good
they'll be hooking up, they're at it again

it's a regular event, might it be a coincidence
the clock can be set, they're at it again
such an oddity it seems, what a caper they cut
e'er she is where he is, on their meeting point
they'll be hooking up, this is their mode of operation
bingo what do you know, the odds are very good
Sylvia Plath  Jun 2009
The Other
You come in late, wiping your lips.
What did I leave untouched on the doorstep---

White Nike,
Streaming between my walls?

Smilingly, blue lightning
Assumes, like a meathook, the burden of his parts.

The police love you, you confess everything.
Bright hair, shoe-black, old plastic,

Is my life so intriguing?
Is it for this you widen your eye-rings?

Is it for this the air motes depart?
They rae not air motes, they are corpuscles.

Open your handbag. What is that bad smell?
It is your knitting, busily

Hooking itself to itself,
It is your sticky candies.

I have your head on my wall.
Navel cords, blue-red and lucent,

Shriek from my belly like arrows, and these I ride.
O moon-glow, o sick one,

The stolen horses, the fornications
Circle a womb of marble.

Where are you going
That you **** breath like mileage?

Sulfurous adulteries grieve in a dream.
Cold glass, how you insert yourself

Between myself and myself.
I scratch like a cat.

The blood that runs is dark fruit---
An effect, a cosmetic.

You smile.
No, it is not fatal.
Kimberley Leiser Mar 2019
For Aimee's birthday the plan was to get her first tattoo. She was a blond hair lady with a wide bust, huge hips and big *****. Her ***** were one of her best assets she loved to see her body as her canvas her  piece of art; she got her  mind set on getting a rose and heart near her ***** and chest.

She went online booked an appointment in the nearest tattoo parlour to book her consultation to meet the tattoo artist who will be working on this project with her and this was where she met MR Pain.

MR Pain was an  average built man with some muscle tone on his legs and arms. He had tattoo's covering every flex of his body. He wasn't much of the talker in the first meeting more of a quiet and down to earth man. He asked

“ Okay what part of your body would you want the tattoo?”  

“She shyly said “my *****”

His eyes gleamed started to fixate on them as he chuckle

“ well that can be arranged”
I hope you have you brought a design or a piece of artwork with you so I can see a visual design of what you what to have done on your skin”

she took out the picture, he attentively looked at it for half hour and said

“heart and a rose…
this…
could take a few sessions…  
depends on how much detail you want in your design”

He randomly blurted out

“Mmm… I love your *****”.

“More to the point – serious question would you to be able to take on pain? think about it first.

I could show you want you be facing up to with an early demonstration just sign the contract it'll be my treat for your 18th birthday do you fancy hooking up for a drink at my place”

Aimee couldn't see much in the contract the print was tiny; she felt his warm gaze and grin darting around her as she tried to make out what it was saying. His eyes hypnotic and calculating

“Do we have a deal!”

Aimee smiled and nodded she signed her name and said
“can see no wrong in that” its only a drink”

Mr Pain with rasping voice replied

“Excellent!”

Aimee shyly said “should I bring anything with me?”

Mr Pain shrugged

“Nah, I got plenty of drink”
everything we need is here at my place,
don't worry bring yourself
will order a taxi my treat”.

As soon as Aimee got home she had  a bath in honey and milk bath oil. Her ***** were like two huge sunken peaches glazed out in the sun. She got out of her bath robe and placed a long black dress and heels with pink lipstick.  All ready for the evening, she entered the taxi the driver was glaring at her  through the mirror

“You look nice!
“where you going to?”
Aimee gave him the slit of paper with Mr Pain's home address:

the cab driver looked horrified
he silently started to mutter to himself

“that place”,
“another victim;
she’s the third woman this week  
I would be careful with MR Pain,
“I have heard many stories”

Aimee shrugged

“Are you sure?
Can't be the same man
I know ”

Taxi driver shook his head.

“For **** sake
another dippy girl,
what's the world coming to
this is why I hate my job”

He opened up the cab door. Aimee stepped out the taxi

“Thanks for the tip.
Have a good evening.
be careful hunny”  

III MR Pain's Headquarters

Mr pain was waiting outside in the garden.  Dressed head to toe black. His grin slightly twisted and eyes gleaming in the sunlight.  

“Good of you to make it.
Aimee looking beautiful,
make yourself  comfortable.
I will be back with you shortly
I'm with another client.

