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 Dec 2019 Kim
Pagan Paul
.
Upon the warm winds of time
glides a perfect single word,
a flick of a wing sublime,
takes flight the faraway bird.

Space leaves room for another
who's adventure now would fly,
whispers the faraway bird
'Peace to thee, farewell, goodbye'.



© Pagan Paul (19/11/19)
.
 Mar 2019 Kim
phil roberts
There's a shower of rain
Yet the sun still shines
There must be a rainbow
Somewhere

An old man nods in his chair
He came from nowhere
And went nowhere else
Journeying all the way

Now he journeys through time
Down the aching years
Things that he's seen and done
Some good and wondrous
And some of them terrible

An old man nods in his chair
Travelling
Behind closed eyes
All the things he's seen and done
The people he's known
All the things he's said
Within his nodding head

Tears pour down his face
Down the canyons grooved by time
And yet he smiles
Gently and softly
There must be a rainbow
Somewhere

                       By Phil Roberts
 Feb 2019 Kim
Joliver
Okay
 Feb 2019 Kim
Joliver
If there was one word
One word, isolated by itself
That I cannot stand above all others
It would have to be "Okay"
I despise "Okay"
"Okay"
Is how your millionth day at work went
"Okay"
Is off-brand raisin bran
"Okay"
Is how you say life is going
When you don't want to admit you spend
Every second of it
Wanting to die

"Okay"
Is packed to the brim with
Hidden implications
Like a treasure chest
Filled with bottles
With little subliminal hatreds
Written on tiny slips of paper
Passively aggressively pushed inside
To discover later
As I pull out a treasure map
And try to decipher
Where I went wrong

"Okay"
Is a one word dismissal
That feels like an essay a thousand pages long
"Okay"
Is a poison dripping with disinterest
When I dared to share with you
Something I thought might make you smile
"Okay"
Is like trying to talk to a wall
While watching the paint on it dry
"Okay"
Takes two seconds to write
Yet I waited days
For that dreaded word
To grace my notifications
"Okay"
Should be used sparingly
As if each time you send it
You **** the receiver just a little bit
"Okay"
Should not be said so often that
I know what you're about to say
Like I saw it in a crystal ball
"Okay"
Is not looking up from your phone
When I tell you about my day
"Okay"
Is not the proper response
To "I love you"

They say that the opposite of love isn't hatred
It's indifference
And I can't think of a response
More indifferent to pouring out
My heart into your hands
Than "Okay"
At least the last thing you said to me
Before we parted ways
Showed that you cared
At least a little bit
"I hate you"
Stung less
Than the thousands of times
Over our countless conversations
You responded
"Okay"
Okay?
 Feb 2019 Kim
imai
she is, to me
 Feb 2019 Kim
imai
She controls her laughter,
lets it slip from the edge of her mouth,
the corners of her lips lift ever so slightly,
then, she makes a sound,
seamlessly, her fingers graze my thighs,
smoothly, her eyes meet mine,
and in her eyes, I see my reflection—
aflame, abashed, and fiery,

She is the answer I’ve scoured the world for,
and yet, she, herself, remains a mystery,

Ah, I see,
She controls her laughter
as easily as she controls me.
 Feb 2019 Kim
David Adamson
Dance was the shape her body gave to music.
 Jan 2019 Kim
Pagan Paul
.
Midnight sees a chain
of lights,
heading into the forest
so dark.

Follow the Will-O the Wisp
at night,
walk with the lone wolf
that barks.

Take that step into the unknown, the path that leads to me,
and I'll be waiting there somewhere, deep within the trees.

So walk that long path
in peace,
follow your dream as
it winds.

Keep purpose in plain sight
to release,
love that is not left
behind.



© Pagan Paul (13/01/19)
.
 Jan 2019 Kim
David Adamson
for Richard, the boy who narrated life*

Today, leaves are falling.
“One day Aaron will watch the falling leaves.”
The first day of school arrives.  
“One day Champ’s mom will take him to school.”

Life is the story of life, says the narrator.

Life expands. The story lengthens.
The intertwined threads begin to pull apart.

Life is surface and sheen,
laughter, tears, opaque signs.
The story strains after fictive frames,
the hero’s epiphany, the villain’s inner pain,
and undreamt creatures beyond human sense.

And so myth and magic
give form to stories
that we no longer star in.  
New worlds take shape
where the story creates its own life,
an escape from "the shock of recognition."

In time the threads converge again.  
Life’s pattern breaks and needs a new plot.
The stories yield their human meaning—
maybe we were in them all along.

The story ends and life goes on.
Life ends and the story goes on.
"The shock of recognition" is a phrase that I have lifted from an essay by Herman Melville.
 Jan 2019 Kim
David Adamson
Dear David:

We are deeply gratified that you gave us the opportunity
to read your poems.  Notice that we say “opportunity”
rather than “submission,” for truly you graced us with works
of such enduring power, so sublime, so transcendent,
that our humble words scarce can adequately praise
the sacred privilege of reading them.

Seldom, no, never has human experience been so distilled,
so purified, so exalted, yet so exposed
in all its paradox, its shades and sunbursts,
shouts and silences, the hiding places redolent of inner light,
as in these timeless works.  

A calm breeze from the desert’s edge at dusk,
the chatter of a mockingbird at dawn,
the rumble and crash of a hidden waterfall,
the laughter of a child unseen in a cool wood’s shade,
emanate so intensely from the shapes of these letters
that our faith in the power of language to evoke reality
has been nourished and restored to its proper place.

However, we regret to inform you
that your poems do not meet our needs at this time,
which are for relevant poems for the upcoming
theme issue on Hammer Toes.

We hope you will consider us for future opportunities.

Sincerely,

The editors of ******* Quarterly
Have been collecting a lot of rejection letters lately.  Here's my interpretation.
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