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Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping—rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
        Only this and nothing more.”

Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
        Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
    This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping—tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door:—
      Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering,
  fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”
      Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping, somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment, and this mystery explore;—
    ’Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he: not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
    Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no
  craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
      Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
      With such name as “Nevermore.”

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered, “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
      Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope the melancholy burden bore
    Of ‘Never—nevermore.’”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and
  door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
    Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my *****’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
      She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath
  sent thee
Respite—respite aad nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!”
      Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
    Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
      Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked,
  upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
    Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
    Shall be lifted—nevermore!
this poem
is not about you

even though
your spirit is in every word
your voice sounds strong
in the halls of my mind
telling me things
I am now sure
I want to know

this poem is
about me

trying to understand
you
Pour energy
into your
words

Write with intensity
so great
that if you held the page
from a mountain's peak
your words
would be mistaken
for
stars
wow! I'm so honored to have been selected for the daily. I feel like there are far more deserving writers than I!
Thank you everyone for reading my work and all the lovely comments.
Please use the tags below to read some great works from great people :)
-MB
 May 2016 complexify
niamh
For tears that fall
On hollow cheeks
When the weeks feel like years
And the years feel like weeks.

And you sit by a grave
Where the roses grow
But the rose that you seek
Is buried below.

You have my heart
Heavy with sorrow
For the velvet rose
With no tomorrow.
Absolutely over the moon (if a little shocked) to see that this piece made the daily.  Thank you all so much for your comments - I promise to reply to you all individually at some point soon.  It was an extremely emotional, difficult, but ultimately cathartic write. Dedicated to our wee Shane, who we will never forget ***
This new world order
is more like disorder.
such a serious disorder
psychological disorder!
There's no more Syria
all is left is Fearia
and here in Serbia
it's the State of Disturbia
we're severely disturbed,
our minds are polluted
we're like half-people,
alive but executed.
Some big sharks
sharp their teeth on our bones.
World is again invaded by fascists
or their even worse clones!
Inspired by morning news, I just wrote a poem.
 May 2016 complexify
Lavina Akari
pain makes others creative, why do i have to be the one
who becomes empty? i can't move my fingers properly.
my brain has rusted, it is covered in cobwebs and dust. i have tried so hard to make peace with my demons but they refuse to let me move.
they pierced their fangs into me and they are draining me of everything i once was. i am a limpless, grey figure in this white room and
i am invisible. it's shifting between complete numbness
and excruciating agony, they're rolling a dice each
day to decide which it is.
pain makes others creative,
why do i have to be the one who becomes empty?
you were the little rain,
and i was the hurricane,
everybody knew you were meant to fix something,
and i was meant to destroy everything.
you are the definition of lightness,
while i was the meaning of darkness.
your body is the realm of all the lost things that are found,
while mine was the other way around.
to sum things up,
we were the polar opposites.
the east and the west,
the tame and the wild,
the day and the night.
when i was young,
people would say that someday,
someone will knock on your door and when you take a look at it,
you will not recognize who the person is,
your mind will be blasting with the questions,
"who are you?", "what are you doing here?"
and maybe you would even tell the person to get out.
but the person will leave something in front of your door,
a thing that you perhaps wanted or despised,
a thing that even the closest people in your life can give,
but instead, this time,
a stranger will.
it's called the unexpected.
you came knocking on my door one day,
thinking you can settle things with the hurricane,
at first i just laughed and said,
"nobody can handle the hurricane."
however after that i never thought a little rain
would have so much effect on me.
that was when i realised you are also the thing
that you left in front of my door.
you are the unexpected.
and by means of unexpected,
you never did anything i expected you to do.
you didn't give me mix tapes of the songs that remind you of me
but my favourite songs are nothing compared to your voice,
one simple "hello" of you will make me stop listening to my playlist.
you didn't take me to art museums
and admire the wonderful paintings with my presence
but you made me feel like a living masterpiece every single day.
when i told you i love art,
you asked why don't i love myself.
you do not connect me to a rose,
or to a smoke,
you do not make metaphors for me
and you do not love poems as much as i do
but your words have the power to hit me more than any other poets could
and i am just a coward to not admit it.
you didn't call me at 11 pm to ask
if i wanted to go see the stars,
like i've always dreamed of.
but just by staring at you,
i can see the stars, the milky way, even the whole universe,
and i knew that moment
that there is no need for stargazing in the middle of the night
when i can look at you all the time.
you didn't enjoy my favourite shows,
you couldn't take it because of how much blood was shown in it,
you hated blood,
and i saw beauty in it.
you didn't think raisins taste good
when in fact they were my favourite food
(actually, you even told me they taste bad.)
and you didn't think that the wolf and the moon were in love,
when that was my favourite love story of all time.
this is probably a poem about
our disparity,
our contrast,
and our dissimilarities.
but you did something that i never expected you to do,
you did the unexpected.
you found the light in me
no matter how dark it might be.
my body was no longer the realm of lost things,
because you've done everything to find them.
and i was no longer the hurricane who is known
to destroy everything,
because for some reasons i couldn't destroy you,
you were the exception.
despite of all the things i wanted you to do that you never did,
the mix tapes,
the museum dates,
the appreciation of poetry,
the stargazing.
you did something that took my breath away,
something that i couldn't ask for more,
something that was unexpected.
you loved me,
and that was enough,
**that was more than enough.
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