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This bar has seen the past as it has been washed clean by today.
Known the scars of fights past lingered in the moment only to  see it replay.

Old friends and past faces we've known together so many years now  I stand alone.
This bar is part of my soul as a ghost I remain long after my life and these doors come to a close.

To the raised glass and closing time dance .
Are waters have seen many a storm tomorrow will be no different my friends.  

Amber the whiskey gold held to light the pint glasses perfect hew .
Time has left us all fragmented time breaks the soul ,time is all that is the history of me and you.

A toast to the nights they paint magic without canvas my thoughts a evergreen signs of neon cast the best ******* shadows my dear.

This bar stands eternal a ghost as myself .
The fog holds mystery but none for you .

Closing time has come .

Cherish your thoughts for it's all we truly ever own my friends .
 Jun 2014 Angela Mary Pope
KA
the CRAZY creeps up on me and seeps into my life....

drip drip ... i go into the dark.

hiding, i lurk in my evil.




KT June 17, 2014
I remember asking my dad,
“How many stars are in the sky,”
and he said something like,
“Way too many to count.”
But I’ve counted.
And after recounting
                                      and recounting
and scribbling in my notebook
under my fathers flashlight
I can tell you that there is
indeed a number.

And to this day I prefer
reading the stars over anything.
They’re the oldest book ever written.
Space: the oldest canvas to be sewn
and the cosmos the paint of Picasso.
Each spec is its own character
each pair a set of eyes
where I can lose myself in their gaze.
A celestial connect the dots
where I collect the pictures
and pick out my favorite spots.

But when my son
is old enough to ask,
“How many stars are in the sky?”
I’ll just hand him a notebook
and tell him to read what he sees.
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
©Sebastian @http://hellopoetry.com/sebastian/
 Mar 2014 Angela Mary Pope
hkr
we grew up together:
postcards for parents
and cigarettes
for fireplaces
we were best friends.

year twelve
//september//||||
“welcome back, boys and girls.”
knees together. shoulders back. chins up.
welcome back, she means, to the routine of
eight am target practice,
courtesy of the handbook.
they get to dolly first
“immaculate as always, dolores. how is your father?”
then hermia
“i see you failed to purchase proper burgundy over the summer”
i hold my breath
“mary dear, my how you’ve grown”
and let it out as they move onto
“good heavens, alice, put on some clothes.”
she rolls her eyes.

in the bathroom i tie my shoes
to a soundtrack of gagging
and spray perfume down the toilet
when she’s finished.

she locks our pinkies
like we’re back in year nine
don’t tell dolly

//october//||||
the lower the sun sets
the more we’re in dolly’s room

she brews coffee in her contraband *** --
she won’t smoke with us, but coffee
is worth breaking rules for --
and tucks us into her bed
to tell us fairytales

yet somehow, it always ends up being hers

she talks about him
like prince charming
like he doesn’t have
a face of zits and
a weird haircut
like she can see
a future in him

alice gags under the covers
this time not out of self-hate
but disgust
and dolly laughs like a grown up
you’ll understand one day.

she does a little spin into her bathroom
to fix her makeup; “seeing him later”
and alice whispers
“if she weren’t dolly
i’d swear she was on the hard stuff”
i find myself trying to remember what it’s like
to be so happy
i could pass a drug test.

//november//|||
we’re smoking by the pier when it happens
with some sad boys
hermia seduced for cigarettes

she smokes the prettiest
and we’re convinced she doesn’t swallow
but a cigarette is a cigarette

alice always smokes like its her last
and i guess the boys like the way
she lights theirs for them

i’m not much of a smoker
but a boy from alice’s algebra class --
math for future ivy dropouts, as she likes to call it --
lights one for me anyway
and tells me his name
but both are forgotten within minutes

partially due
to my adhd [diagnosed by alice]
and partially due
to the security guard that rounds the corner
algebra snuffs our cigs and alice’s clan snuffs theirs,
but hermia isn’t so lucky
after a streaking incident last year
she’s been convinced they’re out to get her
and i guess she was right.
we offer her the coffee ***
as a goodbye present
but she pierces our ears instead --
what she promised to do for christmas --
and tells us where she hid
her lighter.


