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Is it possible to fall in love with just someone's hands?
I hate to objectify a living being,
but his hands feel like home.
And I know it's not usual to compare someone to a house,
but they say home is where the heart is
and my heart has never been so settled.
It's probably wrong to be in love with a person's features
but not the actual person;
to move into their vacancy space and
make a home out of them
because, in return, they will fall in love with you
and you will not be able to reciporicate it.
After all, people do not fall in love with objects,
and when they do, it's possessive.
But I have always been selfish and this time is
no different.
Winter at night is like the sun
has been lost from the sky,
but still seems to light up the heavens.
And the moon is missing,
but you can still find your way
to your darling’s bed.
But I like to think               ✺
that the sun               ❋              ✲
and the moon                  ❉
are lost lovers                          
and winter is the only time
they can escape long enough to
steal a kiss from one another         ✺
in some far away galaxy that
no one knows.                            ❊
And without the moon          ❋
to hold control,
the waves go crazy
kissing the shores
aggressively and relentlessly.
And everyone is in love.
One winter someone asked me to write about love.

(I'd originally deleted this poem because it doesn't make sense with Minnesotan winters, but someone wrote me a kind comment, therefore I am reposting it.)
you can't find me in a summer dream
darling
i'm a 3 a.m. cold sweat scream
darling
you won't remember me like a soft breeze
darling
i'm a force that'll bring you to your knees
darling
no ragrets
  Jul 2015 Dominique Johnson
M
when you use all of your water on one plant,
you drown it.
You won’t remember this
but that time we sat
on the steps of your cousin’s place
in Brooklyn, Hewes St., one October night,
where we stayed out
and talked till three A.M.,
our fingers chapped,
our noses tinged crimson.
I remember it because
you were cold and I gave you
my jacket, the black one
I’d only just bought the day before
and you said wow, look at those goosebumps
popping up along your arms,
but sorry, I’m colder, I’m wearing this now.
We’d been to see a concert
at Madison Square Garden,
and they were all there,
Billy, Dave, Hayley,
to celebrate your birthday five days early.
They knew, you knew
every single word,
hurling them at the band
like verbal snowballs,
your hair a brunette blur,
strobe lights in our eyes.
We left with headaches
bursting open as flowers,
sweat trapped in my fringe.
Dave was into you,
did I ever mention that?
He’s been to see you
and sometimes speaks
but he finds it difficult.
We all do if I’m honest.
Anyway, we took the F
and then the J.
By 11.56 we were tired
but not quite tired enough.
I was going to walk you home
but we never left those steps.
We looked up and down the street,
said what cars we liked and why.
A Honda HRV, avocado-green
stood out to you, a hulking skeleton of metal
I said looked ugly.
You were lonely then.
Any attention was guzzled up, I could tell.
I rambled on so much
it stopped sounding English
but there was giggling, smiling,
puffs of breath whirling away from us.
You told me your only friend
was your reflection in store windows.
Surely not true.
We all said that.
Hayley told you to snap out of it
but you didn’t know how to snap out.
And when you rang on Friday morning
we all should have listened,
clutching our phones
making sense of it all.
Now you won’t remember
and there’s blood on my wrist.
that came from someone else.
Written: July 2015.
Explanation: A poem written in my own time, deliberately kept quite simple. Not as good as I wanted it to be. Not based on real events - locations are used fictitiously. The names stem from Billie Joe Armstrong (lead singer of Green Day), Dave Grohl (Foo Fighters) and Hayley Williams (Paramore).
All feedback welcome. Please see my home page on HP for a link to my Facebook writing page.
NOTE: Many older poems will be removed from HP in the coming months.
If you asked me to tell
where the ceiling ends and
the walls begin,
I wouldn’t be able to tell you.
When I think about you
everything blurs into black
like an unkindness of ravens.
And I—
You are
the only thing that ever
crosses my mind as soon as
dusk turns into night,
and I could never tell you why.
I like to think that
just as birds know when to fly
and time knows when to die,
I was meant to love you.
When you are too afraid to tell someone "I love you" so you write a poem that dances around the subject
How do you stop writing about pain
and start writing about softness?
How do I stop talking about the way it hurt
when you hugged me so loosely?
Like if that's how you gripped me when my life depended on it, I'd go tumbling down?
How do I stop writing about emptiness?
About how, though there are millions of
stars in the sky, there are gaps in-between
all of them and sometimes the blackness
swallows me?
How do I start writing about how
comforted the sun makes me feel when it
wraps it's warm rays around my wrist
on days I hang my arm out the driver's
window?
How do I start writing about how big the
world is?
About how, if I wanted, I could pick up and move to anywhere on Earth?
About how colorful the world is?
From indigo skies
to infinite pallets of quizzical colors
that boggle my mind and keep me in
wonder?
About the greens of rainforests, and reds of
dirt, and oranges of canyons, and yellows
of light, and blues of seas, and purples of
mystery,
and how when you combine all of those colors, it paints hope in the blackness that
lingers in dark corners of me?

I guess it starts here.
I always write about love and heartache and wanted to try something calming. I wrote this in about 5 minutes, I don't know where it came from.
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