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ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A

BLM activists are so stupid that they defaced a statue of Whittier  unaware that he was an ardent abolitionist 🤣
Michael R Burch Mar 2020
Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress, and beguiler!
I implore you, dread mistress, discipline me no longer
with love's anguish!

But come to me once again in kindness,
heeding my prayers as you have done before;
O, come Divine One, descend once again from
heaven's golden dominions!

Your chariot yoked to love's consecrated doves,
their multitudinous pinions aflutter,
you once came gliding from the utmost heights, to
the dark-bosomed earth.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my hopeless, bewildered desire.
Asking, "Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should
Persuasion summon here?"

"Though today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall return them;
tomorrow she will woo you,
however unwillingly!"

Come to me now, most Holy Aphrodite!
Release me from my heavy heartache and anguish;
grant me all I request, be once again
my ally and protector!

"Hymn to Aphrodite" is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his "On Literary Composition," published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, "Hymn to Aphrodite" may have been composed for performance within the cult. We do know that Sappho was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called "the Tenth Muse" and the other nine were goddesses. Keywords/Tags: Sapphic, Sappho, ******, translation, ancient Greek, hymn, Aphrodite, Zeus, daughter, immortal, goddess, holy, lady, heaven, enchantress, enchantment, love potion, charm, spell, persuasion, beguiler, beguilement, mistress, discipline, *******, prayer, prayers, chariot, heaven, descent, ally, protector, lust, desire, passion, longing, ***, crush, girlfriend, women, grief
MARY, MARY, QUITE CONTRARY: A Dreadful Tale about a Dead Anglo Mother, A Dreadful, Avenging Syrian Aunt, A Stolen Baby Sister, and a Hateful, Unfaithful, Defaulting Father.

Mary, Mary, quite contrary
How does your garden grow?
With people, people who hardly know
Your vices, your intrigue, your lies, and so,
You’ve ruined lives, and now I will show

How demonizing you are, with just your thinking
About your “slemly” self,  just linking [Nice in Arabic]
That self to your own, and not us--no one else
You belong in no company, your old-time thinking.
Adopting my sister, without any inkling
Of what it takes to challenge the motherless
And seeing we ended up, also, being fatherless.

Travesties galore made this woman happy
You won hearts, but you seemed quite daffy.      
Childhood, telling us we’d never be as good
As your Syrian daughters - such a strange brood!
This kind of “teaching” by a Syrian mom was kinda lewd.

She verily and surely became our ISIS
She thought who could ever, ever be like us
She raved for hours so very against us
To that red-headed family so she could easily best us!
Humiliating us at every stop
We really, really got a lot
From her, the decadent Queen of ISIS
No, she’d never, ever be like us!

Twenty years to a guileless young person
Is a forever herstory an eternity…
A lesson, an identity…
Carried on secretly, destroying our Syrian identity.
She stole that connection, filling it with confusion
She with cruel humor would **** our loving illusion
Stopped it in its growth,
Forever unseating that family oath.
To care - without any rejection.
It was She that was The Great Defection.

Mary, Mary how does your hatred grow
Picked on those who had no Syrian power
But you didn’t see yourself becoming lower
To the ends of the earth, heartless black flower.

In her mind she’d be our Mother
But as this poet, I did not know it
Things would be better if we like sheep
Worshipped Mary, into the deep
Quite similar to the rest of her Keep
Then mayhap we’d enjoy their fully undeserved sleep.

Taught my dear baby sister like her to hate
Would I had the power to shut up her pate
Her mouth was evil to the core
I never, never could stand more.
Her hatred entered me, made me sore.

Screaming at us to keep us out
Stupid Daddy joined her in this falling out
She, successful -as any lout.
By God I thot I must be evil
Their strange behavior was not legal.
Would that she’d accept me, that dangerous eagle.
I lost my sense of self and ‘came very sad
Would that I could be like she so glad.
‘Tis fifty years now, and I can’t stop crying.
No one ever heard this “mother” sighing.

Hell, Mary, full of Face
Recognizing only your Syrian race
Did anyone else matter? Just your primitive face?
Everyone one was hurt, except you and your nace
There’ll be no one, ever, that could take your place.
Laughing to destroy our wanted Arab destiny
Which you did, and did, successfully, with your fantasy.

Mary, Mary, quite contrary
How does your garden grow?
Like plants, you lined us up all in a row
One good, two bad - you did the choosing
And what did you leave?
Only us, who did the losing.
You didn’t water those two plants.
Treated us two as if we were ants.
Watered sissa so she would grow
Your dreaded deeds no one would know
Judgement is left only to God.
But you and Dad should’ve returned to your sod.
Your behavior to the motherless seems very odd.
My sister and I two tossed peas in a pod.

Deserting us suddenly knowing only this hateful group
There’s nothing to which she wouldn’t stoop
Her sick obsession to hurt the powerless
Speaks of a very worst yes, cruel foulness.

We lived at a convent school very protected
Visiting weekends this aspiring ****,
Two sisters know she made a very strong mark
She was not our blood, we couldn’t take part
Of this constant coldness on her part.

And another Aunt with two daughters, good
They were always with us, always stood
The opposite of this wicked would-be aunt
This family, Americanized and very sane
Never did play the ancient Ottoman game
These Aunts were our world - our windowpane.

Two aunts - endowing us with a Syrian heritage,
One, the bad one, with too much leverage
The good one to teach a cheerful Syrian beverage      
With balance, love, and the length of days
Not like the other, the one who dismays.

We represented that bad woman’s target
What it came from. Could it be her precious Margaret?
No, not at all her peaceful daughter
But the other, gladly joined in on the slaughter
Making serious and even much more, fodder.

We had no tools to breach this hate
I guess that it would have to be our fate.
To live our lives just disenchanted.
Our hearts broke, as if forever lancets.
With Syrians there’d be no more dances

Taking my sweet sis turning her against us
She did truly give strong heed to finally fence us.
What ever could we find for our defenses?

Dad, real Dad, inebriated dad,
Fell in with them: became this negative father
Sought their pity--likening me as a foreign daughter
He was in love with them, weakly turning
But in turn, the two of us, spurning
Back to his Syrian fold back, not farther
Unwittingly, unrepentedly, uncaringly, joining the laughter
Discarding his American daughters to a mental slaughter.

At his picnic - family there - he called us foreigners
Foreigners we were, surely, when with them
They couldn’t ever believe in us,
Dad influenced them, peeved at us.
Made us feel like little fools.
No, we never had the tools
To fight this ignorance - Change these mules?

Punishing, punishing us as wedded women
Accused of all that they gossiped about
What did they say? And this truant dad a lout
Speaking of us in downing tones
I’d feel far better had they broken my bones.

Closing his relationships to his
Two lesser liked non-Arab sisters
Would there would be a better mister
He considered us two a mere sinful blister.

We ran away from this horrible drunk
He hated his daughters and he stunk
And then we suffered the worst of any they would dunk
Uncomfortable at their Arab-speaking home
We stopped visiting long before their moan
We were “no good”  said our Syrian family
Would that we knew that we’d be anti-Family.

They had something to hate and did they do it
We had no idea we were just a joke
Their words, their disgust, far more than a poke.
Their anti-American provincial views
Made little sense - such perverted mews
All we loved, we would really lose.
There was never any right to choose.

That Family didn’t speak, avoided us
At sissa's Syrian wedding. It was all mined
That scene returns to me all of them lined  
Winding its way into my unbidden mind,
They were so, so truly unkind
We always would be to them the “Other”
Yes, us, us, us, without a mother!

We lost three mothers, our real one gone
Also our good step-mother quickly on
Add Mary to that three, glad she is gone
Perhaps Dad guilty of the first two deaths
I shan’t continue - you’d lose your breaths.
  
But Hail that Lady, she would change our world
Sending us suddenly into a whirl.
How to change the young with screaming?
She’d not change but destroy our dreaming
Waking horribly from our Syrian dream
We just didn’t fit their shady crème de la crème.

Everyone was fooled by this greedy witch
She and her daughters I’d deem as *****
What was in them, caused their making?
Taking away, taking, taking, taking.
Good cousins now, have seen an awakening
My work of writing revealed Mary’s faking.

Hail Mary full of Face
Only using her charms to erace
The sisters she wished not to embrace
With threads of lies an unrevealing face
Syrians’ acceptance of her goldarn place  
No one ever will she replace  
In every way she used her mace
A clever poison to keep her place
Successfully, she’d snidely hid her dreams
Wearing a mask to hide her themes.

She’d always hated us through and through
We didn’t know it till she did what she’d do
Her masque did work, from dusk to dawn.
Hatred of us was what she would spawn
She would definitely **** our spirits
Would that I could reveal all her lyrics.

Our Syrian sissa’s wedding put us in place
That even there we could have little space.
No other family events could we be included.
Engagements, baptisms, we would be excluded
Their intentions now were completely nuded.   deluded!

You stole our little baby entering the world
Through our Mom’s Death
You stole my Dad’s affection
He also her straw man, worshiping Mary‘s fiction
Her stand could only be that of affliction.

Hail Mary full of Face
Face that faced nothing exçept winning the Ace
Did no one ever tell you - you were a case?
Using your screams to stuff our mind
And even more shrieking to clog our mind
No other Syrian family could be so unkind.

Always filling us with her delicious food
Only to turn against us, trussing our good mood.
I’d like to regurgitate all that poisonous food
Anything about her became totally lewd.
She bragged of her daughters - were they really that good?
When we were children, told us we’d never be like them
We never wanted to be like those hurting us.
Took our Dad’s affection, he also deserting us
We never but finally saw that they were into hurting us.

She has attacked us screaming, screaming on end
Never an explanation, never to end
She took money, stole sister too, not a lend.
With this cruel treatment, we were not able to fend.
I’ve never heard such venom in any human voice
It seared through both my ears, such an odious noise
Those first twenty years were so very splendid
But later with her actions - all was ended
With her allotted time this is how she would spend it.

Sister, affections stolen, obeying by fear
Couldn’t counter - with a mere
Stand up to this fraud of a Mother Dear.

Our baby sis had became her clay
She would remake her through many a day.
She owes us much, this lying thief
No family tree would know, not even a leaf
She stole and changed our beautiful blood
Returned nothing except a bad bad flood
Of making our names into family mud.

She then gave out inimical messages
The taunting that came from her mealy mouth
From Damascus, that lousy mouse.
Couldn’t discuss, but only scream
What ever, ever, did she mean?
This Family into which father bought.
Their apathetic “reasoning” I was never taught.

Her daughters conscripted to the Mary core
Following her words, her iron ore
Inflated us with much heavy criticism
To fill our sissa with a lack of witticism

Lying, lying she always, always hated us
For twenty years, she consistently slated us
For slaughter, just like little lambs
Motherless, she took our little lamb
She won, didn’t she, in her sham?
Mary & dad really fated us with their sick flim flam!