//december//|||
it’s just alice and i over break
since dolly has family
that actually comes home for holidays

i get a card from my parents
and alice doesn’t get anything
but when we walk into town
she treats herself to some hair dye
after all, it’s a five-fingered sale

my heart doesn’t beat in my chest
when we pass the security cameras
but i find myself wishing it did
wishing i remembered
guilt

an hour later
alice rinses the dye out
and emerges from the shower
the stretch marks on her legs
reminding me why
i let myself go numb

//january//|||
it’s new years and
we’re in somebody’s dorm room
watching fireworks on tv

everyone’s paired up;
dolly with her prince
alice with the same dude
hermia slept with,
rubber in his pockets
and me
with the sad boy from the pier
laying in the dark

he smells like the boy i lost it to
and i want to be sick
but when he kisses me at 12
i let him

some ******* pulls out a sparkler
i hear the fire alarm
then suddenly we’re drenched and
screaming, wet rats in the street

they call roll
no dolly
no prince

we wait for her in her room
alice falls asleep
until she comes in sobbing
a mess of
it was perfect
until the fire alarm went off

and
they’re shipping me out tomorrow
and, the quietest
he says there’s no point
in long distance.


//february//||
there’s snow up to the windowpanes
and everybody’s depressed
alice stays in my room
and they let her
knowing she has a history
when it comes to february’s

i.e. if they make her get out of bed
she’ll call her father

nobody has to know
that she lost her phone
in the snow last week
or that
even if she hadn’t
he hasn’t picked up
in months.




she likes to talk to boys instead
when she’s lucid
she brushes her hair
and opens the window
and hollers back at them
when they whistle

nobody has to know
she’s wearing her pajamas.

//march//||
when the sun comes out, so does she
“i’m going for a walk”
she says, in her pajamas
she borrows my phone to make a call

but that’s the morning
and soon it’s noon
and i wonder
how long one phone call
could possibly take?

when she isn’t back by dark
the school’s 911 call
only takes a second.

//april//|
they find her  body
at the bottom of the lake.

//may//|
“and what legacy have you given back
to the academy?”
i put on my graduation cap
and wonder
if the cigarettes
the sparklers
and *****
in the bathrooms
aren’t quite enough.
 Feb 2014 Angela Mary Pope
KA
Simple put...
I am crazy
agitated and wanting
passionate and sweating
needing too much
the want engulfing
hating myself
skin craving
I am lowly
I am retched
a soul of the most basic
thirsting beyond any satisfaction
lusting beyond quenching
my soul waits
watching the sad small one
my being a wreck
I wait for satisfaction
I am my worse me
tangled
I wait

KT Feb 25,2014
I.
Well you know that I sip on my sadness, my dear,
filthy palms, filled to the brim.
And I know that you watch trains
passing by, dizzy eyed, still drunk with sin.
Your teeth reek of reality lately,
You smile facts, figures and cracked calcium.
Now, once more with cupped hands
leaking, shaking delirium up to your chin.

Well I know that I’ve missed the point, honey
I should get it tattooed on my wrists,
but you know you talk like firecrackers
so flinching gets awful hard to resist.
I make believe that I’m right like craters
make moons believe.
So I’ll comment on comets and ignore
truths popping between parentheses.

My delusion has your lips liquored up,
but I notice your tongue...

II.
You say,
“It’s fiction we live in. You play in pastels
and fake hollywood rhythms and I’m tired,
staring up at your screen.


You're addicted to this diction. My voice is lost,
screaming these words you keep stealing
and twist for yourself what they mean."


III.
Your lips liquored up,
but I notice your tongue's not numb.
Drink deep, darling. Let's inoculate.

IV.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."


It's this clothing, from bedpost to box-spring,
It's all wax-coats and smoke screens,
live lit-candle lasting
When did skin begin to fit wrong?


