(Inspired by my great grandfather)

Capt: Albert Victor Champion RHA

Children of the Somme, men of mud and water
killed by lead and steel, for them no last supper
no last meal. Children of the Somme, consumed
by mud and water, sent in there thousands
to their slaughter.
Nerves that were shattered,breath that was shallow
felled in fields that were lifeless and fallow.
Hearts that were pounding, bodies that trembled
as in the trenches men assembled.
like an order from god they awaited there place,
to go over the top and stare death in the face.
Men of all nations men of all ages; condemned
to there death and the history books pages.

Lest we forget..................... Remember them.

This poem is dedicated to the fallen of the First World War, and also, to all those we have lost in the years since.

- Somme Harvest -

In the early morning
Dawn of the fiery horizon,
The sea of green caresses the land
And gave it gentle kisses
Of tender sadness.

On this day many an unlived life would find
Life in Death, but first must come Death in Life,
Indeed, a bouquet of barbs grace the
Dark, dank, *****
Halls of Morningstar,
Servants go to and fro preparing the sordid feast
Of unsung heroes.

Babes in arms are they, who shall
Ever sleep till the break of the final day.

Fields of Flanders infertile,
But for the harvest to ripen
The fertilizer of life is
Scattered, battered, tattered,
Sown,
Human manure, nutrient of vitality,
It seeps into earthly soil.

In the year of our Lord,
One thousand, nine hundred and sixteen
Did the farmers collect their greatest bounty,
Not all farmers reaped massive yields,
Farmers Kultur, Sickle and Hammer
Fed their maniacal hunger with rotting corpses,
While famers Lion, Bulldog and Bald Eagle
Wept their hunger with mechanical eyes,
Farmer Scythe, steward of Morningstar,
Laughed dry, dead tears of hungry joy
And sang the golden harvest song
As his blade swam through the harvest thirstily,
For indeed, the harvest was an endless
Smoky sea of blood green
And thousands were sailing.

Twilight gleaming through the sky,
The raging war god *****’s dry thunderous wrath
And wreaks barbaric, savage, ferocious, ****** carnage below,
As sleeping
Babes in arms fly through the red twilight.

Vultures dressed in human feathers
Gather and crowd around their congealing cold feast,
With hatred sewn on their
Lifeless, lidless
Blind eyes,
They shriek their throaty, ******
Thankless prayers to idle gods.

A multitude of thousands upon thousands
Of souls sour to the heights of Mount Olympus,
Unshed tears,
My child, I saw you in that dusky evening half-light,
Flying, soaring and rising higher with your
Brothers-in-arms.

As I looked up at the darkening sky
My heart wept warm tears of ebbing love,
While my eyes forever dimmed the light,
And my baby,
My body became the Earth,

The phoenix has nested.

For nine days the artillery barrage
rained down on us
that June of summer in the Somme
machine gunners like me waited
in our concrete bunkers deep in the earth

When the shelling stopped
we rushed to the surface
and began our job of mowing down
the slow walking British Infantry
stoically advancing as if in another war
in another time where they might choose
to die bravely and with honour
a hero fighting for his life
his king and country

But here he dies unknown
by the chance turning of my gun
in his direction at that one moment
and the random number of bullets
left to fire.



© M.L.Emmett

From their farms and their villages, they answered the call;
of King and of Country, to the great game of war.
They drilled and they practiced to work as a team,
then were shipped to the Somme, July, Nineteen sixteen.

A film of their training was made to be shown
to their sisters and mothers and lovers back home.
It was screened one time only, to standing acclaim,
for the unwitting widows who carried their names.

Like ripe wheat at the harvest felled by the scythe,
the chums led the assault and half paid with their life.
Lincolnshire wept when the casualties were read.
That first day at the Somme saw twenty Thousand dead.

Those that returned to their village or farm
Thereafter oft woke from their sleep in alarm.
They were changed men and broken, who returned from the fray,
and who bore their survivor guilt to their own dying day.

PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

Sun swollen
reddening as it sank
that brutal ****** disc
scored by church steeples
and chimney stacks
almost lost in the drifting haze
of sulphurous yellow
and char-black smoke.

Duck boards dip
into the sodden earth
as men ***** along in conga lines
holding tight the pack of the man
in front, lest they should slip
lose quick their footing
be ****** down and smothered
by mud.

The walls of the tunnels
are packed earth
rich with blood and bone
bits and pieces of human
anatomy dangle and hang
as if posed by an artist
with a strange and cruel eye
for detail.

The scrabble for fox holes
and rough scraped ditches,
anywhere, below the line of fire.
The ting and ****-bang
of a night of action
The whistle, the dash
and the forward push
counted more in men
than metres.                                                                

© M.L.Emmett

it was bad,
it was very sad.


PEOPLE DIED.

The Pals battalion,
Young soldiers of nineteen,
The total death toll reached a million,
On the Somme in nineteen-sixteen.

The men in splendid spirits,
There was optimism in the ranks,
With co-op bombs and bayonets,
Gathered on the sunny banks.        

The first bombs fell on Picardy,
Now they stood in lines to push,
They will annihilate the enemy,
No need to charge or rush.

But the German men were ready,
Their intelligence was good,
They knew about the enemy,
Their intention understood.

Our men walked into open fire,
So many lives they stole.
Shot and maimed before the wire
On their gentle morning stroll.

Bodies crushed in defeat,
In a field of flying lead,
Soldiers dropped to their feet,
Leaving many dead.

The slaughter would not stop,
In this futile ****** game,
All deserters would to be shot,
The only gain was being maimed.

Battle planning was inferior,
Senseless death was inhumane,
In the carnage and hysteria,
On the pretty red poppy plane.