She’d tackle anyone, anything in her path
And she did, with her oh so dreadful wrath.
What powered this extremely devilish mind?
She had never, ever, been really kind.

Our sodden father turned to her
She was Goddess, he deemed Something
While we were nothing, nothing, NOTHING!
It didn’t happen till twenty years after
From kindliness to hypocrisy
One would not believe.
Our real selves never to retrieve.

A sweet child, sissa, full of love
Knew they were cold and she let us know
After those years, sadly though
Turned into another hateful *****
Forced to be like them, else be ditched.

Dad, dad, the precious Syrian lad
Embraced the family gatherings that they had
Youngest of the Ikmuks - he was mad
Allowed them the desecration of our pad
They could say anything--made it their fad.

He wouldn’t speak to them of their travesty
Worshipped them, and ever drastically
Wanted to be Them, lest he be
On the Outs from the Family Tree
Ousted, married out of the Tribe
Hardly now, when this happened, few are alive.
He refused to tell them we both should be here.
He would never, ever, play it fair.
“Dad, if you go, I’ll never be the same.”
He would never, never take the blame.
Of his paltry stabs at being a human
Go stuff him in a jar with more rotten cumin.

Never defended us, never, never
Always took their part like a mismatched lever.
Usually a Dad with a daughter would stay beside her
But then, he gave Mary a far wider rider.

Gatherings went on, by the family Mare.
All our lives had been spent with them before
But Iron Lady with Iron Ore
Came through later and before.
She would win, so well connected to her vile kin
Change, girl, change, you’re just an Anglo fem.
Don’t, please, don’t pay much attention to them.
Sudden hate - my thoughts now were dashed.
I changed - they took all I had and then they smashed.

They brought us into their sickly Ottoman lives
But all of them acted as if we had the hives
They, centuries‘ habit, it was the mid-1950’s why so bold?
They were too much, too much very, to behold
We were stricken, treated as in days of old
We would never be part of their unhealthy mold  [Mould?]

Regular at Church. What kind of God could she worship?
You know who should have been told? The Syrian Bishop!
The She-Devil not even relishing the Church script
Eternally, she would always, rip, rip, and then grip!
Instead looked to those after Church who would serve her!
She did just this with a total fervor.
No Communion, no worship, but her only feats
To seek and add to gossip in the streets
Afterward. When-Where everyone meets.

Se enjoyed the Devil of Power over those she knew
Verily, she should have been thrown in the loo.
Few new. Only the rejected two.

Mary, Mary full of Mace
You never did achieve much grace
Wish you could have finally
Fallen on your ignorant Face
There’s really not going to be any space
To explain your bad translation of a very good race.
The Syrian families I always know very well
Would never have made this kind of hell.

The Syrian race is good, except for this “mother”
I speak from my place as the dreaded ”Other”
You are and were a terrible, mother
You’re a crude example of this Middle Eastern  race.
Very few of them did see through your face.

In that family I barely gleaned this toxicity
But, never, ever, did I witness much felicity.
They llaughed and laughed about any Other
Played well their acts as if they cared
They knew Syrian-like we would not fare
We, Dad, all sisters three - fell for her snare.

What think you, God, of these poor children
How il-ly this Family thoroughly tilled them
Two non-Arab daughters’ given bad repute
Their shocking beliefs really made us mute
All that came from her demented mind
All that encountered Mary’s “kind”
She destroyed our conception of self
This hypocrisy would make one melt.

She infiltrated us, her daughters, and my Sissa
That we were not as good as she - but she lost her mister
Had Uncle [our blood] lived, this would never have occurred.
But Auntie [not our blood] surely had demurred.
Her hooked-nose criticizing, and simple daughters,
Psychologically--against us-- they joined in on these slaughters.
Kindness for two decades to rent, later they spent
Hell on the motherless, but hiding that intent
Taught her daughters: “Don’t be involved with them”
We really do know some of what she did, or said,
This is the kind of meal that she constantly fed
Her masque nearly hiding her evil bent.
Too bad she wasn’t forced back into her Syrian tent.

Mary, Mary quite contrary, How does your world work?
You won, you won, you ignorant, piece of work
You demanded respect from all of us, treacherous,
She got it, didn’t know it, then she brought down the two of us

Sneaky, low-life, hypocrite witch
We always thought we had a niche
But lost kids like us did never snitch
We wouldn’t, didn’t open up about that *****.

We had a twenty-year comfort zone with her
Deserted at last by her flying fur
Stolen, deserted at last by Dad--that foul mister
Stolen, deserted, lastly by our pretty baby sister.

This left us changed by this She-Devil
Would that there’d be a way to counter her evil
We couldn’t - she was always far too strong
An ISIS for us - this would last too long.

After these years, I could not grow
Was I a real woman? -  I didn’t know!
Being a mother couldn’t show
That this Family created a list of woe.

When Sissa had babies & a mom to help
We did this alone - all this we felt.
Her faulted hatred never did melt.
I didn’t know how to take a stance
Nor could I find out how to advance.
We had to oppose Aunt Mary’s dance.

That Sissa could not bo
This poem represents many years of my life. It is all true.
Carol Rae Bradford, M.Ed., Author, "Mayflower Arab: A Memoir"
Thank you for accepting my poetry. April 16, 2015
“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!
Michael R Burch Feb 2023
SAPPHO'S POEMS FOR ATTIS AND ANACTORIA

Most of Sappho's poems are fragments but the first poem below, variously titled "The Anactoria Poem, " "Helen's Eidolon" and "Some People Say" is largely intact. Was Sappho the author of the world's first 'make love, not war' poem?

Some People Say
Sappho, fragment 16 (Lobel-Page 16 / Voigt 16)
loose translation/interpretation by Michael R. Burch

Warriors on rearing chargers,
columns of infantry,
fleets of warships:
some call these the dark earth's redeeming visions.
But I say—
the one I desire.

Nor am I unique,
since she who so vastly surpassed all mortals in beauty
—Helen—
seduced by Aphrodite, led astray by desire,
departed for distant Troy,
abandoned her celebrated husband,
turned her back on her parents and child!

Her story reminds me of Anactoria,
who has also departed,
and whose lively dancing and lovely face
I would rather see than all the horsemen and war-chariots of the Lydians,
or their columns of infantry parading in flashing armor.



Ode to Anactoria or Ode to Attis
Sappho, fragment 94 (Lobel-Page 94 / Voigt 94)
loose translation/interpretation by Michael R. Burch

So my Attis has not returned
and thus, let the truth be said,
I wish I were dead...

'Honestly, I just want to die! '
Attis sighed,
shedding heartfelt tears,
inconsolably sad
when she
left me.

'How deeply we have loved,
we two,
Sappho!
Oh,
I really don't want to go! '

I answered her tenderly,
'Go as you must
and be happy,
trust-
ing your remembrance of me,
for you know how much
I loved you.

And if you begin to forget,
please try to recall
all
the heavenly emotions we felt
as with many wreathes of violets,
roses and crocuses
you sat beside me
adorning your delicate neck.

Once garlands had been fashioned of many woven flowers,
with much expensive myrrh
we anointed our bodies like royalty
on soft couches,
then my tender caresses
fulfilled your desire...'

Unfortunately, fragment 94 has several gaps and I have tried to imagine what Sappho might have been saying.



The following are Sappho's poems for Attis or Atthis...

Sappho, fragment 49 (Lobel-Page 49 / Voigt 49)
loose translation/interpretation by Michael R. Burch

1.
I loved you, Attis, long ago...
even when you seemed a graceless child.

2.
I fell in love with you, Attis, long ago...
You seemed immature to me then, and not all that graceful.

(Source: Hephaestion, Plutarch and others.)



Sappho, fragment 131 (Lobel-Page 131 / Voigt 130)
loose translation/interpretation by Michael R. Burch

You reject me, Attis,
as if you find me distasteful,
flitting off to Andrómeda...


Sappho, fragment 96 (Lobel-Page 96.1-22 / Voigt 96 / Diehl 98)
loose translation/interpretation by Michael R. Burch

Attis, our beloved, dwells in distant Sardis, but her thoughts often return here, to our island, and how we honored her like a goddess, and how she loved to hear us singing her praises. Now she surpasses all Sardinian women, as, after sunset the rosy-fingered moon outshines the surrounding stars, illuminating salt seas and meadows alike. Thus the dew sparkles, the rose revives, and the tender chervil and sweetclover blossom. Now oftentimes when our beloved goes wandering abroad, she is reminded of our gentle Attis; then her heart assaults her tender breast with its painful pangs and she cries aloud for us to console her. Truly, we understand all too well the distress she feels, because Night, the many-eared, calls to us from across the dividing sea. But to go there is not easy, nor to rival a goddess in her loveliness.



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

How can I compete with that ****** man
who fancies himself one of the gods,
impressing you with his 'eloquence' …
when just the thought of sitting in your radiant presence,
of hearing your lovely voice and lively laughter,
sets my heart hammering at my breast?
Hell, when I catch just a quick glimpse of you,
I'm left speechless, tongue-tied,
and immediately a blush like a delicate flame reddens my skin.
Then my vision dims with tears,
my ears ring,
I sweat profusely,
and every muscle in my body trembles.
When the blood finally settles,
I grow paler than summer grass,
till in my exhausted madness,
I'm as limp as the dead.
And yet I must risk all, being bereft without you...



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

To me that boy seems
blessed by the gods
because he sits beside you,
basking in your brilliant presence.
My heart races at the sound of your voice!
Your laughter? ―bright water, dislodging pebbles
in a chaotic vortex. I can't catch my breath!
My heart bucks in my ribs. I can't breathe. I can't speak.
My ******* glow with intense heat;
desire's blush-inducing fires redden my flesh.
My ears seem hollow; they ring emptily.
My tongue is broken and cleaves to its roof.
I sweat profusely. I shiver.
Suddenly, I grow pale
and feel only a second short of dying.
And yet I must endure, somehow,
despite my poverty.



The following poems by Sappho may have been addressed to Attis or Anactoria, or written with them in mind…

Sappho, fragment 22 (Lobel-Page 22 / Diehl 33,36)
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 34 (Lobel-Page 34 / Voigt 34)
loose translation/interpretation by Michael R. Burch

Awed by the Moon's splendor,
the stars covered their undistinguished faces.
Even so, we.



Sappho, fragment 39
loose translation/interpretation by Michael R. Burch

We're merely mortal women,
it's true;
the Goddesses have no rivals
but You.