Aimee waited in the living room for mr pain she could hear random screams and sound of crashing whips from downstairs wailing sounds of another lady
crying out
“ yes master will do what you want”

Aimee was  shaken up by the noise but turned on by the intensity of it all. She laid on the sofa and circled around her ******* with her fingers while doing this she was unaware mr pain was watching her through the CCTV camera. His voice loud and commanding

“I take it your ready for the demonstration”

Aimee stopped what was she was doing
feeling startled by his voice and stammering

“Yes- I - am”  

“Excellent – it may surprise you,
put the blindfold on it is on the table
there will be someone that will
take you through to the main room”

Aimee was feeling anxious and shaken now there were so many things going through her mind

what was the demonstration about ?
Why was there whips and screams?
why was the taxi driver talking
about girls being victims  

“I feel tired mr pain
wish to go home”

“Nonsense you got here,
your not going anywhere
you'll love it”

The figure placed the blindfold over her eyes; led her through a dark tunnel. The room was a cold and damp there were two other girls  with blindfolds being chained and whipped to the wall. Their skin looked as if they had at least 2 lashings a day from the whip there were bite marks and bruises around their body pleasure apparently was substituted equally with the pain. Mr pain got his whip ready; Aimee could not believe what she was seeing around her.  

“Your a fraud, your no tattoo artist
your a *******
a dangerous man
I knew I should have listened
to the taxi driver”

Mr pain voice raspy but more commanding now

“Yes you should have your going no where until my little demonstration is complete
then you can go free ”

He took out the gag from his pocket and placed it on her mouth so she could not speak, grabbed out the  whip and gave her a lashing; followed by gnawing on her ******* and chest;

“You feel what pain is"

He laid her on the table restrained her arms and legs she can not move and fight his advances. He licked her *******; making his way to her ***** licking up and down then in circular movements while Aimee was moaning she started to ***; he then took out what looked to be a huge ***** from the cupboard; pushing it into her ***** her eyes rolled to the side she started to squirm, she didn't know whether to squeal or scream  as pleasure and pain were intensified and felt equal in measure. His **** grew in size with now a huge  hunger in his eyes he pushed his **** further into her making her legs weak and squeal he could feel her heat up and ****** all over the table: he then rolled her to the side and pushed his **** into her *** pushing it all the way in he could now hear her muffled squeals as he fill her up with his ***.

“Demonstration is over; your free to go: taxi will pick you up, its up to you if you return for more but if you say anything about this; I will find you and you'll be back here and will belong to me”  

Aimee quickly put her dress on her. Looking shaken and tired, bruises and marks on her sweat and *** on her too she went straight for the cab. The driver took pity on her and didn't charge her  for the ride.  It was all a distant black memory she didn't say a thing. it was all a blur, a dark secret she was worried about the other girls; did they escape in the end from the crutches of mr pain or did they chose to stay there with him: she was just happy to escape and be free.
Infamous one  Apr 2013
Prom
Infamous one Apr 2013
It's around prom time so I thought I'd share my prom night experience. Getting a date failed I had for possiblities who ever said yes would've been my date. I went stag hung out with my best friend and his date
On the way to the prom we got lost so we missed majority of it. The prom was at some mansion after prom we stayed at a hotel. I drank a few and passed out. Now the story has a twist the date my friend had didnt workout but ended up having another night with his dates friend.
She had to drop off her date do that's how these two ended up hooking up.
I hung with this girl who didn't have a date she out drank me and passed out. The next morning was awkward my best friend and the new hook up were busy so I had to wait to go home.
I went home all of shame hung o er and no action but I was in HS I didn't expect much
g clair  Oct 2013
on the fringe
g clair Oct 2013
Come closer won't you, Dear
my loving friend
you're always out there hanging on the
fringe of my heart
it's that white knuckled fear
surely Freedom stands near
and you dare not even tell her you're afraid.

She's your favorite pillow on a double wide recliner
or your front porch Adirondack with your early evening stogie
peace and quiet is the theme of your real life day-dream
the only noise you want to hear is from your 60 inch flat screen
with surround sound and remote, watching oldies you old goat,
Twilight Zone and Walking Dead, you've got Stooges in your head, and all the talkshows and the news  is in between

you're not hangry, you're not mean, Freedom understands your bean
with your crockpot full of chili you've been full since you've left Philly
and don't really need a maid around in fact the thought seems silly
you can cook and you can clean, you can work from home and preen
occupied  with daily orders and you like to clean your quarters
you've got all the latest gadgets you're not wanting for a house guest
since deliveries come daily  thank the UPS guy, Bailey
and by now you're feeling quite blessed
'cause the shipping on your stuff is mostly free.