Digging six whole feet downward
called trenches
the irony of the depth of a grave
was far from lost on us

The years stung with field gun smoke,
as the stench of accusations hung
among the aging towers of power.
Stark whistles pierced the mourning air
bringing tears to eyes spared any true battle.
And after a respectful silence, sodden with sacrifice,
the drizzled grandchildren turned away
for a Starbucked start of a brand new day.

"...FRESHER FIELDS THAN FLANDERS..."


Christ! Even the Son
of God can get it wrong!

Time his Second Coming
to end up in WW1.

To us he looked like one of the 'Un!
To the 'Un he was one of us.

Both sides let him
have it.

Him who had come
to die for us

and by God
He did.

Hung on the barbed wire
for days on end

we all thinking will it
never end.

Crying for His Father
getting on our ****** nerves.

Some say they saw him
at the Somme

some say at Crucifix Corner
"...forgive them for they know not..."

it went on and on
'...what they've done."

But I had by gum!
I pitied the poor ******.

Crawled out under
****** fire.

Put my last ciggie
between his lips

made of nothing but
tea leaves....liquorice...treacle.

"Thanks mate.!" he gasped
with his last breath

turning into young Tommy
Smith at His Death.

A right good lad I knew
from Hudersfield.

Shell shocked
they said I was.

I wasn't.

All men are the Son
of God as it happens.

Even a dead 'Un is one.

The Son of God is forever
getting it wrong.

Christ! Will He ever
learn.

Timing His next Coming
to land up in WW11.

Other Wars
waiting in the wings

for Him
to come again.

Wish He would just
give up on us.

He's of no ****** use
whatsoever.

Death is a better
friend.

Survival as I know
is Hell.

Budging the sluggard ripples of the Somme,
A barge round old Cérisy slowly slewed.
Softly her engines down the current *******,
And chuckled softly with contented hum,
Till fairy tinklings struck their croonings dumb.
The waters rumpling at the stern subdued;
The lock-gate took her bulging amplitude;
Gently from out the gurgling lock she swum.

One reading by that calm bank shaded eyes
To watch her lessening westward quietly.
Then, as she neared the bend, her funnel screamed.
And that long lamentation made him wise
How unto Avalon, in agony,
Kings passed in the dark barge, which Merlin dreamed.

Here, and over here -
The fortunate sons

Those who made it home
To fields and hills of native tongue
In the soil their people toiled
- They listen quietly when we come


There, and over there -
Beneath crossed lines too many

Still - they man the trenches
Along the Marne and Somme
Below the woods of Belleau
And the forest of Argonne

No sonnets in a foreign language
Rendered where they languish -
The distant rest far and away
In a cold November grave


We should remember
Here and there
The old lie -

And the young.

r ~ 11/11/14

"...FRESHER FIELDS THAN FLANDERS..."


Christ! Even the Son
of God can get it wrong!

Time his Second Coming
to end up in WW1.

To us he looked like one of the 'Un!
To the 'Un he was one of us.

Both sides let him
have it.

Him who had come
to die for us

and by God
He did.

Hung on the barbed wire
for days on end

we all thinking will it
never end.

Crying for His Father
getting on our ****** nerves.

Some say they saw him
at the Somme

some say at Crucifix Corner
"...forgive them for they know not..."

it went on and on
'...what they've done."

But I had by gum!
I pitied the poor ******.

Crawled out under
****** fire.

Put my last ciggie
between his lips

made of nothing but
tea leaves....liquorice...treacle.

"Thanks mate.!" he gasped
with his last breath

turning into young Tommy
Smith at His Death.

A right good lad I knew
from Hudersfield.

Shell shocked
they said I was.

I wasn't.

All men are the Son
of God as it happens.

Even a dead 'Un is one.

The Son of God is forever
getting it wrong.

Christ! Will He ever
learn.

Timing His next Coming
to land up in WW11.

Other Wars
waiting in the wings

for Him
to come again.

Wish He would just
give up on us.

He's of no ****** use
whatsoever.

Death is a better
friend.

Survival as I know
is Hell.





"...FRESHER FIELDS THAN FLANDERS..." is the last line of a Preface that Wilfred Owen intended for his book.

Was first going to write a sci-fi thing with the Saviour coming down at just the wrong time. But as I wrote I remembered an old man I used to look after who would tell me about his WW11 experiences and of his grand dad's tales from WW1 so that it ended up as a mixture of the real and the unreal in the surreal situation of war and all it entails.

Over the ravaged battlefield, a pall of death hung fast
I watched in silent horror, as the wounded breathed their last
The screams of bloodied soldiers, echoed down the sodden trench
As vermin ate the flesh of men, unbothered by the stench.

A drizzling rain was falling soft, as darkness slew the day
I knew my life was fading fast, so I began to pray

Oh GOD! Above in heaven, as you look down on this Hell
You see,through this black holocaust, a frightened Sentinel
The time is fast approaching Lord, when we'll meet face to face
And I'll be held accountable, for my actions in this place

No words in mitigation, can excuse the deeds I've done
I'm a product of my nation born to die upon the Somme
Before deaths bullet takes me, when I'm ordered from this hole
I beg you to forgive me and recieve my wretched Soul...

The order came along the trench ''Get ready to attack''
The cold hard hand of terror rested firmly on my back
Down along the frontline, whispered prayers of men grew quiet
While mass extermination waited out there in the night
Each brief second seemed an hour, as I saw my life flash past
Then somewhere in my reverie, the whistle blew at last

That cold hard hand of terror pushed me forward from behind
A burning rage and bloodlust closed the senses of my mind
Rifle shooting deadly sin, over no-mans land I stumbled
The dead of prior battles, in heaps around me,tumbled
A piercing war-cry on my lips, my bloodlust not yet sated
Firing blindly, all the while, the foe he grimly waited

Halfway accross hells quagmire, the flares popped overhead
Casting down an eerie glow on the living and the dead

Caught like running Ghosts of men, by those floating midnight Suns
Fodder for Deaths banquet, silhouetted for their guns
The whine of flying bullets filled the air about my ears
A smell of death, its **** and blood returned me to my fears

Realising our predicament, caught between two stools
Though Death reaped us like fresh grass, we all ran on like  fools
A bullet caught me in the chest, just below my shoulder
I fell upon the barbedwire and felt my blood grow colder
Hanging there, as life ran out, screaming for assistance
I saw myself and comrades, from what seemed a mighty distance

So adrift upon some sea, Life, winding down within me
But Oh! the manner of my Death, a very sad short story
A lad of nineteen summers, I had never loved a wife
Nor done the things I dreamed I'd do in the young days of my life....