Sappho, fragment 5
loose translation/interpretation by Michael R. Burch

We're eclipsed here by your presence—
you outshine all the ladies of Lydia
as the bright-haloed moon outsplendors the stars.

I suspect the fragment above is about Anactoria, since Sappho associates Anactoria with Lydia in fragment 16.



Sappho, fragment 2 (Lobel-Page 2.1A)
loose translation/interpretation by Michael R. Burch

Leaving your heavenly summit,
I submit
to the mountain,
then plummet.

Sappho associates her lovers with higher elevations: the moon, stars, mountain peaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever! —
as long as you sleep in my sight.



Sappho, fragment 102 (Lobel-Page 102 / Voigt 102)
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 147 (Lobel-Page 147 / *** 30)
loose translation/interpretation by Michael R. Burch

Someone, somewhere
will remember us,
I swear!

'From Dio Chrysostom, who, writing about A.D.100, remarks that this is said 'with perfect beauty.''―Edwin Marion ***



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
**** me!



Sappho, fragment 11 (*** 109)
loose translation/interpretation by Michael R. Burch

You inflame me!



Sappho, fragment 36 (Lobel-Page 36 / *** 24 & 25)
loose translation/interpretation by Michael R. Burch

1.
I yearn for―I burn for―the one I miss!

2.
While you learn,
I burn.

3.
While you discern your will,
I burn still.

According to Edwin Marion ***, this fragment is from the Etymologicum Magnum.



Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!

Pollux wrote: 'Sappho used the word beudos for a woman's dress, a kimbericon, a kind of short transparent frock.'



Sappho, fragment 156
loose translation/interpretation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.

Phrynichus wrote: 'Sappho calls a woman's dressing-case, where she keeps her scents and such things, grute.'



Sappho, fragment 47 (Lobel-Page 47 / Voigt 47)
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.

The poem above is my favorite Sappho epigram. The metaphor of Eros (****** desire)  harrowing mountain slopes, leveling oaks and leaving them desolate, is really something―truly powerful and evocative. According to Edwin Marion ***, this Sapphic epigram was 'Quoted by Maximus Tyrius about 150 B.C. He speaks of Socrates exciting Phaedus to madness, when he speaks of love.'



Sappho, fragment 130 (Lobel-Page 130 / Voigt 130)
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, unnumbered fragment
loose translation/interpretation by Michael R. Burch

What cannot be swept
aside
must be wept.



Sappho, fragment 138 (Lobel-Page 138)
loose translation/interpretation by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
smile,
reveal your eyes' grace...

4.
Turn to me, favor me
with your eyes' acceptance.

5.
Darling, let me see your smiling face;
favor me again with your eyes' grace.



Sappho, fragment 38 (Incertum 25, *** 36)
loose translation/interpretation by Michael R. Burch

I flutter
after you
like a chick after its mother...

From the 'Etymologicum Magnum' according to Edwin Marion ***.



In the following poem Sappho asks Aphrodite to "persuade" someone to fall in love with her. The poem strikes me as a sort of love charm or enchantment…

Hymn to Aphrodite (Lobel-Page 1)
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress and beguiler!
I implore you, dread mistress, discipline me no longer
with such vigor!

But come to me once again in kindness,
heeding my prayers, as you did so graciously before;
O, come Divine One, descend once more
from heaven's golden dominions!

Then with your chariot yoked to love's
white consecrated doves,
their multitudinous pinions aflutter,
you came gliding from heaven's shining heights,
to this dark gutter.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my bewildered desire.
Asking, 'Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here? '

'Although today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall give them;
tomorrow she will woo you,
however unwillingly! '

Come to me now, O most Holy Aphrodite!
Free me now from my heavy heartache and anguish!
Graciously grant me all I request!
Be once again my ally and protector!

'Hymn to Aphrodite' is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his 'On Literary Composition, ' published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, 'Hymn to Aphrodite' may have been composed for performance within the cult. However, we have few verifiable details about the 'real' Sappho, and much conjecture based on fragments of her poetry and what other people said about her, in many cases centuries after her death. We do know, however, that she was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called 'the Tenth Muse' and the other nine were goddesses. Here is another translation of the same poem...



Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Rainbow-appareled, immortal-throned Aphrodite,
daughter of Zeus, wile-weaver, I beseech you: Hail!
Spare me your reproaches and chastisements.
Do not punish, dire Lady, my penitent soul!
But come now, descend, favor me with your presence.
Please hear my voice now beseeching, however unclear or afar,
your own dear voice, which is Olympus's essence —
golden, wherever you are...
Begging you to harness your sun-chariot's chargers —
those swift doves now winging you above the black earth,
till their white pinions whirring bring you down to me from heaven
through earth's middle air...
Suddenly they arrived, and you, O my Blessed One,
smiling with your immortal countenance,
asked what hurt me, and for what reason
I cried out...
And what did I want to happen most
in my crazed heart? 'Whom then shall Persuasion
bring to you, my dearest? Who,
Sappho, hurts you? "
"For if she flees, soon will she follow;
and if she does not accept gifts, soon she will give them;
and if she does not love, soon she will love
despite herself! '
Come to me now, relieve my harsh worries,
free me heart from its anguish,
and once again be
my battle-ally!



Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

No droning bee,
nor even the bearer of honey
for me!


Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

Neither the honey
nor the bee
for me!



Sappho, fragment 52
loose translation/interpretation by Michael R. Burch

The moon has long since set;
The Pleiades are gone;
Now half the night is spent,
Yet here I lie ... alone.



Sappho, fragment 2 (Lobel-Page 2 / Voigt 2)
loose translation/interpretation by Michael R. Burch

Come, Cypris, from Crete
to meet me at this holy temple
where a lovely grove of apple awaits our presence
bowering altars
  fuming with frankincense.

Here brisk waters babble beneath apple branches,
the grounds are overshadowed by roses,
and through the flickering leaves
  enchantments shimmer.

Here the horses will nibble flowers
as we gorge on apples
and the breezes blow
  honey-sweet with nectar ...

Here, Cypris, we will gather up garlands,
pour the nectar gracefully into golden cups
and with gladness
  commence our festivities.


Sappho, fragment 58 (Lobel-Page 58)
loose translation/interpretation by Michael R. Burch

Virgins, be zealous for the violet-scented Muses' lovely gifts
and those of the melodious lyre ...
but my once-supple skin sags now;
my arthritic bones creak;
my ravenblack hair's turned white;
my lighthearted heart's grown heavy;
my knees buckle;
my feet, once fleet as fawns, fail the dance.
I often bemoan my fate ... but what's the use?
Not to grow old is, of course, not an option.

I am reminded of Tithonus, adored by Dawn with her arms full of roses,
who, overwhelmed by love, carried him off beyond death's dark dominion.
Handsome for a day, but soon withered with age,
he became an object of pity to his ageless wife.



Sappho, fragment 132 (Lobel-Page 132)
loose translation/interpretation by Michael R. Burch

1.
I have a delightful daughter
fairer than the fairest flowers, Cleis,
whom I cherish more than all Lydia and lovely ******.

2.
I have a lovely daughter
with a face like the fairest flowers,
my beloved Cleis …

It bears noting that Sappho mentions her daughter and brothers, but not her husband. We do not know if this means she was unmarried, because so many of her verses have been lost.



Sappho, fragment 131 (Lobel-Page 131)
loose translations/interpretations by Michael R. Burch

1.
You reject me, Attis,
as if you find me distasteful,
flitting off to Andromeda ...

2.
Attis, you forsake me
and flit off to Andromeda ...



Sappho, fragment 140 (Lobel-Page 140)
loose translation/interpretation by Michael R. Burch

He is dying, Cytherea, the delicate Adonis.
What shall we lovers do?
Rip off your clothes, bare your ******* and abuse them!



Sappho, fragment 36
loose translation/interpretation by Michael R. Burch

Vain woman, foolish thing!
Do you base your worth on a ring?



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever!—
as long as you sleep in my sight.



... a sweet-voiced maiden ...
—Sappho, fragment 153, loose translation/interpretation by Michael R. Burch

I have the most childlike heart ...
—Sappho, fragment 120, loose translation/interpretation by Michael R. Burch

There was no dance,
no sacred dalliance,
from which we were absent.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s ecstatic brilliance.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s splendor.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

You anointed yourself
with most exquisite perfume.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

Awed by the moon’s splendor,
stars covered their undistinguished faces.
Even so, we.
—Sappho, fragment 34, loose translation/interpretation by Michael R. Burch

Sappho, fragment 138, loose translations/interpretations by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
           smile,
reveal your eyes' grace ...

4.
Turn to me,
favor me
with your eyes’ indulgence

Those I most charm
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Those I charm the most
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Midnight.
The hours drone on
as I moan here, alone.
—Sappho, fragment 52, loose translation/interpretation by Michael R. Burch

Once again I dive into this fathomless ocean,
intoxicated by lust.
—Sappho, after Anacreon, loose translation/interpretation by Michael R. Burch

Did this epigram perhaps inspire the legend that Sappho leapt into the sea to her doom, over her despair for her love for the ferryman Phaon? See the following poem ...

The Legend of Sappho and Phaon, after Menander
loose translation/interpretation by Michael R. Burch

Some say Sappho was an ardent maiden
goaded by wild emotion
to fling herself from the white-frothed rocks of Leukas
into this raging ocean
for love of Phaon ...

but others reject that premise
and say it was Aphrodite, for love of Adonis.

In Menander's play The Leukadia he refers to a legend that Sappho flung herself from the White Rock of Leukas in pursuit of Phaon. We owe the preservation of those verses to Strabo, who cited them. Phaon appears in works by Ovid, Lucian and Aelian. He is also mentioned by Plautus in Miles Gloriosus as being one of only two men in the whole world, who "ever had the luck to be so passionately loved by a woman."

Sappho, fragment 24, loose translations/interpretations by Michael R. Burch

1a.
Dear, don't you remember how, in days long gone,
we did such things, being young?

1b.
Dear, don't you remember, in days long gone,
how we did such things, being young?

2.
Don't you remember, in days bygone,
how we did such things, being young?

3.
Remember? In our youth
we too did such reckless things.

Sappho, fragment 154, loose translations/interpretations by Michael R. Burch

1.
The moon rose and we women
thronged it like an altar.

2.
Maidens throng
at the altar of Love
all night long.


Even as their hearts froze,
their feathers molted.
—Sappho, fragment 42, loose translation/interpretation by Michael R. Burch

Your voice beguiles me.
Your laughter lifts my heart’s wings.
If I listen to you, even for a moment, I am left speechless.
—Sappho, fragment 31, loose translation/interpretation by Michael R. Burch

Sappho, fragment 57
loose translation/interpretation by Michael R. Burch

1a.
That country ***** bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

1b.
That country ***** bewitches your heart?
Hell, her most beguiling art
is hiking her dress
to reveal her ankles' nakedness!

