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Mateuš Conrad Feb 2016
.before i come to the food topics, here's a pet peeve... language... how the pakistanis might / might not be offended by the laziness of the english, shortening their denotation to a prefix: ****-... and i'm like... is that really offensive? with the -stani suffix missing? o.k. o.k., iraq: iraqi... iran: iranian... pakistani: ****- / pakistani... so what about afghanistan? afghan, or afghanistani?! i'm pretty sure it's afghan... a person is afghani and not afghanistani... so what's wrong with ****-? it must be an english-****'stani thing from the 1960s or something... ******* as sensitive as french footballers... this has to be hard-pressed... this instance... because i hardly think it's a racial slur to stick to the prefix and not include the suffix, given the example from afghanistan - just like the "problem" of calling a jew a ***-, borrowed prefix from... yiddish! now for the food:

a. would you trust a skinny chef? i know i wouldn't trust a chef who's also a healthy-eating gym bro maniac, i bet he would never cook with lard or pork trimmings, with that calorie calculator lodged up his head that represents an ******* is not much to go with when taste is prime... 6ft1 253.5pounds, that's where i stand... i would never trust a health-freak to cook for me, let alone all the proofs rattling anorexic examples...

    b. "***** take your shoes off and get into the kitchen!" what a ****** joke, chauvanism rampant... mind you... who the hell said that women belong in the kitchen? they don't... i don't want a woman in the kitchen... i've had two dinners cooked by my fwends' mothers when still in my early teens... 1. over-cooked pasta... my fwends father would pretend to eat the dinner, before driving me home while stopping off at a sikh diner and took to the take-away (cooked by men), another example beside the over-cooked pasta? under-cooked spring potatoes - after all... the men on ships and submarines that kept the other men firing did all the cooking... men can cook... or at least: that's the least they should do... think: organic chemistry experiments...

eating a raw herring
in piquant mayonnaise
of reminiscence of a
granny-smith and pickled
cucumber tickle...
slurping it up into
a workout of the oesophagus
might remind many
of oral ***: but after all...
it's only a raw herring being eaten.

p.s. well perhaps gulping down
a raw oyster does feel familiar
to performing oral *** on a woman...
but since you're not really
chewing the oyster,
or licking it... but gulping it whole...
i can only compared performing
oral *** on a ***** to
                eating a raw herring.

            and why all of this talk of food?
well... what's on the menu for tomorrow?
a bangers & mash stew,
    old recipe from the days of the british
empire... mind you: why did they
call sausages bangers back then?
well, during the war, they put a lot of
water into the sausages...
and when water mixes with warm oil?
bang! bang!

                 'i was five and he was six,
   we rode on horses made of sticks,
he wore black and i wore white,
   he would always win the fight...
   bang! bang!
  he shot me down!
  bang! bang!
                 i hit the ground...
bang! bang!
   that awful sound...
bang! bang!
   my baby... shot me down!'
              (audio bullys ft. nancy s.) -

so obviously i had to take a walk
and buy the key ingredient...
   i.p.a.:
        and when they were stationed
in the raj, and the troops were receiving
provisions...
  the standard beer wouldn't last the trip,
going off...
     and dark port was too sweet...
so indian pale ale was invented:
   more potent alcohol content and brewed
based more on hops than barley or wheat...
bitter: but my god, what a strand of beer,
like your typical irish stout...
   which is why i never figured out
  the bud to be the king of beers...
   fermentation of rice? sure... it's crisp...
but also the sort of toddler **** you'd expect
from rice fermentation:
no body, no *****, no blood,
no palette...
      easy stew:
   sausages,
      onions, garlic, celery, carrots,
                  leeks...
     a bottle of i.p.a.,
   some to degrease the pan the sausages
and veg were fried on, the rest for the jacuzzi...
some water, bay leaf, salt to taste,
   tomato purée and 2tbsp
  of muscovado sugar to bite through
   the extra hops... mash on the side...
                  and an array of veg on the side too...

i still don't know where the idea
that women belong in the kitchen came from:
perhaps when the men were coal-miners,
and when the kitchen wasn't filled
with all the current day appliances
of convenience...
   when women worked as hard in the kitchen
as the men who worked in the coal-mine...
perhaps then, in the early part of the 20th
century... when spaghetti dough was hand-made
at home...
then a woman could take pride in her
house-keeping...
   now? now i guess: the same sort of melancholic
voice bound to nancy sinatra singing...
because once upon a time it was hard
work, running the house...
                       and then "suddenly"
everything became simple...
a man could walk into a coal-mine,
come back home and...
              make himself a decent meal...
  looking at what the english woman buy
in the supermarket?
      couch potato maidens...
       ready meal after yet another ready meal...
things have become so easy
that easy isn't enough...

