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Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
Logan Robertson Aug 2018
My Sister, I Watched You Fall-2

My little nephew, I was sorry for your sorrows
When the whims of your mother stormed your tomorrows
You didn't know who your father was
Or why the branches of your tree sagged its paws

For you walked thru the halls of life mauled
By a lost paw that grabbed your mind and sadness walled
I could see it in your mind's eyes, the question marks
Of why other families have fathers at the parks

From the time you were a little child of two
You would love to go with uncle to the zoo
Then as the wheels in your mind started to click
Seeing other kids with fathers, it made you sick

You were young seedling lacking the nourishment
The parts of the puzzle missing fulfillment
But hear this, my little nephew, your uncle tried
And ... at the mercy of your mother's whims, I cried

We'd play the role of father and son
Fish a dream, toss the past, paint some fun
We'd **** weeds while wrestling through a reservoir of tears
Aborted in time, a lake, two swans and a duckling in good cheers

My nephew, I would take you around the world if I could
But hear this you were never, never driftwood
For I had spent as much time visiting you
In absence of a fathers touch, you never knew

I shed more tears today as I catch wind of your child
For its teeth bites and gust of whims, again, run wild
Do I offer congratulations knowing the lake is devoid
Of future swans and a duckling, walled in my mind's void

No. My nephew, I'm choked in tears that crawl
On the face of the earth, I sprawl
I thought you learned, child uncorked
On wings of albatross and not the stork

Logan Robertson

8/16/2018
Play on words-paws, mauled. At age two, he was a child prodigy
with an eidetic memory. He was a **** at math, count change impressively, knew the times' table, like how many donuts in five in a half dozen. We would study the map, he knew all the states and capitals. I was impressed watching him grow and blossom. Then one day at that young age he learned why other kids had fathers and he didn't. It hurt him badly. He recoiled. He rebelled. He purposely started to give wrong answers to my teaching, as he started to lose interest. And things waned after that understandingly so. But for a while there he was so bright. This is a sad page to turn.
Jimmy King  Sep 2013
Uncorked
Jimmy King Sep 2013
As we slept
In each other’s minds
Through the night,
Fearing commitment
Equally as much
As striving for it,
I kissed you
Thinking that maybe
I’d let myself pretend,
Having finally uncorked
That bottle of wine,
All hesitancies
Had disappeared

But I tried to kiss you
Again in the morning,
Thinking
As I think now
That if it may be
Our last chance
I want to take it:
I want to swing dance
Through thunderstorms
And sip our wine
With nothing
But the certainty
Of one another

But you pretended
Not to notice
My eyes meeting yours,
And filled
With all the reservations
That should have been in me,
You averted your gaze
And walked away
(As I still worry
You will one day)
From that surreal bed
Of whispers
And fewer tears
Simon Soane  Sep 2015
Phones
Simon Soane Sep 2015
Some people say they don't like social networking
on mobile phones,
"it distances us from human connection"
they bleat and moan,
"takes us away from natural converging,
curtails face to face ties from emerging,
subdues us in a swamp of technology,
this engagement with messaging is surely a folly."
And as they depart they say,
“give me a person over a mobile msg anyday.”
Now don't get me wrong eye to eye communing is amazing
and it's not the last reserve of a luddite to prefer tactile phrasing
or to think sweet nothings into a there ear is best
but that doesn't mean there is nothing in mobile caress.
Because you can meet someone at a festival, and feel a sweet spark
that thunders through the roaming larks
and then when you part after a few days
think, "oh, that was awesome, I enjoyed their ways,
they made me laugh and gave me jumping smiles,
****, it's a pity between us there are miles and miles."
But when you arrive home and charged up a message pings
"you back now?" I see it and start to feel sing.
So we take our phones and chat all the next day,
getting to know each other in a happy appy way,
giggling at your words, beaming at the next
growing through lightning at each little text,
learning more in these screen chats;
you go to lots of BBQs and love dogs and cats,
you dye your hair and are calamity stricken
your top fajitas are finger lickin,
you know Mandarin and are ace at Catchphrase
and you have an inclination for New York days,  
you can analytically discuss scenes from C Street,
you can charm the customers at a store meet and greet,
you can decipher the nuance in The Bistro goss,
you can put up with **** from ****** at Argos.
You have a mate who picks up Mark Ronson's pooch,
you've saved a big crustacean when been on a mooch,
you can relate a song to Odysseus using sheep to save his men
and watch Mr G the musical over and over again,
you stay up/get up to watch the Super Bowl,
you type faster than a thought on a roll,
you've danced with Pete Barlow's ship mate from Corrie,
you can drive a car and a van, I recks you could handle a lorry!
You have loads of friends and often verge on more dislocation,
I want to be near you, whatever the location.
I want to pull you out of a hat
and see you stand on my welcome mat,
see, mobiles are good because it's good to feel that.
But if some quantum physicists are to be believed, after perusing their hefty tomes,
somewhere in infinite there is a place with no mobile phones,
and a boom of synchronicity has to be carried on by pen on paper
and there are days and days tween a tumbling heebie jeebie butterfly caper,
and then it's sent with a hope that it won't be lost in the post,
and be not read, like a bottled message uncorked by the coast.
Maybe a letter and no phones is better for starting a fizz
but right now mobiles make this what it is;
if not for them would I feel this close to you?
Or be writing this to you?
Right now I like feeling close to you,
and I like writing this to you,
to you Lou.
Hi!  The middle part pertains specifically to a person I know but you get the gist!
Peace! x
A Four day concert, created by Roberts, Rosenman,  Kornfeld, and Lang
Was originally supposed be a three-day  music festival, and up it sprang