My nation called ''We Need You Son'' in nineteen and fourteen
And preached of War and Battle as a bright and shining dream
With words like, Honour, Glory, Pride........ Bravery and Duty
Beguiled my generation by painting Death as beauty....

A message from the government explaining my sad tale
My poor beloved family will soon get in the Mail
Telling lies of sacrifice for our nations worthy cause
BUT NOT RELATING,HOW I DIED OF GOVERNMENTAL FLAWS.....


Written on October 5/2005.. Copyright.Eamonn O'Dowd.

Écoutez. Une femme au profil décharné,
Maigre, blême, portant un enfant étonné,
Est là qui se lamente au milieu de la rue.
La foule, pour l'entendre, autour d'elle se rue.
Elle accuse quelqu'un, une autre femme, ou bien
Son mari. Ses enfants ont faim. Elle n'a rien ;
Pas d'argent ; pas de pain ; à peine un lit de paille.
L'homme est au cabaret pendant qu'elle travaille.
Elle pleure, et s'en va. Quand ce spectre a passé,
Ô penseurs, au milieu de ce groupe amassé,
Qui vient de voir le fond d'un cœur qui se déchire,
Qu'entendez-vous toujours ? Un long éclat de rire.

Cette fille au doux front a cru peut-être, un jour,
Avoir droit au bonheur, à la joie, à l'amour.
Mais elle est seule, elle est sans parents, pauvre fille !
Seule ! - n'importe ! elle a du courage, une aiguille,
Elle travaille, et peut gagner dans son réduit,
En travaillant le jour, en travaillant la nuit,
Un peu de pain, un gîte, une jupe de toile.
Le soir, elle regarde en rêvant quelque étoile,
Et chante au bord du toit tant que dure l'été.
Mais l'hiver vient. Il fait bien froid, en vérité,
Dans ce logis mal clos tout en haut de la rampe ;
Les jours sont courts, il faut allumer une lampe ;
L'huile est chère, le bois est cher, le pain est cher.
Ô jeunesse ! printemps ! aube ! en proie à l'hiver !
La faim passe bientôt sa griffe sous la porte,
Décroche un vieux manteau, saisit la montre, emporte
Les meubles, prend enfin quelque humble bague d'or ;
Tout est vendu ! L'enfant travaille et lutte encor ;
Elle est honnête ; mais elle a, quand elle veille,
La misère, démon, qui lui parle à l'oreille.
L'ouvrage manque, hélas ! cela se voit souvent.
Que devenir ! Un jour, ô jour sombre ! elle vend
La pauvre croix d'honneur de son vieux père, et pleure ;
Elle tousse, elle a froid. Il faut donc qu'elle meure !
A dix-sept ans ! grand Dieu ! mais que faire ?... - Voilà
Ce qui fait qu'un matin la douce fille alla
Droit au gouffre, et qu'enfin, à présent, ce qui monte
À son front, ce n'est plus la pudeur, c'est la honte.
Hélas, et maintenant, deuil et pleurs éternels !
C'est fini. Les enfants, ces innocents cruels,
La suivent dans la rue avec des cris de joie.
Malheureuse ! elle traîne une robe de soie,
Elle chante, elle rit... ah ! pauvre âme aux abois !
Et le peuple sévère, avec sa grande voix,
Souffle qui courbe un homme et qui brise une femme,
Lui dit quand elle vient : « C'est toi ? Va-t-en, infâme ! »

Un homme s'est fait riche en vendant à faux poids ;
La loi le fait juré. L'hiver, dans les temps froids ;
Un pauvre a pris un pain pour nourrir sa famille.
Regardez cette salle où le peuple fourmille ;
Ce riche y vient juger ce pauvre. Écoutez bien.
C'est juste, puisque l'un a tout et l'autre rien.
Ce juge, - ce marchand, - fâché de perdre une heure,
Jette un regard distrait sur cet homme qui pleure,
L'envoie au bagne, et part pour sa maison des champs.
Tous s'en vont en disant : « C'est bien ! » bons et méchants ;
Et rien ne reste là qu'un Christ pensif et pâle,
Levant les bras au ciel dans le fond de la salle.

