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Mark  Nov 2019
Busking About
Mark Nov 2019
I’ve been busking about since young and fair
The atmosphere from onlookers, like skating on thin air
So unconventional, prior to the old smacking ways
That’s how I’d spend my entire waking days
Melodic riffs, dancing over bass lines
Harmonising daily, to some lonesome feeling ballads
Playing finger-style guitar, without any speeding **** hazards
            
Along the boardwalks of Venice Beach
In unlikely places, that you’d ever encounter or reach
A folksy blues musician, you can’t wait to hear
Independent, from a money-making machine, that’s so clear
A young black musician, singing ‘bout life’s rights and wrongs
With an aching intimacy, strings are strummed, to original songs
            
The overall effect is something like a blend
Of other musicians, with a depth and subtlety
More suited to the stage, than a street with a dead end
While the busking experience is fundamentally a freedom, luckily
Still taking a fading, battery-powered amp, with heaps of torque
Along with a flattop, down to the busy LA boardwalk
            
I think the best thing you learn from being downtown
Is how to be really optimistic, while still being on your own
Busking was like practicing with a metronome
It started pulling on a few chords, like not ever knowing a safe home    
Then, thoughts of ones life coming to an end, my tick-tock time
Then, I go back to playing a song, people tossing me, a silver dime
I imagine, how it would sound, playing along with four in a band
I’ve never really been dealt, a very good poker hand
Trying to re-create myself, like an over paid, auto tuned, music star
Well, as much as I could, with just a worn out, acoustic guitar
            
They say, I picked up the guitar at seven
At first trying to play lap style, just keepin’ it even
Because, I couldn’t reach across my scar torn body
Early childhood lessons, gave me a foundation in blues
After that, I wasn’t taught nothin’ by nobody
I just kept playing like that, what did I have to lose
I could learn by ear, until I heard the rings at the checkout
It would take a while, but I’d figure it out, what they were all talking
about.
© Fetchitnow
21 December 2019.
(From my ‘About’ Period Collection)
Kagey Sage  Aug 2014
Bar Busking
Kagey Sage Aug 2014
I don’t want to perpetuate the produce – consume loop
but when I don’t, I feel like such a lazy moocher
Could I play guitar near after dark bars for $23 an hour?
Victor and I did that once, for $11.50 each
Untaxed, that’s better than my dour real job
So, if I really made my place at a street corner, I’d be a smart earner

But then I’d be a fixture, like the accordion man and the bums with PVC buckets
The bar goers would soon hate me for chumping them out of their cash
with three gritty “Heart of Gold” covers
Then soon the mediocre bums would jump me and Riot, my guitar
She’ll smash into the walk under a Irish flag in front of Murphy’s Law,
while drinkers whoop and punch the air
The bucket goes over my head
and the accordion bellows squeeze round my neck
Bryan Dahl  May 2018
Bottom Up
Bryan Dahl May 2018
Street performers.

Busking. Panhandling. Begging.

An artist’s most submissive position.

Music’s all-powerful mystery beholden to pocket change.

Until a blind man, guitar in hand,

On the Blue Line platform,

Plucks from an unsuspecting heart

An unmistakable theme-

“What can you say about a 25-year-old girl who died?”

An unmistakable love story...

One bill and some coins in his collection basket,

A mysterious, gentle reminder-

Dynamics come wholly undone.

I drop in my all-powerful dollar,

All aboard the train.

Down here and now will I

Write for the first time in nearly three years.
Nigel Morgan Nov 2012
We’d been to concert at the Town Hall. It was a Saturday night and still early for a Saturday Night Out. So many people on the streets. The girls barely dressed, the boys bouncing around in t-shirts. Older people threaded along the pavements walking purposefully, but ‘properly’ dressed, and now making their way, as we were, for the station.

I know He noticed her because He stopped, momentarily. We were holding hands. He loves to hold my hand. That evening I remember squeezing his hand firmly as if to say how pleased I was He was here and I was not walking to the station alone. I have done this, walking to the station alone, so often. It is good to have someone close at such times, someone to talk to about the performance, the music, what is going on around us. We walked right past them.

