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Christian Bixler Nov 2014
I sit and hear the desert wind, sand hissing past,
winging by on the deserts breath. The moon hangs
still above the earth, enshrined in vaults of darkest
black, an infinity of stars to frost the sky. I sit here,
on the shifting crest of a tall and windswept dune,
contemplating the majesty of starry sky, and the silence
of the desert winds. My mind empty, wanders, and I
seem to hear, in the howling of the desert wind, the yipping
cries of jackals, and a strain of music, faint and thin, riding, on
the whisper of the desert winds. I look and see, a palace, light
shining from many windows, and colored pennants, whipping
in the desert breeze, spices seeming, rich and dry, waft around
me, caught, in the twisting zephyrs of the deserts breath. I stare, and
slowly, the sounds of the palace reach my ears, women laughing, singing, and the lilting tones of music strange and wonderful, lift me
from the desert sand, and set me forward, stumbling from fatigue and
thirst, towards that place of light and sound, a refuge surely from the
stinging sands, and the whispering voice of the desert, dry in its susurrations, as an empty skull, bleached and hollow, sockets set to the
contemplation of the desert winds, dessicated remnant of mortal man, till wind and sand consign it to the deserts breath. I stumble forwards, eyes locked on that vision held before me, and I, with all remaining strength and speed, run towards that deserts dream, and in my folly, I
strive for speed, even exceeding the desert wind. At last I halt, and in my weariness, stumble against a mighty gate, set with gold and jade and onyx, moonstone high, and amber low. I set my hands to wondrous gate, but lo! the gates are fast and strong. They do not yield to the feeble push of weary traveler, nor to the entreaty of dry and sand parched throat, imploring it to stand aside. I fall at last, defeated, and thought, to die here, before these gates of opulent splendour, would not be so tragic a fate, as the deaths of thousands, lost as I in the immeasurable vastness of the desert sands. But yea! There in the darkness of night as I made my peace with God and his angels and consigned myself to the inevitable fate of eternal rest, that near unnoticed, the gates swung voicelessly open, and through it I inhaled weakly, the scents of anise and cumin and cinnamon and allspice, all mixed with the intoxicating perfume of the daughters of the desert, scented waters and mulled wine. I reeled, dazed by the glory of light and sound and scent. I was lifted then by gentle hands, soft and cool, with the featherlight touch of sweet virginity. I fell, spinning, into the cool dark of grey oblivion. I awaken, rested, in the dark. Birdsong wafts in through arched windows. Below, I can hear the women singing, talking, as their needles clack in unrelenting harmony. And yet, this all seems to fade, to become less real. I listen harder, and yet, I hear instead of the singing harmony of before, the lonely song of the desert wind, faint and yet as if it had ever been, and this all some fantasy, imagined dream more true than life? I open my eyes. I lie there, back pressed to chill stone, jutting up into the heavens. The scents of man dissipate and are gone, replaced by the dry and whispering aura of the lonely desert, faint sage upon the wind. I close my eyes. falling, I slide to the cold sands and lie there, waiting only for death to take me, that I might once more approach that vision of holy beauty that awaits those that live and die in piety, and with the grace of heaven. A hand touches my shoulder. I do not look up. The hand remains, insistent in its immovability. I rise, slowly, turning, so I might see my unknown companion, with me, in the heart of the windsept sands of the great expanse. A man stands there, robed in white, black veil obscuring all save for dark eyes, set deep in his weathered brow, like jewels of onyx, set in a dark and seasoned stone, left to the desert, in years gone by. "Come. It is time" The man whispers through the desert wind. He beckons me, fingers set with jewels and stones, gold thread belts his waist. He turns and walks silently, out, towards the eastern sky. I follow him, seeming vision of guidance, sent to set my feet on the path of life. I follow him and yet, gradually he fades and is gone, vanished, beside a weathered stone, lonely in the great expanse. I fall to my knees, head bowed, strength gone from soul and body. I hear dimly through the haze of weary enervation, even as death enshrouds me, the trickle of falling water. I lift my eyes. water pools before me, gift of life, sent by spirit of guiding thirst. I drink and life within me lifts its head, water streams down wind partched throat, and even as I fall into cool oblivion, knowing that that vison of heaven awaits me, water soothes me, as I fall at last into darkness, and the shining vision of heaven around me, I close my eyes, darkness enshrouding, as I perish beneath the moon and frosted sky.
I am in awe of the infinite possibilities and horizons of the imagination.
Lux Capacitor Apr 2015
One open can of
half empty **** water
popped the night before
for a palm of pills,
codeine and HRT
chased with Kamchatka 8-0
she collapses in bed
with hope in her head,
belly full.

