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Zeeb Jul 2018
The Lake Pontchartrain Causeway… man that’s one long bridge
I drive it every day for my pay - here’s what I see along the way

Here comes:
Corvette Kary, setting pace, he thinks he’s in a race
When Kary’s not waxing his ride, for your safety you'd best pull aside

Petrified Patty, she’s over water and has never learned how to swim
She’s driving a white Lexus, so scared she has no reflexus

Miata Mike, chasing Kary's Vette, not gonna get too far
Trying to convince himself, he didn’t buy a girly car

Watch out for:

Makeup Mary, on cruise-control, wow she’s one of the worst
She loves her new Camry, but her next car might just be a hearse

Yes, that Causeway, can be a long and boring ride
And if you get a flat… there’s no place to pull aside
Oh but that Causeway has its points, take time to see
24 miles of entertainment, and the Northbound way is free

Here comes:

Road Rage Randy, always ****** and he doesn't know why
Today he’s running late, but finds time to escalate

Doughnut Danny, rolling breakfast and a tea
Such mechanized efficiency, has a newspaper on his knee

Wackin Wayne, you're kidding me, you thought I couldn't see?  Vibrating Virginia close behind, now we have equality

We've got:

Maypop Marty, thinks tires last forever
Does he even check the air?.... never

Mark The Spark needs a muffler shop, something heavy about to drop.  Comes Innocent Mike on his motorbike too bad he just couldn't stop.

Headphone Harry and his Pandora, he's here but also... he's not.  He likes his music best, you see, after a few long tokes of his ***.

Fugitive Fred on the go, at 65 point ooo.  Not a mile to fast or to slow, got to blend in on this bridge don't you know.

Yes that old Causeway, can be a long and boring ride
And if you get a flat… there’s no place to pull aside
Oh but that Causeway, has its points, take time to see
The mechanized circus on parade, our hilarious humanity

Don’t forget:

Frozen Frita, every rainstorm stops her dead in her track
Then here comes Ramin’ Ron, goin 60, aint too good for her back

No Tie-down Tim, **** flyin’ out of his truck
For everyone behind him, Tim doesn’t give a ****

NPR Nancy, she must be in a “Driveway Moment”
Only problem is, she’s on a god-**** bridge

Texting Theresa, I’ve saved the best for last
The last thing in life she did see, was an idiotic emoji

Lookin’ Lee, that’s me, pretty sad that I’m just as bad
Come join us nuts on the Causeway, might be the most fun you ever had
CK Baker Jan 2018
who lit the candles
placed so eloquently
behind purple rock?
that sculpted radiance,
chapel grace
wound in a chosen
defined way
down the spiral
stone stairs

street cars dawdle
alongside
the packer slew
biding merchants
shuffle their wares
as the front man
and pock face
sing their
holy blues

cut jazz echoes
over the accompanying
gabble and drone
incense and haze
pour from
a lower trap door
sack fish, truffles
and splendid crafts shine
inside the stained glass fronts

a wide mouth snapper
with a bloated tongue
greets the
morning tide
(not camera shy
in the least!)
the fish traps
and beaneries
bring life
to the flourishing causeway

hula hoops
and circle ballers
join the
cobaine stage
favoured rogues
and mac jacks
speak easy
of the big daddy

beth’s triple by pass
taking firm hold on
tricky ****
and the nutcracker
maze ways,
taggers and
lost tunnels
of cu chi
strike a
nerving blow

a poised finger man
belts out his tune
(with a sniff sock
and iterating glare)
his nosey neighbors
cut artisan bread
(with a white wine
and jelly spread)
midwives push forward
for an afternoon
toddle and stroll
SøułSurvivør Mar 2017
A Story of Scientology and the
Mental Health System Connection

THE CAUSEWAY

By the time I got to Tampa Florida I was so weary that I was stumbling off my feet. I hadn't had any proper sleep in 4 days. My bones felt as if they had eaten a cancer. I can't remember sitting and waiting for motor pool to pick me up from the bus station. I must have been sleeping on my bags. Not that there were that many of them. I had very little clothing or toiletries. In fact I believe all that I owned was in one tiny suitcase and a carry-on duffle.

I don't remember the name of the man who picked me up that day. We'll just call him Noah. And the white van that traversed the Courtney Campbell Causeway carrying State Road 60 from Tampa to Clearwater? We'll just call that The Ark. Because we were about to meet a *deluge...


The first part of the trip I was nervous. It was raining and extremely windy. I remember asking Noah if we could wait for the storm to pass. He told me that he was under orders to get me to the Fort Harrison within a certain time frame. He would meet those orders come hell or high water. He didn't actually say that but that is what he meant. And that, my friends, is what we got!

The first part of the causeway appeared to be wide. It had palm trees on either side and some greenery. But at a certain point all it was was some roadway perched upon pylons. The engineers had started construction of the causeway in 1927. It was a total of 52,165' long. And, brother, I was feeling EVERY INCH!!!

The wind was blowing so hard that the rain was almost at a horizontal slant. The waves worse. They were spilling over the roadway and frothing. There was no one on the road of course. Nobody else would have been crazy enough to go out in that storm over that Causeway. But Noah had his orders, by God. And he was going to carry them out. That's how brainwashed and insane some scientologists are. Especially in the Sea Organization. Failure to follow "Command Intention" could be seen as grounds for the RPF. More on that horror later.

Well. I remembered Elsie. How she said the Lord Jesus Christ answered prayer. She'd told me that if you confessed your sins with a pure & contrite heart and asked anything of him, he would grant them. That's just what I did. I recall closing my eyes and talking to a man. I didn't know Him. But I told him I was sorry. And if he'd just get us to our destination safely I promised I'd try to be a better person...

Noah was terrified. I can still see his face locked in a rictus of fear. But now I felt strangely calm. Even when we hydroplaned over the asphalt I wasn't afraid. Finally we arrived at the end of that terrifying strip of water and wind. I don't recall exactly. But I believe Noah stopped the van and wept. For the first time in my life I thanked God. I recognized the event for what it was... A PURE MIRACLE.

*AND I WILL ALWAYS REMEMBER IT AS SUCH.
What I've written is what I remember to be. I don't know how we could have made it over that Causeway and not been swept over the side. It had to be an act of God.

What I will be writing from now on are my impressions of my time in the sea organization at the Flag Land base. All the names save one will be changed. There is one I don't hesitate to mention by name... the swaggering little dictator David Miscavige. A human monster of ****** prepositions. He will receive NO MERCY.

HE HAS SHOWN NONE TOWARDS ME.
Jim Davis Jun 2019
Scrounging local garage sales... near ten years past... I had found a flat, welded iron, rusty seahorse... 3 feet high... with a good seahorse shape and poise... edges welded and cut... after the haggle... twenty-five dollars..... perfectly added to my estate... covered rust in gold sheen... mounted upon a tree... to greet all comers... with a seahorse kiss!    
     Seller said it was made by the same artist... of the turtle lady statue... to be found in Corpus Christi!  Asked if I had seen it... my reply... No, but I liked the seahorse piece! He expounded... the artist... only had one leg... but was a surfer... well known for this trait... in Corpus Christi!  
     After I had mounted the seahorse... upon it's tree...I did an internet search... looking for anything about the one-legged surfer artist of Corpus Christi!  Found... nothing!  
     End of May, 2019... visiting my sister, Donna... we were wandering Corpus Christi!  She guided us to the surf museum... not knowing the story... of the one-legged surfer artist... creator of my mounted seahorse!  
     Girl at the front desk... Kyla... real nice and friendly... told her about the seahorse and questioned her... she didn’t know... she never heard of a surfer with one leg or the turtle lady statue!  Looking at us just a bit strangely... one legged surfer???
      Donna and I... started our stroll through the small museum!  Along the right side... stood a long row of surfboards... I’ve never surfed... but I was imagining trying it with just one leg!  
      Anyhow... I didn’t really stop to read or look in any detail at any of the exhibits until I reached the back... there was a glass case... which had a piece of simple letter paper...  8.5x11... taped to the front of the glass cabinet!  I started in reading the last paragraph...

     “Welch, 53, and his wife, Chelsea Louise, 23, died September 15, 2001, when their car plunged off the edge of South Padre Island’s Queen Isabella Causeway, which partially collapsed after a string of barges crashed into the bridge’s support pilings!

