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We come out of the cinema
like let loose young dogs of war
up and along the New Kent Road
the daylight blazing into our eyes

the roar of traffic in our ears
and on and up by Neptune's fish shop
-not to buy no more coins-
and wait by the crossing

both Enid and me waiting
looking at the opposite side
of the road at the bomb site
the opening of Meadow Row

good film wasn't it
Enid says
looking at me
through wire framed spectacles

her eyes bright not dull
as they usually are
no fear there yet
of her old man

traffic stops and we cross
the road and then run
onto and across the bomb site
I'm riding my imaginary

black horse shining like crude oil
and she just behind riding
her pretend white horse
-not side saddle like some lady

but like me on the saddle-
the whole world stops for us
we are riding a new Wild West
our guns firing at advancing

bad guys or maybe Injuns
with tomahawks
then she stops in her tracks
and stands there sans horse

eyes full of fear
what do I tell my dad?
she says
he doesn't know about the cinema

what do I say?
I look at her
my imaginary horse dissolved
and I walk over to her

see her visibly shaking
and I've been with you too
what can I tell him?
she says

I look at her standing there
her hands holding each other
her eyes fear glazed
say you've been with

some else to the park
what have you
she looks at me
I can't lie he knows if I lie

she says
create a truth
I say
what do you mean?

she asks
tell him you've seen
horses up West
up West?

yes West End of London
but he won't believe me
about that what horses he'll say
be creative tell him some

of what you've seen
she frowns
about the horses?
yes be inventive with it

she thinks
and we walk down Meadow Row
she looking at the ground
mind in thought

I look at her walking there
knowing she'll not get it right
no talent for the invented word
her old man will whack her sure

and as we walk up
through the Square
I see him on the balcony
standing by his door.
A BOY AND GIRL IN LONDON IN 1957.
19
You are, almost
Tell me your first memory of happiness.

Maybe a swing set above wood chips or
collecting ladybugs in your pockets or
a perfectly cut sandwich you didn't make
or the smell of grass mixed with chlorine
and sunscreen coating your skin under
a sky brighter than any future imaginable.
Pink frosting from cake dyes palms
into a canvas of sugary pigment
A popsicle melting down between
the webbing of eager fingers
Teeth are covered in chocolate and
face a mess and
all smiles,
it is funny how joy always seems
to be synonymous with
sweetness and
giggles and
the memory of being too young to remember anything fully.

19 is poison for a clock
it is reminder to wake up
after pretending to be
something you were not for too long
time is eating away the comfort
from your bones, I wonder
does candy still taste like candy
when it has grown stale?
when the shell has cracked and
all that remains is what's inside,
is it still desirable then?
will people still want to know
what you feel like against their tongue
after you've already touched the ground?

The same texture but time
has made its evidence on you tangible
The juice once spilling from your hands
has become wine
The summer sparklers have become remnants of
cigarettes on your nail buds,
ashes of trying to forget,
you are no longer afraid of fireworks
the hairbrush holds another version of yourself,
a near stranger with similar freckles who
once insisted on only wearing dresses,
now you struggle just to get shoes on,
it was easier when someone did it all for you,
everything is, that way.
I don't know when laughing became
a side effect instead of a soundtrack but
it still rings familiar, sometimes.

19 is more sour than lost
it is possible to know whereabouts with
a bitterness between your lips but
not all of your past is disintegrating
there is a love for saccharine that still remains,
more honey than cloying and
19 may be taunting down a candle to its wick
asking to be noticed but
it is ready to be uncovered
19 is golden
You are, almost.
Woman is a title that comes with too many consequences shoved into the spaces between each letter. I have worn it proudly, not fully understanding the heaviness it carries, or exactly what it means. I still don’t.

Summer camp teaches me how to shave my legs when my mother neglects to. I am eleven, with hair on my skin barely long enough to pull out when my bunkmates coach me on how to erase it. "Boys don't like girls with prickly bodies," my counselor tells me confidently. I soon understand that to be woman means to be bare, stripped, and clean, always. Being woman means catching the changes of your morphing body before anyone else can point them out.

I am raised to keep secrets. We call the parts of ourselves that we aren't supposed to talk about private. I learn to be silent in more ways than one.


Haley is my best friend. Together we uncover the mystery of womanhood untold. She loves a boy two years older than us and gives herself to him in his parked car outside her house during one of our many sleepovers. I listen as she confesses the details to my eager ears. We learn more about *** from each other than we do health class.  The information given out is too much and not enough at the same time. We are taught enough to do it, but not enough to ease our unknowingness.

Condoms are given out for free. Tampons are not.

Virginity was a concept we were told to maintain from early on. At 14 I want to get losing it over with so I do, with a boy two years older, in between his childhood sheets. I am high enough to blur the details, but not high enough to forget it happens.

I learn how to cauterize undesirable memory with substance, the way too many women do.

When a sophomore girl comes to school with a broken face, everyone is quiet. We all know about the fight, the pushing down the stairs, the bruising that swelled violently like her love for him. "I think he's even hotter now," I overhear someone say.

The first boy I ever love treats me like ****. I let him because that's how it works in the movies.

I love a straight girl with curly brown hair and a smile too much like summer. She kisses me and then tells me about whatever boy she is pursuing that week. It confuses me to no end.

Mia meets her first love when we are 17 and gives him all of her too soon. When he dumps her, I come over ready with a box of popsicles in hand.

We play with Polly Pockets well into our teenage years. The dolls live out dreams impossible for us to reach.

