I’ve never stopped a heart-
The poem should end here.
It doesn’t.

The sound of the levees breaking was quiet,
I thought it would be bigger-
The poem should end here.
It doesn’t.

I was expecting shrieking sirens, stirring dogs,
and motion sensor porch lights chasing rabbits
from driveway to driveway,
I was expecting to shatter mirrors
and lower temperatures
with my very existence-
The poem should be over.
We should all be in our beds by now,
(but we've got six more miles until our exit.)

I've been keeping up;
brushing my hair and
vacuuming the stairs like it matters.

I've walked through this damp, hail-heavy winter
with wet socks, a back-pack,
and a sterling silver pendent of jaded righteousness
swinging from my neck.
I’ve kept my head down and
blinked smoke out of my eyes.

Something inside of me was rusting and rattling
and I wanted everyone to listen carefully
to my clicking bones.

A doctor diagnosed my sacroiliac joints as dysfunctional
and suggested physical therapy.
My mother diagnosed my humor as alienating,
my spirit as disillusioned,
and suggested to lighten the **** up.

I’ve never stopped a heart-
I don’t think I have it in me.
I’ve never stopped a heart,
but I’ve just about figured out
how to end this poem
without the heart stopping me.

I

Feel close or run
(our echoing is escape
not candlelight magic)

a renegade lulled them so deep
(touching sleek song,
foever in fear)

a blooming kiss, an endless beach
(imagine, suddenly)
the imperfect:
the feathering hope that sways and beats
in nervous possibility
(that illuminates everything that might)

II

You may resonate summer
strumming, wondering, yearning,
with gentle guilt beating open toward
uncertain, where strayed smoke appears engulfing
only them.

Her sleek, royal mine,
her sleek, raven mile

deny them your secret-
stay a hot, shut vine,
be a rolling wind;
uncharted,
without a dagger to breath through.

III

Rocking blue light
bared our language
raw
if screaming is showing
then these sweating seas
are rocking and pulsing
with nerves.

Your body is a flooding summer,
cold creek, navy blue kind of Royal.
Your journals are meaningless,
the alphabet has spoiled.
Confessions melt to wax in the heat
and you’re starting to confuse hope with home.

IV

Unwind,
entwined,
gladly waiting.

A dry, gilded sorrow sings to pierce again.
They hesitate; warm,
unfilled,
as silent-radiant boy lips
(who give us whiplash,
who deny our gaze)
empty, quickly collapse
into a slight withering, glow
and contemplate the fragments of us left.

V

Imagine a small, gold
moon lost within
the raging, rising winter

calling through the dark
for our touch

together our form trembles
in beat with the too-spun silver chain
swinging between your kiss
or me.


My catching heart
your rolling eyes
a false enemy with a veil
to rouse the rising world.

I wonder how desperate and passionate
spread through my newfound blaze
so hidden by certain eternity.

What I feel-
it’s
entirely breathtaking.

After miles of coasting,
trailing a stretch of steel remembered
more as an artery than a scar,

(back when the sun-stained arms
and scratchy palms that laid each track,
across an endless America felt
ageless and exhausted;
gripping great-grandbabies and bibles and whittled pipes,
fingers coiled and knotted with stories, ready to spring forth
and croon out if only they were ever asked.

They didn’t talk much during the inbetween:
that window of time when their bodies were no longer
cracking and howling, rooting rungs into dry grass
from ocean to ocean; fitting the landscape
with a skeleton of its own-
but before the true rest
when they let their bones shake out the tight
grip of untold tales
and sink into the dirt they helped carve.

You think of them now as dust and a rosary planted
under pine, a Sunday grace, a shared plot.
You do, don’t you?
You’re not really looking.

When was the last time I called the city’s bluff?
Can my vocal fry irritate the day-tripping crowds
And commandeer the cherry blossoms?
Can someone’s bitter-power slow solid-district architecture to a daydream,
where buildings sense the age of dust and kneel down in respect
like the postcards in the airport remember-
not our hot, sticky, fast Manhattan miles
which endure so little once the seal has broken and the sunburn has peeled?

Wandering past mystery, across novelty,
always with a book in hand and always through sunglasses;
like they’re expecting the boredom,
like they weren’t just two blocks away laughing and sobbing
in after-hours, foggy jazz highs
where they let their denim hips disintegrate in circles
and drip onto the floor before
crumpling downward from the neck
because no one listens
and because
everyone understands.

I never really notice the color of people's eyes but
I can tell you that the way you hold a pen makes me think
the words twisting inside of you
are streaming and surging and sharp;
a deafening waterfall I can't chase.
They're throwing themselves into the dips of your eyelashes and demanding to be set on fire-
they're screaming to be loaded into a barrel,
cocked and aimed at the crosshairs of your moleskine-
You're hunting wild words for the thrill of the ****.