     Thought to myself... Wow... Who is this guy???  I jumped up to the middle paragraph...

     “Welch lost one of his lower legs in an auto accident in the 1970s, but he kept surfing with a prosthesis.  He wore a peg-like prosthesis at first, then got one with a foot.  He won the prosthesis division of the United States Surfing Championships on South Padre Island in 1998.”

     In the glass case was a welded metal sculpture of a beach scene... with waves, palm trees, and all!  The piece did have some resemblance in style to my seahorse sculpture!  Also, there was a picture on top of the case... of Harpoon Barry... striking a muscular, no shirt pose... in his tattoo shop... his torso covered in tattoos!  
    
     “It is said... he was on the verge of suicide after losing his leg. In one interview with the San Antonio Express News in 1992 he said;  "I may not make it to heaven, but you can be sure I made no deals with the devil to get where I'm at now, "  Looking down at his false leg stretched out in front of him, Welch said quietly: "It is a real empty feeling when you put one of these on for the first time, especially if you are an adult on your own. And your mama'a not there and your daddy's not there, and the people in the hospital tell you, 'This is the best it's going to get.  I made my first leg myself, out of Hi-C cans. I couldn't wait for my leg to get finished. I wanted to walk. I guess I got the idea from the Tin Woodsman in 'The Wizard of Oz.' That leg actually worked pretty well!”

     I had found my one-legged surfer artist!  I walked towards Donna... who was already half-way leaving the museum...  I hollered to her... she just had to come see this ... “I think I found the one-legged surfer!”  She had recently had partial knee replacement... and was hobbling!  She said if I was fooling her... she better not walk back all that way for nothing!! She came back to the glass case... we read through the letter in it’s entirety!  
     Then we went... and told Kyla at the front desk... she again looked at us again a bit strange... but then reluctantly left her post to go with us to take a look... she was then astounded!  Said she never knew about the one-legged surfer... although she had worked at the museum for several years!  Said there were also a couple metal sculptures... at the front of the museum... she thought were also done... by Harpoon Barry!  We took pictures of those also!  

In the letter we also read...

     “Welch had numerous tattoos and body piercings.  He wore a tiny 14 carrot gold harpoon through one ******.  That is how he got his nick name according to a friend, Scott Gangel.”  

     "I am a unique, self-made sensation!” he said matter-of-factly... in the interview with the Express News!  
    
     It's been 18 years since eight people died when South Padre Island's Queen Isabella Memorial Causeway collapsed... sending 11 people into the water below... four days after the 9/11 attacks!  A string of tow barges had struck the supporting pilings!  A section of the roadway had collapsed...
     I promised Kyla... I would donate my seahorse piece to the museum upon my death!  I only hope my death... is as grand as Harpoon Barry’s plunge into the Gulf of Mexico with his young wife!  Wonder what they were doing during the plunge... what was Barry doing... yelling Yippee Ki Yay... or Surf’s up... Dude!!!... maybe???  
    
Surfed waves on one leg
Young wife... crazy life... grand death
Harpooned by Barry

©  2019 Jim Davis
I doubt I could ever match his life!  !  Though...  someday... I might get a tattoo... or two... or a harpoon piercing... perhaps in a ******! Also... still looking for the turtle lady statue!
brandon nagley Nov 2016
In thine aromatic causeway,
I wilt peregrinate thine
Soul, which is a hallway
That leads me to a railway
Of amour's finest tastes;
If tonight's the last night
Of mine, I seek to seest thy
Face, hold hand's, with
Grand plan's shaking
Rhymes as cosmos
Trace. Doing mine all to please thee-
To showeth thee mine many reasons;
With thee I am so graced.
I'm sorrowful mine dear,
Mine tears as year's stack dust to
Bones that waste.
I feelest out of place; out of thy arms.
I need thine enjoin, bring me close that I may feel thee, a warmth of charm. I want to be sent to heaven's stars, a place to fly and float, no devils or ghosts; nor any drunkard's bar's. Fain wilt I be to hold thy arm,
As the burn burns hard, and nothing negative may enter in. Babes of old, washed clean of sin, nothing to loose-all to gain and security to win. Making music with the sound's of ourn snoring.................

Under mystical spiritual willow trees. Heads aside another, connected brains of information-
Souls alike, forever a blessing. Love to flow wild, from the celestial beyond's dressing.

©Brandon nagley
©Earl Jane nagley dedicated
©Lonesome poet's poetry
Causeway- paved highway.
Wilt- will.
peregrinate- travel or wander from place to place.
Thine- your just as thy means your.
Seest-see .
Enjoin- command.
Fain- willingly


Happy fifteen month anniversary agapi mou.. me moreeeeee Pickle's
ChinHooi Ng Nov 2014
Small town,

starry night,

the playback of old times on vinyl,

small town had our dreams,

osiers standing silently,

along the causeway,

seeing shadows of  days gone by,

against the wind,

memories of  the small town,

bright and luminous like pearls,

small town has changed,

dreamers no longer dreaming,

laughter and tears demised,

and became our own treasures,

walking in this city,

you can go back to a lot of places,

but you can’t ever go back,

to the days of yore,

of the small town.
CK Baker Sep 2018
there’s a network of vigilance
around the guarded causeway
of walla walla
the stacked cinders
and smoking rails
leave nothing
but black hooded fate

gray halls
and razor scrawls
mark the hellion crust
abandoned overtures
and dead fill
cloud the horror
and retribution
of this hell hole

bloaters and skin heads
(with wretched memoirs)
shout incessantly
from the second floor
adolphus greely
reading over the
rights of nantucket
and banging his head
on the bent steel bars

with pockets pinched
and tumblers dangling
the stone walls soften...
a seminal moment
crosses the roo house
as mother mary
and the good painted warrior
loosen a finely tuned grip
Nigel Morgan Nov 2012
Sometimes poetry doesn’t happen. One needs more space to work things out, to play around with what you’ve got until you know it well, have felt its worth, weighed it up and reckoned it.

You go somewhere a little known. The location is not a complete surprise, but time and circumstance newly fashion its affect. Is it really eight years since last you were here? Then it was late autumn, now it’s summer’s end.

It’s sad my driving worries you. You drive with me, in a state of constant anticipation, making sure the speed is legal, the line of car to the road is straight. Often, your left hand reaches involuntarily for the door-handle restraint. The more I try to be steady, the worse it seems to become. But today I hand you the keys before you can ask: so that we may start this journey well. Since early morning the sun has shone, and as we head north the clouds assume great floating forms, magisterial, ermine-cloaked.

I like to watch you when you drive. I think it’s the pleasing proportion of your seated self, the body and limbs often motionless in their purposeful position. I look at your profile, the flow of your hair hiding your ears, the cleft and point of your chin, your nose I love to stroke with my nose, the wide mouth whose lips don’t fit my lips when we kiss, and this morning a warm glow on your left cheek.

We have become so careful you and I, with what we say and the way we say it. Politeness, attention to detail, purposeful decision-making, we both make allowances, keeping the conversation airborne, the tone steady, the content ‘of interest’.

After ninety miles it’s good to get out the car, good to get out in a village now bypassed by the main road, a quiet place. A church rises above the village and like a former coaching inn next to its gates faces down a wide street of 18C houses. Scattered variously there are a few unusual shops – wooden toys and metalled stoves. Here we prepare for the next stage of this journeying. On bicycles we’ll take minor roads to the coast.

At the top, after a steep climb out of the village, there it is: the sea. Since childhood that sighting moment has remained special. There’s a lifting of the spirit. The day remains fine, but a cool wind from the land is soon at our backs (you take care not to be cold and wear a scarf around your neck and ears). After just a few miles, we turn gratefully onto a very minor road where cycling becomes a pleasure. Passing vehicles are occasional and we are not continually pressed hard to the kerbside by speeding traffic. We could ride companionably side-by-side, but we don’t.

There is time to look about, to take in the dip and fold of fields and hedges, the punctuating farms and their ribbons of road. A fine manor house rises out of a forest of trees climbing in coniferous ranks to a limestone escarpment. On the breast of a hill we come upon a tapering stone tower that assumes the point from which the rolling landscape’s perspective flows. There’s a combine at the edge of a field and later its grain ‘tender’ heavy-laden meets us on a narrow bend. At a former mill a weir, where the greenest of green shade over water is too vivid not to photograph. Passing a row of cottages an elderly couple, sitting on their front porch, smile at our friendly wave. Above, swallows dart and spin.