But the citizens of citizens of Wallkill, N.Y. did not want their nice quiet town filled
With drugged up hippies that would overrun, and with this idea they were not thrilled

With many battles and protests, Wallkill passed a law on July 2, 1969 banning
The would be concert from going forward leaving the town quite less enchanting

Almost not getting off the ground, hippies all over demanding refunds for their tickets
Stepping forward, Max Yasgur offered his 600-acre dairy farm so no one would picket

The new location for the Woodstock Festival would be Bethel, New York
No one from the other town would not have complaints or come uncorked

Despite the many problems of people threatening to quit
Woodstock got off the ground despite things still being chit

This concert was poorly planned with two major setbacks, as news spread that it was free
There were congestion of cars that policeman had to turn away, for as far as one could see

Organizers lost huge amounts of money while hippies walked through gates without paying
But it was estimated that 500,000 people made it to the concert and they came in swaying

The music seemed to play non-stop as people sat and listened and some would play
It was very muddy from all the rain of what it did from much of the concert everyday

Listening to greats such as Creedence Clearwater Revival, Santana, Jimi Hendrix, Sweetwater
Can’t forget, Grateful Dead, Crosby, Stills, Nash & Young, Jefferson Airplane and Ten Years After

The concert ended and picking up the pieces began, that wasn't just the trash that was left behind
It was the lawsuits that many filed against the organizers since beginning to end put many in a bind

The greatest music festival in history later put to a movie that is divine
Something that will forever be talked about from the summer of 1969

Copyright 2013
All Rights Reserved
Bogdan Dragos Oct 2019
well
there's plenty of cutesy names to
call one's children
but his was 'unlovable trash'
He remembered it from the time he was in the crib
They held him there
for longer than most parents
held their kids in cribs. Though only dad
called him so
because he constantly claimed he wasn't his

unlovable trash

he had the wrong skin tone
was too pale
with curly orange hair
and freckles

but mom always pretended she didn't
hear
the words
unlovable trash
she would act as if they were never uttered

and growing up
he thought
unlovable trash was a good thing
thought it was how you show love to your loved
ones

"Mom, you’re unlovable trash."

she was so happy to hear it
she burst into tears and went into the
kitchen and uncorked a bottle of wine
and drank it all by herself. What an
unlovable trash she was

Unfortunately
by the time he could pronounce the lovely
words
father was no longer in his life
but father too
was an unlovable trash
nivek Jun 2014
Poppies about to burst
Red as blood
There just outside my visual
a bottle uncorked
glass is filled
and ******* bears its fruit
David Ehrgott Nov 2015
Blueberry Barbie driving away
Lord, I'm gonna miss her taste
She takes the time to do it right
You'll never see her look of waste
  
Hot dress, high heels, look and touch of taste
Like a fine uncorked wine
A delicacy in a sea of eggs
Her mellifluous scent concealed until she bursts
  
Blueberry Barbie driving far away
Lord, I'm gonna miss her taste
You know how I say those things when I am stressed
Please let me present my case
  
Blueberry Barbie Baby I Love You
Come on make the u-turn
Turn around and get back here into my life
I need you barbie, you're my only friend again
  
Is it my hopes come true that you are here?
So close, a fantasy that never ends
Can't live without you girl nor care t' pretend
Is that her turning 'round, gonna park in my driveway?
  
Blueberry Barbie's here I'm living again
Man, it's good to be this close to my best friend
Blueberry Barbie never leave me again
For that would be the end oh, Blueberry Blonde Barbie
David Walker  Sep 2013
Cocoon
David Walker Sep 2013
I think the bottle has become uncorked.
I think I could have stopped it,
but I know it wouldn't have worked.
This slew of madness is about to unfold.
I wonder if I can die young
before I grow old.
The darkness compounds frustration.
The hate on which I feed
will breed creation.

A new personality.
A new vibe.
A new rationality.
A new tribe.

I will emerge from this cocoon
better and more beautiful than I once was.
Fly away,
fly away from here.
If I could take what happiness
means to me and bottle it,
the top of the container
might look a lot like your
golden hair.