Un homme de génie apparaît. Il est doux,
Il est fort, il est grand ; il est utile à tous ;
Comme l'aube au-dessus de l'océan qui roule,
Il dore d'un rayon tous les fronts de la foule ;
Il luit ; le jour qu'il jette est un jour éclatant ;
Il apporte une idée au siècle qui l'attend ;
Il fait son œuvre ; il veut des choses nécessaires,
Agrandir les esprits, amoindrir les misères ;
Heureux, dans ses travaux dont les cieux sont témoins,
Si l'on pense un peu plus, si l'on souffre un peu moins !
Il vient. - Certe, on le va couronner ! - On le hue !
Scribes, savants, rhéteurs, les salons, la cohue,
Ceux qui n'ignorent rien, ceux qui doutent de tout,
Ceux qui flattent le roi, ceux qui flattent l'égout,
Tous hurlent à la fois et font un bruit sinistre.
Si c'est un orateur ou si c'est un ministre,
On le siffle. Si c'est un poète, il entend
Ce chœur : « Absurde ! faux ! monstrueux ! révoltant ! »
Lui, cependant, tandis qu'on bave sur sa palme,
Debout, les bras croisés, le front levé, l'œil calme,
Il contemple, serein, l'idéal et le beau ;
Il rêve ; et, par moments, il secoue un flambeau
Qui, sous ses pieds, dans l'ombre, éblouissant la haine,
Éclaire tout à coup le fond de l'âme humaine ;
Ou, ministre, il prodigue et ses nuits et ses jours ;
Orateur, il entasse efforts, travaux, discours ;
Il marche, il lutte ! Hélas ! l'injure ardente et triste,
À chaque pas qu'il fait, se transforme et persiste.
Nul abri. Ce serait un ennemi public,
Un monstre fabuleux, dragon ou basilic,
Qu'il serait moins traqué de toutes les manières,
Moins entouré de gens armés de grosses pierres,
Moins haï ! -- Pour eux tous et pour ceux qui viendront,
Il va semant la gloire, il recueille l'affront.
Le progrès est son but, le bien est sa boussole ;
Pilote, sur l'avant du navire il s'isole ;
Tout marin, pour dompter les vents et les courants,
Met tour à tour le cap sur des points différents,
Et, pour mieux arriver, dévie en apparence ;
Il fait de même ; aussi blâme et cris ; l'ignorance
Sait tout, dénonce tout ; il allait vers le nord,
Il avait tort ; il va vers le sud, il a tort ;
Si le temps devient noir, que de rage et de joie !
Cependant, sous le faix sa tête à la fin ploie,
L'âge vient, il couvait un mal profond et lent,
Il meurt. L'envie alors, ce démon vigilant,
Accourt, le reconnaît, lui ferme la paupière,
Prend soin de la clouer de ses mains dans la bière,
Se penche, écoute, épie en cette sombre nuit
S'il est vraiment bien mort, s'il ne fait pas de bruit,
S'il ne peut plus savoir de quel nom on le nomme,
Et, s'essuyant les yeux, dit : « C'était un grand homme ! »

Où vont tous ces enfants dont pas un seul ne rit ?
Ces doux êtres pensifs, que la fièvre maigrit ?
Ces filles de huit ans qu'on voit cheminer seules ?
Ils s'en vont travailler quinze heures sous des meules ;
Ils vont, de l'aube au soir, faire éternellement
Dans la même prison le même mouvement.
Accroupis sous les dents d'une machine sombre,
Monstre hideux qui mâche on ne sait quoi dans l'ombre,
Innocents dans un bagne, anges dans un enfer,
Ils travaillent. Tout est d'airain, tout est de fer.
Jamais on ne s'arrête et jamais on ne joue.
Aussi quelle pâleur ! la cendre est sur leur joue.
Il fait à peine jour, ils sont déjà bien las.
Ils ne comprennent rien à leur destin, hélas !
Ils semblent dire à Dieu : « Petits comme nous sommes,
« Notre père, voyez ce que nous font les hommes ! »
Ô servitude infâme imposée à l'enfant !
Rachitisme ! travail dont le souffle étouffant
Défait ce qu'a fait Dieu ; qui tue, œuvre insensée,
La beauté sur les fronts, dans les cœurs la pensée,
Et qui ferait - c'est là son fruit le plus certain -
D'Apollon un bossu, de Voltaire un crétin !
Travail mauvais qui prend l'âge tendre en sa serre,
Qui produit la richesse en créant la misère,
Qui se sert d'un enfant ainsi que d'un outil !
Progrès dont on demande : « Où va-t-il ? Que veut-il ? »
Qui brise la jeunesse en fleur ! qui donne, en somme,
Une âme à la machine et la retire à l'homme !
Que ce travail, haï des mères, soit maudit !
Maudit comme le vice où l'on s'abâtardit,
Maudit comme l'opprobre et comme le blasphème !
Ô Dieu ! qu'il soit maudit au nom du travail même,
Au nom du vrai travail, saint, fécond, généreux,
Qui fait le peuple libre et qui rend l'homme heureux !

Le pesant chariot porte une énorme pierre ;
Le limonier, suant du mors à la croupière,
Tire, et le roulier fouette, et le pavé glissant
Monte, et le cheval triste à le poitrail en sang.
Il tire, traîne, geint, tire encore et s'arrête ;
Le fouet noir tourbillonne au-dessus de sa tête ;
C'est lundi ; l'homme hier buvait aux Porcherons
Un vin plein de fureur, de cris et de jurons ;
Oh ! quelle est donc la loi formidable qui livre
L'être à l'être, et la bête effarée à l'homme ivre !
L'animal éperdu ne peut plus faire un pas ;
Il sent l'ombre sur lui peser ; il ne sait pas,
Sous le bloc qui l'écrase et le fouet qui l'assomme,
Ce que lui veut la pierre et ce que lui veut l'homme.
Et le roulier n'est plus qu'un orage de coups
Tombant sur ce forçat qui traîne des licous,
Qui souffre et ne connaît ni repos ni dimanche.
Si la corde se casse, il frappe avec le pié ;
Et le cheval, tremblant, hagard, estropié,
Baisse son cou lugubre et sa tête égarée ;
On entend, sous les coups de la botte ferrée,
Sonner le ventre nu du pauvre être muet !
Il râle ; tout à l'heure encore il remuait ;
Mais il ne bouge plus, et sa force est finie ;
Et les coups furieux pleuvent ; son agonie
Tente un dernier effort ; son pied fait un écart,
Il tombe, et le voilà brisé sous le brancard ;
Et, dans l'ombre, pendant que son bourreau redouble,
Il regarde quelqu'un de sa prunelle trouble ;
Et l'on voit lentement s'éteindre, humble et terni,
Son œil plein des stupeurs sombres de l'infini,
Où luit vaguement l'âme effrayante des choses.
Hélas !