      let me tell you a culinary ***** of a story...
the scurge of making homemade
ravioli! believe me... once a year is enough...
sure, it tastes great...
                  but once a year is enough.
S4A  Feb 2020
She's Reborn
S4A Feb 2020
all is well
only time will tell
is she well?
do you ask to define her
or to further understand
why she no longer can confide in others
attempting to define intimacy
placing love in several endeavors
she has lost the denotation
of a natural organic salvation.
who let you define her
without her did you know
they would be lined up.
you don't know her true value
and now she can no longer find it.
I now know none of us do
real love never fails
and not one of us prevailed.
dear future self
love has failed you
recollect because in the end
you were still you
without it.
Charlie Chirico Sep 2015
College dreamers,
trust fund seams broken down
like veins after repetitive prods.
Drinking days
are alliteration accented
because two
dollar drinks deserve denotation.

A hangover that brings
clarity is irony;
a sad realization made
after a night of excess.
A drop of vulnerability
and personal accountability
is desperation, and preference
at this point is permissible,
yet premature.

Face buried, between the sheets, wrapped in legs and lust,
books thrown against a wall.
Classes are dropped faster
than broken furniture
and one night stands.
And **** the taste.
We're all chasing that last sip
that brings a confidence
to think rhythmically.
Ruben M Aug 2014
Almost like playing a movie from the middle
And trying to understand it as it plays.
It is quite impossible to understand some scenes
From the play unless you watch it from the beginning.

Sadly you can't rewind life
And you must stick to
What your conclusions have gotten to.

You may guess, but never be
Sure of how that person
Has gotten where it stands.

So until that person elucidates its timeline,
Or you simply comprehend them as they are.



As humans we are persistent to
What we want or need.
It may be material,
Or a simply contentment inside us.

You perceive someone's gloom in their senses,
But not the denotation.
This may come to another term named "love."
And understanding is the main key to show affection.

Just as logic is the key to be a genius.
Terrin Leigh Jun 2015
unconventional, to say the least
on Sunday, love your neighbor
peek out her drawn shades, secret belabor
not in nature, nurture's the blamed beast
preference, peculiar;
she's stuck in her ways.
cover stories will guide her days
both victim and defendant, scared for the future
together, we're stronger,
and petty we fall.
to love my black soul, but her skin appall
bizarre assumptions grow longer
to feel, to know, to look beyond
eccentricism; How will you respond?
a sonnet that sings the song of my soul; I stand for human equality.
Mateuš Conrad Jul 2016
some would call it a profanity - from the islands of northern Europe i liked the Scots the most, in my first year at Edinburgh Scottish weather played a joke, i don't remember a single gloomy day - i do remember not sleeping one night, and trekking up Arthur's Seat to watch the sunrise, then climbing down, buying Kellogg's cornflakes and full-fat milk and eating them - that magic moment just between daytime fully sets in - it's so fresh, a reality proof, just before the mundane job applicants get up, you get a sense of what's truly taken for granted in society - it only lasts for a few minutes - before the commuters' nagging sets in, and everything fresh (awaiting the new dawn) becomes custard thick - sticky, sickly honey glue pungent... anyway... i'm making a grand profanity at the moment: tier 1 - whiskey and ice, tier oblivion - whiskey and coca cola... but what i'm drinking is like a virus immune to antibiotics, no amount of citrus barley caramel can mask the smoked salmon with a tinge of variously fruity accents can mask it... Glen Moray, single malt, an Elgin Classic - it is a profanity, i agree - i should drink whiskey like mulled wine - but i'm in a hurry for a mindset, and i'm not bothered that much about passing down aesthetics - my palette says otherwise. yeah, my love for Scotland came from climbing up a ladder in the English hierarchy at school - everyone wanted to be taught by Mr. Thomas Boonce - aged 15 went into B1 (or however they noted the selection process) - aged 16 on top of my game, A1 class - a blazing comet trail of ambition, shared the same desk with my enemy shoulder-to-shoulder, the one who promised me a south american plant would give me grand hallucinations, ****** the mother of my ******* son and wa-lah! elephant trunk pulled from a top hat playing jazz - that Jesus bit about loving your enemies? esp. if they're your childhood friends and are **** crazy? you don't love them, your heart turns to stone and it says skipping on lake: what a shame... so much potential in him wasted on jealousy, the way he trusted a woman that is now on some sort of psychiatric medication... i can't love enemies, what i can do is feel sorry for a waste of human potential... (knock on chest)... yep, this ol' ticker is solid stone... and sooner or later it will be added to a mountain i'm constructing in my mind.