2.
That hayseed ****
bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

3.
That rustic girl bewitches your heart?
Hell, her most beguiling art's
hiking the hem of her dress
to ****** you with her ankles' nakedness!

Keywords/Tags: Sappho, ******, Greek, translation, epigram, epigrams, love, ***, desire, passion, lust
Michael R Burch Mar 2020
Hymn to Aphrodite
by Sappho (her only complete poem)
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress, and beguiler!
I implore you, dread mistress, discipline me no longer
with love's anguish!

But come to me once again in kindness,
heeding my prayers as you have done before;
O, come Divine One, descend once again from heaven's
golden dominions!

Your chariot yoked to love's consecrated doves,
their multitudinous pinions aflutter,
you once came gliding from the utmost heights, to
this dark earth.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my hopeless, bewildered desire.
Asking, "Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here?"

"Though today she flees love, soon she will pursue you;
spurning love's gifts, she soon shall return them;
tomorrow she will woo you,
however unwillingly!"

Come to me now, most Holy Aphrodite!
Release me from my heavy heartache and anguish;
grant me all I request, be once again
my ally and protector!

"Hymn to Aphrodite" is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his "On Literary Composition," published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, "Hymn to Aphrodite" may have been composed for performance within the cult. We do know that Sappho was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called "the Tenth Muse" and the other nine were goddesses. Keywords/Tags: Sapphic, Sappho, ******, translation, ancient Greek, hymn, Aphrodite, Zeus, daughter, immortal, goddess, holy, lady, heaven, enchantress, enchantment, love potion, charm, spell, persuasion, beguiler, beguilement, mistress, discipline, *******, prayer, prayers, chariot, heaven, descent, ally, protector, lust, desire, passion, longing, ***, crush, girlfriend, women, grief
Marooned

Vapid beauty of this room
Frothing carpet, ocean blue
One wall me, the other you
What lies between is residue

Scribed on soggy, shipwrecked parchment
Questions asked, time forgotten
Who are we?
What do we know?
Into these questions Summer flows
And thrashes at your Autumn’s brinks
Yearlong they torment my brain
Infringing on every season

If not for the manic scheme
To love and having loved be loved
This correspondence to a distant land
With stars, more numerous and brightly lit
Than my burgeoning highway exit
Would by no means have left my hand

But if, against all odds, it will prevail
Extolling truth’s folly, my sorrowful tale
Quells with reason my groundless pride
At having docked on your passionless harbor
Unloading platonic cargo during our youth’s ebbing tide
Must not create union of body or mind
You swallow my horizon, like the sun twilight
Though, one need not chase that orange orb for tomorrow

In this night without fortitude, lewd humor consumes me
Singing with the mouth on my head and your voice inside
I plunge into darkness
Skimming its silky surface
Before zipping it behind me

Shall I drown, as I have lived?
In vain, my dreams your subjects
Taken for ransom in your heart’s Tripoli
Not surmising recompense, I forfeit this
A note belying resonance
Of my heart’s last echoed throe
One desperate effort, giving up
Feed every vestige to the void
Wading, torso encumbered
Each sullen relic of your memory
Falls to the deep’s frigid ebony
Then, only too late am I cognizant
That my own breath is tribute yet spent
Therefore if I were to float or swim
I’d give you every ounce of who I am
Convince you to relinquish me
From your tepid, spurning sea
Then lying beneath moist underbrush
Slowly, breathe no more
MMX

This is basically a revision of my poem Anstoss

My recitation here:
http://youtu.be/v7LdsUwUCEM
softcomponent Feb 2014
There is the latent hum of some probably-industrial sumthin-or-another in the distance. Sounds like a ferry at dock, or the Townsite mills characteristic hum of eternity as it once acted as the forever-whitenoise of my past life in Powell River.

Sasha has gone to see her friend a floor down. I sit candidly at her desk typing these words on her MacBook Pro.. her dorm is an ambient water of a place, but with every passing night I spend in it, it becomes harder and harder to fall asleep. The bed feels like wood board or padded cement now. Sasha rolls around in her sleep, occasionally choking on her tonsils and gagging a prolonged operatic note of snores. It's not like she can help it.. often, she talks about removing her tonsils as if it's something she can do with a spare moment between classes.

The dorm was easier for me to inhabit when I imagined her living quaintly and quietly without my constant everywhereness.. on her first night alone in bed, she slept like a baby and the overheating, I'm sure, was less to bear in my absence as there wasn't a ******* furnace spurning mammalian blood to every antipode of my body for the sake of staying alive.. just her capillaries attending to the night-shift and leaving no feedback loop between our ***-drenched thermostats. There was a feeling of otherness to it that I could warm my soul with as if I were people-watching at a mall filled with everyone I've ever encountered in the matrix.

She's beautiful. Sasha, I mean. Superstitious despite her attempts to claim otherwise, but of a massive intelligence often unspoken and endowed with a linguistic nature that can speak regardless of words. Highly suspicious of some perceived bond between Anya and I that can't seem to be severed, and playfully dousing suspicions of general infidelity into many of our brink-night conversations.. I can't say I do much to remedy her paranoia as I always kick it back with consistent jokes of having '30 girlfriends' or 'that was what the girl I ****** the other night said as well! Trippy.'

These are obvious jokes. I would never cheat on her and it's a pain to have her imagine I would.

Christ be honest, I can never find the time to write anymore because I keep pretending I'm busy. I keep glassing my eyes apart with coffee and **** and feeling the inner sting to write and write and write until my fingers are bruised and my entire demeanour is nothing more than an existence in pure, floating consciousness of sleet-covered panic attack self-immoliating itself in a Wal-Mart parking lot just to say hiya, Good God, how's the cloud of idolatry today? Fleeting? Empty? Shat? I'm starting to think you have the shorter end of the stick cuz I'm pretty sure I've found the Kingdom of Heaven and it's all a bunch of beautiful panic remedy exacterbated by SSRI psychedelic depersonalization with a life-wish disguised as a death-wish to push the envelope for mails sake, cuz I've got a message for the human race and all it says is 'humanity is not a RACE chill the **** OUT and become the human pace for the sake of nil planet without a plan you aren't a ******* poster-boy you're a poser' all very stone-cold thoughts in a volcano.. all very valid but pointless semantic gestures towards Finnegans Wake and the sequel I'd like to write called Finnegans Nap.

The other day, I stole a book from the university library.

I had a freelance article I had to start and preferably finish that same day, and Sasha had decided to skip psychology for Charles Bukowski so we scouted a quiet space on the windowsill overlooking the perpetual busk of student body.. I plugged my laptop in and sourly gazed at the flakey subjects I had to choose from until I noticed we were right next to a giant section entirely dedicated to the study of the Beat Generation. I picked out the closest book, and dove up on some academic diatribe about the implementation of Timex making watches an affordable commodity during the post-war boom, causing economy to become totalitarian in its accuracy and thus mental hegemony. It worked its way into stating that Jack Kerouac's On the Road was a blatant and concise rebellion against this form of timekeeping in its hedonic, careless flow that was not marked by 6 o'clock or on-the-dot redundancy.. the subject matter being so dense and alluring, I turned to Sasha and said, 'I have to steal this book.'

She chuckled a little, being a chronic kleptomaniac herself, and retorted, 'are you sure you can do that? They have these sensor things that go off when you leave.. they'd catch you probably.' In my mind, I was needing to exorcise myself of Judaeo-Christian morality so as to guarantee a survival and thriving intellectual feed regardless of red-tape or monetary symbolism.. I saw myself adapting to a hedonic habit of robbery for the sake of food and freedom or some such half-witted excuse like that, and took Sasha's warning as a challenge to transcend my typical moral comfort zone.

Glassy-eyed, I asked Google how I'd go about bypassing the security scanners and, lo and behold, within 5 minutes I had my answer and was already digging through the books binding with my house-key to remove the magnetic strip hidden in the spine. After 10 minutes of exhilaration and anxiety at potentially being caught, the strip was out and jammed between two loose wood-boards in the window sill. I told Sasha we should try to leave.

As I neared the scanner, I let go of consequence in remembrance of my mortality, the blank expressions on our faces probably hinting at some form of degenerate nervousness had someone decided to analyze us aaaaaand yet.. we made it through as safe as a bird through an open window then out the other side.
excerpt: "the mystic hat of esquimalt"
Mateuš Conrad Apr 2016
the users of chinese require a respectable memory of logograms, but then the european languages users require a respectable memory of combinations of a limited number of "logograms", well, indeed limited, in comparison to the chinese range... and in so doing seem to have created a knack, a desire to create iconoclasm, a barrage of excess image crafting, whether in painting or photography, even logos are taken for equal representation among paintings and photographs in terms of being qualified as equals... if there's a quest at hand... it's to find the tetragrammaton in chinese: Y (convergence of three directions), H (the selfish twins of the ego), W (sine & cosine ripples, the ripples of a drop in a lake of a glass of water), and H (the selfless twins of the ego)... something like that - obviously upon interaction, used, the the two pairs of egos become the real dynamism interchanging their coupling... while the Y and W are seemingly constants.*

looking at the many maxims of la rochefoucauld,
so many seem true... but then again too
much truths and not using the Kantian
filter that the categorical imperative is...
and you stumble into custard of a maxim
kaleidoscope... obviously i'm not denying the truths,
but, as Kant pointed out... one truth will do,
the rest as there to be observed as if from-thin-air,
but it's still only one maxim, the ccategorical
imperative spurning you on, all the others do not
provide a vector consistency for you to repeat,
fall back on... i do appreciate the many observations
in la rochefoucauld, but too many maxims
and you do not which to grasp, wrestle with and
utilise to its maximum potential, not one becomes
a vantage point of safety, too many of them
and you're dancing naked under the tree of forbidden
knowledge... making it a bit of a foolery paying
homage to Bacchus... drunk on too much of it...
not really able to incorporate all of it, incorporating
too much of it is hardly strategic, one maxim will do,
a categorical imperative, a strategy of a measured
footpath, one will do...
but apart from that, considering each maxim with
a method i devised... dilution using synonyms...
that old chestnut, king solomon's
Ecclesiastes 1:2... meaningless! meaningless!
utterly meaningless! everything's meaningless!
in another citation the word vanity is used...
now vanity does not necessarily imply meaningless
as the closest synonym... in the latin tongue
vanity (vanus) implies empty... hence my revision
of the cartesian concept of res cogitans (thinking thing)
using res vanus (empty thing)...
if meaningless is given a disruption and a refrained
use, instead using the closer meaning to the latin (empty),
then i can see a better scenario...
everything is empty: emptiness! emptiness! utterly empty!
everything is empty! i find this to be a less pessimistic
conclusion on the matter... after all gravity was empty
prior to newton, who filled it; natural selection was empty
prior to darwin, who filled it; electromagnetic rotary
devices were "empty" / didn't exist until michael faraday
came along... the atmosphere was empty, until
leucippus and democritus came along, later proven
wrong by the supposed non-divisibility of the structures
by otto hahn and fritz strassmann and oppenheimer...
these evaluations suggest that people come across
these empty things, either by direct sensory perception
or through theoretical mingling, and fill them...
there's nothing meaningless as such as stressed by
Ecclesiastes 1:2... things are necessarily empty, in order
to be filled, and that gives meaning to man...
therefore... emptiness!! emptiness!
utterly empty! everything's empty! this, the dilution
using synonymousness as a divergence from
what strict interpretation would provide should
only a limited vocabulary be applied - rather than
an extended vocabulary of a juggling act.
My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.