Cet avocat plaide toutes les causes ;
Il rit des généreux qui désirent savoir
Si blanc n'a pas raison, avant de dire noir ;
Calme, en sa conscience il met ce qu'il rencontre,
Ou le sac d'argent Pour, ou le sac d'argent Contre ;
Le sac pèse pour lui ce que la cause vaut.
Embusqué, plume au poing, dans un journal dévot,
Comme un bandit tuerait, cet écrivain diffame.
La foule hait cet homme et proscrit cette femme ;
Ils sont maudits. Quel est leur crime ? Ils ont aimé.
L'opinion rampante accable l'opprimé,
Et, chatte aux pieds des forts, pour le faible est tigresse.
De l'inventeur mourant le parasite engraisse.
Le monde parle, assure, affirme, jure, ment,
Triche, et rit d'escroquer la dupe Dévouement.
Le puissant resplendit et du destin se joue ;
Derrière lui, tandis qu'il marche et fait la roue,
Sa fiente épanouie engendre son flatteur.
Les nains sont dédaigneux de toute leur hauteur.
Ô hideux coins de rue où le chiffonnier morne
Va, tenant à la main sa lanterne de corne,
Vos tas d'ordures sont moins noirs que les vivants !
Qui, des vents ou des cœurs, est le plus sûr ? Les vents.
Cet homme ne croit rien et fait semblant de croire ;
Il a l'œil clair, le front gracieux, l'âme noire ;
Il se courbe ; il sera votre maître demain.

Tu casses des cailloux, vieillard, sur le chemin ;
Ton feutre humble et troué s'ouvre à l'air qui le mouille ;
Sous la pluie et le temps ton crâne nu se rouille ;
Le chaud est ton tyran, le froid est ton bourreau ;
Ton vieux corps grelottant tremble sous ton sarrau ;
Ta cahute, au niveau du fossé de la route,
Offre son toit de mousse à la chèvre qui broute ;
Tu gagnes dans ton jour juste assez de pain noir
Pour manger le matin et pour jeûner le soir ;
Et, fantôme suspect devant qui l'on recule,
Regardé de travers quand vient le crépuscule,
Pauvre au point d'alarmer les allants et venants,
Frère sombre et pensif des arbres frissonnants,
Tu laisses choir tes ans ainsi qu'eux leur feuillage ;
Autrefois, homme alors dans la force de l'âge,
Quand tu vis que l'Europe implacable venait,
Et menaçait Paris et notre aube qui naît,
Et, mer d'hommes, roulait vers la France effarée,
Et le Russe et le *** sur la terre sacrée
Se ruer, et le nord revomir Attila,
Tu te levas, tu pris ta fourche ; en ces temps-là,
Tu fus, devant les rois qui tenaient la campagne,
Un des grands paysans de la grande Champagne.
C'est bien. Mais, vois, là-bas, le long du vert sillon,
Une calèche arrive, et, comme un tourbillon,
Dans la poudre du soir qu'à ton front tu secoues,
Mêle l'éclair du fouet au tonnerre des roues.
Un homme y dort. Vieillard, chapeau bas ! Ce passant
Fit sa fortune à l'heure où tu versais ton sang ;
Il jouait à la baisse, et montait à mesure
Que notre chute était plus profonde et plus sûre ;
Il fallait un vautour à nos morts ; il le fut ;
Il fit, travailleur âpre et toujours à l'affût,
Suer à nos malheurs des châteaux et des rentes ;
Moscou remplit ses prés de meules odorantes ;
Pour lui, Leipsick payait des chiens et des valets,
Et la Bérésina charriait un palais ;
Pour lui, pour que cet homme ait des fleurs, des charmilles,
Des parcs dans Paris même ouvrant leurs larges grilles,
Des jardins où l'on voit le cygne errer sur l'eau,
Un million joyeux sortit de Waterloo ;
Si bien que du désastre il a fait sa victoire,
Et que, pour la manger, et la tordre, et la boire,
Ce Shaylock, avec le sabre de Blucher,
A coupé sur la France une livre de chair.
Or, de vous deux, c'est toi qu'on hait, lui qu'on vénère ;
Vieillard, tu n'es qu'un gueux, et ce millionnaire,
C'est l'honnête homme. Allons, debout, et chapeau bas !

