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Sally A Bayan Jun 2015
(an acrostic of 10W X 5 lines)

D-addy, like an idol, rarely closes his eyes...he is
A-lways patient...eagerly hears us...though tired from work, he
D-elights in our silly, lively, sometimes significant, or even stalemated
D-iscussions...he even joins in, and contributes to our childish
Y-abber........he's our idol...our friend...he is our DADDY!



Sally
Copyright June 20, 2015
Rosalia Rosario A. Bayan
***...my five granddaughters, expressing their feelings through me...***
Martin Narrod Nov 2015
What if you were poison. This room was a gurney. My parents garage was a time machine. My drawers were a piece of unwritten elementary homework. My bed was a stalemated chess game. Every pair of shoes I've ever worn is one of the beaches I never went swimming at. My laundry were soldier's garbs. I'm living in four minute increments. Two yellow chairs are an empty wine cellar. Two doorknobs an ancient battle field. I have green pants and they might be the entire state of Florida. My book shelf is a poem by Keats, and the books on it are The Village Green. This printer is actually an English love affair. The paper inside of it a pasture, a meadow, and even parts of a rill but not the water in it. I see words scribbled in notebooks and they don't produce melodies. This is a heavy place to use candles. These are the trousers I wear when no one is watching me. Three DVD's tell a story, but no one listens to stories anymore. A carton of cigarettes is a hospital full of people working, a metaphor that doesn't need to be made but should instead be written down. Chocolate bars are all around us, better to keep them quiet. My childhood is drifting off to sleep in a pair of gray sweatpants and a white crew neck t-shirt. Hush Hush. A god hidden inside a scrap of prose that always wanted to hide away but never could. Here are the limbs I'm beating myself to death with. Here are the headaches that I rubbed from your neck; the apple juice and animal crackers that brought both of us back to life, the Wichita suitcase filled with field grains and soy that only made your Grandfather rich. I'm bruise-bent on discussing the never ending. I've filled my head with the status of ritual, I've crossed my legs and enriched my mind with dozens of proverbs, adverbs, and ad lib; nothing that ever once was could be, and nothing that has been could ever be as easy again. Each hill top is a summit worth standing upon. Every picture is a place worth returning to. If every sentence structure and bomb of the mouth was the furnace heating an article at the end of a sentence, or the sentiment with which to generate a sonnet, then mornings could be the clusters to every ache and evolving vowel. Each and every worry would be a giant and the juggernaut which knocked him down. Maybe your ****** is a tooth brush. Maybe mine is just ******. Maybe every inch of my body is made up of locks and caveats. I could retreat to the wilderness, a place where the trees are ornaments to the sky, and the stars are just the songs we don't hear. Heat is a conundrum, the water and the air too. We're longing our way to infinity, chancing ourselves by adhering to dross and sinching our hearts of blood. What if Chicago was the biggest love story of all and I was just not observant enough to notice. I've gone down in three hundred airplanes. What if worry was the tea I declined, heartache the questions I didn't ask and the wishes I never answered. What if your mother was also poison, your sister the true love I unrequitted, your brothers the Roman soldiers which saved us all. I long to be close to the ocean, I retch and thrash, drawing shivers up and down my spine. Here are the shadows aplenty. The heaviest of the hours that save on us like we were up from zero, still and counting on ourselves. These are the lines that I'm petting heavily, washing up and down, left to right, horrific nightmares that come and go as they please. All is left to be said again. Castes are bids meant to be said again. I've been taught to live well even as a quiet mess, to be white while the day's break is still to come. What if leather was the only way I knew how to fly. Bubblebaths the only luxuries I never settled. Your kitchen the last place I felt fully loved. Here is where I reappear. Countries that I've traveled to in languages I taught myself to speak. Wit the wild bunch of berries I crushed into my own craft cocktails. I'm quaffing and I'm trapping. I'm riddled with night and I still can't stand up straight. This is the last place I remember being. Turning over in my gravest stare, and gazing long into the never ending stereotype of my merchant birth and stately hide. This may be the song that sets my tone. This might be the song that describes me best. Never published or punctuated. Always thriving in bated breaths. Always living just an inch from the soon. Here where the moon men trip and fall. Here where the pronouns leave every thing left unsaid.
Played some scratchers for the better part of his life.
One hundred in
Got ****** up on the UV ink

Hope drawn from the next in line
One hundred and one
Connection voided with a tare

Shackled to the shilling
Required for one hundred and two
Binds himself to an unsightly wealth

Allowance gifted in bi-weekly installments
And out comes one hundred and two
Wins the jackpot with pigment under nail

His keeper takes to court.
Seizing one hundred and two
She departs for paradise

Left with a modest sum
He’s up to three hundred and eight
He’s losing it now

Support called in by all the renounced
Stalemated at three hundred and eight
His credits no longer valid with any lottery clerks
Appetizing morsels of snack food leftovers, jammed down the throats of the gathering’s well-meaning occupants, trapped in place, paralyzed by purchasing power, co-mingling amongst a gossamer of plague ridden staff, exercising their right to a paltry sum, at the cost of worldly dignity.

Tupperware auctioned off at a silent word, while women with crow’s feet crevices compile layers of expensive, foundry concealer, birthing a new, more melancholic Pagliacci, only to be outdone by the next in line.