I noticed the man first and then the child. He was very tall, very dark, wearing a black leather jacket I think. He was not scruffy so much as untidy, dark and untidy, with curly hair that did not know a comb. He was busking. He sang an incomprehensible song in a language I didn’t recognize, playing an electric guitar plugged into a small amplifier by his feat. He turned from side to side as he sang as though looking for an audience. I remember his trainers and the soft guitar case open on the pavement with a smattering of coins. Then, this child.

Over the last two days I’ve examined the scene in my memory. I’ve sought to recall as much as I can about this little girl. She was not that little I think for her age, perhaps seven or eight. Stocky. Thick golden brown hair. A sensible skirt covering her knees, a fawn jumper with some sparkly decoration. Tights or long socks perhaps. Proper shoes. I keep examining my mind’s photo. What I recall most vividly was her large smiling eyes and her expression. This is my daddy, it said. He’s singing and I’m here looking after him. I’m his smiley girl here on the city street. It’s late. Other children back home would be in bed, but I’m here smiling at the people passing.

Yesterday we talked about this couple, the little girl mostly. He brought the subject up. He’d been thinking about her too. He’d been puzzling over the two of them. As a pair they seemed so physically different, hardly father and daughter. It was the (possible) daughter’s gaze, her twinkling eyes that had spoken to him - as they had spoken to me. This is my daddy, those eyes and that smiley face had said. And she was holding a bear.

Why did I not mention the bear until now? Of course, she was holding her bear. She had both arms around her bear. She was hugging her bear to herself. It was a mild evening for March – she wore no coat. He looked a good bear, not too old or small, not the kind of bear she’d been given in infancy, perhaps recently acquired but well-loved, well-hugged. A bear that seemed entirely right for her age, for her slightly old fashioned clothes. The sort of clothes I might have worn as a child. I think of a photo of me at that age dressed in a Cloth-Kits dress, with an Alice band, with glasses and lots of curly hair.  

He said ‘I’ve been wondering about the two of them. Did they have a home? Where would they go to when it became late?’ Was there a mother? Was she working somewhere on that Saturday night and the father had to take the girl. Was she wearing her best clothes? She looked OK. A glowing, healthy face, a face that reflected the bright, coloured lights of the city street.’

Suddenly, I realised there were tears in his eyes. I thought, He is imagining a story. He is imagining a story of this seven year old who should have been tucked up in bed with her bear, like my little boy with his blue blanket. He was imagining her life., her past in some Eastern European town, where she went to school, where she had friends and relatives, where she had been born and brought up, and been loved. And now the girl was here in this not so distant city. Perhaps illegally, without the papers, smuggled in as so many are. Her father, swarthy, even a tinge of the Roma perhaps, but she so different. It was the golden brown hair. Thick hair, a ribbon tied in it. A pink ribbon.

He had thought of his little girl, now fifteen, only when she was that age, seven. Oddly similar in some ways, the thick hair, the smiley face, a different but ever present bear, an infant’s bear, not a bear she’d take with her except in a bag. A bear not to be seen with at seven, but loved.

‘I’ll call her Katya,’ He said. The girl, not the bear.

And later He did. Every few days He would mention her – just in passing. ‘Do you think Katya’s  at school today?’ ‘I was in the city this afternoon, but I didn’t see Katya.’

He wrote about her and her father. A little story. I haven’t read it. He just told me He’d written it; He’d thought of following them in his imagination. He was a little embarrassed telling me this, and He didn’t offer to show me the story, which is unusual because when He mentions He’s written something He usually does. And so I wonder. I wonder how long this memory will stay with him and whether He will follow this couple (and her bear) into the future, create a story for them to live in.