Les carrefours sont pleins de chocs et de combats.
Les multitudes vont et viennent dans les rues.
Foules ! sillons creusés par ces mornes charrues :
Nuit, douleur, deuil ! champ triste où souvent a germé
Un épi qui fait peur à ceux qui l'ont semé !
Vie et mort ! onde où l'hydre à l'infini s'enlace !
Peuple océan jetant l'écume populace !
Là sont tous les chaos et toutes les grandeurs ;
Là, fauve, avec ses maux, ses horreurs, ses laideurs,
Ses larves, désespoirs, haines, désirs, souffrances,
Qu'on distingue à travers de vagues transparences,
Ses rudes appétits, redoutables aimants,
Ses prostitutions, ses avilissements,
Et la fatalité des mœurs imperdables,
La misère épaissit ses couches formidables.
Les malheureux sont là, dans le malheur reclus.
L'indigence, flux noir, l'ignorance, reflux,
Montent, marée affreuse, et parmi les décombres,
Roulent l'obscur filet des pénalités sombres.
Le besoin fuit le mal qui le tente et le suit,
Et l'homme cherche l'homme à tâtons ; il fait nuit ;
Les petits enfants nus tendent leurs mains funèbres ;
Le crime, antre béant, s'ouvre dans ces ténèbres ;
Le vent secoue et pousse, en ses froids tourbillons,
Les âmes en lambeaux dans les corps en haillons :
Pas de cœur où ne croisse une aveugle chimère.
Qui grince des dents ? L'homme. Et qui pleure ? La mère.
Qui sanglote ? La vierge aux yeux hagards et doux.
Qui dit : « J'ai froid ? » L'aïeule. Et qui dit : « J'ai faim ? » Tous !
Et le fond est horreur, et la surface est joie.
Au-dessus de la faim, le festin qui flamboie,
Et sur le pâle amas des cris et des douleurs,
Les chansons et le rire et les chapeaux de fleurs !
Ceux-là sont les heureux. Ils n'ont qu'une pensée :
A quel néant jeter la journée insensée ?
Chiens, voitures, chevaux ! cendre au reflet vermeil !
Poussière dont les grains semblent d'or au soleil !
Leur vie est aux plaisirs sans fin, sans but, sans trêve,
Et se passe à tâcher d'oublier dans un rêve
L'enfer au-dessous d'eux et le ciel au-dessus.
Quand on voile Lazare, on efface Jésus.
Ils ne regardent pas dans les ombres moroses.
Ils n'admettent que l'air tout parfumé de roses,
La volupté, l'orgueil, l'ivresse et le laquais
Ce spectre galonné du pauvre, à leurs banquets.
Les fleurs couvrent les seins et débordent des vases.
Le bal, tout frissonnant de souffles et d'extases,
Rayonne, étourdissant ce qui s'évanouit ;
Éden étrange fait de lumière et de nuit.
Les lustres aux plafonds laissent pendre leurs flammes,
Et semblent la racine ardente et pleine d'âmes
De quelque arbre céleste épanoui plus haut.
Noir paradis dansant sur l'immense cachot !
Ils savourent, ravis, l'éblouissement sombre
Des beautés, des splendeurs, des quadrilles sans nombre,
Des couples, des amours, des yeux bleus, des yeux noirs.
Les valses, visions, passent dans les miroirs.
Parfois, comme aux forêts la fuite des cavales,
Les galops effrénés courent ; par intervalles,
Le bal reprend haleine ; on s'interrompt, on fuit,
On erre, deux à deux, sous les arbres sans bruit ;
Puis, folle, et rappelant les ombres éloignées,
La musique, jetant les notes à poignées,
Revient, et les regards s'allument, et l'archet,
Bondissant, ressaisit la foule qui marchait.
Ô délire ! et d'encens et de bruit enivrées,
L'heure emporte en riant les rapides soirées,
Et les nuits et les jours, feuilles mortes des cieux.
D'autres, toute la nuit, roulent les dés joyeux,
Ou bien, âpre, et mêlant les cartes qu'ils caressent,
Où des spectres riants ou sanglants apparaissent,
Leur soif de l'or, penchée autour d'un tapis vert,
Jusqu'à ce qu'au volet le jour bâille entr'ouvert,
Poursuit le pharaon, le lansquenet ou l'hombre ;
Et, pendant qu'on gémit et qu'on frémit dans l'ombre,
Pendant que le

On that 1st day they waited..and then,
The whistles  blew and over the top they flew,
Side by side, with nowhere to hide.
Hoping to make it to the enemies side.
Noise,noise, everywhere, pieces   of bodies in the air.
Makes separated, lives devastated.
Every second at the Somme a man died,
Now we ask, why,why,why ?
So many young lives cut off in their prime,
Letters to home, telling of this terrible crime.
Mothers,sweethearts,sisters,brothers,
All hearing that their loved one, wouldn't come home.
No more our peaceful land to roam,
Instead , left behind in a foreign field,
Fields that one day red poppies would yield.

Part One - Missing presumed dead

Apparently Alec was missing presumed dead
at least that was what the obituary said
how then he got married is still a mystery
life after a very dark period of history

               Jane plodded head down through another long day
               solitude complete in a strange kind of way
               while Kestrels are tacked to an untamed sky
               she screams "Dear Lord wont you please tell me why"

young Alec stood well over six foot tall
legs full of shrapnell disfigured and all
willing to give all for a meagre days pay
a young man with half of his face blown away

                Shepherdess Jane sat under sad twinkling stars
                it was plain to see she had her own mental scars
                the Ferryman's Daughter, she was so kind
                different from the others, Jane was blind

when the bells of victory began to ring forth
it was too much for Alec, he headed up North
up to the North where the bronze fields shone
but Alec's old personality had gone

                 there in the North a young Shepherdess called Jane
                 did dry Alec's tears and soothed his deep pain
                 Her voice rolled over hills in a plaintive wave
                 as they assumed Alec lied in an unmarked grave

In time they married, Jane bore Alec a Son
but talk about the war, Alec would have none
all that he said was "between you and me..
I've seen things that no man should ever see"

                 flashbacks in his mind of the dead still ringing
                 offset by his young Wife's ethereal singing
                 somewhere around the Somme young Alec lay dead
                 at least that was what the obituary said.


Part Two - The Ferryman

The Ferryman vowed he would find his girl
he picked some roses to place in the top room
searched high and low to find his precious lost pearl
swore he would have her back before the flowers bloom

treated like a slave, a young girl in her prime
the Brothers got away Jane was left behind
her body it did whither through the passing of time
She was different from the others, Jane was blind

worked as a Milkmaid her hands would get so sore
under constant threats she still searched for the spark
work never done a family waits on the shore
although Jane was blind she could see in the dark

the moon shone bright on the path to the Ferry House
the gusts picked up on the night Jane ran away
salty wind and sea shanty's awakened the grouse
as Jane finally gets her break from the play

He scoured every square inch of the land
yet couldn't ask why? Or search into his past
at the Wayfarers Inn they'd got it all planned
released from a cruelty that could no longer last

the night the Father died Gaelic psalms they sang
a lonely house still stands like a watch to nature's will
when they buried the Ferryman the church bells rang
the flowers in the attic, they stand there still.