Come closer won't you, Dear
my loving friend
you're always out there hanging on the
fringe of my heart
it's that white knuckled fear
surely Freedom stands near
and you dare not even tell her you're afraid.

On those days you're feeling needy, there's that lady at the counter
who knows you by your first name and the waitress with her smile
and the few words back and forth let's you know she recognizes you
remembers how you like your coffee since you come for breakfast weekly
and it's so nice to chat with Kathy for a while.

Who could blame you, loving freedom since she doesn't seem to take
but will fill your heart with pleasure never make your head to ache
never needing any comfort, never waiting at the table
after cookingup your favorite, never asking you to come home
from wherever else you're hanging never asking any questions
always free from expectations who could measure up to Freedom's wit and charm?

Come closer won't you, Dear
my loving friend
you're always out there hanging on the
fringe of my heart
it's that white knuckled fear
surely Freedom stands near
and you dare not even tell her you're afraid.

So called friends there on your Facebook clinging to your every word
as if coming from a guru when you're feeling like a nerd.
they applaud your sense of humor, all the items you are SHARING
and they LIKE the way you're looking and the way you that you respond
for your intellect is hooking and you're forming a close bond
over politics and reason, like your thoughts on this election
and the president and treason or the stuff that you've been cookin'
yeah, you've got a wife named freedom and I know, if you can't beat 'em
I'd be wise to choose my freedom over you.

Come closer won't you, Dear
my loving friend
you're always out there hanging on the
fringe of my heart
it's that white knuckled fear
surely Freedom stands near
and you dare not even tell her you're afraid.

Now you've filled up all your neediness without a real lover
hey there now but that's your business between you and Freedom's cover
as for women, you don't need 'em cause you've sworn off love for living
and for sure you love your Freedom and to these ends you watch your giving.
Now you're turning up the music and then you're surfing through your favorites
and flipping through the channels and those periodic moments
gotta catch up on your reading,organize your book collection
get your Ebay up and running you can do without direction
or distraction or attention

do the laundry
mow the lawn
fix what's broken
nothings wrong

Come closer won't you, Dear
my loving friend
you're always out there hanging on the
fringe of my heart
it's that white knuckled fear
surely Freedom stands near
and you dare not even tell her you're afraid.

maybe you go and take a shower and then shave for like an hour
don't forget to flush the toilet, boil an egg and eat some yogurt
top if off with some granola plan your week out, date with Lola
watch the leaves fall and then scatter,
rake 'em up
'cause these things matter,
crack a beer and catch a rerun
never mind the stuff that's undone...

Somewhere deep inside you, you are still the same old lonely
as you were the other year, never mind that second beer
think you realize you miss me, bet sometimes you'd like to kiss me
holding hands while watching TV, maybe someone just to talk to
and to laugh at all your old jokes and to share a little something
that you whipped up in your crockpot, glass of wine, latte or mocha
never mind, let's dance the polka, right that tightness in your shoulder
like John Lennon and his Yoko...

You decide to dial my number  
I usually don't usually like to answer 
 on the first ring  but by chance, you're
  saying something, wait a second
'cause I gotta turn my sound down
oh you're singing something funny,
and I like your phone voice honey
it's this old familiar tune I wrote for you

"Come closer to me, Dear
my loving friend
you're always out there hangin'
on the fringe of my heart
with your white knuckled fear
for our freedom stands near
and we dare not even tell her we're afraid"
For my dear old friend, a confirmed bachelor, who goes by Poppy, or Bubba.
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost . . .
they tell you nothing at all.

we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
****** interest, with as much sense in defeat as
in victory; slow days like mules
******* it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and ****** a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges . . .

and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd **** you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good . . .
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.

we have everything and we have nothing.
some do it well enough for a while and
then give way. fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.

days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad. people in
wax museums frozen into their best sterility
are not bad, horrible but not bad. the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill. are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it. and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all. enough
and not enough. arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.