A main road interrupts this idyll, and after a long straight ride with the sea a distant backdrop, we arrive at a coastal village overwhelmed by its recumbent castle. Lunch is eaten in a quiet corner of an ancient churchyard. Crows gather on the stubble in an adjacent field. We sit on a bench in the sunshine, though a cloudy afternoon beckons in the west. Later inside the church, where one of the northern saints is laid to rest, an unsteady light plays variously across the stone statues of the sanctuary.

Distance and a head wind begin to strain the calm confidence of the morning. Perhaps we have come too far and expect too much of ourselves? It is cheering though to beat the rain back to the car six miles hence.

Ten miles further up the coast the tide has retreated across a horizon-reaching expanse of sand and mud; it leaves a narrow causeway to an island beyond. It is a long way to its disappointing village full of car-borne visitors, attendant dogs and tired children. There, a little apart from these tourists, we sit to look out upon a further but tiny island where another northern saint found solitude. Wading into the cold sea he would face the setting sun as it fell into the folds of distant hills: to pray until dawn.

You are so tired when we reach the hotel. You are so tired. Our en suite room holds an enormous bed and a large long bath. From its window just a slice of sea can be seen in a gap between houses. I insist, for your sake, on immediate food and soon the strain on your pale, day-worn face begins to disappear and some colour returns as you eat. I catch your eyes smiling – for a brief moment. Oh, your green eyes, my undoing, so full of a sadness I have never fathomed. How often my memory returns to another room where one afternoon, newly married, we were the dearest lovers. In its strange half-light I caressed your long nakedness over and over, my hands and body visiting every part of you – and your dear face full of peace and joy.  

As dusk falls we walk down the village’s only street to view the sand and sea. Then to bed and hardly a page turned before you seek the sleep you need. I soak gratefully in the large bath. After engaging in a ‘difficult’ book for a few minutes, I soon turn off my light. But I am restless and the bed is hard. So I begin to reassemble the day moment-by-moment, later to dream strangely and sporadically until dawn breaks.
NJ McGourty Dec 2012
I
In a land of myths, from the jaded isle,
Great stories are told of the brave and the guile.
But no legend of druids, of hags or ghouls,
Can compare to that of our own Fionn McCool.
In the province of Ulster, before armalite,
There lived a race of warriors who knew how to fight.
And who was their leader? The fiercest of the feared?
Of course it was Fionn! With his glorious ginger beard.
He had arms like a gorilla, at an impressive 8 feet,
And lived on a diet of very rare meat.
He drank only water he squeezed from stone,
And discovered 47 uses for human bone.
It was his giant strength that brought McCool his fame,
In kingdoms far and wide people knew his name.
But what was less renowned was his mental might.
Aul Fionn had towering intellect and wit to match his height.

II
When news of Fionn's exploits reached a pub in Aberdeen,
A mammoth figure emerged from the pungent, men’s latrine.
The patrons gave a shudder as it stooped through the door,
“O...One more Ben?” stuttered the barman as his **** reached the floor.
The giant gave a shout and wretched a toilet door aloft,
“Who scrieved this scaffy drawin, sayin that I’m soft?”
Silence gripped the bar as the men examined with horror,
A crude etching of Fionn McCool thrashing Benandonner.
The men remained mute, as the giant turned carmine,
“You think this Fionn boyo’s tough, I’ll carve out his spine!”
And so the giant departed, making his way west,
But not before he slaughtered the group and downed the drinks they left.

III
A roaring voice came through the mist and reached our own Fionn’s ear,
But when he reached the Antrim coast, he near ****** himself with fear
Seeing Ben on Scotland’s edge, throwing boulders to the sea,
“I’ll turn yer lungs to bagpipes! Ye feeble wee beastie!”
Fionn trembled before the monster, twice as big as he,
With a chest as wide as a trawler and biceps thick as trees.
Now Fionn was not a coward but nor was he a fool,
As the rocks formed a bridge he saw ‘the late Fionn McCool.’
And so he sparked a plan to deceive the creature,
A plot in which his wisdom and his wife would feature.
Running to his house he rushed to build a crib,
And dressed as an infant to complete the fib.

IV
With the last stone in place, Ben crossed the sea,
With ‘murrrdur’ in his heart, his eyes mad with hateful glee.
He crouched to enter the house after kicking through the door,
Grabbing Oonagh in his hand, “Now where’s yer husband *****?!”
Fionn’s wife was calm as he held her off the ground,
But wretched as she smelt the breath of a gum-diseased hound.
“He’ll return soon,” she said as the shoes fell off her feet.
“but put me down and while you wait I’ll fix you something to eat”
While Oonagh was in the kitchen, Big Ben released a smirk,
“From the size of his wife, killing McCool won’t be much work.”
Oonagh lead the deception, returning with some cake.
But had placed rocks in the batter, before she’d begun to bake.
Benadonner was surprised, when he took his first bite,
He reached into his mouth and removed a pearly white.
Not wanting to seem weak, by refusing a McCool snack,
The giant continued to eat the stones until all his teeth had cracked.

V
Gumming back a sob, the brute looked around,
He spied the crib in the corner, and was disturbed by what he found.
A child sleeping soundly, but of such monstrous size,
Ben, now blind with tears was fooled by Fionn’s disguise.
Coughing to hide his alarm, the Scottish giant inquired.
“Is Fionn McCool the man, to whom this weeun is sired?”
Oonagh laughed and replied, “He’s his father’s son, no doubt.”
“Sure I remember he was six foot four when I popped him out.”
Now the Scot started sweating, THE BABY WAS FECKIN TITANIC!
When he imagined the father’s size the goliath began to panic.
He ran from the house, kilt flapping in the wind,
As McCool watched from his window, he kissed his wife and grinned.

VI
While Ben crossed the bridge, he dismantled his creation,
To ensure the ****** couldn’t follow, he divorced the nations.
Now centuries later, if you need proof today,
The remains of Ben’s bridge is called the Giant’s Causeway.
CK Baker Sep 2019
remember the melding
of gilmore and bing
the springfield gates
and desmond ring

remember the trojans
and fools in the pack
sea fair jeans
and corkscrew flat

remember the cabin
and *****’s garage
the gary point dunes
and moncton mirage

remember the warehouse
the water logged seats
tin foil caps
and simple retreats

remember the cave
and turn on the cut
emery’s mini
and hamilton’s hut

remember the burger
and shake in the air
bubs in the back
with little despair

remember the valley
and 66 ford
burgundy lips
and samworth’s chord

remember the plainsman
a 7 inch log
the ***** old frenchmen
and bore-*** hog

remember the javelin
and mushay’s wheels
beaumont’s baggie
and jennifer beals

remember tough charlie
tossing brad rand
the belyae roundhouse
and beer in the sand

remember park polo
and scaling of firs
sleeping in rafters
at 8 bucks per

remember the mayflower
and brothers von grant
the max air follies
and chivalrous rant

remember the flipper
the floyd and the clap
banana boat sunday
and pemberton trap

remember the purples
the rasp in the street
the oliver jokers
and shady retreat

remember the gators
and brick house café
a flash in the pan
and crib cult stay

remember the church
and talbs on the bridge
goofy’s memoirs
and cypress ridge

remember smaldino
whom perry cut short
***** and a ****
and moria’s port

remember the zuker
and gilligan’s isle
the pep chew bust
and 8 tooth smile

remember the action
at blundell and one
the nauseous fumes
and pump house run

remember the canyon
and rock on the cliff
a tourniquet bind
that kept us adrift

remember lake skaha
and jvc tunes
the j bain query
and peach fest goons

remember the irons
and broad entry beads
the alexander boys
we must pay heed

remember the gates
the 12 hole stare
the hospital bed
and ky affair

remember the farmhouse
an open air deck
the john deere tractor
and cowboy neck

remember the wheat field
and jimmy crack corn
the burlington plaza
and fraser street ****

remember the pincers
and wee ***** white
the concubine fractures
and strong overbite

remember the carving
portrayed at the scene
the billy goat battles
a young man’s dream

remember lord brezhnev
and moby the ****
the second beach sun
and paper bag trick