I don’t remember your license plate
so each passing pick-up,
(cobalt, clean, too high to just step in) sends me reeling.
As winter fades, the memory of rushing heat
that struck bare shoulders and spider-scurried
in deep, mascara-laced blinks from your passengers seat vent
to the base of my spine replays sweetly-lonely,
it echoes tightly-comforting.

I tread sensory smiles because spring can't get here fast enough.
My boots are always drying.
My thoughts are always climbing.
I'm craving a day that has shriveled up
and blown away; giddy on these too-tough
March ghosts and gales-
being tangled in it feels almost safe to me now.
In a certain moonlight rejection resembles refuge.
No border tries to contain me;
I burned my passport.
I'm growing out my hair.

These light-and-sweet iced coffee, round-tummy, solid-thigh days
find me a galaxy away from the springy, sinewy nights of us-
the nights when I didn't slouch
and I had hands worth holding.
My shoulders aren't the smooth golden brown;
(shea-butter-softened, an amber, wrinkled velvet

that demanded your caress, 
that confused my heritage,)
they were when you were driving me places-

They're thicker now;
thick and full and that yellowy,
greenish kind of pale that pulls drum-tight over dewy purple veins.
Veins that weave and sprout in every direction;
that bottle Mediterranean blood across leaky night lectures
and fevered weekends.
An arrangement of flesh that smiles the picture of pretty health
and tired vigor with a vineyard tan;
but limps sickly sallow when dodging the sun.

I'm flipping through notebooks and turning out
coat pockets. I'm looking for any little bit
of my autumn daydream to slip out
and remind me that it was so much better
inside my head. The receipts have faded
and we didn't take enough pictures-
fingers clutch my memory’s b-roll negatives,
the soundtrack a roughly translated laughter
in a knotted, almost-vocabulary.

My hands are full of crumpled words
and the small, neon lighters
that I liked to buy and forget about
at midnight October gas stations.
There are words hiding in other places too-
words I've strung up
like Christmas lights and dubbed poetry,
the frozen solid words you held
which I begged for but could never extract,
and the noble, solid words you offered me
like a fireman's blanket while we both sat upright and facing forward
from opposite ends of the same couch.
The words that detailed, in no uncertain terms,
all the ways in which I was not enough.

I think, if I ever fall again,
I will let the dressed-up details
coarse through my veins first.
The descriptions, the elaborations,
the tacky garnishes-
they can bloom in my memory void of language.
I'll let the tiny bits that do nothing for me
perch on my sternum,
then, sweet as a mockingbird,
call out, sing to and mirror back the lives
and centuries and twisted roots
of migration and exploration within me.
My birth certificate is lying-
I've been biting my nails and humming
across six thousand years.

I'm still learning;
now I know the shade of your eyes,
the make of your car,
the cds in your glovebox;
they're fine details I can shoulder
through the winter and won't imitate
bullets the way words seem to
when it's time to hibernate inside my skull.

Maybe by next spring
I'll shake off the novels my thoughts
are dripping with and writhing on the floorboards in reaction to.
Maybe by next spring
I won't wake to find my finger on the trigger
of a loaded paperback gun,
its howling muzzle aimed toward the sky.

Let a little lonely thrill
careen from Ikea bolt
to Ikea ***** under the thin,
chipped legs of my folding chair.
Let it bolt across the
tabletop like a daddy long
legs when the kitchen light
flips on and hums into
a deflated, blinding brightness
at 3:26 am on a Wednesday in February.

Let a little lonely thrill
find its way past my loose
muscles and blooming skin-
let it melt down into my dankness
and start to sing so loud
that even my sweat radiates vibrato.

I want it to burrow from
ear canals to pastel brain
and flood my gums
after seeping through cheekbone
pores, hostile and sun-stained.

I need to feel it scream
its loud, grisly engine
to life from the parts of me that
might soon spoil.
I'm not moldy but you're
also not yet desperate. (Your checking
account can handle a few more
diner trips and coffee runs
and it's already Thursday.)
With any luck you can avoid
chewing on me entirely this week.

I am (silently, always silently)
begging
those manic hero spirits
that bounce
and rise across every pothole
of every road that my
tires didn't dodge.
(Whether by lack of skill
or lack of will is up for debate-)
I don't want the trails back.
What's the fun of tracing a failed
treasure hunt backwards?
It hurts more than it heals.
It illuminates exactly where each wrong turn
was made, ignored or aggressively denied.

I'll finish this road trip but
I know this whole playlist by heart.
I'm done with truck stop maps
that I can't fold correctly,
that I can't keep from tearing
along the creases.