And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.

My hero bares my side and sees his heart
Tread; like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my **** of promise,
He promises a secret heat.

He holds the wire from this box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger's emperor;
He pulls that chain, the cistern moves.
Hands Aug 2010
A sneer,
A snide
remark
graces your skin,
Tingling despite
the smile.
I'm disgusted.
I'm irate.
I'm alive and
burning with rage.
I'm storming.
Clouds gather
At my fingertips,
Clouds gather at my
Lips.
The lower
Are troubled,
Churning and spurning
The gentle hand
That often lies.
The upper are
Sweet, soft,
Cotton candy
Falsities,
Covering up any memory
Of personal taste,
Of individuality.
I exist to please.
I'm a saucy
Sort of servant.
I'm disgusted.
I'm irate.
I'm alive and
Burning with rage.
I'm forming.
Forming infinitesimally
Tiny shapes,
Bits of broken
Anger and slander
Printed fresh like
A book.
Smaller and smaller
The pieces will shrink,
Pushed away
Into
The farthest
Corner of my cortex.
Flash,
Bam,
And with a puff of smoke
It's almost gone.
I'm a magician.
I'm disgusted.
I'm irate.
I'm whatever
You please.
I'm cotton candy
****-sticking,
White and pliable;
Olive will give away
If you just keep hitting.
I'm disgusted.
I'm irate.
I'm barely hanging on.
I'm burning
With rage.
But,
I'm alive.
Yes,
I'm alive.
at the least.
Who shall declare the joy of the running!
Who shall tell of the pleasures of flight!
Springing and spurning the tufts of wild heather,
Sweeping, wide-winged, through the blue dome of light.
Everything mortal has moments immortal,
Swift and God-gifted, immeasurably bright.

So with the stretch of the white road before me,
Shining snowcrystals rainbowed by the sun,
Fields that are white, stained with long, cool, blue shadows,
Strong with the strength of my horse as we run.
Joy in the touch of the wind and the sunlight!
Joy! With the vigorous earth I am one.
1418

How lonesome the Wind must feel Nights—
When people have put out the Lights
And everything that has an Inn
Closes the shutter and goes in—

How pompous the Wind must feel Noons
Stepping to incorporeal Tunes
Correcting errors of the sky
And clarifying scenery

How mighty the Wind must feel Morns
Encamping on a thousand dawns
Espousing each and spurning all
Then soaring to his Temple Tall—
Taylor Watson Feb 2012
Poem

I watched a truck churning under a wire convergence
and the sky above doped entrails coming from Europe
Where had the turtle gone, the one puffed in the curve of the fox?

Now clambering onto the icy porch
I open the door into
smells of brass polish, wood polish
pots full of bones.

Winter’s wind rattling time holds me in
I must make marmalade with Seville oranges
with their thick rutted craters, sadly moon-like

a little sweetness of the blossom
worn on bridal veils will come back
as the flesh boils soggy with pips
and Demerara’s sweetness pummels

and I’ll be beaming ear to ear, beaming, full
of a sugar high, then fall.  I don’t think I’ll be flying
to Jamaica, but at least I have a box of jars

My house will be dressed
of stiff forsythia branches, blooming
while I pull on stupoods of wool
socks, and wax my boards

I watched whirling snow collapse, loshing
on my face, signs of a dream, unsettling
separating mills and boon from reality.

If I had cast a spell stirring boiling sugar
And whispered ancient simple words
And as spring soars from
the dirt he would say agapa me

and my house full of worms, fat as fingers would dissolve
which is why I must plant, for butterflies to flutter
O my mighty easel, you are not like nature

though you are like a highway
of roots, clamped with straps
Supported or shaded, you reveal
all that I am.

The light begins to drop out of ticking stars
onto the snow bank behind the studio
the place where crimson and ochre mate.

I am really a painter
and my brushes are words
which glaze accidentally across
vellum, spurning censure.
Its timeto yoke the joker


yo to the emcees that think they could get with me
i wet em like an ocean tide personality like jekyll and hide
which means im a killa slash for short drama no comma imma
brutal emcee eatin' 'em up the best of em im the lyrical cannibal
flesh rent devil sent no need for repent
comin' with wickedness born with 8 flows if ya only knew
******* come in the sets of three im givin' wishes for free
the rap genie aint' comin' to be a hero the black zorro thorrough
shoot up the barrio dead eye hawkin' assassin' blastin'
with the greatest tech mouth shots or physical shots it don't matter
whatever it takes to get the job done
my posse cocked d slapped you *******
you can smoke all the spinach you want and you leave like popeyes
get it naw forget sensitive ******* i knit it
write in graffiti love hoes shape like Nefertiti queen b goddess
never a ***** **** in my encore **** with me and ill bring the war along with gore
******* never been a softie
daddy had to be a gangsta **** hustler drug dealer all summed in one
so i had no choice but to pack a gun
but meanwhile im onto bigger and better things like rappin' on the mic i cling
flows tighter rhan pliers leave emcees wrapped up like cable wires
the sire embraced higher learning spurning over obstacles
turn complexity into miracles
how could i ever fall if i never fall failure not an acceptation
id rather sells drugs and extortion and get caught wit 25 big ones
fed time **** the state time im on the grind one time
always wanna see me fall black man finna rise planet of the apes style
hot and wild j ceasar with these skills i spills sendin' chills
its an ice age all over just say its over when big yosef grab the mic
prepare for fright when i ignite blast through hearts like a cannon
i just smoke ya ya mediocre its time to yoke these jokers
yea
 
Taylor Watson Feb 2012
Poem

I watched a truck churning under a wire convergence
and the sky above doped entrails coming from Europe
Where had the turtle gone, the one puffed in the curve of the fox?

Now clambering onto the icy porch
I open the door into
smells of brass polish, wood polish
pots full of bones.

Winter’s wind rattling time holds me in
I must make marmalade with Seville oranges
with their thick rutted craters, sadly moon-like

a little sweetness of the blossom
worn on bridal veils will come back
as the flesh boils soggy with pips
and Demerara’s sweetness pummels

and I’ll be beaming ear to ear, beaming, full
of a sugar high, then fall.  I don’t think I’ll be flying
to Jamaica, but at least I have a box of jars

My house will be dressed
of stiff forsythia branches, blooming
while I pull on stupoods of wool
socks, and wax my boards

I watched whirling snow collapse, loshing
on my face, signs of a dream, unsettling
separating mills and boon from reality.

If I had cast a spell stirring boiling sugar
And whispered ancient simple words
And as spring soars from
the dirt he would say agapa me

and my house full of worms, fat as fingers would dissolve
which is why I must plant, for butterflies to flutter
O my mighty easel, you are not like nature

though you are like a highway
of roots, clamped with straps
Supported or shaded, you reveal
all that I am.

The light begins to drop out of ticking stars
onto the snow bank behind the studio
the place where crimson and ochre mate.

I am really a painter
and my brushes are words
which glaze accidentally across
vellum, spurning censure.
pat pakla Jun 2012
I was deep in the land of shadows
Halfway between the living and dead
In the awful silence of void
The atmospheres soft
And it’s people plastic
Mephistophelean and astute
When a band of ruffians stormed
The inferno beneath
With volcanic tremor
Sweeping down like a tidal wave
Of so terrific Tsunamic magnitude
Spurning all restraint
Slowed down my pace
By reciprocal math of wizardly
Substituting the direct proportion for inverse
I dragged and they almost flew
Corpsic  form and tattered cloth
Is all I see and
Gaping mouth oozing blood
Grotesque creatures tinting hell
After me and almost done
I should out loud voiceless
I reach for the nothingness
And there’s no thing
I stretch still to scale it down
Wishing I had wings
And take flight
Or superhuman like Superman
Hopping I possessed metaphysical force
Like the Matrix upgrade version
To disembody and dematerialize
And so vanish into stillness
To hang in space out of sight
By the trickery of magic
To cast spell like lady of the Voodoo
And freeze plant herbage and the human
Instantly and give a diabolic glean
Make a catwalk of villain trump
To the disgust of victim
And ultimate flown of the gods
That hardly smile anyway
But I am human and my powers feeble
My infinity lies bound within
Time and daylight
The parameters of finite
In a rat race so unfair
Distances too close and defeat too plain
I die out and awoke within
To brace another day with headache
Devil, I escaped Gehenna
That gives me surety I will outpace you
For what I saw when I slept
Hail Tartarus I am Morpheus
Eleete j Muir Jun 2012
Defunct delightful fruits noir
The sacrosanct pheromone of death
Garnishing Hells credence table
Quailled hem and haw sate
Ilk a slew of paper tigers
With a keen prosaic veneer
Consuming vittle of Gaia
Ravishing ichor like dancing water
Spurning a chimerical somatic
Catharsis as creaking doors hang
The longest watching satorial
Flowers wilt nascent by
Tactiturn vespers.



ELEETE J MUIR.
Klaus Baumgarten Jun 2014
finite rapture
well defined. organized
organelles squirming. spurning
unnecessary imposition. repitition
severing me further.
it's still a bright fixture on the horizon
viewed at the far end of winding tunnel of mirrors.

captured in a jar. admired ideas
appreciated from afar.
trembling extended hand retracted.
strong stiches binding. scabs still crusty.
musty attics, shuffling feet.
melting.
swelltering in the possibility
of a potential interpreted properly.

I work better as an idea
than a human.
compose the tune and I'll be the words.
transpose your soul, I'll be the vibrations.
speak between the lines.  I will be blinded.
Beyond thought.
we are aware that we're unaware.