remember the screening
the silver light show
banshee boots
and phipps’s throw

remember the epic
and baby oil block
trash can brassieres
and window rock

remember the law
jack rabbit in may
an 8 track mix
on alpine way

remember the dunes
a pig on the spit
the underarm hair
and corn bull-****

remember old frankie
and bursey head post
the koa leaves
and tiki shore host

remember b taupin
the lyrics he left
cold muddy waters
an odd treble clef

remember street regent
the trips in the night
the trailer park cap
and lightheart fight

remember kits causeway
mortimer and beaks
jk's cabin
and muscle bound freaks

remember glen cheesy
and billy the less
the frozen puke patties
and borkum mess

remember the catfish
and pickerel rock
the emerald meadows
and rainbow dock

remember port dover
with fish on a stick
wayne in a bunker
holding his ****

remember the ironside
limes in a tree
the usc campus
came with a fee

remember the duster
an arrow in heart
the frog man bug
that would not start

remember the zimmer
the ram air hood
a family wagon
with panels of wood

remember peace portal
the 33 back
the power built drive
and dangerous tack

remember the reds
the blues and the greens
the furry point island
and country book scene

remember the springs
and i 95
a lone state trooper
with blood in his eye

remember may’s cabin
and stuff in between
the frame and the picture
and morning snow scene

remember the boss
with a 302 scoop
the diamond tuft console
and back seat coupe

remember ioco
the **** and the spit
the skid road race
and hurst floor kit

remember the shore
and tents in the park
a campfire roast
and kerosene bark

remember the hooger’s
kit kat club
the colvin’s and setter’s
a man called bub

remember the creature
with silk strand hair
and afternoon flask
with little despair

remember quilchena
and robbie the mac
the rice stead box
and tap on the back

remember miss williams
a pilgrim’s salute
the fairmont sister
with all of her loot

remember port ludlow
a scotman on dock
the everett street bridge
and single leg sock

remember the masters
and all of the roar
the faldo follies
at norman’s door

remember jeff samson
tied in a tree
the robertson fastback
with white leather seats

remember the balance
and pulling of 4's
the moncton warehouse
and hollywood ******

remember the hospice
with carter in wear
the power of gospel
and magic in prayer

remember the mini
counting the crows
aberdeen villa
where all of it grows

remember the ballroom
the battle of bands
the buccaneer bikers
and front row stands

remember the steely
and 50 odd pulls
the crook in the cranny
and pilsner bulls

remember the mustang
tb paul
the ****** shack sergeant
was missing a ball

remember dear kevin
head first in the pool
a sheik in a minefield
and ****** gas fool

remember the rumble
and bats in the night
an old lady screaming
to a young man’s delight

remember cliff olsen
that sick little ****
who will be in shackles
on lucifer’s truck

remember the bumpers
and cutting in line
the mice on the ****
and bo in the pine

remember the law
stabbing the corn
a bucket of ammo
and mekong horn

remember s boras
the piercing of yes
the color line paper
sikosie at rest

remember the pinto
and seven road plants
mother’s fine pizza
a trial lawyer’s rant

remember the kennedys
with ***** painted black
a pond in the shadows
where monty looked back

remember von husen
the sea to sky test
a farm hands daughter
was one of the best

remember mr pither
and mao sae tung
helena the cougar
and egg foo young

remember the cinder
and frances road bake
***** the whitehead
would make no mistake

remember the quan
and mental mix
the java hut sister
with pixy sticks

remember j rosie
banging his head
in a moment of dr
we thought he was dead

remember the hammer
discussions caught short
siddrich and roger
and monty’s abort

remember 6 nations
and KOA
the pool hall fight
when everyone stayed

remember the skinners
and tommy the med
the lost tough china
and bubs in the shed

remember the doobies
zeppelin and cars
floyd and the *****
and shankar’s sitar

remember old dustys
the blue and red chair
the cypress hill caves
and mullet cut hair

remember the promise
and vows that we made
on the 2 road stairs
in goodman’s brigade

remember those moments
and handle with care
for the garamond stamp
will always be there…
PJ Poesy Mar 2016
Honeysuckle running deep in nostril's recollection
Wafting nectar dripping in air, please stop
Must stay present, no time for memory swap
Sneaking in, yellowed dreams, desirous confection
O purgatory, keep me still, deviate no such inflection

Causeway flash backing egg yolk, and lemon spectrum
Road lined in runners, speckling scintillation
This loose maddening of honeysuckle titillation
Reverse your tendril's twist, quivers an ungated septum
Covers, green to yellow transitions, honeysuckle bedlam

I cannot dance down this lane for fear of you
Your ringlets curl, clasp, coil me
On such road of alluvial soil I see
How can I? Must I, escape steer of dew?
You're honeysuckle memory of all I knew
Like a stroke of genius,
of just plain blind luck
rising from the jungle floor,
the majestic rubble of the Maya calls,
at once the founder and judge of all Time.

First as the serpent whose plumes turn to wings,
then as the eagle boldly eyeing its prey,
and en fin! as the jaguar, sinewy and sleek,
El Castillo looms
against the hardened, sun-baked sky --
the shifting citadel of Kukulcan,
its shadow splayed across my days.

All of them numbered,
all of them too short,
all of them fading
in the cold
, hard light of distant failure...

Perenially
built and rebuilt,
like the Church,
El Castillo stands
to meet the need of holy obligation,
to meet my need for initiation,
bounded only by the firmament and the underworld,
final triumph of the dead.

And so I stand,
alone upon the sacred causeway --
enervated, unenlightened,
the bitter taste of dust in my mouth.

Until I, too, will be turned
to stone --
the languid chac mool,
sated in sweet repose.

I will drift toward the sunken cenote,
drink deeply from its oasis of evening cool,
where the memory of man and grain and god is sung:

An anthem of order, power and vision,
the great Mayan hymn of meaning.
I will hear, at last, from the porous depths of Yucatan,
what it is to be called human.
Marshal Gebbie Apr 2013
Dripping ***, she stood there, completely unaware
That every man about her had turned around to stare.
For in her nubile innocence and when her red lips smiled
She was causing utter mayhem as distracted drivers piled.
The Postmen stopped delivering, Policemen stood agape,
Conductors missed their trolleybus and Superman his cape!
…And as she sashayed down the street leaving bedlam in her wake
And all the while her red high heels were causing earth to shake,
Perambulating gracefully, impossibly demure,
She sauntered down the causeway, with a loveliness so pure.
Whilst just behind and following, a ravenous hot mob
Of nature’s gift to manhood, all slavering at the gob.
Quite suddenly with a swish of skirt she swirled about and laughed
At the frozen apparition there immobile and aghast.
Acutely frozen with embarrassment at having looked so ****** absurd
They all dispersed their different ways without a single word.
“Bye boys” she chortled, with a devilment in play
With flick of skirt and toss of hair she turned and walked away.
Ha!

Marshalg
Laughing to myself at the silly old mating game we play.
Pukehana Paradise
14 April 2013
Phil B Dec 2014
At night I dream of a cityscape,
vast and bright across a lake.
A breeze blows soft across my face
as heart and mind did celebrate,

the city which spanned a thought horizon,
and bridged the night for old Orion.
This moonlit causeway- that splits the sky,
Traversed by stars that walk the night.

For Luna did smile upon grey streets,
and lit grey towers of pure concrete.
Illuminated the dark, and pale, and cold,
She bathed the raw night in a blanket of gold.

This city of dreams that I wander alone,
becomes a home and a place of my own,
however, even this city can not hide nor run,
from the eventual coming of the rising sun.

Sleep, my mistress, hold onto me tight,
and stay with me, till the crack of first light.
We'll meet once more under night's dark drape,
as I dream once more of a cityscape.
Composed 2am in bed
Nigel Morgan Sep 2012
The cat lies on the table. She is keeping her own council, a philosophical feline. It is mid afternoon, an hour before the possibility of tea and cake. Already the room is retreating from the lamp's light into a dusky gloom. Outside the winter garden lies still, damp and cold and still.

Rain comes. A winter rain, almost snow, spreads itself across the window.  Ice-full it is a drum with tiny particles rolling across a taut skin of glass. The cat stirs, turns on his side exposing a tummy of white fur. An old cat this, a silent presence now, hardly a purr on a waiting lap.