thank god for rabbinical literature -
i could pour days over these pages - i literally open a book,
a compilation of entries -
why hasn't anyone noticed the genius of written Hebraic?
i know in the middle east is a wasp nest of harking and
memorable achoo - or quasi (~, literary denotation,
thereabouts, so so, kinda, well, approximate too,
hand gesture in that symbol, good-in-bad-bad-in-good) -
just now i was admiring the fact that Hebraic hides vowels -
truly, they hide them, ingenious buggers -
all the vowels in Hebraic are hidden -
in translation to Latin the Hebrews treat vowels
like post-Latin users of the original S.P.Q.R. alphabet
use diacritical marks - and newspaper Hebraic doesn't
include them in print, only: i suppose in poetry and
rabbinical writings are they exposed -
which stems largely from what is cordoned off -
or rather the fruits of the work of encapsulation -
Latin is slightly biased, no letter is truly encapsulated,
shut-off from another - aye, be, cee, dee, ee, ef, hay'tch (
a distinction), em, en, ***... zed (an exception), ex, you
get the idea - there are no nouns in the post-Latin
alphabet as such - which is why in science Greek letters
were used as constants - these consonant constants
encapsulated not only the phonetic content of a symbol,
but also allowed for an encapsulation of some higher
purpose - e.g. α (angular acceleration) -
β (sound intensity) - γ (gamma rays) - δ (heat in chemistry,
the perfect error, the Laplace operator, etc.) -
ε (set theory, the limit ordinal of the sequence -
    html disapproval to be written as: ω (tier squared ω,
    and one above the squared tier ω, ω root ω double root ω -
    variant alias of this? Hebraic notation of u .
                                                               ­                   .
                                                               ­                      .
     *shurek
) - Θ (Debye notation) - θ (potential temp. in
thermal dynamics) - ι (orbital inclination in celestial mechanics) -
κ (curvature) - Λ (lattice) - λ (decay constant in radioactivity) -
μ (micron, SI prefix, one millionth) - ν (a neutrino) -
ξ (a random variable) - π (too obvious, πr squared) -
ρ (correlation coefficient in statistics) - Σ (summation operator) -
σ (area density) - τ (torque) - φ (the golden ratio, 1.618...) -
ψ (the cat in a box, wave function, quantum mechanics) -
ω (the infinite ordinal);
                                         it's precisely because the Greeks to
encapsulate their phonetic symbols that so much stability
was brought up - look how poverty stricken the Latin variations
are - these are not merely letters, they are actually nouns!
you can recite the whole Greek alphabet a bit like going
to a party and being introduced to people: Jim, Charlie,
George, Rosemarie... obviously there are exceptions for
this observation to be bullet-proof (i.e. μ, ν, ξ, π etc.)
but did the scientists mind not using them? no! they kept to
this interpretation that symbols of sound need to be encapsulated -
held together, stable, each symbol needs to be a balancing act -
an ~equal amount of consonants and vowels need to be
invoked when writing either a or α, b or β, g or γ -
there needs to be an invocation of names to these symbols -
not mere ah be c e ef gee... English for its laziness in omitting
diacritical marks did the unspeakable when digital paper came
about - it turned itself into a quasi encryption tongue,
acronym fuelled and in all honestly - self-conscious of its faults
yet basking in them! but the real genius in encoding signs truly
belongs to the Hebraic school...