Perhaps it will bring him the peace He does not have. The peace I try to give him when He is with me at home and we sit in my little house, at my table eating toast with Marmite after I’ve been out late whilst He’s sat on my settee and read – in peace at being in my home. I know He feels cast adrift from his family and He can’t be part of mine, yet a while. Perhaps it’s like being in another country. Perhaps He thinks, at least that busker had his child with him, his shining star, his ever-smiley girl.

Yet He is thinking of his smiley girl, smiley still at fifteen, still loving her dad despite what He’s done, despite the fact that she sees him so seldom. Despite the fact that He is only occasionally with her, and she knowing I, his lover, his young woman, his companion and friend, has captured his heart and thoughts.

I think of Katya too. I think of my older girl, so loved and circled about with love and admiration by her respective families and our friends. She is so special and so beautiful, as I was special at eleven, as I think I was beautiful at eleven, just on the brink of that transformation that will take her towards becoming a teenager – and the rest.  

We were lying in bed the Saturday morning before seeing Katya and I was telling him about my childhood. He’d asked me about zebra finches. Walking in his nearby park He had admired their bright red beaks in the park’s newly-restored aviary. I told him about a parrot in a park close to my childhood home, a parrot I passed as I went to school. I described for him my walk to school, meeting up with my friends, passing the parrot. I know how happy it made him to hear me talk about such things. He said so later, embracing me in the kitchen. ’I so love to hear you talk about your childhood.’ I could feel he was moved to say this. It was important. I realised then just how deeply he loved me. That it was important. That he imagined me as a child. That He wanted to know that part of me. He’s rarely asked about the stuff in between. Of my former lovers I’ve said a little. He has said a little about his past liaisons and affaires, but knows I am uncomfortable when he does. So we leave this. But childhood, That’s so different, because it is that precious, precious time of shelter and care: when we begin to discover who we are and who and what we love.

Where is Katya now? In a messy room she shares with her parents in a house shared with economic migrants, where she has a few belongings in three plastic bags. In one, her best clothes she wears to stand on the city street on a Saturday night with her daddy. In another a jumble of not so clean clothes she rotates each day. She has her sleeping bag, her bear, her warm coat and gloves. There’s a few magazines she’s found about the house. English is puzzling. She learnt a little at school back home, and from the TV of course, those American soaps. If she was here in my house I would stand her in the shower, wash her thick hair, put her clothes in the machine, sit her on my bed in my daughter’s clothes with some picture books, introduce her to my cats, we would bake some buns. I would give her a small gift of my love to take away with her and she would look on me with her smiley face, her sparkling eyes and let me hold her bear.