Morning comes, her will is gone, she stumbles blind
to root her elbows at the window sill, still groggy
from the high of nighttime.
Noon comes and the clock stops, it's a road block
setup at the overpass and by the time
transference makes sense she's
spent her energy just shifting.

In place, enervated. A mistake.
A husk built of guilt and bone.
In a closed room full of blood and *****,
alone. Atone.
In place, enervated,
elbows at the window sill.
AJ  Nov 2014
Enervation
AJ Nov 2014
My mind, my memories, and my nostalgia
Resemble into one of those
Boards they make when a crime is committed.

Cork boards with crumpled family photos
Pinned helpless with a rusty push pin.

Profiles of everyone who I loved
And everyone who loved me.

Lines drawn in blood connecting all of the events.
Everything chronological.

The gory, ******, close ups.
From when all of these scars were in the making.

Maps with X's and O's.
Like holiday cards from my grandmother.

Sporadic, confusing, and painful for anyone to look at.
Grusem and misleading.
Can't be fixed.
Can't be helped.
Can't be solved.

Soon to be a cold case file.
Vikshipta  Jun 2017
Enervation
Vikshipta Jun 2017
Snatched in betwixt'
The Shifting
and Switching
All midst the alters..
and moods..
The hasty cyclone..
The Rapid cycling..
The Stumbling..
The hurling..
One after other
All these emotions'
transposing-
From exhilaration.
grandiosity.
The loquacious episodes..
To Exasperation.
Despondency.
Despise.
Remorse.
The floating. dripping.salty..rampage.
And
amid all frantic..
all the chaos..
There..
this effete voidness..
Gleaning selves up'
unhanding 'em again
Gleaning.
Unhanding.
Gleaning And unhanding .
Over and over
Again
Nat Lipstadt Apr 2018
a short poem

<•>

kept women

my words are all kept women;
an old fashioned term
that has no currency today
but true for me

they but be the heart of my hearts,
when they leave my employ
keep them well, these yeowomen,
good fellows all,
for they will always be your
one true reciprocating lovers

keep ‘em

please

<•>

lie

how many gray April Saturdays are inventoried,
that we be bequeathed yet another this dull day of the 7th of the 4th month,
of errands and tax preparation and poem initiative-nationhood

the city backyard is a dulled green, energy ****** by one three too many nor’easters in March that  “Sherman-through-the-south”
came marching double time,
leaving the leaves, airport-delayed
and the spring poem planting, struggling

buy milk, lie and get a refund, do stuff and
don’t forfeit forget to
do laundry and
lie

write the longest short poem in history
that green-shots nature won’t provide,
so Me absinthe wills into existence

<•>

this English Woman

tomfoolery’d me continuously,
nature comes to her on knave-bended knees begging for
a verbal sword tap upon each shoulder for a knighting of a periodical glorious poem.  

She provides.

Does woman live in a glen, upon the wetlands,
walk moors
in moons grasp,
or upon a table way in the back of the pub, drinking pints of imagination?

man will die disconnected for so many “reasons”
but if his passing precedes an answering to where,
wherever she locale composes,
man will haunt her residential terrain  happily

<•>

Seven Hours

the clock implies that the body sleet-slept, probed deep-dark for seven hours.
disbelieving, then recalling the dues Frodo-Friday eve paid:
three and half hours with two thousand others at the Opera,
hours of Placido Domingo,
extracts from the body
emotional  countenance,
homage to artistry exemplary;

the pharmacist denies having this drug among the sleep aids
so to the opera must return to earn my occasion occasional dreamland refreshment

a well worthy trade: innervation trust rest from enervation must

<•>

idiosyncratic

all my idiot life wanted to be
syncratic
unique something special different

then I realized that’s what
everyone wants and we are all idioticsyncratic

so much trying, exhausting life,
it’s wonderfully human and classically

idiotic

<•>

* Postfaces*

Postfaces are used in literary works so that non-pertinent information appears at the end, to not confuse the reader.

this very short poem was born, birthed, on a salty grey Saturday, April Seventh, Two Thousand and Eighteen,
precisely between
Eight and Nine O’clock Eastern Standard Time

The opera was Luisa Miller at the Metropolitan Opera,
Lincoln Center, New York City.  