you find them so coerced by naked pictures,
that their outer resembles no inner -
you find them bound to an idea that the inner can
somehow compensate - but it can't -
the outer as the inner reveals nothing,
no love, merely a **** - the winged-Hussars die
in Ukrainian fertile land, and with the music,
you can only think of the drudgery of walking
through knee-high mud - you can just picture
the Cossack moustaches wedged behind the ears
like earrings - i too would have eaten my tongue that way
had it been permitted - without permission
i spoke of a stake tartar and my tongue into one -
then the mantra came - kametz, tzeré, chirek, kametz,
tzeré, kametz, kametz, tzeré, tzeré, cholem, kametz, kametz
,
- i will not be treated like some dumb farmer!
      your Yurt empire is fledgling into the sunset!
  and my heart is enshrined into a bitter toil! it will love
as it pleases! not with you saying what there's to love!
tzeré, shurek, kametz, kametz, tzeré, kametz, cholem, tzeré,
chirek, kametz
. what a mantra!
a, e, i, a, e, a, a, e, e, o, a, a, e, u, a, a, e, a, o, e, i, a -
patterns strangre than in a poetic rhyming scheme -
respective incisions into still-life motives of movement -
i.e. if a vowel be my hand, a consonant be a chair i sit on:
kametz of aleph (א), tzeré of bet (ב), chirek of gimel (ג),
kametz of dalet (ד), tzeré of heh (ה), kametz of vav (ו).
kametz of zayin (ז), tzeré of chet (ח), tzeré of tet (ט),
cholem of yod (י), kametz of kaf (ק), kametz of lamed (ל),
tzeré of mem (מ), shurek of nun (נ), kametz of samekh (ס),
kametz of ayin (ע), tzeré of peh (פ), kametz of tzadi (צ),
cholem of kof (ק), tzeré of resh (ר), chirek of shin (ש)... and
finaly the kametz of tav (ת)* - we really like our matchstick
men, don't we? in terms of ancients tongues,
we like our curvatures in modern tongues of Greek
and Latin, don't we?
instilled the names of vowels! kametz (a
                                                 tzeré (e
            chirek (i
                                          cholem (o
                 shurek (u
                                                           pentagon thus far,
    revealed vowels with diacritic interpretation
           kametz, as soured: חָ - tau, vowel as diacritical mark
elsewhere -
                       tzeré - or umlaut below the letter - alternatively:
           וָ qàmetz                   וֵ tzeré
וִ ḥìreq                              וֹ ḥólem                   וּ shùreq
     (c, k, q - make it quick, à, 1st),
                (é - prolong it, to catch a breath, or the first
                      tetragrammaton H),
that's the genius of the encoding though... the omission of
vowels, or vowels as diacritical marks - one shurek (u .
                                                               ­                                   .
                            ­                                                                 ­        .)
among 10 kametz and 7 tzeré - gematria at its purest -
one shurek, 2 chireks and 2 cholems -
a form of encoding deviating from obscure onomatopoeia
and the void and meaninglessness, toward
a sound ushering a word for word, and actions parallel -
but this encapsulation of breath taken and
breath released, as in writing, the speaker does not
suddenly breathe again - but is kept within limit,
a consonant starting point, the zenith of breath or soul
and a return to one body, v A v (e.g.).
but imagines being able to avoid noun insertions -
then Hebrew is very much as modern English -
when modern English ought to utilise diacritical marks
on either vowel or consonant, it does not -
it doesn't have a single sound encoding worthy of a name -
there's no omega, there is only oh -
Hebrews treat their vowels as diacritical marks -
their language is one massive crossword -
how do they even read HBRC? who the hell taught them
when to insert the vowels from following the roots
as stated HBRC toward the tree that's HEBRAIC?
this is ******* bewildering - i don't know how they do it!
what's agonising is their notion that patterns in letters
having numerical values is somehow meaningful,
as if something horrid can be averted - to me 1 + 1 = 2
is enough - i don't need alef / αλεφ / αλεθ (א) + bet / βετ (ב) =
anything but gimel / γιμελ (ג) -
this is the ****-pile of having so many prophets in your society
and not enough philosophers - the Casandra Standard -
Greeks had the philosophers, the Hebrews had their
prophets, both in excess - in the end the cult of prophecy
in Hebraic society turned into a Casandra Standard
borrowed from Greek myth - while Greek philosophers...
i don't actually know what happened to them -
i think most of them became dentists after Aristotle suggested
women had fewer teeth than men.
Sia Jane Jul 2014
Warning:**
All of hells angels reside behind this very denotation.
Caution of disturbing material.


Her body an empty cavern,
Her face; sunken bambi eyes,
Her bones, dark, deep volcanoes filled,
To the brim, ashes, dust,
Splintered souls, falling prey,
To lost caves, bearing dead bodies,
Where smiles fade, drooping through,
Skulls & crossbones, signifying,
A poisonous addiction to,
Hells aftermath.

