♠  ♣  ♥  ♦

Here’s to avant-cryptic stanzas
Nihil-angst extravaganzas,
Ghazal, Pantoum, endless Haiku…
such may cause the Muse to strike you.
Dada, Tanka, cinquains, Centos
existential verse  mementos –
yes, they’re mildly amusing forms
but finally fail to transcend norms
of poetry-induced despair
(a common modern-day affair)
brought on by formless abstract lines
of current verse. The warning signs:
eye-rolling, growling, throwing books
yelling at websites, ***** looks
at writers with advanced degrees,
a raging sense of vague unease
with life and letters. **** what’s new…
one wonders what we’re coming to.

When meaning is replaced by style
and editors extol the vile
you know that doom is on its way.
The poets don’t know what to say
but fool around, devoid of rhythm
(that’s why no one wants to hear them
let alone READ them). What a lark;
like rain-soaked matches in the dark.
Poetic dullness thus delays
to kindle light or spark a blaze.
Sad vocation: analyzing
wordy scribbles. Agonizing
over esoteric twaddle
(makes one want to hit the bottle –
or the poet). Was it ever
this way? Will the next endeavor
lift us toward the lyric splendor
or return us back to sender…

♪♫♫♪♪♫♪♪♫♫♪

Revelation:** three, seven – the Kingdom of Heaven

The key to unlocking both glory and shame.

Philadelphia knows He’s arriving in newness

inscribing on foreheads His city and name.

(Though it could be on tee shirts or baseball caps, true –

unless someone takes time to decipher the text…

is it Greek? Aramaic? Amharic? What next?)

Don’t be mad – it’s not me but old John who’s to blame.

Of names and on numbers of Savior and Beast

I have long been a-pondering, trembling, wondering

mushroom-cloud raptures in mind’s eye a-thundering.

How will we get to that marriage-day feast?

Will my garment be ready or filthy with fall-out?

(The song says His blood will make clean if we call out

in faith for forgiveness, in humble repentance

believing that grace will abolish the sentence.)

You may wish my rhyme to be likewise abolished.

Bear with me. Forgive me, I grant it’s not polished.

I speak what I feel and I write when I’m able;

which brings us to heavenly thoughts gastronomic:

what dishes we’ll meet as we dine at that table-

strict Jewish? Angelic? Or pre-Abrahamic?

Shall they serve us from silver or common ceramic?

Being clay to the potter, an unfinished vessel

I leave all these questions for others to wrestle.

Yet there’s still one more realm I explore in conjecture:

the sounds at that gathering.  Classical?   Rock?

Unending revivalist Christian refrains?

Shall we headbang in heaven with glorified brains?

Psychedelic/Psychotic…? or  Handel and Bach?

(Lighten up. It’s the end of my bible-school lecture.

You’ve seen a few rooms of my castle-in-air,

and we ALL know it’s reggae they’re playing up there…)

茶


Cruciform character;  flowering daughter of orient Wisdom’s delight

A hymn to thee, beloved bush and Tree of Life, I raise.

May thy plucked leaves forevermore renew their gracious budding

Even as thy captured progeny produce, in death, thy praise

Like captive Hebrew exiles driven far from Zion’s hill

Loving still their Judge and punisher, recalling golden days…

In this cup of glorious elixir, infusing life with cheer

Asia’s attributes unveil, while I upon her marvels gaze.

Serenity enfolding, I forget all those before

In a rapturous caress I swiftly yield to her embraces

Nevermore to recall the ****** bean of Abyssinian lore

Ethiopian witch and desert hag, dark seed of nomadic races!

Now I hail the truth, whose leaf I love: L’chaim to the brew I adore

So sit with me and sip some cha. Let us kiss her myriad faces.

I scribe these lines in gratitude to that plant who soothes and inspires

Sweet Camellia, my love…  I read in the leaves
                                your ascending triumphant traces.