Books. Piles of books. A book open to reveal pencilled annotations. Several arrangements of papers paper-clipped together, colourfully highlighted. There's a scholarly journal 'borrowed' with a concert programme marking a ‘required’ read. Telemann and Bach infiltrate an investigation of Jewishness in George Eliot's Daniel Deronda.

A framed photograph stands companionably amongst today's letters and the coloured cards of Christmas to come. There's a red-haired girl, a portrait against old roses., a child in a school-blue dress, freckled with green eyes she is smiling carefully, as though not convinced taking this photo is a good thing.

As darkness encroaches, the stories in this space circle the lamp like moths. They rise from the table, detach themselves from the walls (like bats) and float in their own form. Catching leaves, wish-making in a September wood; the fierce tide pouring across the Lindisfarne causeway; small children picnicking by a cricket field. The recent thrill of Jerusalem. Taverner's Mass –

Oh Western Wind,
when will thou blow,
the small rain down can rain?
Christ! If my love were in my arms,
and I in my bed again!


Here in this small suburban room there comes together a past; a life reverberates in a temporary peace, a truce in the long campaign of family, ageing, ****** discomfort, obligation, regret (always regret), passion unspent, books unread, poems still to write. And this waiting for a clear answer yet to come, a promise yet to be fulfilled? All is contained here as the alarm clock's digits move towards 16.30 and it is time for tea and cake. Time to rise from the table and feed the cat.
Nigel Morgan Nov 2012
Sometimes poetry doesn’t happen
Until you’ve fashioned what you want to say
And felt its worth in prose.

You go somewhere a little known
But time newly fashions its affect.
Late autumn then, today summer’s end.

Since early morning the sun has shone.
Heading north, the clouds magisterial.
Spread themselves, ermine-cloaked.

I watch you as you drive:
The pleasing proportions of your seated self,
a warm glow on your left cheek.

We have become so careful you and I
With what we say and the way we say it.
Hard to keep the conversation aloft.


After ninety miles it’s good to get out
In a by-passed village, a quiet place.
Bicycles now take us towards the ancient coast.

There it is: the sea. The spirit lifts.
Wind at our backs and grateful to turn
to the pleasure of a minor road.

Now there’s time to take in a distant manor,
the swallows’ dart and spin, a stone tower
from which the landscape’s perspective flows.

A long straight road runs to a coastal village.
Lunch is eaten against a churchyard wall.
As a cloudy afternoon beckons, crows gather.

Turning east will the headwind strain
The morning’s calm confidence? Perhaps.
Have we come too far and expect too much?

At the causeway now, where the tide has left
The horizon-reaching expanse of mud and sand,
It seems a long road to the village at the island’s end.

Briefly, we sit to contemplate a yet further isle
Where, facing the sun’s fall into the folds
of distant hills, a northern saint found solitude.

So tired at the hotel I insist on immediate food
And soon the tension of the day falls from your face
And briefly I catch a smile from your eyes.

Memory returns me to another room where, newly married,
I caressed your long nakedness in a strange half-light,
My hands and body visiting every part of you.


As dusk falls we walk briefly to view the sand and sea.
Then bed and hardly a page turns before seeking sleep.
Restless, I reassemble the day, moment by moment.
There are two versions of Journeying, one in verse and one in prose. The prose version will be published on Hello Poetry on 8 November
Nat Lipstadt Sep 2015
~for Ernesto, with love~

these last days, so recently arrived
to nag/remind, pre-commence,
the celebration
of mine fast approaching,
significant other mileage marker,
the day that is the in-between mid and seniority,
finds me asleep by nine,
only to be turned hard a starboard,
startled and startling,
sharp awoken at midnight,
a headful of dreadful and most colorful dreams,
my ever faithful midnight alarm clock

so I find myself alert and inclined to be
urgently communicative,
answering queries from friends,
catching up on comments and likes
to my poems that once penned,
are then penned by me themselves,
surrounded by fences,
put away to be ignored and enclosed,
my flock of sheep unshorn

that upon occasional re-reading
then become hairless, all pink and white skin,
newly denuding of me
by the reminder of public exposure

this travelogue
through heart and mind
is journey for journey's sake,
I have discarded older outdated notions
(the "outdated" conceptual
begs for a poem all its own)

of commencement, beginnings,
ends, finales, terminals. even periods.

instead I conquistador land upon a new
plateau, familiar but confusing,
where my muddled thoughts
have lain for several days,
cloudy in a accumulating cumulus of realizations,
the "compare and contrast" of
life and death,
their gravitas diminished,
understanding them to be but modest signposts
upon the path of this
stewing, brewing, yearning to be free
poem
~~~
The In-Between

all day, I too,
am penned in a museum auditorium,
listening, hearing, applauding a gorgeous gaggle
of writers, musicians, doctors and dancers,
security guards and comic book authors,
falsely accused death row prisoners,
sons and daughters
and yes,
even a poet laureate

all assembled to contemplate this connective notion
of curator-as-written
with capitals and hyphen (most appropriately) as
The In-Between

of course dear Ernesto,
everyone defines their personal in-between
personally
but all these artists corral my thoughts
onto and against a canvas blank,
awaiting the portrait painting
slow cooking in my oven

of you,
who lays dying in Texas
surrounded by family and
the notions of reconciliation
and thus birthing
in me
these words,
something new ironical,
if only to prove a point

You,
my self-appointed
mentee
ex-drug addict, father,
self-savior of yourself
make

I,
your mentor, cheerleader, steadfast critic armed
with
just encouragement enough to give your self-propelled
poetry an occasional push
of your hand-carpentered, tree swing

but this is a poem about
in-betweens

two words,
separate and equal
but when combinated by a
hyphen,
a dash that leaves no spaces
in-between
making two into one

for you and I
are both

in
and
between

each other

two-in-one

only a few weeks ago we talked about
you coming to my new york city,
and now life deserts you,
and you,
me?

here I pause and smile
for I hear you thinking,
natty, too long, too much,
wrap it up and connect that special and peculiar,
in-between,

-

*but I can't stop
for each hour of the last 72
has witnessed a new poem
in-between
minute one and minute sixty five
written for you,
writing for life,
writing of this moment
this space so gulf and so narrow
in and between
the unity of
us

the poet laureate talks of spaces,
the poem she reads out loud,
is emitted light from her body's mind
exhaled into the room,
and now designed to be placed
in-between
her and us,
purposed to successfully connect
our in-betweenness

I do not like this notion of
rest in peace,
as if peace was a desirable end in and of itself

prefer rest in pieces,
for what follows and precedes peace,
is pieces of ourselves
torn from the notebook
where we write down our poems unique and
secrete our secrets

rest in pieces!
connected by the in-between
which like
the
s p a c e s between  e a c h letter  here,
are the connective tissues of two parts
one, new
and the other,
created-crested by the transference
of every old reworked

I think of spaces differently

the gap between two fron teeth,
the space between two violin strings,
the V separating divider of the space
between our legs that is the baseline
of our torso entire,
the re-appearing and then disappearing space
between two bodies making love

all now remind that the
in-between
is a place of its own purport,
a parapet to stroll across from
one castle keep to another

so more and more,
mere mortal
are these discards,
I forsake these antiquities:

commencement, finale, terminal, ending,
even new beginnings

and all attention paid now to the recasting of our
happenstances and events
as a series of
in-between's,
the most valuable of our possessions,
connecting the only-seemingly
disparate days

but I must now return once more to the
in-between
of us

we uncovered something of ourselves
in
each other,
creating a causeway
between

for you and I are one big
differential,
so unlike in
life's
temperamental,
that
given the down easy to the shock and awe,
most happily easily,
our so very differing poems bridged the
in-between
us

the in-between us,
seen incorrectly as the timeouts
separating the fifteen rounds we fight

that is the thing,
the rub,
the main event on the fight card,
is not the fight itself,
but the crossing over

come quickly to our in-between,
my brother-in-words,
do not leave me
bereft and bereaved,
disconnected and despairing

let's follow,
both of us,
the trail
of dividing and connecting hyphens
---------------

I, given every advantage,
you, given every ghetto gang disadvantage
yet your voice soars
while mine aches and creaks
and breaks

I am better now
understanding existence as
a series of connected in-betweens,
but the not knowing when we will meet again
for the first time,
stretches me thin,
for without you
in
me,
between
us
the space flickers wider,
and the next in-between far far distanced,
further for farther,
and I worry,
who will love my poetry as you did,
who will be my encouragement now?

your passing shall not come
in-between us,
this I swear
~~~
in your honor of
your cellphone misty typo pings and compulsed hurried style,,
I do not edit this edifice that. I have lain down just now,
it was writ in slow haste and
fast forming eddies of ideas,
full of typographical errors of
omission and commission,
just
put out down as it was born,
just as you and I
we were put out as born,
only to cross and combine
to be a single
in-between
3:24am
Sept 26, 2015
------
The DedPoet
5 hours ago      3 hours ago

A Final Poem
Though I stand at the precipice
Of eternity's brimming cup,
Filled with hymn and speech
Alive like a livid wound
Gasping for more heavy minutes,
I wonder at the things left unsaid.

