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  Sep 2019 Nat Lipstadt
Marshal Gebbie
I’ve watched the western coast decline in pounding surf and howling gale
I’ve noticed how the rising tides encroach, to day by day impale,
The crumbling cliffs, the drifting sand, the ever creeping surging sea,
The violence of increasing storms…. and how it all impacts on me.

The polar ice in melting sheets cascades into high warming seas
Islands in Pacific sun now inundate with cruel ease.
Swathes of forest in Brazil encroached by axe and palm oil gain
Climatic balance counteracts to guarantee tomorrows pain.

The ocean strewn with plastic waste, choked in tides of human ****
Churning chimneys bellow forth across the blue globe, poisoning it.
Coal’s contaminants are burning holes across the crystal sky
And leaking nuclear waste contributes now… to killing you and I.

Wealth and politicians howl abuse at they who caution loud
Climate change, they disavow, is but a ploy to woo the crowd,
“**** the future for the now” is the mantra held by they
Who wield the club to rule the roost and pocket spoils themselves….today!

Overwealmed by monstrous change, management relinquish charge,
Service and supply collapse with climatic refugee collage.
Hurricane and wildfire spread in league with rising seas
Of course the leaders wring their hands and call on God to please, .....appease?

A vision of this shrunken earth with coastlines vastly higher now
With cities drowned, Atlantis like, where millions, dispossessed, do prowl,
Where law and order, gone, is now replaced by desperate **** and take,
Where the rich and famous bastion arms behind their futile walls of  hate.

Ask not for whom the bell tolls...It tolls for thee
M.
30 July 2019
New Zealand
President Obama’s Climate Action Plan

“We, the people, still believe that our obligations as Americans are not just to ourselves, but to all posterity . We will respond to the threat of climate change, knowing that the failure to do so would betray our children and future generations. Some may still deny the overwhelming judgment of science, but none can avoid the devastating impact of raging fires and crippling drought and more powerful storms. The path towards sustainable energy sources will be long and sometimes difficult. But America cannot resist this transition, we must lead it. We cannot cede to other nations the technology that will power new jobs and new industries, we must claim its promise. That’s how we will maintain our economic vitality and our national treasure - - our forests and waterways, our croplands and snow-capped peaks. That is how we will preserve our planet, commanded to our care by God. That’s what will lend meaning to the creed our fathers once declared.”—
President Obama, Second Inaugural Address, January 2013

*With an apology to Chris Hedges for a little duplicity here.*
Nat Lipstadt Sep 2019
the woven intercept

the crescendo soft ascending,
commandeers our riveting,
we do not surrender, taken, nonetheless,
our deference to an elegant wand wave,
combo hopeful and all encompassing, the helplessness

both well understood

the progression higher, steady on,
a rapture going to a defined ending,
concluding voyage occluded, for now,
but the setting sun rays us a plan, a path,
teasingly, soto voce lips moving, “this way”

follow on the unsteady water

restraining resistance failing, flailing weakly,
it is both early morning and late afternoon,
the light warms, but each, a timbre different,
the pitch and intensity tho one and the same,
yet, order confused, still, we are given-in

giving in unwillingly

absolution unrequested, but awarded anyway,
shelter from the storm of safe and warm,
children begin first school day, but adults
know better, beginnings full of risks unforeseen,
the season changes, normalized, but would be refused

if we could

the waiver offered, the woven intercept read,
emotional intelligence so fragile, on and on,
sidekicks, lovers, connected by a dotted line highway,
the space between permitting anything we want,
but contradictories say, wanting everything, impossible

but the viable solution singular

how do we leave it then? we leave it thus, clarified,
separation is a kind of attachment, voidable, when,
kissing comes calling, from all around the world,
the crescendo ends, we each have read the intercept,
it concusses, interpretations differing, yet we don’t care

lying through embracing lips


our tune is a mismatched matching,
a vision ending and yet anew hatching,
this is love, understanding, undefinable, undefeated,
a changeling definition, paths possessing multi-endings,
loving is the unceasingly, desirable imperfect struggling

unique, singular just like everyone else’s

9/4/19 9:07am

nml
(she'll know)
  Aug 2019 Nat Lipstadt
Where Shelter
lay this body down, where shelter is..

<>

maybe you’ve been here, HP, awhile,
faintly remember the nook of poetry,
the four old soldier chairs, worn to a gray shade indescribable,
facing the merge of the river and the bay, lookin out southwest,
today, in nearly summer over Sunday best,
wearing a new old navy lime t-shirt,
ancient Champion grey cotton flannel shorts,
summer uniform of the generation that went boom and bust

as the sun escapes through apertures of now and then,
interrupting the partly cloudy forecast,
lazy me risking an end of summer skin reddening chastisement,
but life without danger, no life at all, especially poetry danger

the windy breezes jabbering quite excitedly,
deep in conversation with the waves
that loudly enough are washing the shore,
beneath my feet sitting in the poets nook

the gulls are squeaking their point of view,
at will, saying to me,
who asked you poet?

discussing they, the day, when the humans will be leaving,
they tell day and season by the degree of temperature reductions,
knowing full well it harbors hints that our departure sooner,
till next we poetry nook

the Adirondack chairs, with no cushions, are now described
as “scratchy,” by the Wendy of my life,
two and something granddaughter, who returns next weekend,
with new insights and open to opportunities to “use her words”
to teach me anew how to see the loveliness that is my blessing

sometimes a human takes an inventory of life’s stuff,
the ex and in-terior terrain, wades through the moraine
that his glacier has dragged behind, the coarse detritus of his course,
de icing/deciding what to keep, what stone skip throw into the bay