Part three - The Inn (recapitulation)

The Ferrymans lantern swung in the pouring rain
he heard that his Daughter had made it to the Inn
the audience sang to the Drovers refrain
midst discarded cigarettes, rolling dice and gin

Jane had long picked brambles from thorn covered vines
lived an intoned existence yet she had her plans
though Jane was blind she could read between the lines
a chance to escape, she grabbed it with both hands

the Inn's cosy light shone at the end of the lane
to Whiskey Jack, Jane's elopement had come to light
she had nothing to lose and everything to gain
Jane's now with Alec and has recieved her respite

see him dramming away yarns, bereft of what's true
then screaming his lies to the starry sky above
but tidal subtleties are demanding their due
his heart had long died to the trueness of love

the landlord played the piano and felt every note
the Ferryman's lantern swung in the pouring rain
given up his search, now in want of his boat
regular at the Inn but never seen again

he knew that yesterday would never come back
sailing aimlessly like a throw of the dice
he knew there would be no-one to take up the slack
the doomed Mariner paid the ultimate price.

The best way to forget the truth is to celebrate the lie
Poppies poppies poppies POPPIES and a big brass band
sea cadets in my home town forty miles inland.
Please dont be swayed to get your feet wet dont be fodder for a war
And you will if you forget.

My mates grandads wife never got his war pension
he got shot on the wrong day
I think there was an R in the month or was it a why (Y)
there's a statue on top of our cenotaph  the Angel of the Somme
thee sea cadets parade around it tiddley um pum pum
Tiddley um pum pum
Pum pum pupum

The best way to forget the truth is  to forget the lie.

Adieu chère maison de mes ancêtres

Cette fois ci, le sort en est jeté,
Les acquéreurs improbables, les propriétaires chimériques,
ont consigne la somme convenue sur les fonds du notaire.
Et toi, chère maison, tu vas changer de famille et d'amours.
Désormais, nos enfances envolées, ne retrouveront plus le secours,
des vielles boiseries et des tapisseries centenaires,
de toutes ces armoire en châtaignier et ces commodes de noyer,
auxquels nous rattache encor comme un fil invisible,
tant de senteurs, d'images et souvenirs fanés.
Et le tic-tac mélodieux de la vieille horloge dans l'entrée du 19.
Et ces mansardes, chargées d'objets hétéroclites que nous aimons tant fouiller.
Quant au jardin qui aurait pu être un parc,
comment oublier ses massifs de groseilliers et ses fraises des bois ?
Et les plants de rhubarbe, la sauge aux grandes vertus, aux dires de grand-mère.
Ainsi que les allées de marguerites, attirant les abeilles,
plus ****, remplacées par des rosiers blancs, roses et rouges si odorants.
Cette maison de famille qui résista a tant de coups du sort,
a péri des impôts et des frais d'entretien du jardin,
du manque de modernisation aussi. Alors que tant de logements sans âme étaient construits.
Surtout de l'âge et du départ de sa chère maîtresse, ma mère, qui y avait trop froid et ne pouvait y vivre seule.
Et aussi un peu, ma franchise l'admet, du manque d'initiatives et de goût pour l'association de nous tous, de notre fratrie.
Certes l'on pourra trouver bien des excuses.
Les uns furent trop ****, les autres manquèrent de moyens.
Mais dans mon fors intérieur,
Je sais que cette maison manqua surtout de notre audace et de notre courage commun a la faire vivre.
Aussi notre maison de famille fut comme abandonnée a son sort par ses enfants disperses par la vie.
Pauvre maison, nous n'avons su te garder; puisses-tu tomber désormais dans des mains aimantes, artistes et vertes !

Paul Arrighi

It is strange
yet not
being back here on
the isle of my forefathers
Of I

Everything is different
yet
nothing has changed

Seagulls call and
the air smells of seaweed
There are pink flowers in baskets
and the sky is blue
That endless blue of timeless childhood summers

Here my name is not an aberration
'ueu' is an everyday tripthong
'Le' a rule not an exception
I am not an exception either

After half a century
discovery
I am one of a tribe after all

Ancestors
people I have never known
not even in name lest alone body
Reaching way back in time
Predominantly French
or of this isle

The Germans
photographed every islander
when they occupied this dot of granite
as bombs fell on Europe in a rain of death

The Occupation was a dark period of
hunger and cruelty
but thanks to these photos
I have seen my heritage
etched on faces so familiar
yet never met

I learned just now
my paternal grandfather had gunshot wounds
along his right side and arm and leg
Mementos of the Somme
of Passchedale
and Ypres

I discovered he died of
carcinoma of the lungs
like my mother
my uncle
several aunts
and my Pa

He survived four years of the Great War
water logged trenches
blood-rusty bayonets
horror and starvation
Just one of a few to come home
Military Medal pinned to his chest
5 feet tall yet battle hardy
witnessing things
doing things
no man nor woman should ever do

But Grandpa (how joyous to hear that word on my lips!)
couldn't defeat
the silent enemy
that waged its war within

All this new knowledge
somehow makes me feel older
Not in years
but in history

Tattoos of my heritage
now pattern my bones

My parents are both dead
I have no siblings
no partner
no children
but now I am
no longer alone

what a love you speak of in sonnet
and in the battle of the Somme!
no wonder Shakespeare is disputed!
only among actor and not poet the two should care.

free floating lizard akin to the pickle
serpent worth of spine,
she's there, attired in the sun, a biblical
woman hardly a name worth remembering,
why? because she's all *****
and you're all... well... ending up laughing
long after the F.A. cup result is in
and she's lost her daydream...
ooh... 2 nil... i too was into the Faroe Islands
rather than into Craggy Island of: *'drink! drink!
dingy Titanic twin tuck 'n' sunk lucky bet!
no, really, i was reading an article and started
to laugh... some ***** with a Stephen Hawking
jpeg., i goo my hashish high with porridge...
she said Ibiza was fine with hens but not stags...
she mentions shaggy **** with dispensation
& carrier pigeons of philanthropy or abuse that
fostering advice involves... well, cheap jokes
elsewhere, crucifix over here? what fun to suit
comedy!
NONMONOGAMOUS... ? hey! why not try
a zygote relationship! if trans or bi or hetero
or **** doesn't work? all men around seem
to say the same: i'm not ready for this arson of talk
with a woman tongue replacing both bullet and rifle,
tank, cannon and an arab ******* on holiday...
give me extinction... i'd listen to the lizard man
that hear of mammalian love, that's as much cold
blood with the lizards as i had to learn with keeping
things i worked for being jealous:
it seems it was easier to keep a thief that way than a dog.

