She said "I'm falling in love."

I said "I'm falling apart."

I let different boys touch me
Because I wanted to know
Even for a second
What it felt like to be loved
Even if the love was cheap
And it tasted like ***
Like the punchline to a joke
I never got because it was me

I let different boys have different parts of me
Parts they didn't deserve
But I offered up willingly because I couldn't give anything else
after you broke me
I was looking for different fingers
to place different pieces and hoping  the outcome
would be a masterpiece
Maybe one of them would find a way
to cover up the handprints you left all over me

I let different boys touch me because I had to prove to myself
you wouldn't be the only one
that these scars marking my body wouldn't define
my worth to be loved
I am not entirely sure  
you aren't the only one who could ever touch me without slightly  flinching

I let different boys touch me because that is all I have been taught
To be a joke
To be silent
To be ready to give until you have nothing left
- they keep leaving me and I am to scared to offer up anything more than my body to get them to stay

~for those who will read this and weep~

the quiet ones,
the silent Job ones,
who quote not from the
Book of Lamentations,
but author their own,
based on-the-job experience

localized versions of cryptic elegiacs
accepting the wooden crosses borne,
stepping up to the
unrequested unforeseen,
then buried under, burnt alive,
yet never relieved by dying,
nailed by words, stronger than iron,
promises sworn, promises kept
with no ending date relief,
promises by and to themselves,
but not for themselves!

the wearers of crystal glass shackles,
adorned with decorative locks for which
no key did the maker make,
nor any divine creator
dare conceive an early release,
never no escape contemplated,
for the lock human, unrepentant unbreakable,
a decorative useless metaphor gesture,
a blunt “life *****” advertisement

I compose amidst a
bus pond of mismatched city folk,
a tapestry of ages colors and differing views on god/no god,
none would believe that as the bus sways me,
it’s in rhythm to holy choral music,
hundreds year old,
divinity masses and motets worships,
where one human can hide temporarily
a safe house,
to calm his questioning relentless
from the horrors of no answers,
for when the mind has no solution
to the rough and tumbling lives,
lived in glass shackled confinement,
the poets desperation equals theirs

summon eagles to transport these imprisoned,
but the shackled refuse,
I come to them but they wave me off,
I go crazy for once I was enslaved,
thirty years war that left devastation,
from which so many poems created

so I speak with heightened regard
of one who planned futures for others where his
non-existence was a founding father (ha!)

but the day came and
I was released by my own inactions,
but means nothing until a way to
away found
to release the yet bound early

got a couch, airline miles, hundred dollars
in my pocket and an unrelenting need
to save them, a consumption disease,
the glass shackled, at ease,
won’t rest till all are freed
this my creed
no one left behind

these cyber words do not mock
for they are unbounded, set free,
when
the flesh connects and the needs of the flesh
are stronger for they are in heart conceived

There she stands the willow
So calm and full of grace
Her twisted branches intertwine with outrageous strength
Her leaves tickle the wind with a divine grace
Her branches wave and say come rest with me
Just be she says just be
Her angelic spirit fills my thirsty soul

take the pain
and paint it over with pleasure
the softer the better
butterfly wings
cryptic things
in between the sighs and the screams
i please her and release her
hand fulls of thighs and of freedom