Crystalize.  Mezmerize.
It could be so simple.
To notice the cheeks, but not the dimples.
Four perfect points of light  linger in the shadows
two by two
Ideals. a concrete truth.
Glaciers slowly crack foundations.
Pounding. Pouding.
Resounding. Cannot be ignored
before I am the boomerang
that cracks you on the head.
Blood pooling at the base of my skull
control watered down.
Concrete giving into stress
and a flower has room to bloom/
Alyssa Underwood Sep 2021
I
--
The LORD is asking, “Do you trust Me, child?”
And surely He is worthy of all trust,
but visceral reactions oft’ seem just
in keeping soul’s anxieties well riled.
While panic, shame and dread stir doubting winds,
obsessive, tight, compulsive thoughts pour fuel
into this downward spiraling boil of gruel
where toxic interactions breed more sins.
So for relationships I feel unfit,
and now old interests die and pleasures wane,
as each new hope in Earth’s good brings fresh pain,
where dark depression’s presently my bit.
Yet in this wilderness I hear God call,
“Child, look to Me. I am your ALL in all.”

II
--
I meditate upon the word of God
to heal a mind that’s broken from the fall,
and lying in morn’s bed I now recall
the former paths of fullness I have trod.
I clear the course of tangling debris
that fogs perspective’s distance-viewing sight
and clogs the narrow way which lets in light,
so with God’s truth I’m able to agree.
I gaze toward the future that is sure,
to glory that is promised out of trial.
I push through lying voices of denial,
rememb’ring my inheritance secure.
So healing first begins by sizing scope,
for in true measure I can grasp true hope.

III
---
Long sheltered in the recesses of mind
on pedestals that overshadow truth
are lies which I have entertained since youth
like tape recordings stuck on forced rewind.    
There‘s something of appeal in misbelief,
some comforting, perverted, dressed-up face
which keeps foul strongholds rooted into place
and lets such rotten seedlings harvest grief.  
But I must choose to undermine their message,
uncovering deception’s hidden lairs
whose cultivation grounds for growing tares
leave roadblocks to integrity’s safe passage.
God’s probing, piercing words—what precious gifts!—
can excavate, expose and extract myths.

IV
---
I apprehend these truths in David’s psalm:
“I’m fearfully and wonderfully made,”
and all my days of life are firmly laid
within the sovereign care of God’s own palm.
And yet another voice keeps creeping out.
“You’re too unfit for blessed community,
hence from belonging full immunity
is your dim lot,” says paralyzing Doubt.
For ‘gainst the Word that says I‘m rightly hewn
rub all the bristling edges of myself,
but would one set forever on a shelf
a Bösendorfer piano out of tune?
No, value is a function of creation,
and He who made has promised restoration.

V
--
Restoration’s anchored in redemption,
and my redemption‘s grounded in God’s love.
Nowhere in far reaches man has thought of
could mind unfurl the breadth of such conception.
Sloshing, hesitating in the shallows,
I wander close to shore in Love‘s vast sea.
Then from the swell I hear a coaxing plea
to dive into the deeper wake of hallows.
What‘s this weight that pins my frame from racing
toward His unknown billows of delight?
Do I not trust that He will clasp me tight,
help me bear the fiercest waves I’m facing?
What guile of devils am I heeding here
which keeps me bound by paralyzing fear?

VI
---
Disheartened by my want for firm resolve
to swim toward agápē’s unplumbed depths
for int’macy with Him who paid my debts—
the only One from sin who can absolve,
I wander, wond‘ring what I’ve missed to see
within my comprehension of Christ‘s love
when He would vacate majesty above
and suffer cruelest death to set me free.
They stripped Him, flogged Him, spit, pulled out His beard,
then pressed a crown of thorns down on His head.
They nailed Him to rough cross to leave for dead—
Creator of the world now by it jeered.
In love this traitor by her King was served:
Christ Jesus bore God‘s wrath which I deserved!

VII
----
Considering what labors Christ performed
to buy my freedom off sin’s slav’ry block
that of His fullness, with Him, I could walk
in resurrected life (not just reformed),
can I not trust that He will see me through
each trial, tribulation, sorrow, loss
when He would not forsake me at the cross
but carried all my grief and suff‘ring too?
And just as death‘s cold grave could not contain
my Savior but gave way to watch Him rise,
whatever loss my path has to comprise
shall work for me eternal glorious gain.
So while my courage may still be in lack,
the settled thing is there’s no turning back.

VIII
-----
Wading through fresh tidal pools of mercy
along a piece of coast that‘s not too wide—
among the crags and caves where stragglers hide,
hoping to evade crowd controversy—
I know I‘ll have to move on before long.
But in the warm meanwhile of the day,
I kneel to rest; and as I start to pray,
my heart begins to open to a song—
a gentle, soothing lullaby I’ve known
sung to the tune of ‘Eventide‘ as hymn,
reminder that this life is fading, dim
but that in Christ I never walk alone.
And as I raise the words, “Abide with me…,”
here comes my Shepherd, walking by the sea.

IX
---
What now is this waylaying, sin-sick soul?
Diversional winds from cliffside descend.
Where‘s pressing fire my devotions attend?
Brain‘s robbed of sanity, sleep, self-control.
Jesus comes near numb heart in distraction
and bids me again to clean deadwood out.
Jesus, I‘m desperate, drowning in doubt!
Help me expel what‘s needing subtraction!
Discipline, prudence, wisdom, contentment
can work to restore both body and brain,
while worship will lift locked heart from restraint—
its untethering from woe’s resentment.
I won‘t, without wisdom, taste truest Love,
yet Love holds true keys to wisdom above.

X
--
Mottling mind’s hazed subconscious sockets—
bedecked by ego’s restless crave for fill—
infections grow to permeate my will,
ladening, with dross, affection‘s pockets.
Foul seepage soon coagulates to plaque,
forces clefts which weaken my foundation,
foments psyche’s stormed disintegration
till half-light’s flushing falls to midnight‘s black.
Yet amid murk‘s rotting, rank confusion
with ev‘ry faculty succumbed to rift,
My Shepherd plucks me fiercely from the cliff,
tending thorn-torn blight with Love‘s ablution.
Healing, though, requires my surrender—
all cooperation I can lend 'her.'

XI
---
Jesus asked a question at Bethesda,
the pool by which an invalid was lain,
for thirty-eight lost years left in his pain—
twisted, timed, tormenting, teared siesta.
“Do you desire to be made well?” He asked.
“I’ve none to help me!” was the plaintive cry,
then Jesus spoke miraculous reply
that to get up and walk the man was tasked.
That’s not to say all healing will be found
within this present life of ills and woes,
but still I hear Christ probing through the throes
if I am truly willing to be sound.
Or would I rather lie on crippling bed,
an invalid of spirit, heart and head?

XII
----
Shuffling through some past miscalculations
surrounding toxic breakage of the vines
that ought secure the healthy bound’ry lines  
guarding interpersonal relations—
rememb‘ring my susceptibility
to ego-shuttled, codependent err‘rs
which strain to manage others‘ own affairs
and so invert responsibility—
I ponder if I‘ll ever grow to learn
proper seeds for sowing mutual trust
with vital tools for gently sanding rust
to help stave off a bondship‘s breaking-burn.
One thing I know, that trusting in the LORD
steers love‘s impetus to carry forward.

XIII
-------
“I’m not enough and yet too much,” I've read.
Succinctly that describes my current angst,
and I can‘t justify to war against
these arguments which whirl around my head.
I’ve been told, “You’re just a little intense,”
by many people, not just one or two,
and this they voice clangs manifestly true,
as gaping holes defect my bound‘ry fence.
Voluminous in content and in force,
bestowing as prized gifts what isn‘t sought
or wanted by those for whom gifts are brought,
I falter in my need to change set course.
And where it comes to giving what‘s desired,
real competence seems found to have expired.

XIV
-----
Someone wrote, “true soul mate is a mirror“—
like limelight they‘ll reveal your unseen faults.
Where no one else delights to search your vaults,
“soul mate“ renders time to be apt hearer.
It matters not, was said, that they don‘t stay,
so long as they‘re an agent for reform—
the one who makes you desp‘rate to transform
by breaking heart and making ego fray.
Danger lies in nuanced underpinnings.
I thought I‘d found my soul mate in abuse
and used “he needs my fuel“ as excuse
to take a twisted game to extra innings.
Here I’ll grant these crazed imaginations
were at core demonic machinations.

XV
-----
Casting down romantic schoolgirl notions
that sin-drenched bonds might fashion souls complete,
I drag bewitching grails to Jesus’ feet—
spurning now to drink past guile‘s potions.
As I linger longer in His presence,
I‘m freshly bathed from marring guilt and shame,
reminded I‘m made whole in Jesus‘ Name—
partaker in the fullness of His essence.
Identified eternally with Christ,
secured by His unfailing love through grace,
one day I‘ll walk perfected face-to-face
with Him from whom true life is all-sufficed.
And as I muse, I taste true heart‘s desire—
rekindling, renewed with holy fire.

XVI
-----
Attitude is prime, determinant hinge
on which the door of restoration swings—
deciding what response subconscious brings
and on which morsels mind should bestly binge.
Plenty is dependent on perspective.
Mountain, plain or valley alter sight 
and size by which is measured present, plight.
Simply switching lens can be corrective.
In Christ, Ephesians tells me, I‘ve been raised,
seated with Him in the heavenly realm—
positioned by the One who steers the helm
that Father, Son and Spirit would be praised!
Worship, like a rudder, sets the outlook
to keep me highly grounded in God‘s Book.

XVII
------
Why should I to the worship of false gods
surrender my outlook frivolously?
Idols grab first gaze notoriously,
rob joy as will‘s defenses yield heart‘s nods.
What then? Can I suppose I might steal back
a measure of exuberance through more
skewed genuflecting to gilt calf before—
itself beleaguered, plagued by woeful lack?
Now heed, wayfaring soul of mine, what‘s true:
Creation‘s bounty-goods will make you slave
and with sweet Siren‘s flutes your mind deprave
when to them you lend focus Christ is due.
Lay firm your eyes on Him—pure, restful bed,
cover, fuel, completer, Fountainhead.

XVIII
-------
Wandering down some cobbled, crowded street,
I‘m nowhere headed, rapt in mindless thought,  
and as I saunter south I happ‘ly spot
a friend long-lost but fiercely longed to meet.
Just up ahead, he’s mixed well in the throng
but might be caught if I push through and race!
Heartbeat quickens. Oh, to see his face,
this one with whom I’m sure I must belong!
Yet when I actually seize him and he turns,
I’m devastated, sunk. It isn’t him.
Then moping northbound—dazed, dejected whim—
I stumble on the One for whom heart burns!
How strange, as I had grappled, chased and shoved,
that I’d been running from the One I loved!