in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
******* your ******* little
ah ah   no no   maybe

some do it naturally
some obscenely
everywhere.
Temitope Popoola Aug 2013
How could you love someone this much and allow your parents' decision and choices to mar your future? Why does this matter anyway? Hasn't this happened several times and are the people involved not happy? Can't everyone just pretend not to see things and carry on with their businesses? So many questions played in Fiona's mind! There were answers, but she was unsatisfied! She wanted things to go her own way! She parked a few metres from her house and stared into the thin air!
Keji, her friend had told her "Babes, you gotta do what gotta do!". She chuckled, when she'd told her that; it sounded like a slur! But now that she's faced with the reality of making that decision, she'd gone bizarre! Flayed emotion and uncollected thoughts. She took a deep breath and started the car,  what does it matter anyway? She's an adult, and at twenty six she had the right to live her life and live it to the fullest!
She drove into her parents' house and  was received warmly! She'd called her mum ahead of the visit and was pleased to know her father wasn't home!
"Look who we have here, Fiona!" Her mum had said heartily hugging her. She raised an eyebrow, something's definitely up! Her mum sure could act!
She settled herself into one of the comfortable chairs as her mother excitedly moved about!
"Remember Jude? He's in town and I heard he'll be around for long. He asked after you." Her mum offered her juice and eyed her, searching for her reaction and waiting for her response! She got it, Fiona was clearly irritated and moved restlessly in her chair.
"Mum, not again please! I could make my own choices! Stop making me feel like I have a problem hooking up with men." She blurted out. Her mum wasn't surprised, it was just the anticipated reaction.
"You sure don't. Considering that you've never brought anyone home as your boyfriend" her mother answered, sarcastically.
"And every of your friends' sonos are always showing up in town and asking after me. I met Emeka under the impression that he was after me and I discovered he'd never heard about me and was treating me with pity! Like I had an issue with men. I do not like it" She explained to her mum, her voice laced with emotion.
Her mum bowed her head as if in deep thought, let out a sigh.
For minutes neither of them spoke! Fiona's beautiful face was shielded with the long peruvian hair that hung carelessly on her head! Her eye ***** were huge, and looked like they were going to give in to tears any moment from now. She'd worked at different companies before she finally settled with a top oil and gas company. She'd had different challenges with guys and wasn't willing to try anymore when she met the man she'd actually gone home to tell her mum about!
"There is someone and I want you to meet him" she walked around the house. Her mother's face lit up and then concern crept up it. "Do I know him? Is it serious?" She answered, "He's nice, caring, and loves me"
Smiling nervously, she picked her clutch bag and moved to the door. "You would meet him, tell Dad. And mum," She paused "Please be nice"
She was glad that phase was over. She told her fiance about the outcome and prepared him for the much dreaded visit to her parents' house.
They decided to make it on a sunday, her father, Lieutenant Joseph was home and was so pleased to see his daughter after all. He looked at the man beside her on the sofa and gave her a meaningful look. She shifted uneasily in her seat. The mother joined them in her sweeping gown and looked suspiciously at her daughter. She had on her the look of 'I smell a rat'. She sat beside her husband who fondly pulled her to his side. They watched a popular soap opera, Edges of Paradise and for a long time everyone seemed caught up in the family opera.  Fiona's mother coughed eerily, and everyone's attention was forced to her, she batted her fake long lashes and spoke "So?"
Fiona picked it from there, "Dad, I came over some weeks ago and told mum I was going to bring over my fiance so..." Before she could complete her statement her mother cut her short!
" Yes, you did Sweetheart, but don't you think it's rather rude for you to rush us by bringing in his father instead? You should have brought the young man instead" Her mother said eyeing the man with contempt.
Fiona was shocked, how could her mother refer to her fiance that way? Yes he's older than her but what? Does age hold the key to happiness. She looked at her father quickly, pleading for help with her eyes but he seemed somewhat humbled by his wife presence and speech.
"Mother, that's not fair. How could you speak about him in that tone? This is the man I want to marry." She said with heat. At that moment her fiance was getting uncomfortable, he tried holding Fiona's hand but it was hot, his too was moist with sweat. He didn't expect things to go too well but at the same time he was caught unaware! Her mother shifted forward in her chair, "Now gentleman may we know you?"
"I'm Victor Okon, I'm an entrepreneur and run a chain of businesses within and outside Nigeria. I met your daughter few years ago but we started seeing each other two years ago. I like her ma and would be pleased if I could marry her." He stated flatly. He was tired and didn't like the way both parents stared at him. To him, he was doing something noble by going to their house but the look they were giving him made him feel like a child molester. Would they have preferred it if they'd met in another way, like him going there to say he's responsible for putting their daughter in the family way?
The father didn't say a word and that made him wonder what kind of family they were. Then he gave it another thought and concluded perhaps, it's the way of military personnel. When it comes to family they are always cool headed but duty time, they are as hot as hell. Occasionally, when they let out their anger, they are unrestrained. Fiona's mother's eyes narrowed as she started speaking again.
"How old are you?" She had hit the nail on the head. That was the bone of contention and Victor Okon rubbed his hands. His hair a mixture of grey and black had somewhat given him out. But there was no point lying, if he ended up marrying her they would have to know sooner or later. He was a man of integrity and worth who didn't value recklessness. He was responsible.
Fiona took over, taking the bull by the horn,"He's forty-five, younger than you by three years, so what?". She spat out, a look of disdain played on her face. Her mother retorted " If he's young enough to be my brother then he's old enough to be your father" that stung, drop of tears rolled from Fiona's eyes. Her father, who'd let the conversation flow for a long time spoke,
"You ladies should keep it cool in here, why don't you go into the kitchen and get us something to drink in here? We want to have a tete-a-tete." Fiona jumped from the chair and stalked out of the living room, her mother followed swiftly. Even as the kitchen door closed, one could still hear their voices .
Her father spoke with Victor and he found out he really liked the man. But he was concerned about them understanding each other, relationships like that most times comes with huge load of commitments. He was worried about her future, and how long it might take for them to really connect. There were lots of people in the society with that kind of situation and they were doing fine. Some too on the other hand had failed at it. They spoke for a long time and Victor was able to voice out his mind. He felt it was a normal reaction for the mother, considering the fact that they were about to give him their eyeteeth. They heard a crash followed by a loud sound in the kitchen and stopped abruptly, Fiona stormed out holding her hand to one side of her face, she picked up her hand bag and asked Victor to meet her at home. She left the house and Victor rendered his apologies. He shook the father's hands, nodded at the mother and walked out calmly.
He met Fiona outside crying, he pulled her into his arms and kissed her forehead. He drove in silence, she played with her fingers and finally let out a sigh, she was scared of losing him and said,
"I'll do whatever it takes, I will" He didn't say a word, he just nodded!  
He wondered in his mind, what's there loving someone older or younger? Isn't love the most important thing?
In Nigeria, the society kinda frowns at stuffs like this and age doesn't grant one liberty from parents' guiding eyes.
Nat Lipstadt Mar 2015
the Internet sets
higher aspirations