The sun mounts the coast
Consuming the resurrection
Of my forsaken throat,
The penetrating odor of certain
Death,
Still in this fragility
A certain voice I still call
To in dreams that come ever stronger
In the gentle atmosphere
Where night is born
And the dawn of her smile,
Here destiny can be seen
With continuity of life.

In this memory
I feel the calm of a faraway star,
My journey to he taken among
The densities
Which petrifies the brilliance
Of my shining fear,
My great love like my life
Should become an omen
That flies out of my hand
And becomes an actual presence
While the world is suspended
As I leave for the transparent skies.

And my life with her was a harvest,
My memory drinks of her
Forehead lit by the moon,
My lost time in a repugnant solitude
In my unmajestic life,
I arrive at forever
Because I loved her,
And yes because she loved me back.

The world is a mystery to me,
And I will leave as a question
Filtered by words
In a journey of galleries
Visible by the days I was alive,
Among the corridors I will see her
Face,
Among the words I will
Have given to poetry
What life had given like pillars
Of magic,
Taken by the arches of light filled
With enduring gratitude
For my greatest sorrows,
Simultaneously my greatest joy.

Like a song in the wind
I voyage the flames
Fanning the fire of words,
Because she loved me these words
Were born,
Because I loved her,
I birthed a poem.
And upon my death
Collect my fragments and place
Them under the tired sun,
Swept away by the ocean tides
Full of anguish under the flowering
Of my death,
I will be a poem remembered,
Nostalgic and scattered.
Here in the flesh,
My eyes see,
My hands touch,
I seek the say to live as a bird,
I search without finding,
I pace the shadows off the lonely
Walls ,
The day ends, the minutes end,
These heavy seconds
Of walking onward to the next life.

Where is my life without her?
And the poem absurd and short,
Death makes one know the worth,
The drowsiness of these poets,
Awakening when something ends.
Unleashed is my word,
Flawed and with no center,
I am a dying man.
Angry and bitter,
Tempered by the words
Never spoken,
The words I will never say,
Though I die and go to a body
More golden and transparent,
To a land with tiger lilies
In undying meadows where the sun
Dances on the outskirts
Of the night,
I know I have lived,
I lived because she lives now,
And she loved me.

My persecuted ways are done,
I relieve to you all
This final poem,
Filled with her grace,
The love of my life,
A final verse to say nothing more
Than goodbye,
Where the writing is done
By living,
Death shall remain but a word.
topaz oreilly Mar 2014
Bathed in fields of  hummingbirds
an elderdown of  spring  purveys
weaves nexus  to ancient stone walls
where tomorrow's wood elves
dressed in firestorm blue
wait
bequeathing  a  symphony  of  resistivity
a causeway plied with dreams to harvest,
wills the east winds high.
Heather Butler Aug 2012
for Patrick,
                    if he can still hear me

Rise, every neighbor!
Hear the cacophony of dragon fire
BANG, BANG
and the pitter patter rain fall of disease
T T T T
pouring over your households this evening.

Catch that butterfly, there, boy!
And know that in your future you will be begging
to look as hideous as a moth
banging your skull against the roof of my trunk
as I drive away with your body.

You beg me
give me reason!
and I try, but it's so difficult
I don't want to live!
and what am I supposed to do to help
when you don't want the help I give?

And we plead to gaze at stars over the Causeway
going seventy in the sunroof as off in Norco
the refineries let go a blaze jealous of the sun.

The moon doesn't shine as brightly as I remember.
Maybe I was too young to understand light pollution
or maybe it's the gnawing away of the ozone
as my skin tightens and ages over my teeth.

Do you understand how permanent
death
is?

Let me show you, this:
the vision you are trying to make me live through;
I will not let you force me into folding
your hands over your chest
while the embalming fluid grows stiff
beneath your cold hands.

I *will not
cry for you, if you bleed out your sorrows on a tile floor
or over a dark carpet
or crushed against the wall in your blue Mustang.

I will not cry for you,
but for the life you left behind,
the life you took, the life you stole
from me.

ME.

I have faced death with weakening knees;
I have knelt before the toilet whispering
please someone anyone
when it was too early in the morning for anyone to hear.

I have emptied the medicine cabinet of its promising contents
to find that nothing but
nothing
waited for me on the other side of ignorance.

Pain;
and it rains lightly on Tuesday evenings.

Somewhere behind the doorjamb is a flute
being played by a breeze
through the window you left open.

The note you will never write is tickled by the wind
and a thousand sunsets later--
I do not forget you.
Never give up.
ChrissySue Dec 2012
And with his final good-bye to his love, so long after her death.
He then reached into his worn, ragged pocket and with his ***** and soiled hands he
pulled out his wallet.
A possession he no longer had the need for in this unruly and dead world.
He slowly and gently opened it and within it lay the only possession it carried inside.
A picture of her loving face.
A reminder of what once was.
He leaned far over the edge of the looming, empty causeway and looked down in the
dark nothingness that lay below him.
He once again longingly looked at the picture of the woman he had once loved
And slowly his grasp on the wallet loosened, then finally the wallet fell to the bottom of what
was nothing.
As it fell he slowly felt himself breaking free from the bond that once was there but had
died long ago.  
And lastly he reached to his hand where a dimmed gold ring sat upon his withered
finger.
He gently twisted it off, and in a movement that felt as if he were dipping his hand in
molasses, he laid the ring tenderly upon the edge of the causeway.
With resentment and regret he pushed the ring off the edge, trying to forever banish
her from his mind.
The he looked upon the darkened ashy sky, and with such weight upon his soul and
heart he turned towards the long road ahead of him and walked on into the
nothingness that was to be his life.
Jett Bleue Mar 2013
From the Giant's foot-prints of the Causeway,
And to the way old Donegal Bay,
His home of County Down,
Where all's sound as a pound,
We'll all celebrate the Irish way.
Where hast thou floated, in what seas pursu'd
Thy pastime? When wast thou an egg new spawn'd,
Lost in the immensity of ocean's waste?
Roar as they might, the overbearing winds
That rock'd the deep, thy cradle, thou wast safe--
And in thy minikin and embryo state,
Attach'd to the firm leaf of some salt ****,
Didst outlive tempests, such as wrung and rack'd
The joints of many a stout and gallant bark,
And whelm'd them in the unexplor'd abyss.
Indebted to no magnet and no chart,
Nor under guidance of the polar fire,
Thou wast a voyager on many coasts,
Grazing at large in meadows submarine,
Where flat Batavia just emerging peeps
Above the brine,--where Caledonia's rocks
Beat back the surge,--and where Hibernia shoots
Her wondrous causeway far into the main.
--Wherever thou hast fed, thou little thought'st,
And I not more, that I should feed on thee.
Peace, therefore, and good health, and much good fish,
To him who sent thee! and success, as oft
As it descends into the billowy gulf,
To the same drag that caught thee!--Fare thee well!
Thy lot thy brethern of the slimy fin
Would envy, could they know that thou wast doom'd
To feed a bard, and to be prais'd in verse.
melody Sep 2018
my car broke down
and it made me think of how everything breaks and loses its place
only to be replaced
maybe that’s why it bothered me so much
i took it as a life lesson
but it still didn’t lessen the load
stress on my mind
anxiety for breakfast
i know it gets better from here
i always tell myself that anyway
all the old things fade not meant for you
and better things come along
those who come along make you anew too
i got a broke down car and i live pretty far
but my friends still love me
i’m trying my best to see the rest of the big picture
my car was smoking coming down the causeway
so i lit a blunt and smoked too
and told myself “this is it” everything is becoming anew
Connor Gruver Jun 2013
i pray in time, friend,
that this you understand,

that it has to be my sweetest displeasure
and yet my most unjust liberty

to tell you that every quiet passing
along a young and hopeful causeway

was almost gladly spent finding,
some how or another . . .