I realize vulnerability is not an option, but something we are born wearing.

A friend shows me how to keep my keys peeking through my knuckles at night. I hold them through scared fingers as I navigate the side streets necessary to get home.

Mom buys me glitter covered pepper spray, "because it's cute." I know her unsaid words and what she really means. "There are too many bad people in the world to not be cautious, you can never be too careful."

When a girl I don't know well is attacked in a back alley by strangers, we sit nervously the couch and talk about the terrifying reality, how bad we feel for her, and how awful it must be to go through something like that.

I call my best guy friend immediately after someone I know takes my body without permission. I explain the details to him of what happened, still shaking from the shock of it. I wait for his response, hoping for open arms ready to hold while I shatter. He sighs and says, "you should have been more careful." I don't counter. I shower three times in a row, tuck myself into the same bed where it happened, and pick up the cracked pieces of myself in the morning. I tell no one else after that.

**** is the punch line to too many jokes.
I don’t laugh.

In an anonymous thread, I read as people discuss the topic of ****** assault. My eyes lose count of how many times strangers say, "just because you regret it, doesn't mean it is ****." I have seen doubt ******* too many faces hearing the stories of survivors with dull eyes from telling theirs over and over again to people who will never believe them. Their truth is taken with a shot of uncertainty.
They ask, "Why survivor? Why not victim?"
They say, “It doesn’t **** you, you’re not a survivor.”
I want to answer that survival is a choice made in the aftermath of destruction, that we either chew our way through the broken glass or swallow it whole, letting it break us from the inside out. I want to say survival is not as simple as we didn’t die. Survival is consciously refusing not to.
Instead I say nothing.

I know girls with too many piercings and tattoos because they had run out of room on their small bodies to let out any more anger. I watch darkness fill their skin with its reminder, young girls who know pain all too well.

A man on the street calls out to me. I shake my head quietly because I'm afraid of the bomb my response could set off. I have seen too many ticking men explode for me to want to fight back.

I learn about abortion when I am too young to understand it, too self-centered at the time to try to imagine the fear of unwanted growing inside of her. I have grown to understand the importance of choice.

A guy tells me that if a woman has *** with more than five guys in her lifetime, she's a *****.

Someone I hook up with shares with me about how his friends audio record their girlfriends during ***. He laughs, I shudder.

"Guys don’t like it when.."  is a tip I hear almost daily.  

School dress codes mark my shoulders unholy, my shorts too miniscule. I am sent to the principal's office in 10th grade when I refuse to change into a top that doesn't show my lower back. I ask what my body did to have to learn this kind of shame. I am suspended for the rest of the day.

Beauty pageants teach me that perfect woman is exactly what I am not.

My ex boyfriend calls me a ****.

My other ex boyfriend calls me crazy. I’ve learned that crazy is synonymous with “she had an opinion that did not align with mine.”

In my college lecture we talk about the origins of hysteria, remembering how women in history had their voices twisted into insanity. I think about how often “calm down” is used as a modern-day-tranquilizer.

Us weekly tells me every week, in one too many advertisements, how to lose weight.

My campus paper posts an ad for breast augmentation deals. "Get spring break ready."

The size of my chest is too much a reflection of my brain’s capacity.

Being woman means too much in a language I do not fully understand. It is skin and bones, it is raw and blood, it is a mouth filled with words unsaid, it is fear and worry, it is an unspoken connection between us all, it is 75 cents to a dollar, less for those of color, it is censored body, it is *******, it is being too much to handle, it is being equated with less, it is we are the same but we are not treated so, it is we are human in a world we call man’s, it is we have been struggling under the waves for centuries, it is not drowning, it is still swimming, always
 May 2015 Joshua Haines
Mosaic
Study sleepy water
Build bricks in your showers
Try to find some balanced ground

Streets crawl like rivers
Buddha is the new potassium
Black is the new fast track

Try to find some Hometown

Tennis Courts are tea tables
              the places we sit and think
      Inside the box

Leave your scars/mistakes/All the pieces of you that are plates
                                       Fragile, easy to break
In the car, locked, just like your keys

Stand on rooftops with umbrellas
             Waiting for Meteorites        
Find some Peace of Mind

Or Open & Close them
  Like S.O.S
And signal for Help

Build houses like Sandcastles
To realize time is eternal
           But you aren't

Keep your childhood like a locket

You aren't a puppet
      Socks are

Find some confidence
      And let sheep be for counting only
Your eyes were an abyss,
a black hole that I could never understand.
But at that last minute, the last time you told me  "goodbye"
I had fallen and lost myself in that abyss.
Inside comatose and insomnia I wish for you.
In a sweet fever I call your name.. to get silence in return.
I wander through life with a numbness only awakened with hints of you.
In strangers I see parts of you,
a voice
a walk
certain features.
I find comfort in those strangers.
But they're never you.
And I remain in this abyss.
I expected to be a millionaire or at least that was what I thought.
I killed a homeless man to get the lottery ticket that he bought.
When I demanded that he give me his lottery ticket, he refused to give it.
I stabbed him with my knife and I foolishly thought I would get away with it.
After I cashed in the lottery ticket, I received fifty million bucks.
But the Police traced the knife back to me and I was out of luck.
When I took that poor man's life, I stood there and watched him bleed.
I wouldn't be in jail and he'd still be alive if it hadn't been for my greed.
Please don't be greedy like I was because it's a terrible sin.
Because of my greed, I'll never see the light of day again.
Even though this poem is fictional, Greed really does drive some people to ****.
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