a teaching guide,
on how to

go beyond and deep into
the fast lane's curved and wide,
stretching
the straight and narrow

longer than lasting,
lasting no longer than
memory feelings
blurred overlapping burnt edged video recordings

pores pour oil and noise,
differentiating little between
beginning ending continuous

in the mind, from the walls,
Santana Rob sings "Smooth,"
but it is
the guitar wailing controlled penetrations.
a national anthem
of driven perpetual needy fomenting
outspoken physical truths

you don't care how you
got there,
where you are,
anybody's name,
high octane high performance

*** today,
is not for
the shy and the retiring, sissies,
we all got the necessary expertise,
with violin accompanist of pharma teaching aids

recalling first time tumblings,
exhaling
deep down throated rumblings,
rushing
fumbling ******* an ****** innocence
rushes of surprise and discovery,
success of feeling successful,
the shame of miscommunications

think I'm gonna watch me
a romantic comedy,
write her a love poem,
come up from behind,
caress her *******,
kidding kissing her ear lobes,
then entering her entry point,
her neck
even when she is
armed
but forgiving,
busy chopping dinner's vegetables,

make them make them
give up the hidden
soft atonal squealing
like a
piccolo on steroids,
high pitch teasing,
pinched by air ****** intaking

I'll play the bass,
hitting those low notes,
******* my own strings,
deep ooh's and aah's
diode emitting,
the drug employed
is unadulterated
wanton but wanted
desire

this won't be the poem of the day,
no mind,
it already is was and
will be...
7:15 am/pm
labyrinths  Jun 2014
CHANGES
labyrinths Jun 2014
Flash back to grade four, sitting in my room, listening to Fall Out Boy and My Chemical Romance. Pin up posters of Pete Wentz and Gerard Way filled my room. (Thanks a lot, Tiger Beat.)
My sister held out her pinky saying, "Promise me you'll never be emo."
Fifth grade me, not even know what emo meant, intertwined our pinkies.