And later when I saw him I would tell him that Katya had been with me for a little, and tears would fall, mine and his, knowing that only in our dreams could we make this so.
Olivia Kent  Aug 2015
BUSKING
Olivia Kent Aug 2015
The land it's name was faraway.
A land so pretty,
The land where fairies play.
The grass verdant and succulent.
Glows in the midday sun.
The trees bow inadvertently to the fairies passing by.
Fairies bearing various gender.
Girl folk with flowing straw like hair, bound with strands of strawberry flair.
Menfolk wearing doublet and hoes.
Black and green.
Obvious features, all fairy men folk sport a pointed nose.
Elder folk, they have aching knees.
Hair tinged with tiger stripes of grey and black.
Could have been zebra stripes,but the elderly fairies, can be just a little spritely, temperamental at times.
They sit under willow trees.
Writing, busking rhymes.
Listen without witness, you'll swear you'll hear them sing.
Leave a pretty penny in the spot where you have been.
Walk silently away.
Peer over your left shoulder and you may just glimpse the fairy queen.
If you should be so lucky.
(c)Livvi
Mateuš Conrad May 2016
once you've read enough, or what's
called a respectable "bank account"
in literary terms, you fall back
on poetry, journalism and book reviews...
which springs to mind
a comparison between being a violinist
in an opera, playing a concerto or
being a street vendor, busking out
alternatives to the satanic cartwheels
of rubber tires slicing up a defiant cement road
in a busy hub on the Embankment -
i still want to cry every time i
hear bob marley's redemption song
or the other bob's north country blues,
i don't know, it just happens like period
pains, it's a grudge brimming near
the boiling point of water or the melting point
of iron that's lucky for chefs and for blacksmiths...
i am picking up the pieces of an empire,
the british rubble and a world in chaotic chuckles...
as they said of the roman degeneracy...
that ****** fascination with cuisine...
too any fast-food outlets...
no, but indeed, when you've become satiated with
a personal taste for reading, you
end up reading book reviews...
but i don't understand why a dominic would
read a book by a luke concerning drugs and warfare,
as picked up: 'odin's men rushed forward without
armour, were as mad as dogs or wolves,
bit their shields, and were as strong as bears or
wild oxen...' citing Snorri Sturluson...
the missing clue? magic mushrooms.
also worth mentioning: the 1814 Swedish-Norwegian
war... magic mushrooms aplenty...
in 1945 Soviets in Hungary dubbed the 'rabid dogs'
(indeed no " " enclosure, i trust the man's
descriptive certainty, indeed they were rabid
and dogs and there's no ambiguity to be invoked)
swallowing fly agaric...
american pilots in Afghanistan caffeine+
i.e. amphetamines...
Homer's heroes drunk (why is it that when a poet
is company during a war it becomes iconic
and almost glorious to keep the blood-thirst up?
like that idiocy of warring in the Napoleonic times,
a line of men, walk among canon fire and
stand 20 metres apart and just shoot...
like the post-Napoleonic war strategy of killing
civilians, huh?)... as too the heavy drinking
with king Harold prior to 1066 Hastings...
through to Vietnam, 1971 -
51% of GIs smoked marijuana, 28% took hard
drugs (******) and 31% used psychedelics...
****** was high as ****... a Michael Jackson of his day...
the ****** Eudodal... the luftwaffe on Pervitin
(earliest patent for crystal ****) and too
the Panzer men, e.g. a Gerd Schmücle.
sober citation at the end of the review
quoting a soviet surgeon:
                        'women and wine
                         are all very fine,
                         but a real man needs more:
                         the sweet taste of war.'
sometimes i'm in that aspect of things, almost gladly
i'd take up a trunk of wood and bash about
the field - but i realised poetry is a great war
you fight solo, and there's no brotherhood idealism,
solo, solo, all the way through...
but this still doesn't explain why a boy would
read blue material, as above mentioned,
and a girl would read pink material...
a jessica reading sounds and sweet airs:
                                        the forgotten women of
              classical music
...
gentrification in the making... why wouldn't a boy
read pink material? too much of a crane driver or
a lorry nomad in him, to simply sit down
and hear a diva with 'oh, what ****!'
citing the Duke of Mantua's envoy that was Barbara
Strozzi play the clarinet?
you know why i'm cynical about feminism?
it's too distracted, it wants to spread its influence into
every human endeavour, positively speaking
it's what woman always boast about:
feminism is multitasking... it has to be relevant in
every realm of thinking... first of all it should focus
on one, and stop this quasi-plagiarism it's doing
at the moment in every aspect of cognition -
i say, the founding mother, the matriarch of
******* is feminism - honey... can't **** all the time,
gotta forage and hunt and build houses too!
Eryri Sep 2018
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor.
I try to ignore you as the jaunty sound clashes with my melancholy mood,
Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe,
Hanging on for it's own amusement,
Ignorant of my desire not to be teased nor humoured at this anxious time.

I feel I shouldn't like your racket,
My naïve ears and young years sense, not only an inappropriate comedy in your sound,
But also a daunting undertone,
Adding to my sense of having been plunged into deep icy waters.

Perhaps your music soothes those who are leaving,
Your high happy notes providing optimism and assurance of recovery,
Or of a restful sleep enveloping dear ones.
For me, however, at the point of no-return in my pilgrimage,
I hear only the low notes,
Out of time with my quickened pulse,
And lending a foreboding soundtrack to my slow deliberate steps.