V.
So they say, one day
Or, one day, they say,
we’ll find ghosts sewed to the seams
of Fringe Wolf bones picked clean
who waltz wicked and crooked a foxtrot to show
that sometimes loss is beautiful.
And when I ask for your hand you’ll look tragic
like this dance was only ever for me
and my feet always fall off beat
Like I beat off any discreet romancing
To pretend that this dancing was
Anything more than masturbatory.
I guess I do dance the way I drink:
Heavy handed and troglodytic
And a little listless, but I always fight it.
So while you walk away, I’m drowning drunk in cinderblock boots; Toe-tapping a slurred S.O.S. like some song you kept whispering.
You keep whispers like keepsakes.
You speak so soft but
Baby, your voice sticks with me
like sickness.

VI.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."


Alright, it's fiction that we live in
It's intended for men like me, bottled, up-ended,
but at best I just seeped through your teeth.

VII.
I stitched script to my chest like a scarlet letter vest that attests there's no Soul here worth Saving but ******* come save me anyway.
Your voice sticks
to my ghost-sewn, sea-floor bound foot steps like sickness.
Tread lightly, my love. Let's inoculate.

VIII.
So when they ask for me at the after party
With neon eyes and harlot tongues,
You can tell them I traded this stale air in
For forest fires and tornado lungs.
Because I’ve been reading up in matchbooks
how to dance with disastrous fate,
and I'm finding my rhythm so wake silent
or sleep long, my love. Let's inoculate.
When my grandfather passed away, my brothers and I held my dad with slanted eyebrows and stiff, silent upper lips. Because we are young and foolish and still learning. Because we’d never really had to do the holding before and, as far as we knew, this is how men mourn.

We dusted antique left-behinds with delicate, moth-wing hands that fluttered here and there and never stopped trembling -- dead giveaways that within the corridors of our arms our heartbeats went stampeding, arrhythmic. We couldn’t quite bend them into the proper shape for prayer, so instead we ran them, with touch somewhere between float and feel, along every ashtray and age-stained picture album. In that moment I think we each wished that memory read like braille, but no one ever said as much. Because this is how men mourn.

We honored our patriarch with whiskey, hidden away for what must have been twice my age, between the carved out pages of old stacked books.
We drank like secrets. His portrait played witness.

We promised between our teeth with tinged lips tight, keeping words in that might otherwise crumble us like great ancient empires.

We singed and smoldered in a burn that coated our throats, quelling a choke that kept climbing its way up from a chest that never quite stayed sunk. Boys grow up loving the clinking twist of unlocking deadbolts but men peek through keyholes. Because this is how men mourn. Silent and straight with head only slightly slanted.

But when my father betrayed his rigidity with words that clicked clean like unfastening locks, we traded this stale air in for wind laced with the electric taste of thunderstorms. We forgot how men mourn.

When my grandfather passed away, my brothers and I held my dad with lightning behind bleared eyes. Because we are young and foolish and still learning. Because we have umpteen days left to dress in bittersweet vestiges and, as far as we know, this is how men live on.
I fell from the bottle, landed at your door
unraveled before you I can't do this no more
Blindsided, triggered you lay me to waste
How am I gonna to get out of this place?

I scream at the wind my suffragettes prayer
For redemption, deliverance from despair
I run with the river, dive into the storm
Chasing transformation, to be reborn

I question your motive, do you understand?
Dry land falls, I'm washed up on the sand
Craving and clinging, gasping for air
You sit mostly in silence, do you really care?

Sweating the seas, aching for more
Resisting and wanting, fearing the fall
Grace is a mountain, life is a tree
I sit in nature, it breathes life into me

I'm ragged, exposed, I am here, I am now
I look for repose, it finds me somehow
The winds sweep the streets, storms overtake pain
I am searching for me, only I remain

I run with the river, I dive into the storm
Chasing transformation, to be reborn
Words tumble freely into your lap, onto the page
I cry, full of tears and anger, sadness and rage

But play me a soul song, sing me to spring
The rhythms of life let the insights in
You broke the tide, I surfed the wave
Daylight comes slowly, my dance is remade
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