I could sail from our dock to the Atlantic,
meet you over a pint or a pinot, or head down to the Panama Canal,
north to Portland or Seattle, cruise the Willamette,
go as far as Vancouver,
before the spring winter runoff,
show you my shock, the shock of well past gray,
now the white feather of my head, signifying...old warrior, as it
falls over my forehead, a new signature of my ever changing body,
the city doormen see, shocked, now call me honorifically “abuelo”

read a story from a harvard doctor who believes living past 75,
makes little sense, cause we use up more resources
than we could ever add back

no, not saying go die, but give up the meds,
the artifices to extend life
once you pass past the inflection where you’re nothing but a taker,
which maybe explains why wrote a dozen poems this weekend,
trying to expel what resources I can add to the world before I

lay this body down

the cloud bank covering the southern fork of long island,
thickly viscous like fresh honeybee secretions, after which,
some will

lay their body down

next weekend is labor day, and maybe I’ll labor more,
disgorging poems too long and too varied, perchance you will
enjoy one or two, as we both be closer to the day when labor ceases,
and we can unhurriedly

lay this body down, sheltered at last

from wind waves and gulls jabbering,
the alternating current of cloud and sun



8/25/19

3:40pm
SI
Nat Lipstadt Aug 2019
again, madness!

one eye tears, why must you return to the old familiar,
the poets prescribed, already so well covered?

why?

must. it is the only shade of my voice that persists,
all else vanity.
these are words handily eye-read, given.
all I need do is “repeat after me” somewhat well,
and fill in the blanks.
<>

he writes me, in another place, to another name, describing himself:

“I'm a charming man with a fragile patience.”

no sir, Muses order me to disagree,
you are a fragile man with a charming patience!

your fragility is a royal hallmark, embedded in every scribing,
this human indentation, always well hidden, on the underside of the wine cup, the base of the candlesticks, the inside of the wedding ring of your tying allegiance to the humbled humanity.

the charming patience is the wait time tween your visions of
the excellence of the common, the exquisites of the small,
the delights of loss and pain translated into mercurial milestones,
poems.

here I cease, for overly long praise is a river too long, no end in sight,
making great and wide just another poem.
<>

But!
he writes me, in another place, to another name, describing himself,
yet again:

”A thousand poems I don't write, but they get written
in my heart.


A thousand!
ours is the patience fragile, your innate screen that filters out

these thousand forbidden unwritten,
needs a cleaning, open the tiny apertures and release them, for we are the humans needing, for the breathing of your fragile charm.

<>
the Muses do thee attend.
their patience neither charming or fragile,
reminding me, they too have a thousand.

a thousand other ears into which to whisper that
imperative imperial command,
and they river no delay...
the days has come when I can only write of others, this is the only shade of my voices that survives.
  Aug 2019 Nat Lipstadt
onlylovepoetry
the cherry blossom accord/equation

”perfumers use aromachemicals to recreate a cherry blossom accord...(an accord is a scent made up of individual aromachemicals, that when combined, create a harmonious blend where none of the individual ingredients are able to be detected on their own).”

the odor of our lustful eyes,

the sweat, a unique commingling,
a sheen of salted oils body bathing,

crushed green petals of peaches,
crumbled together with the softy fuzz shavings,
the sediment of aromatic fruit juices drippings

our blending bottled in our brains,
none other would recognize but we,
to too two smell each other through and over
floors, concourses, cities, disparate distances

our ingredients secreted (secret),
our flavors cell secreted (secreting)
the world’s silly tittering aroma inserted,
our sparking fingertips touching
add a bush burning burnt odiferous

we seat across from each other in an airport
plastic restaraunt and everyone asks out loudly,
what is that smell, feed me that, taste me that,
as we are irradiating the atmosphere,
as we renegotiate our cherry blossom accord,
fresh signatures, updated, harmony of harmonies, notarized

she smiles, I joke, winking,
we must continue
to meet like this,
the fireworks of we,
of us,
to-gather to-gether,
a getting of giving,
she answers:

take me home and
bathe me in love,
give our bodies shelter
from the world outside,
beside a new spice
have I uncovered,
this will require some
discussion+exploration,
the quantity to be added,
the when, and the how!


what is this new ingredient?
asking puzzled and aroused,
she laughs
(a spice already included),
why it’s called
only love poetry






8/23/19 4:55pm
  Aug 2019 Nat Lipstadt
city of flips
The raindrop whispered to the jasmine,
“Keep me in your heart for ever.”
The jasmine sighed, “Alas,” and dropped to the ground.*

(237 Stray Birds by Rabindranath Tagore.  Rabindranath Tagore was born in Calcutta, India, on May 7, 1861. He is the author of many poetry collections, including Gitanjali: Song Offerings (Macmillan, 1913), which received the Nobel Prize in Literature. He died on August 7, 1941.)

<>

Alas

some words of note get overlooked,
their usage to the wayside,
this is life, forever updating its profile

Alas!

none of us, do not lie,
issue this all encompassing sigh,
this shaded heart rendering, un cri du coeur

this, to remind us:

a single warring word,
falls wounded, forgotten,
telling of impossibilities
lost love, a broken conjunction,
what was that can never be,
what never was and yet not impossible
someday

Alas! Alas!

a single word poem,
that answers so many things,
and still in its regretting
is a niche of untold hopeful perhaps

write me a word like that
your fame, if that’s all you desire,
alas,
is assured...

Alas!
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