    every day new to discover you over and again,
    so to drink in with haste the strange august nectar
    and draw into my lungs the sovereign aura

    that drift from your autumn eyes.
  
    how to hold and to press gently your hands
    just a moment more between mine in a way
    that kisses with, in consummate balance,

    a firm allowance and a free imperative.

    how to mold, to sculpt, to shape
    my habitual pining over your subtle forms
    into an simple, ever green, professant blessing

    a splendid, deep down, ours religion.

    how to capture your innocent stargaze
    in the longing embrace of my own
    so that for one moment so perfectly brief

    we were one great blossoming cosmos.

    how to be one who aligns our beating royal suns
    who calms our winters and ignites our summers
    who dances and dies in the storms and the fires

    that splash from your glimmering eyes.

    how to be whom you adore until the requiem day
    when our confessional ******* swell and crash in the cascading sand
    to the sonorous beat of a final splendid rapturous breathtaking harmonious

                    Yes.

    as fury and ecstasy ripple and bound
    in our lush fantastical burial ground.
    as our progenies daydream of kingdoms to come
    and sing with an amorous hymn on their tongues.

yes, and so it has been now for days and for tides
that my latent creations in whatever measures
those passions, when sparked and then quenched in an instant
are no more or less than my sweetest displeasures.
This one was inspired in part by Bon Iver's cover of "I Can't Make You Love Me," in part by Damien Rice's "Cannonball," and in part by a very dear friend.
Benjamin Dec 2017
The soil and sand remember
how the cities wept,
the towers bowing and breaking,
collapsing with the weight
of the blame they kept within;

the coastal causeway meanders
down a bone-dry path
to nowhere,
passing nothing in particular
but some stilted shacks
in the former fens;

and my own familiar forest,
where I trapped a fox
and made a friend,
was caught off guard by
a flash of light, and some
freakish violent wind;

and now I sit on a stump,
glowing green with
weaponized dust,
to scan this new Sahara
for some sign of life—
some vindication, or some
hope—

but alas,
it’s now past midnight,
and we are all just
silhouettes.
RMatheson Jul 2014
dark musty I am attracted, opposite poles,
a moth to the absence of light,
my mushroom blooms
the deepest shade of azure
awakening here, molding at the spore,
the leafs and paper and rat droppings
echo down the causeway,
the red rusted gutter escape flows into
nothingness behind me, I hate you; so obese,
rotund like a dimorphism of rubenesquery and retardation,
bent beyond shape,
borrowed against ****,
I’ll collect the interest someday, maybe today,
or perhaps we’ll continue on smiling as we have
knowing that I pulled the last vestiges of your humanity,
shorn and weeping,
from your carcass years ago.

You are mine.
A Yellow Domino Nov 2013
Separated by the causeway
Two people stare
Emptily
As the second hand glides
Each tick-tock
On the clock
Reverberates through the chilling silence
Of their minds

9.14pm

Their mind goes back
To year Twenty-Oh-Five
When they almost slipped
Into slumber-land
But then the child's soul slipped
Away from his body
Turning lifeless
Without a goodbye

This day is not a simple day
To pass
It marks their strength
To fight
It marks their bravery
To face the odds
It marks a day
When he'll live in our hearts
*Forever
Gabriel Mar 2017
In the midst of encompassing darkness, there is a causeway through light
One that emotions feel in the ether and all too often hidden from sight
We drift through each illuminated cosmos as if it were our last
Live for tomorrow yet set thy Self within the past
In a jaded cognitive clarity, we see the blooming of a new dawn
One that holds our souls in the coldness night any of us have ever saw
We hone our inner light work to shift the coming supernova blast
Unite within the rising of an evolution we have yet to grasp
For only the Children of Love will feel the change deep in the soul
The ones who fall the hardest as they break out of forced molds
Law second to nothing but that of universal constants
Of that which guides our symmetry into a new consciousness  
One that is long overdue for a race outgrowing its dimension
Do we have control of our Will to shift a worlds intentions
We rest on the cusp of a blade where a feather equals stone
Fight for that Love that each and every one of us infinitely own
leave me
let the quiet come here
allow my porous dreams a chance
to be cored no more
to be filled with sponge-bath waters

or come to me
with eyes ripened for a funeral
foam on your cheeks from jaunty phantoms
who lean down with a wayward kiss
from eternities bound to a melancholy

oblivion creeping in our stairwell
I crawl down the causeway a stranger
with a plea leashed to my wrist
a bargain on my mind

love is a harsh word
and I dare not speak it here
for fear of cataclysm
or lack thereof
Mateuš Conrad Nov 2015
my mother got frisky with the publisher,
she danced latino
without a care, and gave her first interview
for my hometown newspaper...
the intro to my flashback of being 8 and leaving,
with inflation and with pepsi cola glass bottles
and spending most of my childhood
outside and not before a nitendo screen
shooting ducks...
picking up a ***** mag from the church being built,
chasing petted dogs near the gombrowicz river,
going into the forest and wiping my ***
with a leaf... when writing make some place
small big, bigger than you could have ever imagined...
make it bigger than you ever considered 6ft1
to be when aged 9...

i'm about to publish an entrée for the literati elite
with a fresh off the causeway book,
i became an ex-pat not being caribbean enough
who forgot their tongue and became encrusted
for the easiest integration of migrant tactics,
i forgot my slave tongue voodoo
and decided upon sunny english...
no problem then...
but with me i had too much history, too much pride,
my mother flies in to see her parents via warsaw...
i take it to be krakow originally...
i can integrate but you tell me to forget my tongue
i'll call you racist with linguistics... never, never!

e.g.?
w ramach swej kultury
zachód broni
w ramach swej kultury, zachód:
jak niby władza na wschodzie
jest prawdą taka sama:
władza broni go i dusi kulture,
no tak, zachód swym kabaretem i
płodnią rodzi nowego księdza,
a na zachodzie nowego komika -
który stanie mu na opór by żyd
nigdy nie mógł skorzystać -
mesjasz mojej dupy warunkiem
ten mesjasz prostata więzi podatku i ryb...
zachód karmi kulture która śmiechem
go wklucza, wschód jednak broni go
i karmi kulture głodem - jak ***** riot -
wschodem zachować święte jest
tłumaczone z zachodem jako święte nie piękne...
jak więc zachód karmi swą kulture na wschodowi...
igrek nad każdą kropke na konieć sentencji...
ja ameryka ja anglikaniń...
ale tak szczerze? chrystus ma lepszą muzyke
niż mojszerz czy też muhammad...
pieć razy la illah ila allah co dzień czy też
judasza sha shtill! pierw nad bach'a, beethoven'a
czy też mozart'a? nie wydaje mi sie.
bo i tak powiem krzywe słowo przeciwko jemu
jako niby tact dialektyki racji,
to nawet wtedy krzyż nadal będzie kwitł
prosto... czy nawet stanie się płonącym...
cheryl love Aug 2014
This is writtn for Sally Bayan

Oh to to be in Ireland, the Emerald Isle
With a green velvet carpet laid before you.
Hills, as fragrant as roses, skies so blue
The Giants Causeway, stepping stones
To a land of your dreams, in single file
To a land of your dreams.
The black and the froth, in a tall pint glass
Sweet heaven pours down your throat.
The Irish, kind, gentle, loving people
to welcome you to the land of your dreams.
Mark Penfold Sep 2018
Late in the year and in the night,
A ghostly giant came into sight,
It slowly trailed and bulged the ancient causeway,
Intent on hiding out of harms way.

A magnificent beast from the age of sale,
Came into port to shelter from the winter storms and gales,
It groans and creaks from 50 sheets and rattles,
Like a wounded whale with its brass decor and iron chattels.

The body built of wood and steel,
With copper wrapped around it's keel,
To guard its cargo of rarest spice, silks and precious metals,
It puffed and steamed along like a giant boiled kettle.

It has travelled far with many scars,
Battled continents and violent seas with ease,
From the cape around the horn,
And onto the west indies.

It seeks and finally finds its place to rest and moor,
But alas the storm that winter did not pause,
It reached and breached the gates and harbour walls,
The fox was in through failing doors.