But you play for no pay,
Busking in this hospital,
Doing good both night and day.
Yes, you are well known in this place,
Admired for the hours you commit to this space where lives can hang in the balance,
And where your instrument by day is a sharp sleek scalpel,
Invasive in its desire to alleviate suffering,
Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto.

But out of hours your instrument of choice lends you a voice,
Allowing flourishes and improvisations.
But were you aware that for visitors like me who visited repeatedly,
The clarinet would take on a significance beyond other instruments,
Taking me instantly back to bittersweet memories of visiting my family,
As, in turn, they aged and became unwell and recovered and became unwell again.

Now I am older and a little wiser,
I reflect and ruminate on this period;
My memories of family are more than just hospital visits,
And I wonder if I could ask one thing of you?
Why no Rhapsody in Blue?!
Tuesday Pixie Nov 2014
A missed alarm
- A hurried departure
From home to bus to bus
- To craft fair!
All handmade, all ingenious.
And reused items appeal to this sustainability-freak.
"There's not much for your kind here"
But just as I say it we spy a stall
And the goth finds Cthulu,
A skull,
An eye,
A snake with which to adorn himself
Amidst the usual background of 'Oh, he looks like Russell brand'

His cousin was riding.
Riding the plastic spastic twirl-around bull.
"Another turn? Go on, your dad didn't see you!"
She shakes her head, almost shy
But is lifted and hoisted on once more,
Smiling and giggling and kicking away.
The operator has success,
Short-lived;
She jumps right off and back to her father,
Uncles and cousins all grin.

- To cafe!
Entrance a ramp,
The outside already proclaims the spaces brilliance
Narrow hall with piano stating 'closed'
Walls adorned with old newspapers
Light fixtures are bottles
Door handle a coffee grinder
Tables old school desks,
Mismatched chairs and couches and plates;
This sustainability freak is in heaven.
The Goth smiles
"I knew you'd like it"
And even the menu provides
My dietary restrictions no obstacle.
I have a smoothie.
It's amazing.

"Judging from your case I would say you play heavy metal"
I giggle; Incorrect.
"Are you going to play for us?"
The waitress asks
We look at each other; are we?
And after our meal we do;
The radio is turned off in response.
Young children play on my violin
Their parents more concerned than I
"Be careful! It's delicate!"
We serenade the coffee and the tables and the birdie on the wall
We serenade customers and workers and the owner as well
We serenade to perfect
We serenade to give back to this space so beautiful
We serenade half in hope of being asked to perform
Of being paid to perform.
The owner enjoys; the possibility is open.
The workers enjoy; "you made today worth it"
The customers enjoy,
One chucks coins to our guitar case
A suggestion of busking
We drain our complimentary drinks and tip the coins
Wander onwards, sated, and glowing.

- To old acquaintances
Who tell scandalous tales
Of the Goth's little brother
"Tell your folks I look after him...
He's hilarious when he's wasted"
The goth queries
"And when I'm wasted?"
"Oh it makes no difference; you're hilarious sober too!"
It's truth.
No one could argue except the Goth himself;
"I'm glad you have a terrible sense of humour"

- To Opshop, closed.
And then the car,
Family bubbling around us
Excited voices clamour with stories
With news
We arrive in a field of green,
Children swinging on a tyre
An old meeting house is dwarfed
Beside the new, uncompleted
A chair in the sky
Seats white fingers
Coated from work;
Yet his is the best view.
"Uncle... Aunty... Cousin.."
Names drift into the air
I won't catch them.
"This is only a small portion of my family;
You should see the group photo!"

An older man teases
"Get your hair cut!
Oi, why haven't you told your son to cut his hair?!"
And his father expertly replies
"He can do what he likes with his hair"
His mother
"Why haven't you died yours then? It's all grey!"
Smiles spread wide at their cheek.