Everything Everybody is a factual fiction of your imagination.
Short Poems are copyright, copied write from the tissue of a man who is epistemologically incapacitated in a life incapable of writing a short poem, post facing forward.

(Too **** bad for you).
Pearson Bolt  Nov 2016
dimensions
Pearson Bolt Nov 2016
depression
is an ocean.
at times, it ebbs.
at others it flows.
forever it endures.

depression
is a dead tree.
ripping apart wilted
leaves, adrift
in windswept currents.

depression
is an ant hill.
fit to burst
with activity, but
simultaneously stationary.

depression
is a sword in a stone.
wrest its hilt
to no avail, the blade
remains buried deep.

depression
is a melting glacier.
worn thin by
global warming,
wilting in enervation.

depression
is you and me.
living in the same town
now, but somehow
distant as dimensions.
Allison Wonder Sep 2019
I've ached for you for many years
As if you were a long lost friend.
Waiting for your miracle work
And all these wounds to start to mend.

Praying every night for you
Since I was just a kid.
All I needed was a little bit
But it seems vigor I was forbid.

So white knuckle through life I go
And stop praying to an unjust king.
Buried deep the pain inside
Is courage even a real thing?

Yet still, I grow and move along.
Is this real or all for show?
Without you by my side
I suppose we shall never know.
(c) Allison Wonder
4/16/19

My counselor wanted me to write a poem about my strength. I asked her if I could be sarcastic... this poem was the answer.
Sometimes I feel restless,
especially when I am alone,
it is the object of my stress,
there are no longer any feelings of home.

Sometimes at night,
I hear scratching at my door,
when I investigate all is right,
not a thing out of place.

Sometimes I feel claustrophobic,
the walls close in around me,
I shake this feeling off,
but cannot escape the seeping of dread.

I think I am paranoid,
slowly losing my grip,
my mind,
at wit's end.

There came a knocking at my cellar door,
impossible,
what for?

Thunder crashes,
vibrations ring through my hall,
lightning flashes overhead,
I shudder at its pall.

The storm rages on,
shattering glass and vase alike,
splintering doorways with its might,
no more can I pleasantly scoff.

The knocking comes again from below,
I fear I must investigate,
sadly I am no hero,
but still I must go,
despite enervation.

*The poor man never arrived at his station last night,
friends reported stories of his paranoia,
they sincerely hope he is alright,
nothing amiss at his residence,
but no man to be found.
A.P. Beckstead (2013)
Hex  Oct 2020
Fatigue
Hex Oct 2020
It's gnawing at his bones,
and clawing at his spine,
he knows he's not alone,
but now is not the time.

The woman behind sings,
broken voice brings life like spring,
enlivening his actions,
but stressing her malefaction.

He'd been running for years,
or at least, that's how it felt.
Despite his eyes' red tears,
and skin starting to welt,
his drive had never reared,
but soon, to enervation, he knelt.

He fell into the leaves,
pain stung like blades unsheathed,
now too faint to run,
he peered up to the sun.

Then, the blue turned black,
he heard a familiar chime,
he knew, his lover was back.
She heaved her axe one time...

He still lies in the leaves,
no more cries or screams,
he speaks only silence now,
in a place that won't be found.
For an October project to write one project every day.
10/3 Theme: Fatigue
Life emerged in the mountains in a trickle
many barriers to buckle
united with good friends we were going,
somewhere I guess.
I moved with them, not to be left alone.
The unlucky ones remained behind
to die a premature death
Through rocks and boulders
we made our way,
we had begun scaling our ambition,
translated in our rendition.
I broke off and emptied myself into the ocean first
watching others come behind
in varying degrees of enervation.
I am now trapped in this ocean of doom
with many others I scarcely know.
Does life always need an ending ? I ask the mountains.
Hey take me back, I want to start all over again.
The mountain doesn’t respond

— The End —