Rebellion – for too long the status quo,
is, in our day, a predictable show.
Antichrist irony, absurdity
shockingly daring incongruity
no longer shock the bourgeois, you know…

Alone in the temple of glass with a rock,
you’re out of traditional symbols to mock.
Surrealists did it much better than you –
and it meant a lot more in ’32.

You chew your cud on the cattle-wagon
overused shock-tactics (moo ! ) now draggin’
(or herding) aboard the iconoclast train
(b)lowing through boxcars your bovine refrain:
“to, um –  make people think…”  Oh Lord, how uncouth.
Nihilist narcissus – tell me, what’s Truth?
Must creative always be subversive?
I discern, in your frenzied discursive,
a dull and predictable lack of life.
While you brandish that plastic butter knife
I  seem to note, in your constant ******,
dearth of artistic ability.  Must
bohemian acolytes (some yawning)
ever be deer in the headlights, fawning
before the ironic gesture? It’s sad;
the bitter is sweet but the art is bad…

They circle hors d’oeuvres on opening night
like moths around white wine in candlelight,
cerebrating in a modernist void:
contemporary aesthetes, overjoyed
to know once more that life has no meaning;
the planet is doomed; that kings are queening;
that chic just arrived, escorting philosophy
(Forgive us, Duchamp, for all this monstrosity).

I long for Hudson River School sunsets
Old Dutch Masters, religious art, portraits,
Red, green, or black propaganda-art?  NO !
The view does not merit the price of the show.
I’m dada-ed to death, beyond the surreal.
Conceptual gimmicks have failed to conceal
your want of ability, values, and faith
In the book you despise it is written: “thus saith
the fool in his heart: that there is no God…”

You: Postmodern Art – **to the firing squad!

For we are unto God a sweet savour of Christ,
    in them that are saved, and in them that perish:
    To the one we are the savour of death unto death;
    and to the other the savour of life unto life.

                                            [II Corinthians 2:15, 16]

I take an ember from the pyre
and consecrate this smoldering fire:
a glowing coal on which to burn
an aromatic thought, and earn
a crown, perhaps… or a stampede:
mad hooves to make a poet bleed.

An ode to the dull-wit herd’s defensors:
self-appointed poetic censors.
Where would we be without the squeal,
their rolling eyes, their bovine zeal?
Quick to enforce what’s orthodox –
(upon their coward souls a pox)
swift to castigate dissent
their peeved opinions swift to vent –
lest people think that poetry
should harbor strength or liberty…
They offer up their condemnation
spiced with righteous indignation:
“Racist, sexist, bigoted too!”
(which means they disagree with you)
Their catch-all battle-cry for trouble:
“INTOLERANT !”  (They are intolerable.)
“It’s narrow-minded, mean-spirited, hateful.”
Such input ought to make us grateful.
Theirs the reactionary faction:
poetic thought-police in action.
To stand opposed, reviled by such
may indicate perhaps, a touch
of true and living inspiration
causing unsympathetic vibration.

If wit in rhyme has touched a nerve
for bold opinion, dissident verve,
then let their frowns be crowns of laurel
rather than further cause for quarrel.
Accusation by the herd
is compliment enough. Preferred
to empty praise for vapid lines
from toilers in depleted mines.

Cows are fattened for the feast.
They have a space to moo at least –
then comes the reckoning at the end.
But a Poet’s curse is to defend
inviolate, his chanted word
against the corn-fed lowing herd.

When they, in turn,  inflict their verse
no vengeance dare we take, nor curse.
But calmly, let us pour upon them
words that build into an anthem
strengthened by scorn, a song of change
to goad their dullness, and derange
their poetaster fantasy
exposed as moral bankruptcy
symptomatic of a dying nation
set against lyrical liberation.

I pray my words may rise to heaven
free of rancor, void of leaven
a fragrant smoke of life to life
ascending God-ward through the strife.
(But let them rot, a charnel breath
to dying souls as death to death.)