Sound equipment, purchased over market value, placed on the showroom floor, mechanically regurgitating a playlist of old hits as broken hips slaughter the concept of rhythm and cadence, dancing for their youth, embarrassed by their age.

Late husband’s life insurance, blown on a new make-up line tested on Lassie, bought for the sake of a cost-free gift, which would have the woman’s palm eaten out by a monetarily starved charlatan, rented out on an hourly basis.

Sprayed odors, mixing and merging as they meet on the undersides of veiny wrists, fumigating the stale air, weakening the legs of the participants, dropping them to the floor as sequenced lights illuminate in time with an ancient billboard tune.

Eight o’clock bedtime, difficult to impose, when giddy patrons stay drunk on the bliss of over-spending, knocking off to a land of nod in unmonitored broom closets, clutching at their purchases with the vigor of a lowly man in pursuit of his bottle.

The night slows, crawling in turn with a dead clock as it ticks in place, stalemated, flinching, but not forward, only in place.

Lights leave the room, and silence ensues, the visitors leave, weighted down to a lifeless crawl by their numerous, unnecessary purchases in overfilled, non-recyclable shopping bags.
Star BG Sep 2017
DOES a person lose their dreams,
when they’re homeless?
Where funds are empty
and normal way of life is stalemated.

DO they feel broken,
when eating choice is a food bank?
Where it tastes fine
but is made of nearly expired
and certainly not organic
food.

DOES a homeless person
still hold dreams?
When job seems impossible and their
whole existence revolves around
catching last bus to shelter.

DO they second guess factors
leading to current situation,
judging the details harshly
as perhaps an estranged
family member would.

DOES a homeless person get tired,
of labels and stares
passerby’s give?
Who cant understand how
the situation arose
and don’t really care?

THAT’S when faith must jump in,
so candle of dreams isn’t extinguished.
THAT’S when,
they whisper a prayer and surrender
to the higher plan to activated in mind.
THAT’S when,
they go deep in heart
and do their best to
love themselves and life’s journey.

THAT’S when they hold
onto their dreams even more.


StarBG © 2017
Funds have been challenging for me and though I am not homeless it did birth this poem. Also there are a few homeless people walking around town (regulars) so as I wrote this I thought of them. All two of them do is walk, walk, walk, and I just wondered what they think when they walk.
John F McCullagh Feb 2020
Our land was born in Revolution
and we, soon after, went to war
with the children of the redcoats
we had tussled with before

We've battled our close neighbors
and fought a Civil War.
Teddy Roosevelt led the charge
in the bully Spanish war.

When war broke out in Europe
Wilson said we would attend.
His bungled Versailles treaty
caused  World War to come again.

We battled Tojo's forces
and faced the German's might.
We stalemated in Korea
when we were under Dwight.

Always certain of our power
in defense of what is true
we depopulated Vietnam
then, inexplicably , withdrew.

Now we fight a war on terror
a war that has no end.
As I race towards retirement
I'll not see peace again.

Trillions have been wasted
to fuel the cannons roar.
Weep for our poor country-
A prisoner of War.
A mere 17 years of peace in the last 120 and our current conflicts are so open ended there is no resolution in sight
John Jul 2020
A chess match, inside myself, in my head.
The rules don't seem applicable today,
Logic is gone, I would rather be dead.
Alive and well, I'm in this hellish play.
Back and forth, and back and forth, black and white,
Your turn, my turn, your turn, wait, who are you?
I am playing this game by myself, right?
Fighting myself, 'round and 'round, never through.
Once a defeat has been made, losers weep.
To the victor goes the spoils, my life.
The smoke has cleared, I sob, without a peep.
Stalemated forever, my pain, my strife.
A word for the wise, serenity hides.
Stoically waiting, longing, for your eyes.
Rich old white
The 'feels' 'Right'
1% fight
Idiots ignite.

A pawn.
The game.
Greyscale lawn.
Piece played.

Afraid.
Dismayed.
Played.
Weighed.

Mar-A-Lago?
You won't go
Bumpkin hobo
Ugly tools best not on show

I weep for humanity
A world conflagratory
The best and worst to see
Stalemated "democracy"

If this is what it takes
To re-evaluate the stakes
Thermo-nuclear wakes
Then I cut the 'brakes'

Let it burn
Let it burn
Let it burn
To learn

Humanity

(again)
Synopsis with Artist's Intent:
Let It Burn is a searing critique of systemic oppression, social stagnation, and the destructive forces of conformity. Through visceral language and evocative imagery, the poem tackles issues ranging from economic inequality to attacks on LGBTQ+ communities, racial discrimination, and the insidious persistence of white supremacist ideologies like "Aryan manifest destiny." The "grayscale lawn" serves as a central metaphor, contrasting the vibrancy of diversity with the lifelessness of imposed uniformity.

The work's defiant tone culminates in a provocative call for destruction—not as nihilism but as a necessary prelude to renewal and equity. It challenges readers to confront the entrenched injustices of "stalemated democracy" and to reevaluate the stakes of our collective future. In its rawness, the piece exemplifies the urgency and intensity of societal critique, channeling anger into a vision of transformative potential.

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