I'm done with wine flavored Black
and Milds, wooden tip,
bought in boxes of five
or individually with dimes
and ripped dollar bills
stashed in the glove box,
kept there specifically
for the occasional urge to storm
any aspect of myself with concentrated
poison and my lungs volunteer.

I'm done with getting by on
metallic coffee four Splendas
and my white knuckles,
my raw nerves.

I've made it clear I can maintain this
grit that I've been dragging across
the Tri-State Area since last June,
but I can no longer ignore
the constant windburn
on my shoulders, chest
and forehead.
I need to spend some time with my back
to the express lane on the interstate.

I need a break.
I need to let someone else drive for a while.
I need to sit passenger side with
my hair down, bare feet hanging out
the window and lost in a daydream
that is so very far away.
I need to let the sun pour
wide and easy
into my open mouth,
janky limbs finally loose,
the words at the tip of my tongue
hitchhiking on the caress
of slicing traffic.

I'll keep my sunglasses on deep
into the night-
until each lightning bug has kissed me Hello,
Darling. Good Evening,
and it becomes hard to tell a yellow traffic light
from the moon.

I'll just coast. I'll know the salt in my mouth
is the day's hard work cooing at me;
that the sweat of my neck has been absorbed back
into me; stiffening my clothes and curling my hair,
until I'm back behind the too-tall steering wheel,
avoiding tolls and damp again.

Because lately I've been so tired.
I can't see straight to my neon-exhilarate.
I know a little time with my head lolling
again the seat, the window, you,
and a little sip of the landscape
taken for purely what it is
instead of what it's becoming-
will stretch my gut back where
it belongs instead of double knotted
to the tailpipe, waving along, air-drying.

Give me a few hours and I may
nearly forget the slow
burn of that ever-aching ghost light.
I think I'll close my eyes now-
If I focus  all of my energy toward
a mind and body learning
stillness, I can almost feel
a rhapsody at one thousand sun beams.
It's a new day in America,
it's a new day in my bones.

I picture them in a balmy hallway,
far-corner huddled; quietly, urgently
comparing their notes on ways I have loved.

They'll laugh at lame jokes and avoid eye contact,
each surprised by their own awkwardness.
One of them will quip the term
'eskimo brother'
and immediately wish he hadn't.
The rest will kindly ignore it.
The moment will pass.

They will slowly shed their discomfort.
They will remove their coats.
Sweat will bloom at collars
and trace knotty bumps of spine before
pooling into the space between
boxers and belt.

They won't openly discuss the
strange comradery
that accompanies the lazy river evenings spent drifting down the same mind-
but the tension pulling across
each of their jaws
will announce loud and clear
how frustrating it has
been to be cropped,
tucked in, paper fortune teller folded
and wrapped up into someone else’s idea of poetry.


Casually
then all at once,
they will get started.
Printed pages will uncoil from backpacks,
phones will emerge from pockets
and fingers slightly shaking
will chase the letters
of my name through search engines.

My sticky poems will fan out across floorboards.
They will lower their bodies carefully, not quite kneeling,
(and without mention of the bad knees they happen to share.)
They'll hover above each piece of evidence
and their eyes will crash along titles and memories-
they'll read with raised
eyebrows and pretend as if
they don't already know
each poem, each quick dig, by heart.

When they start claiming
and denying pieces
they will do so lightly
and without judgment.
'This piece is about you and the dry, delicate
tissue-shell of skin
she held out for you after you told
her to shed.
But this piece- this piece is about me
and the messy ointment
that ruined her clothes and
stained her blankets.
A doctor instructed she
apply the ointment to her hands
twice a day to treat
the burns my silence left
across her arms and throat.'

They will share a bit of rage,
A bit of regret.
A bit of shame, perhaps.
They will either miss me intensely
or not at all.
They will either own up
to the poems they begat
or begin refuting.
They don’t want any of
this chilly weight on their soul.
I understand.

They didn’t sign up for this, I know that.
They didn’t set out to rock me,
nor to dig down deep and get to my China.
I was happy to share, to whisper and recite blurry
morning confessions and epiphanies.
I was right behind them running toward the sand dunes,
waving a shovel and pail.
But I can’t feel bad either.
You all must have known:

If you happen to fall for a girl
who writes you must realize
that every smile you put on her face,
every stray hair you’ve pushed back from her eyes,
and quick habit she starts to crave
is fair game.

If a girl who writes happens to fall for you too--
forget it.
You will find echoes of the way your souls fit and fought
together until she has nothing left to feel on the subject;
(and you must be well aware
she's tidal, her feelings are icecaps,
they are melting but will trickle fresh
and renewed for centuries to come.)