If I could take my dreams
and paint them on a blank canvas,
the final result
might have a slight resemblance
to your perfect figure.
r  Oct 2016
The left fork
r Oct 2016
Somewhere along the way
I picked up a heavy load
of dead wood, a couple of degrees
east of East Tennessee,
a few bottles uncorked,
problem women, and another
woman, a child, and a mortgage,
all while I wandered down the left fork
of the wrong road like the red silt
in a river that has forgotten
its source, but enjoying the scenery,
the journey, and, of course,
the paths I tended to leave
through the high weeds where I lost
myself and my footprints so loud
I could hear them before I left them
on the ground behind me
like hollow dreams trampled down
beneath the feet that I follow.
Rangzeb Hussain Aug 2010
Madness round about us and no one knows,
Memories of ember fired trust,
Watch them, these entombed brains,
Piano sonata, violin concerto, torn notes,
Who are the ******, them or us?

Madness, insanity, absurdity, irrationality,
Craziness, dementia, stupidity, psychosis,
Senility, fanatical, deranged, mental,
Foolishness, hysterical, delusional, frenzied,
Psychotic, maniacal, lunacy, neurosis, disordered,
Take these notes and from them weave
A hymn to chaos.

And so here it begins...

Bee bar locked up honey sting hive,
For them that have wept grains of sand warm yet wet,
In that dark distant horizon mountain bark,
Onion quake cuts splash serrated blade,
Insanity uncorked frothy so seeps humanity.

Orphan sky spits pregnant daggers drip,
Wing plucked harpies never will sing,
Dead sailors salted lie in silken mermaid beds,
Schooners sail the scattered chase round the horned tail,
Skulls bubble air sockets freed from cloven trouble.

Roads webbed spiralled butterfly miles of bottled lies,
Venom harvested acres baked into medicine,
Undone years plunged inside veins popped into mouths,
I loved you know,
No, no, you did not know for all eternity.

Hope filed cabinet all lost my ghostly dancer,
Rooms silver sunned windows seared,
Playground memories brim on the haze,
Smoke fogged pipes puffed clouds,
Asleep amongst trees over green glass grass blades frost.

Hold fingers to hands strange,
Notes ring around maze tower of desires,
Low sands but tides rise and torrents break or fall,
Alone we enter same goes exit,
Midnight clowns ****** into dreamscapes.

Creased rage silver ironed steam brains,
Unfurl flags red and painted war pain,
Impotent artful eye with sedated lust,
Boil drum not loud remember to listen,
Say less, speak more, silence best of all.

Galleons crawl upon the divided cloud docks,
Look there, point to starboard land ahoy,
Deep bosomed tear slaked shore,
Sense mixed universe reduced to a tick-tock,
Never shall it stand, withered time no glance past.

Adios, fare thee well, goodbye, auf wiedersehen,
Tongues weep, eyes talk, observe tender songs silence,
Contradiction philosophises perplexing paradoxes pure,
Marbles, one and all, drown in the air,
Narrow, so narrow are those who judge all.

Sin to fear and all is terror called,
Wanton doves warble tunes broken,
Afraid I was, too wrapped in fear coiled I,
To know fright and bride forsake,
Never were holes deeper dug.

Reason not the rhythm nor rhyme,
Pandora, oh Pandora, what hast thou done?
Stare upon thy casket coffin spread-eagled,
Fire stealer Prometheus universal milk burns,
Gorgon Medusa snake dancer charmer seducer.

Silent bones drum against skin, wake up fool!
White winged dove blood red beak suite,
Humbled blood sore butchered vows vain,
Then as now silent partner is all,
Meant so much more you were.

Rapier, pistol, kiss and hold, to my temple place,
Slash, bang, smack and rake, let matter escape,
What uncharted continents we all are,
Walls rise hand bricked high over hill and sky,
Dilated screams of the civil dead no wall can cage.

Tears glitter sky to earth,
Seeding jewels amongst dung natural,
Fountains colour horizon wide,
Sanity transfigured stitched, haggled,
Eternal slaughter diamond edged sold.

Torquemada burrows rib cracked skin blood,
Skeleton tomb dust for leprosy romance,
Wail now poor Quasimodo tongue-tied,
No one to keep company but rat bones,
Unborn, forgotten, locked and barred.

Hush there! Let there be deafening silence,
Lie, cuddle snuggle, caress dark death,
There, still now, wipe away sleep,
Space time galaxies born in minds beyond measure,
Planets die, titans die, you and me we all certify.

Madness here! She creeps into bed mine,
Yours too! Oh, how richly embraced we,
Paris Town cellars breed inmates,
Lice tea stirred drunk and promises sung,
Escape none, trapped all, sky above and death underfoot.

This asylum madness no wall can hold,
Floats into night skies and into ears young,
Oh no, goodness no, you cannot out keep it in,
Destroy the house of madness you cannot,
Dost thou fear thyself knave? ‘tis merely a jest most musical,
All the chords sprinkled peppered and cast asunder.*



©Rangzeb Hussain

— The End —