XIX
-----
He‘s reservoir for which parched spirit begs,
familial feast cast heart longs to attend,  
elixir fractured psyche craves, to mend,
secure foundation ‘neath soul‘s skittish legs.
Jesus is hearth fire, garden blooming,
joy‘s kiss that welcomes prodigals with tears,
arms’ tender brawn consoling weak ones‘ fears,
shelt‘ring lullaby as nightstorm‘s looming.
Who else can scatter stars, strew mountain snow,
to whet beloved‘s taste for pristine grace?
What other love’s like this, that He‘d embrace
excruciating death to grace bestow?
And best, most faithful lovers of this earth?—
dull pennies next to Christ‘s resplendent worth!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME II:
(** — XXXII) [Edited in 9/27-29/21]

**
----
Closing the door on chaining obsessions
requires some short-circuiting of thought
previously allowed to flow uncaught
and forge ever-deepening depressions.
Pathways in my brain can be rerouted
by changing interactions with my world,
observing what’s most easily unfurled—
presently what’s to five senses suited.
‘Mindfulness’ can be a Christian practice
and doesn’t have to rest on Buddha’s shelf—
“awak’ning non-existence of the self”—
or from unseen, eternal things distract us.
True mindfulness is found in gratitude—
joyful, eucharisteo attitude.

XXI
-----
A biblical version of ‘mindfulness‘
is found in 1 Thessalonians 5,
revealing as God’s will that saints should strive
for ever-prayerful joy and thankfulness.
Pond‘rous gratitude staves off resentment,
greed and pride. As was taught to Timothy,
what‘s created and giv‘n by God should be
received in sacred thanks with contentment.
Creation reflects God‘s bounteous glory
and demonstrates His loving grace and care,
so in same grace and glory we can share
each time we recognize Him in our story.
Ten thousand tiny gifts write each day‘s page,
and he who welcomes most is most like sage.

XXII
------
In restoration, elasticity
of mind is a factor to celebrate.
So please don‘t ever underestimate
the wonders of neuroplasticity.
New brainpaths form and old channels falter,
depending on what choices I might make.
Fresh experience of which I partake
will physically help my brain to alter.
Here‘s one great hope I must now remember:
What’s hardwired today can still be displaced,
and thoughts might soon flow on paths greenly graced,
as I feast my soul’s eyes on brain’s Mender.
Bent mindfulness toward Giver and His gifts
best brings joy‘s healing for my mental rifts.

XXIII
-------
Realizations that some obsessions
are desires to vicariously ride
the mindfulness of others who don‘t hide
their own keener sensory possessions,
aptly are aiding to turn my focus
from curiosity to understand
their thoughts, which often‘s led my heart-demand—
want to consume their minds‘ crops like locusts.
What I‘ve perceived as love, concern to know,
empathy for others‘ worlds internal,
might be more escape from mine external—
attempts to hide from life‘s real, present show.
Avoidance wears all sorts of vibrant masks
to keep me blinded to here-moments‘ tasks.

XXIV
-------
Viewing secondhand eviscerations,
as others spill their innards on the page,
may seem the safest way to heart engage—
surrogated life participation.
Substituting others‘ honed perceptions
where I ought learn observance of my own
will keep childlike experience ungrown,
smother creativity’s conceptions.
Social media’s pitfalls lie therein,
along with greater dangers lurking large.
Despite its many goods, there’s needed charge
that gorging on a good thing leads to sin.
Shutting website windows is like trailhead,
opening mountain path to higher tread.

XXV
------
I‘m learning to sit with anxiety
raised by self-denial of habit’s fix,
mindful how my heart solicits tricks  
to alternate for true society.
Discomfort speaks in volumes to soul’s ear
like smoke alarm alerting to a fire.
It tells me, “Quick, investigate! Inquire!
Please find the source of inner burning fear!”
Nervousness as friend might offer insight
if I can hear and listen to its warning,
objectively without the shame-filled scorning
that tends to follow panic-stricken plight.
Practice putting tension in glass cage
to monitor its undercurrent’s rage.

XXVI
-------
It’s time to preach a sermon to myself,
for fears are overtaking me in waves;
and spirit must combat what habit craves—
flesh seeking consolation in false pelf.
Scrutinize what’s underneath such worry.
Do I believe the LORD is still in charge
of details of my life and world at large?
Look to Him. Don’t yield to anxious hurry.
Do I believe He’s with me and He’s good,
a faithful Shepherd tending to each need?
Then look to Him. Don’t drown in fretting’s greed.
Christ’s sheep don’t have to look elsewhere for food.
Each wait is opportunity to grow,
for God has holy riches to bestow.

XXVII
--------
God’s character and sovereign wisdom hem
my life, as His responsibility.
No wrong will steal my true identity,
whatever slips or schemes might spill from men.
Christ’s Ruler over all, but do I let
Him fully reign as Master in my heart?
Do I acknowledge I’m His work of art
and purpose for His hammers, chisels get?
Intimacy and glory are the friends
to which His sanctifying lessons point
and meld together as love’s dovetail joint
whenever I surrender to these ends.
Soul, set your hope on grace to be revealed.
Entrust to God strain’s mysteries still sealed.

XXVIII
---------
LORD, HELP! Why is my mind so distracted?
And why then, letting it be drawn away
for half an hour, am I now okay
to let my compulsions be retracted?
Give in to let go feels like solution,
but know it only deepens the desire
for later curiosity‘s inquire—
grants no satisfying resolution.
Those thirty minutes mindfulness was lost,
yet could it be empowered by the fall,
as I look closer inside to recall
that giving way to habit bears great cost?
I won‘t grow discouraged by the setback
but seek to further understand self‘s lack.

XXIX
-------
Low-pitched, humming anxiousness was sitting
all day inside my torso‘s cavity.
Mindful sensing lent no gravity
to coax the stubborn squatter through outwitting.
Head was tired from too little sleeping,
so frankly seemed to coast and just make do.
Soul felt no fresh excitement by woods‘ view
and lacked bright energy for much guard keeping.
One moral of this story is night‘s rest
must become priority for healing.
Otherwise this shaky default feeling
will grow into another panicked crest.
Though it‘s no excuse to say I‘m tired,
it‘s clear reformed sleep habits are required.

***
------
Changing what’s practical opens a door
to transforming what’s spiritual, mental
and emotionally experiential.
Habit alterations might well restore
enough equilibrium of body,
restfulness, clarity, reason and time
to give me needed aid to better climb
above oppressive moods, both low and haughty.
Early to bed, early to rise...”could be
one thing to make a world of difference
and welcome back some simple common sense,
to open up new space for setting free.
But for that discipline to take effect,
I’ll also have to curb the internet!

XXXI
-------
Every opportunity for worry
is greater opportunity to trust
that God behind the scenes is sanding rust
from parts of me where fear has made faith blurry.
Without unknowing-gusts to stir the pit
of nervousness inside my helplessness,
I might ne‘er seek my Shepherd‘s faithfulness
nor learn to wait on Him and with Him sit.
These are times of richest growing lessons
when I‘m reminded He is LORD, not me,
and that He works to draw in int‘macy
feeble souls to Him through stretching sessions.
Joy is knowing sure—head, heart and will—
He‘s ever whisp‘ring, “Child, come closer still.

XXXII
--------
Recapping basic steps to take thus far:
Find sleep (which may mean need for melatonin
to counteract my haywire serotonin),
and overuse of internet I‘ll bar.
Then with restfulness bring mindful thinking—
keen noticing that‘s graced with gratitude
and sets a stronger skyward attitude,
buoys me up against fret‘s downward sinking.
More important still is meditation
upon the word of God‘s indicatives
which lay foundations for imperatives
to follow as prescriptive medication.
Most crucial element preventing fall
is fix my eyes on Jesus through it all!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME I
(I — XIX)

8/23/21— 9/8/21

~~~~~~~~~~~~~~

VOLUME II
(** — XXXII)

9/22/21 — 9/29/21

~~~~~~~~~~~~~~~~
am i ee Sep 2015
racing through the night
fast as light,
toward the great unknown,
the little acorn nut was
reminded of the old adage,
"hang on to your hat"
and so she did.


first stop was to the factory
where well crafted &
educated hands
stroked her smooth grain
& magnificent wood,
so long hidden,
standing so long un-admired.

at last the day came,
she was loaded upon the truck,
so very carefully,
gentle to not mar
nor bump,
as she was moved.

reaching the city,
all the brights lights,
the city trees dotted
the avenues
and huge grand park,
spurning the excited hi's
of this little country
bumpkin.

but she would not dally,
nor carry on, with
the highend bookcases,
chairs, tables and others,
living floor after floor
above the city.
those in the penthouses
holding the works and books,
those rubbing shoulders  
and bums,
with the highfalutin
literary few.
the poets & artists & writers
that deign to look down on
poor you.

every night,
under the light,
she laid there beaming,
her beauty so deep
for all to see,
gleaming.

no diva, nor screeching ingenue,
puffed up egotisical  baffoon,
or shrew,
could bring her down.
for she knew,
that without her,
there could be no show.
for without her,
in all her floor glory,
there simply
would be
no stage!

and the little acorn nut
was glad!
The life of the Little Acorn Nut continues.  See previous piece for background history.
Xan Abyss Feb 2016
Carve a picture of your face into the Halls of Time
Preserve yourself forevermore
In the history of humankind
OBEY -the Universal Law
DO WHAT THOU WILT - Harm Not
Scrape the sky with your canines
Make the people sing your name
Slave for no divine reward
And fear no eternal flame

Devil may care,
Live and let live
DO WHAT THOU WILT - Harm Not

We are a miraculous animal
Tricking ourselves into spurning our own gifts
Overcaffienated/Undersatisfied
Our eyes firmly planted
In the center of the sky
We've spent so long waiting for angels
No one remembers:
We Are Divine.

DO WHAT THOU WILT; Defend Thyself
DO WHAT THOU WILT; Indulge Thyself
DO WHAT THOU WILT; Enjoy Thyself
DO WHAT THOU WILT; Respect Thyself

I Am God
You Are God
God Is A Lie
I Am God
You Are God
God Is An Idea
Born In The Minds
Of Us,
The Inventors
God Is A Tool
Used For Control
His Soldiers Are Fools
Losing Their Souls

DO WHAT THOU WILT
BUT FEAR NO GOD
DO WHAT THOU WILT
GOVERN THYSELF
DO WHAT THOU WILT
PROTECT THY WORLD
DO WHAT THOU WILT
BE WHO YOU WISH
DO WHAT THOU WILT
HARM NOT
WASTE NOT
DO
WHAT
THOU WILT
something scribbled in the same notebook as my previous entry. i'm guessing written around 2013.
Overwhelmed Jan 2011
forgiveness,
hear my cry,
as I writhe again
in bed
a spurning of
doubt
fresh in my
mind.

forgiveness,
see me now.
as pathetic as
I have ever
been.
I wonder if sins
really are
punished.

forgiveness,
feel my strife,
is your heart like
stone?
and cannot find
mercy for a man
over-punished?

forgiveness,
smell my fear.
a dank musk
of my being,
no number of bathes
may wash
away

forgiveness,
taste the bitterness of
me
and search your soul
to find some sympathy
and respond to me
at last

why do I hear nothing?
I cry
and still the silence
carries on

forgiveness,
has no cry,
it has a heart,
I know and remember this,
but it is not a lax
judge

forgiveness,
hears my cry,
and shows me a
stone-cold face
in the starry
night

I feel a small tingling
as new thoughts flood
my mind
I see again the boy I
once knew: successful,
happy, and forgiving
of himself
Paul Butters Jun 2015
It started when she said Hello
Over forty years ago.
She was the only one to do so I suppose.
My heart was twanged
And I wanted her so bad.
Still it pains me so today,
I couldn’t find the words to say.