A bell tolls
Signals the slow meandering;
No urgency
We sit, grass beneath us
Sky above
Trees and field all around.
These three buildings so connected.
The prayer starts,
In foreign tongue
Yet not foreign
- It is the language this land first heard
Aside from sea and bird and sun
An occasional group "ah" in response
Teenagers mock; "aye"
Babies fuss,
Children wriggle
Even adults chatter to one another
Come and go as they please
Informal.
I am wrapped in his love.
And all of their love.
Lying in his arms
With sun warming me,
Love warming me,
I send it back.

And then chairs are moved
The tables to be laid
Inside this time
"Come here, you don't want to do the chores, do you?"
A crafty cousin teaches evasion maneuvers
We kick a ball,
The goth looks almost joyful
The usual "Me, sports? Eww"
Forgotten, or put aside.
Shoes back on now
"Your feet could do with some sunlight"
The cousin protests.

We eat with our hands;
For me there are oranges
And chicken salad
I put ethics aside
To sate hunger.

We swing.
The children are playing elsewhere
We claim the rope as ours.
An upside down ladder?
A missing rung?
There's more air than step.
Together we swing.

"Who do you belong to then?"
Caught off guard
"I belong to myself"
The goth smiles at my assertion
"How'd you get here, who brought you?"
I gesture with my foot
"You're so rude! You didn't even introduce me to your girlfriend! I'm his Aunty, that makes me his, and your Aunty too now."
He clasps my hand
"That's how easy it is in my family"

We serenade once more.
Nervousness closes throat
How to express oneself?
I feel small and shrunken
Push myself to claim space
- I do belong here
The love swells around me
Tall poppy syndrome must be beaten into me;
I'm trying to convince myself
I'm not being overbearing
- They want to hear us.
And they're impressed
"Oh what a beautiful voice"
"They do sound wonderful together"
All laugh as Grandma joins in
"That's Nan trying to out do them"

With Promises to jam next time,
We take the scenic exit,
Past those who have past
Past the past itself
Graves decorated with All Blacks flags,
With decks of cards,
With guitars.
Love. Even here,
Love and celebration.

- To friends
Reiki, a goodbye card, packing and kittens, markets and dinner
- The candles glow was soft,
Too soft for menus.
"I wonder why those baskets are all locked up...
Ha! Basket cases!"
We draw a piece to make Dali proud
And jest of eating candle wax
Bellies hunger.
But foods arrival prevents such oddity.
Eating pizza with knives and forks?
I decline, fingers once more.
Restaurant etiquette is not my style
Mine is puffy to their flat
- The perks of being gluten free?
And we leave them to their dessert.
With much sorrow.
"Thank you for enriching my experience here"
No, thank you. Thank you thank you thank you thank you.

"Goodbye!"
I greet
"Have a wonderful life!"
A different good bye.
And we cry as we hug,
No tears, just noise.
To cheer ourselves.
"Waahhhhh"
We giggle and depart.

Surrounded by darkness
Traffic roars overhead
Rocking support beams
They creak
Pigeons shuffle now and then
A dim light is irresistible death
Beyond the trees ripples fold and swell
And I am here with him.
Our own little patch of night time
Folding and swelling around us.
"Now you're the one keeping us awake"
I cannot argue.
This moments magic is worth tomorrow's tiredness.

One more friend to visit.
She saved us a piece!
Oh dietary constraints!
Cheesecake, for me?
And delish!
Hazelnutty and chocolate!
Nutella like.
We ***** about sudden illness
About food restrictions
About fad diets
Apparently the 20's is when the **** goes down.
Our bodies are complaining now.
Maybe we'll figure out what they're trying to say,
- Eventually.
Speak English, **** you!

- To the tent!
And blessed sleep.
It's technically tomorrow now.
Well, it's today.
"Thank you for touching my feet that time"
I curl up in his arms,
And all the world is golden
This illness raises its angry lil head
And his caring melts me
Thank you thank you thank you thank you.

Thank you for this beautiful most perfect day.
Thank you.
It was a perfect day. Even through illness and sorrow.
http://www.youtube.com/watch?v=QYEC4TZsy-Y

— The End —