It attacked the beauty in its finest fettles,
Her belly broke from bow to stern,
It sharply shifts and lists while the candles burn,
Then sinks down to the bottom where it groans and settles.

It's fate and history long forgotten,
But for local shanty hymns,
The bulk is left but timbers rotten,
With cut back beams and withered limbs.

From endless tides it now resides,
Out of site and local memory,
Through rusted tears it counts the years,
Underneath a sea of nettles.
ahmo Mar 2015
Let's return to where I was when my tongue wasn't so hollow. Where the pills weren't nearly as hard to swallow. To think so deeply is both a curse and a blessing, and there's no wound dressing for nostalgia in negative space. But when I scrape my knee again can you lend an ear? I think I feel it coming. I feel the past flowing through my veins like a sharp shot of dope under a dimly-lit causeway. The grass of the lawn that I used to play on is starting to grow on my back and seep into my scarce serotonin, and I really need someone to regularly attend to it. Mow it on an altruistic sunny day with the kids running around you and laughing. Pull the weeds out when I end up staying past midnight working on the file reports for all the others that can't seem to find their authentic reflection either.

I'm back there in the woods. There was something about the fragile, half-broken branches lying on the ground that made me feel understood. I don't know if it was the demeanor or the distance. I couldn't hear the angry screech of an eighteen pack or decipher the blue from the black. It was the furthest thing from my favorite noose or the truth of the love around me cut loose.

It was the days that my brother and I would congruently comply. We'd go into the backyard and have no foreshadowing of tissues scarred. We'd run and we'd laugh and we never looked back. We'd continue into the night because we didn't care that we couldn't see the grass stains anymore. The obscurity of the look on my face could perhaps explain why I have always blended into the background with such effective camouflage. When mom did call us in to shower of the dirt, there wasn't yet blood on her shirt. She smiled, and I remember her smile so well. So little to say and so much to tell.

The funny thing is that he wasn't around back then either. He was trapped in a time long before the doctors detected my first pulse. Somewhere in this streak of gray hair and emotional despair was a feeling so strong that it was drinking itself to death to reveal its true colors and stillborn brothers. But oh God, how I loved Christmas morning. Under the array of strings of lights and the daytime not seeming as lonely as the nights, there was not a hostile bone in the human body. There was simply a long forgotten innocence filled with cinnamon buns, coffee that stayed a little warmer than usual in the Kureg, and the cats rolling around in the piles of wrapping paper like they were the ball-pits at the McDonald's both ways down the street. It was the clack of a controller. My favorite friends beating games in one night and sleeping over. It was wiffleball  games right after the nights where I'd two whole boxes of Mac and Cheese. It was sledding down the tallest hill in town on the days where the ice held your head up high and didn't need any praise, or even a reply. It cared nothing for the size of the nails on my feet, my favorite band on repeat, or the broken wooden bridge between my amygdala and frontal cortex. r

But then I remembered that those days exists only in two places: my memory and my dreams. Was I in a hopeless daze in the middle of the street or did I have my favorite fleece blanket for heat? As the crust in my eyes slowly broke away at the seams, I received my answer. It was a fate that seemed equal to a vicious and malignant cancer.

I was awake for another day. The humidity of my dorm room danced across my skin like a bead of sweat anxiously running down the back of my neck and spine. I remembered the concrete line drawn between this world and the one in my head, turned my body so that the morbid did not seem fully dead, and connected my foot with the frigid ground and didn't make a sound. I had two grocery carts and a porcelain tub full of responsibility, yet I found myself frozen and void of mental mobility.

I didn't know what to say when I started my days anymore. So I brushed my teeth, remained mute, and walked out the door.
I have been tackling the idea of a novel for awhile. The plot I have been playing around with involves a depressed college student stuck choosing between true emotion and ethical obligation. I decided that I wanted to write the idea as a series of prose poems. Maybe these will turn into a novel, or maybe I will keep them as is and think of another novel idea in the future. This first piece brings us in the middle of the dream of the not-yet named protagonist, who is reflecting on some of his past.
BianchiBlue Jul 2014
Draw me in the font

overflowing the causeway

submerged in your ink
Ben Brinkburn May 2014
Dalmatia and Other Localities before the War
When we ate grilled fish on the floating restaurant
lording it on the Dalmatian coast

...mistaken for Party children- daddy must be an
official for them to have a motor bike like that...

how cool

when we stood on the quayside at Budva then later
stranded on that hotel island watching the causeway
slowly disappear beneath an unhurried sea

when detouring to Kotor to see the earthquake damage
imagining the earth move a dust shrouded town
staring through chained gates as if at a movie set

when I drove the Honda too fast skidding around
potholes and you giggled later drinking rocket fuel
local liqueurs in a bar with currency for wall paper

then when we strolled the leaning streets of
Mostar where soon there would be tanks
Then what of our own smouldering conflict

our own trajectory of spite filled ordnance
could you sense that it was coming?
a nurtured, carefully concealed attack

time worn sophistry
what of that when gun smoke
smarts your eyes.
From the forthcoming collection 'Mythopoetic'
David Barr Apr 2014
Leprechauns abide in pastures of Gaelic folklore where those who are susceptible to their mischief will be spellbound by galloping horses across medieval dunes in the name of allegiance to the King.
We need to cross the causeway at the correct time, in anticipation of tidal waves which approach a finite limit.
Have you ever consumed whiskey in a culture of superstition?
An environment of dark precipitation is atmospheric, especially when the ghosts of ancient battles exonerate our ignorance amidst our blatant lack of understanding.
Let us bow our knee in humble acknowledgement of those phantoms of olde, who teach us about seeing.
Gabriel Jul 2016
Steel against the torrent as it bites into the skin, feel the concrete crumble as water seeps from within.  

Hold the heart in earth where the mother knows far better, breathe in cooling air to quench the fires of forever.

Tear apart the ego until the tower comes crashing down, plant the roots in deeply as to remember oneness with the ground.

Never forget the daydreams that plot the future in mere moments, live inside the instant where everything is golden.

Hold on to passionate causeway that link our soul to the source, blast the positive intentions to reveal our inner driving force
Connor Reid Jun 2014
The Earth, Moon & Sun
Orbit my floating body

A drop of water
Assimilating the Moon
Its surface
Purple
Filled with malice
Appear to shimmer
At the sound of my voice

Ling-Ch'ih
Death by a thousand cuts

A young boy cries out
Letting his insides fall
From his stomach
And onto the cold, stone columns
Of the causeway

Mother cooks breakfast
Knee deep in Ocean water
Eggs over-easy

My awakened state
Exudes

A chateau
On the dark side of the moon

Slobbering with wires
Taking away our ears
Beheading our women
With swords
Made of dark matter
Shredd Spread May 2015
chain lightning blows across the sky like a radiant touch;

strikes the same tree in my hometown every time i fall in love.

what breed is it, this ruinous love? striking,

the white caustic light of it irradiating

the surrounding cornfields.



were you ever there to see it? from your bedroom window?

the arc and crackle? this tuning fork of astral flame resonating

between cloud and timber? this crippled elm where

my skinny suicidal teenage love bid me scale limbs?

where each time, like a surgeon, my shaky fingers stitched bark

with the corded sinew of raccoons and my fluids held it all glued?

in the dark? how so like an heirloom it seems now;

this lone tree, cordoned in scars,

all gnarl and char.



i turn to the map of my circulatory system in these moments,

follow the red army over a causeway of capillaries,

watch them fattened on oxygen.

how else to know that amongst all this,

there remains

a richness deep

down things?



make a supple leather from the hides

of the nights I knuckled crabapples down your roof.

It will be the color of a bruise; of a secret. all you do

is carve, slicing carefully to cut out my

silhouette projected against your bedroom wall –

all this, time and memory, just arts and crafts. molding

the vectors of us, hurtling through space

like coins drifting

to the bottom

of a well.



memory, the fashion and fashioning of it:

the way we wear our existence. our skeleton

to cobble and clothe. so while we’re at it…

let us forget the moments of trepidation.

Obliterate the clamminess of our palms clenched together,

the schoolyard drama of it all. pasted in layers

until it’s just a mess of glue. until the moments that matter

are traced with dotted lines

and lusted over

by the appetites

of scissors.

— The End —