© Sia Jane
I am collaborating with a fabulous artist;
www.facebook.com/GiaDarcadiaArt
So check her out!!
She drew something, and I interpreted it through the words here.
When I wrote  Broken China: hellopoetry.com/poem/799334/broken-china/
Gia then followed that with a drawing  of her interpretation of my writing.
Check them both out here; www.facebook.com/Siajanewords

Thanks for all your support guys :)))
DM Oct 2012
All of us write,
late into night,
Simple rhymes becomes prose,
As night draws to a close,
Connotation becomes denotation,
Expressed or implied,
Painting pictures with words,
Of a world much denied,
Of heartfelt regret,
Or anger or pain,
We elude to the simple,
And write about rain,
To illuminate others,
Of that which we see,
Another perspective,
Of what may be,
We invite opinion,
Of comparitive worth,
The definition of judgements,
Are all that we need,
So bleeding and ugly,
Take care to impart,
A wonderful meaning,
To a forlorn heart.

'...He went like one that hath been stunned...'.
Buddha taught
about "mere words"
since words
in one sense
are like numbers
without any real meaning
like they're all Greek to me
but I think
being something
like a poet
that words
can be powerful
with the capability
of transforming lives
by the process
of the links
that occur
in the mind,
connecting a myriad
of connotations
and denotation
that set off
a potent brain chemistry
that can make the difference
between a kind of sanity
and a kind of madness.
Kelli Williams  May 2014
Her
Kelli Williams May 2014
Her
There is no connotation nor denotation to a word in existence among us retched mortals that can be used to describe the superlative nature of my goddess' supreme and utter beauty.
To the one I love; the one I need
Mike Rollain Apr 2016
"State Line"

Downpour

The torrential kind
In which
You forget
Through overexposure
What it feels like
To see color

Yet remember
Everything else

Clarity in flashes

The earth spills
Its daily struggles
And I bottle mine

---

"Welcome to Earth"

Condensed
Supersaturated

Breaching and scorching
This tortured sky

Will Smith is too expensive
To save us now

---

"A Thousand Words"

In the storm
Shadows and highlights
Are nonsensical terms

Indistinguishable

Black level, high
Contrast, immeasurable
Noise, present

---

"Peripheral"

Push it
Go as fast as you like
I'll take my time
And watch you spin
Out of control
Just outside
The point of
No return

---

"Patience"

Accuse me
Again and again
Convince me I'm wrong

I'll hurl my innocence
Into the storm

Wait for it
It's coming back

---

"Double Down"

That isn't light
At the end of the tunnel
It's just less dark

Double down
It's not over yet

---

"Joy"

Persistent color
Through the fog
Shrek on wheels
Snoopy on ice
They pass and
We follow

---

"Crossing Over"

There is a pain
That comes after

In the relief

In the recuperated vision
An aching remnant of
Stolen senses

You almost miss it

---

"Recovery"

Dreams resurface
Broken
Sparse
Waist-deep in white noise
A melody identifiable as my own

Crickets chirp
Incessant
Ironic
Soaked in stagnant thought
A denotation of the passing storm
Audio: https://soundcloud.com/mike-rollain/into-the-storm
Emma Sep 2018
“You look pretty”.
It is a cage I have adorned myself within.
In my nineteen years of living,
I never thought there could be a greater compliment than
“you look pretty”;
“you look beautiful”;
And, my personal favourite,
“I bet you look good
Under all that clothing”.

This is a cage that I have locked myself in.
The walls are made of crystal,
But no one who presses their hand up against it
To steal a glance in
Ever sees me.
I am what I will become,
But to the crows that surround me,
I will never be more than the pretty object
Waiting to be snatched up from the filthy floor.

In my nineteen years of living,
I have been conditioned to believe that my worth
Is solely based around
How pretty I am,
Or how good I look in that dress,
Or how I beautifully paint my face to become
Your doll.
I never have believed that I could be
Anything more.

When you gaze upon me,
With your starving eyes searching my body
For something that does not exist,
Do you not see me for my true worth?
Is my capacity for kindness and
My loving nature
Not something which is destined to be adored?
Will who I am
Ever be enough for your ego to coincide?

Whatever it is that you decide,
Your choices will not persuade me.
I know I am worth more than an idle compliment
Which holds no weight or denotation.
I know that I am worthy of a love
Which sees all of me,
And not just the crystal cage
That is shattering in my wake
Around me.

— The End —