All I got was unrequited-love sick blues.
I couldn’t eat a thing
For weeks on end.

At a party she sat alone,
Seemingly aloof,
‘Til someone else stepped in...

Hindsight says she didn’t like me anyway:
She criticised my teenage spots
And the way I danced.

I wasted so much time on her,
Spurning others for my senseless crush.
Giving up only when her long distance boyfriend appeared.

Since then I’ve always guarded
Against getting emotionally involved
Before being socially involved.

It has been said that I’m aloof,
Staying on the fringe,
Avoiding commitment.

You have to take that risk
They say,
There is no other way.

I’ve seen the pain that “Love” can bring,
Romantic songs I will not sing.
I’d rather stay here on the shelf,
Peacefully living with myself.

Paul Butters
A rare exploration of my personal feelings.
Atypnoc Jan 2015
it's nice to know it's not for naught
there's value in what can't be bought
where my plans convene with thought
i invest different kind of plot

honeycomb are to the bees
as madness is to mysteries
and are polite priorities
nectar of insecurities?

the recounted sheep are bleating/(bleeding)
cry of wolf to deaf misleading
as i bray again repeating
every note so self-defeating

thrown about the limbs of trees
chaos with-in-discrepancies
that which we melt just to freeze
wring tangles such as these

my journey is while they sleep
shepherdess lost counted sheep
the edge, again, to fall or leap
for flight first failure grade so steep

My white whale wild in the seas
This ship no sail, nor north agrees
Ever-spurning taste of tease
I am ahabs intricacies

to illusion am i ******
eternally roaming the land
through burning thirst for empathy
-i'm plagued with insecurity

in an old biblical story
mortal glimpsed our father's glory
From that instant's blinding light
was driven mad took his own sight

if i could measure and define
truth and where it draws the line
which cliff faces only mine
encases truly, i am fine

chronic illness violently
supressing luminocity
onlookers hang silently
as ash consume ferocity

speed builds on tracks in my train
I know this is too fast, again
upon myself, 'you dare complain,
without reference to real pain?'
all avert their eyes, refrain
saying nothing is my bane
am i alone and insane?
this focus that i can't explain?
creating reason for my pain
purpose for and by diseased brain
Allison Wright Jul 2011
Share with me
your words

Make me know the face
The gaping hands
the sunkissed skin
The unwashed hair
the broken feet

Though not enough
(my will still evident)
There is another way-
Make me Thomas
and ask but thrice
That I may explain a doubt yet compromised:

That a fancy took a man
To pardon villains and condemn the saved

Adopting eleven (add a twelfth for foster care)
then spurning more
First the rich, then his junkies
And any prone to bore

He demanded death to dare refrain
Not from himself, but from the dead
To leave the weary to his hands
and the broken to his feet.

And the rest is simply religion.

So I must question (my doubt detailed)
That such a man as this
could praise your name
and call you Father.

That he would tread Calvary alone
To claim you goodness, kindness, self-control
To be the scapegoat for your sins
To be the price upon your head
and die
and live again.

And still, you let the world devour itself to darkness.
And still, you suffocate this faith.

This mustard seed.

So I bargain this:
Let also the diffident move mountains
Let also the lost find shelter
Let also the dead have hope
As once was promised.

And then

only then
will I call upon Your name

and wait.
Darren Koobs Apr 2011
It’s time to be real, time to face facts
We all love a drug, we all have our pills
We all choose addictions to soothe our ills
Trying to forfeit the pain life exacts

Things that we grasp only briefly distract
Behaviors we love that cannot fulfill
Popping bad habits instead of real pills
Making wrong choices, spurning their impact

Devices, entities, actions, can ****
All of creation mayhap abused
No matter your choice, regardless of thrill

We conceive our own monsters
By our own selves we are used
Pills only widen life’s fissures
Graff1980 Nov 2014
After years of bleeding
Seeing society retreating
On oil slick sands
On bible belts
And boy bands
The world is ovulating
Waiting for the impregnation
Of a dreamer’s nation
Intertwine
With an age of the mind

The birthing pangs
Blanking on the dark ages
Yet we cycle back
Again
Rising up from
The ocean’s foam
Then sinking
Deeply into
Their dark depths

Another age of greatness is due
Returning
From the spurning of
Science and poetry

FDR to McCarthy trials
Beatniks to Vietnam
The Roman Empire
To the dark ages
The last sages
Got trampled on the road to war
The great poets
Frequently ignored
But it’s time
For another revolution
Evolution
End of pollution
And the dissolution
Of our greed ran
System man
Zywa Nov 2022
I wander along the stores
which make the pitch dark less scary
although you never know who may pop up

and that would not be Prince Charming
who can break through his spell
with my love, so that instantly
the shop window is a marriage bed
with sky blue curtains

and we get an enema because
of the spurning the chewable tablets
to let go of the past
and to seal our future
only dressed in a crown

with the red plug in his ****
and the green one in mine
The girls from my work
escort us to the bed
which we mount under applause

Their hands lay us down
and rub us up
for the grand finale
"Drug Store" (1927, Edward Hopper)

Laxative "Ex-Lax" (chewable tablets)

Collection "NightWatch"
K Balachandran Apr 2019
An amorous robot asked her out for a date.
One 'inappropriate touch ' by him,
No doubt, would have sent her up in smoke.
Yet, avoiding the danger of  war with humanoids
For spurning one of their kind, was
Uppermost in her mind: she thoughtfully gave the nod!
In an E world fraught with disasters of unimaginable kind caused by science,unanticipated dangers at every turn and desires without restraint,love as it is known to us now, often would have to walk through forced paths..a futuristic reveire
Graff1980 Apr 2015
After years of bleeding
Seeing society retreating
On oil slick sands
On bible belts
And boy bands
The world is ovulating
Waiting for the impregnation
Of a dreamer’s nation
Intertwine
With an age of the mind

The birthing pangs
Blanking on the dark ages
Yet we cycle back
Again
Rising up from
The ocean’s foam
Then sinking
Deeply into
Their dark depths

Another age of greatness is due
Returning
From the spurning of
Science and poetry

FDR to McCarthy trials
Beatniks to Vietnam
The Roman Empire
To the dark ages
The last sages
Got trampled on the road to war
The great poets
Frequently ignored
But it’s time
For another revolution
Evolution
The end of pollution
And the dissolution
Of our greed ran
System man
Maria Hale May 2012
Mouths are not used for communication.
Rather they add to all frustrations,
Allowing lies, guile, and machinations.

If man had a trunk to trumpet a warning,
‘Twould be better served than a tongue used for spurning.

A narrow proboscis for nutrients to ****,
More useful than lips that spew only muck.

The double-speak game is one that must stop,
Before all good words are spun into rot.

Mouths are ridiculous adaptations,
That enable ridiculously false orations,
Telling us all we need is communication.

-M. Hale
6.10.11
Atlas Rover May 2014
At times I confess,
The follies that are part of me,
The bane of being human,
Force me to find recluse in solitude,
Away from the squabbles of mortal men,
Who fight for things immaterial,
Spurning things that they should endevour to have.
Alas, it shames me not,
That solitude at times,
Rejuvenates some hidden part of myself,
A resevoir refilled, replenished.
I spend my time alone,
Listening to the solitary wind,
Or to the beats of some bard’s song,
Uncovering meaning in both.
But I must admit there are times,
When I watch lovers entwined in a casual embrace,
Or a child’s loving gaze at his parent,
And realization strikes me.
Although I like being alone at times,
The wine of loneliness bitters my withered soul.
Amy McCudden Jul 2010
Densely fogged
under caked make-up from yesterday's tears
fakely disguised beneath the crowd
of masochists and nonbelievers

Hearts plead and bleed as one
based upon no one at all
seething fear pounded through fists of rage
anguish of lost hopes and lost causes

Where do I go
for whom do I show
should I grieve
for a land that is no more than make believe?

Despairing and looking for cheap cigarettes
they gather on their gravelly haven
spurning the world and hating
what it's become
nothing but **** and ***

Those who came before us
naive double standards fearing our new status
the putrid stench of change clings to our chains
burdened by the nonbelievers

Where do I go
for whom do I show
should I make believe
in the world we grieve
Eric Logan Nov 2010
There is an aching within my bones
A sense of lacking for which I must atone
Thoughts of timelessness in truth and reality
Supplanted by a faith in thoughts that have gravity.

Pass the torch from which passion burns
And fulfill the emptiness for which my mind yearns
Give the shattered ego thoughts of contradictions
Spurning ever forward understanding as it's jurisdictions.

Walk forth through brimstone and flame
The husk of my body in which thoughts become tame
Growing knowledge becomes less and less sufficient
A testament to the love I find within me deficient.

Back and forth the extinguished lantern swings
Throwing darkness upon all of the lighted things
Knowing not when to feel the warmth of love
Gnawing inwards from the lack thereof

Time will only tell if this feeling should subside
Or if the strength of passion will ever abide
To press onward to a bright tomorrow
Lest I spend eternity pondering the meaning of sorrow.
August 17th, 2010
Rachid Insa Mar 2010
We live in a society where a simple glance shift  the way we are
Drowning  the child living in our souls in a sea of prejudice and lies
Stifling his fearful cries in a whirlwind of deception
He re-appears as a 'man' like they say
A person who's leitmotif is security
Too scared to face the unknown ,
Too coward to fulfill his childhood dreams
The desire to be alike becomes so extreme
That he destroys what god gave him and made him so unique
Every single one of us is a part of the all mighty
Which makes us special in every ways
We are fruits stemming  from various trees with a specific taste
Spurning that gift is like removing a part of ourselves
Admitting that we are weak within
Stand for it and you'll become a source of inspiration
A well moisturizing uncountable souls about to faint
Don't be afraid of what they think
Be free
Be you !
The Shid

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