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Liam C Calhoun Aug 2015
The *** stood stars on end, so to,
whispered, “play with me,” and in
haste we fled. We explored,
discovered, and devised something
bright, half something else sinister,
notarized – black roots pinned a
pink-scorched Mohawk, and
reciprocated, my wild “Mao-Mao,”
or so she’d named the hair on my
arms. The moon endured whilst we
knifed each other with each and
every gasp and sutured wounds left
prior lovers. I’d only come across
her name near the end, “Xiaolian,”
though the tattoo ‘top her leg, told
me, “Lola.” Come what mothers
christen us innocent would be a
poems in and of themselves,
addendum, the delirium aged and the
dance of neon atop our waterfall
soaked bodies - epic.
Lonely nights in Liwan; though loneliness + loneliness = hallowed.
Liam C Calhoun Aug 2015
My aunt’s in the garden,
     Growing gold.
My uncle’s in his new shirt,
     Growing mold.
My cuz’s in Af-ghan-i-stan,
     Growing cold.
I’m swimming in wine,
     Growing old.

This piece should make sense,
     But it don’t.
This piece should tell tales,
     Still, it won’t.
I’m home decades later,
     Or so I wrote.
My daddy’s days dead
     And so I’ll tote.
"Asylum Harbor" - A harbor used to provide shelter from a storm. Much obliged, Aunt "Patty."
Liam C Calhoun Aug 2015
Olive suits born red-dripped sagas,
Sing Mao’s song atop an oracle, “state.”
So parade smiles smeared sneer
And the lips kissed only one night prior.
Thus enticed the lady-soldier, the, “enemy,”
Liminal and it leads me to revive
The one time I’d hollered,
The one time I’d vanished
And the last time I’d ever love.
You can’t forgive me, I understand;

But please know you’re the only one
Who’d ever made me pause,
If only to swelter amidst the swans of a pond’s
Serenity, unbeknownst the encircling chaos,
So waited, atop the altar with only one question,
The one I’d never answer;
“Could you leave it all for me?”
I think, I really think and still fail to solve,
The equation wrought, if only plus lonely,
And’d offer the only answer I’d ever known –

“No.”
Years ago I fell for a girl in the Peoples Liberation Army (China's military) - that went really well, aha! Why do I always place myself in impossible situations? Oh, and "red book" is a reference to Mao's required reading in Chinese political classes.
Liam C Calhoun Aug 2015
If each and every grain were a
Year,
Than every knock would be an
Episode,
So came the story that is my
Door.

And,

One – was the loudest pound,
“Authority,”
When the P.D.’d nearly warped
Hinge,
So came my first night in the
Clink.

Two, three, and four – Love, only
Love,
And one of two later;
SLAM!
Or one silent escape, fled and
Sundered.

Five – was the knock that never came.

Six – “tap, tap, tap,”
Mom,
It must have been my mom, or rather,
Obligation
And she’d swear to my sisters, “he’s
Ok.”

Seven, eight, and nine – Deliveries,
Disguise,
Pizza, Chinese, pizza and not so
Famished
Anymore; fuel for the guts, guzzle for the
Words.

Ten – came a' “gamechanger,”
Tear-smeared-mascara,
And two hands atop your
Abdomen;
I knew atop the water your freckles,
You’d never need knock again.

So if each and every grain were a
Year,
Than every knock would be an
Episode,
And this would be the story, that’d ever
Be our door.
Looking at the door and looking back through the years - I remember every face and every "legend."
  Aug 2015 Liam C Calhoun
Vamika Sinha
I commit myself to the homicide
of my thought-flowers.
I indulge in the **** -
Killing my darlings
for the sake of art and sanity.
What a paradox.
I have bloodied my hands
with it even so.

No more love-lite poetry!
No more adolescent chinks of the
pseudo-heart!
No more infantile fork-stabs
at the plate of kid-intellectualism!
No more Wikipedia pages
on thoughts
that can swallow computers
whole!

I'm killing my darlings
for the sake of art,
for the sake of sanity -
what a paradox.
Blood is flowing.

I'm a murderer of ideas tonight -
today I will write
about many of life's very few truths.
Like trees.
Like soil.
These are the only constants in mathematics.
These are the identities.

In my garden, I reach out
to crush an
almost-crimson hibiscus.
Petals squelching with skin and nectar -
no perfume.
The hibiscus roils, unliving.

Red pulpy mess;
heart out of chest.
'**** your darlings. Your crushes, your juvenile metaphysics - none of them belong on the page.'
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