Eyes are not just eyes.
They hold stories of futures ,
seas and forest trees. Takes
a few minutes for one to see.
Look in your lovers eyes. Take
a moment don't just observe
their eye colour. Search for
stories and lost history. Look
hard and you'll find answers
for unsolved mysteries. Scars
of the past. Gardens bursting
into life. You'll find hope ,
new beginnings and a cozy home.
And if your lucky enough all
you'll see will be endless
amounts of love* ~

Now you know what you don’t want
You know what you want
Now you know who you don’t want

Where are you going?
Do you want to be wanted
Where are we going

We all want to be wanted

I’m curious about your experience of time. Do you feel like life is moving really quickly? Is your music one way to sort of turn it over and reflect on it?

WILLOW SMITH: I mean, time for me, I can make it go slow or fast, however I please, and that’s how I know it doesn’t exist.

JADEN SMITH: It’s proven that how time moves for you depends on where you are in the universe. It’s relative to beings and other places. But on the level of being here on earth, if you are aware in a moment, one second can last a year. And if you are unaware, your whole childhood, your whole life can pass by in six seconds. But it’s also such a thing that you can get lost in.

How have you gotten better?

WILLOW SMITH: Caring less what everybody else thinks, but also caring less and less about what your own mind thinks, because what your own mind thinks, sometimes, is the thing that makes you sad.

JADEN SMITH: Exactly. Because your mind has a duality to it. So when one thought goes into your mind, it’s not just one thought, it has to bounce off both hemispheres of the brain. When you’re thinking about something happy, you’re thinking about something sad. When you think about an apple, you also think about the opposite of an apple. It’s a tool for understanding mathematics and things with two separate realities. But for creativity: That comes from a place of oneness. That’s not a duality consciousness. And you can’t listen to your mind in those times — it’ll tell you what you think and also what other people think.

WILLOW SMITH: And then you think about what you think, which is very dangerous.

Do you think of your new music as a continuation of your past work?

JADEN SMITH: That’s another thing: What’s your job, what’s your career? Nah, I am. I’m going to imprint myself on everything in this world.

What are the things worth having?

WILLOW SMITH: A canvas. Paint. A microphone.

JADEN SMITH: Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.

WILLOW SMITH: That’s what art is, shocking people. Sometimes shocking yourself.

So is the hardest education the unlearning of things?*

WILLOW SMITH: Yes, basically, but the crazy thing is it doesn’t have to be like that.

JADEN SMITH: Here’s the deal: School is not authentic because it ends. It’s not true, it’s not real. Our learning will never end. The school that we go to every single morning, we will continue to go to.

WILLOW SMITH: Forever, ‘til the day that we’re in our bed.

JADEN SMITH: Kids who go to normal school are so teenagery, so angsty.

WILLOW SMITH: They never want to do anything, they’re so tired.

WILLOW SMITH: I went to school for one year. It was the best experience but the worst experience. The best experience because I was, like, “Oh, now I know why kids are so depressed.” But it was the worst experience because I was depressed.

There is struggle in every beginning.
What to write in these blank pages?

We get stuck in every white space we see
We stop in every blank space
We stare
We try to start

Words don't come easy

We struggle for ideas
We fumble for words

The thought process stops.

Catharsis.

The ideas flood our brains
The ideas pour
The brain leaks of ideas
But we struggle for structure

For there is none in these blank pages, white spaces
There is none.

We try to achieve form and flow
But there are none
All we have are fragments
of thoughts
of words

It's a stacatto of ideas.

Without rhythm
Without melody
Without harmony
For there are none in these blank pages
There are none in these white spaces

The words
are just lines
are just dots
are just strokes
that will never make sense

In these white spaces
In these blank pages

This beautiful mess.

Tear my heart, if you must
If that's what it takes
To show you how broken I am
Shatter my ribs, if you must
If that's what it takes
To tell you how hurt I am

Hold my hands as you do it
Tie my legs
Pin me down
Mask my mouth
Chain my body

Just don't look me in the eye
So I won't see
I won't see hope
I won't see love
I won't see life

Break me quickly
End it easy.

Is this a time to be cloudy and sad,
  When our mother Nature laughs around;
When even the deep blue heavens look glad,
  And gladness breathes from the blossoming ground?

There are notes of joy from the hang-bird and wren,
  And the gossip of swallows through all the sky;
The ground-squirrel gayly chirps by his den,
  And the wilding bee hums merrily by.

The clouds are at play in the azure space,
  And their shadows at play on the bright green vale,
And here they stretch to the frolic chase,
  And there they roll on the easy gale.

There's a dance of leaves in that aspen bower,
  There's a titter of winds in that beechen tree,
There's a smile on the fruit, and a smile on the flower,
  And a laugh from the brook that runs to the sea.

And look at the broad-faced sun, how he smiles
  On the dewy earth that smiles in his ray,
On the leaping waters and gay young isles;
  Ay, look, and he'll smile thy gloom away.

I am the flower that didn't bloom,
The broken record, out of tune,
Oh won't you love me, please hear my plight,
Because you're the thing my mind plays at night,
A rich symphony in your right,
I give into you without a fight,
You fill my lungs with much needed air,
You can't go,
Don't even dare,
For without you, I fall apart,
And that unbloomed flower, left, with a broken heart.