Flash forward to grade six, sitting in my room, listening to Fall Out Boy and My Chemical Romance. Pin up posters of Pete Wentz and Gerard Way filled my room. (Thanks a lot, Tiger Beat.)
My tiny pale wrist appeared to be a canvas for art. I wanted to draw a self portrait; a sad little girl with big dreams, no friends, a mommy with a heart condition and a daddy that didn't love her.
I took a tack from my wall and began to paint my wrist with blood.

Flash back to grade five, when wen we spent all our time on the soccer field behind the school.
Whether we were playing soccer or picking at the leaves that hung by the fence, every recess we were there.
Sometimes the older kids would come along, if not just to bug us.
Eighth grade meant swearing and spitting.
My best friend was always braver than I was. I remember her saying "the Earth has never tasted anything as vile as your spit."
I swallowed down my own saliva.

Flash forward to the eleventh grade, where we spent all our time in the smoker's pit in front of the school.
Whether we were smoking cigarettes or waiting for someone to finish, ever lunch break we were there.
Sometimes people would walk through us to get to the bus stop.
Ninth grade meant coughing as much as you could just to let everyone know you were ******* about breathing the smoke filled air.
No one was brave anymore. We were all cowards, our vile, nicotine infused spit hitting the pavement in front of us.
I stepped on my cigarette ****.

Flash back to first semester, grade nine, hearing about people I used to know doing drugs and hooking up.
I said I couldn't believe it. These people that I used to know. I couldn't believe Sarah was doing drugs. She was so pure and innocent.
I promised my best friend I would never do anything.
She promised me she wouldn't either.

Flash forward to second semester, grade nine, doing drugs and hooking up.
I said it was just a coping mechanism. The person that you used to know was still there. I'm still pure and innocent.
I promised my best friend I was okay.
She asked me if I was high.

Flash back to my first day of kindergarten. Letting go of my mom's hand for the first time.
The caterpillars in my stomach had turned into butterflies for the first time.
I kissed my mom goodbye and finally, like the caterpillars in my stomach, I broke through my cocoon.
For the first time in my life, I was free to spread my wings and fly.

Flash forward to my last day of high school. Wrapping my arms around friendships I had worked so hard to build and saying my final goodbyes.
The caterpillars in my stomach had turned into butterflies for the second time.
I shook my teacher's hand and took my diploma and finally, like the caterpillars in my stomach, I broke through my cocoon.
For the second time in my life, I was free to spread my wings and fly.
sometimes people change
but it's all right
because you'll find your way back.

spent my day inside a hospital today talking to doctors.
i learned more about myself in the four hours that i was there than i ever did in school.
Poetic T Feb 2020
We got your crew like you were an
easy catch, cos once we got our
hooks in your postcode we ain't
                                              letting go, fact.

We see the youngens, they little bait,
but once we hooked them,they'll be
piranha's in our tank, stripping the
dignity from out of your
                        voice in 20 seconds flat.  

We got your crew like you were an
easy catch, cos once we got our
hooks in your postcode we ain't
                                              letting go, fact.

We strung up your boys, gasping for air.
But once we got our hooks on you
                               were gutting you easy.
But not before we get what we need from
                                                     your pleads.

We got your crew like you were an
easy catch, cos once we got our
hooks in your postcode we ain't
                                              letting go, fact.

Look little fish you in a tank of sharks,
we grin our grills gravestones of  what you
                   see last before your dispatched.  
But don't you worry there are plenty to keep
you company down there, you ain't the first
                             and you ain't going to be the last.

We got your crew like you were an
easy catch, cos once we got our
hooks in your postcode we ain't
                                              letting go, fact.

We got nicknamed the fisherman, we sail into
your town catching what ever we want.
        We don't scrap the sea floor hoping
for a catch. We fish for the real deal.
  Disillusioned of the fish bowl they swimming in.

We got your crew like you were an
easy catch, cos once we got our
hooks in your postcode we ain't
                                              letting go, fact.

Making it even easier to catch, to turn them from
                neighbourhood trash to one of our sharks.
showing other that once we got you hooked,
the only way you leaving is dead floating at the
bottom of the tank.

                We coming to your postcode.

We got your crew like you were an
easy catch, cos once we got our
hooks in your postcode we ain't
                                              letting go, fact.

— The End —