How eloquently and beautifully we hid from each other.
You with your righteous truths, hard  and cold like granite.
Marking lost-love’s old bones.

I gripped your proffered broken shovel. Worn blade rusted, and shaft broken.
Aged and useless now, worked and worked on too much cold, hard ground.  
And so the old, cold, bones below lay undisturbed.
Deep and all but forgotten  
Forever waiting to be found.  
                

Mine? Barbed wire…a measured demarcation simply, efficiently separating a field of dreams from a shell-pocked Somme….taught, unyielding, sharp and unforgiving.


You, a brave soldier hacked and bit and and gnawed at the unforgiving steel wire, tormented by the verdant vision, which lay beyond.
Striving to reach that goal.
That which lay beyond the muddy battlefield….
Beyond the rigid stinking corpses….
Beyond the ghastly horror.
I know you saw a bright field of soft scented blooms and dreamed of resting, head pillowed on sweet, rainbow petals, scented nectar and  soft green grass.

I  would have gladly surrendered the wire cutters, but, blunted and useless, dulled by one or two, too many tries… there was no use.
You see my dear, they were long ago worn down. Worn down on many a marbled  headstone.
Their once keen edge, ground and blunted on words which said ‘here lies love’
(May it rest in peace).

There they sit and there they lie, the gravedigger and the soldier….
The soldier, torn and tattered upon the ****** barbs……
The gravedigger, frail and worn, broken shovel resting on broken feet…..

These were the culmination of our defences
Our defences…
Mine a spiked barrier,
yours an  epitaph in  stone.

******, battered love hungry body
and weeping gravedigger by loves tombstone.

Four blocks, yet more to come
Derelict hopes are crushed by the
Perpetual, cacophonous blast of the
Somme.
My brethren wail for fears their mothers will pay them a visit.
I juxtapose my own existence in this war machine.

(I can hear them in my sleep)

My ears are ringing a ballad,
A barber shop quartet echoing;
Paradox’s that fester in the inferno.
A ticket to my ever-so soon visit,
Rage.

Am I but mere kindling to the flames of the Somme?

Tracheotomy!
Now there’s a good word
Though its medical meaning
May be far from absurd
What I like’s the phonics
Harsh and then round
And the fact that the spelling
Is not quite as it sounds
Then comes an image of trains speeding down rails
Puffing and blowing
In brimstone rich hail
Or adding the ending
Perhaps a train full of soldiers
From the Somme or from Ypres
All packed shoulder to shoulder
Passing the Woodbines
Some chatting, some leaning
Ironically smoking
Inside this words meaning
So all words have a life
Those wheels within wheels
And the poet just tries
To determine what’s real.

Pro patria mori
Dulce et decorum est
Pro patria mori.
For generations
we've sold these goods
to young boys
who burn for glory.

Dulce et decorum est
Pro patria mori.
Indeed, how sweet ,
Pray tell
Poppy covered warrior.

Dulce et decorum est
Pro patria mori.
How sweet was the Somme?
Such little ground
was gained with
half a generation gone.

Dulce et decorum est
Pro patria mori.
When weapons
far outpace the men
what an empty word
is glory.

Being kicked in the head by a horse
can be rather unpleasant of course.
My father lay stunned for a time
and for three days thereafter was blind.
He was lucky the horse was unshod
or he might have been punted to God.
As it was he spent three days abed
while his mom worked her beads in his stead.
On the third day he rose as before
with the  injury that kept him from war.
His impaired vision a fortunate curse
Time spend on the Somme would be worse.

The old church lay in ruins, left to languish in time.
He was sitting on the grave talking to Sergeant R Johnston.
Well, I suppose you want an update on the war.
Let me see now, where do I begin.
Monday 0500 hrs, Pete was the first to moan, ******* hate early mornings.
Well, you would stay up all night playing cards.
Yeah, well just you remember that’s two million quid you owe me.
You better watch my back then, don’t hesitate to take a bullet for me, and for fucksakes if you’re throwing grenades about, don’t forget, it’s not the pin you throw, it’s the grenade.
*******, I got over excited.
The attack was sudden, Tony got hit, we were lucky, the ambush was poorly planned, we killed five before they ran.
Back at camp, I was starving, full English was a must, pass the sauce old chap, is that this months ******* you're reading, just love reading the stories.
Yeah right.
Just last week I was reading about this woman who made love to an onion, brought tears to my eyes, do you know her life unravelled in front of her.
You’re full of ****, don’t get the pictures sticky.
News came in, Tony didn’t make it.
The trip to the ******* tent seemed less appealing now.
Kit check, clean rifle, count bullets, kit check, clean rifle, count bullets.
Letter from home, Mary and John are getting married, Mary.
I’ve to see that shrink, what do I say to him.
Tell him you want to unburden yourself, so we’ll call it quits on the money I owe you.
*******, I’ll warm him up for you.
Half an hour later.
******* ******, said my brain was like an onion.
He did, did he, the ***** *******, I was wondering where that magazine went.
You better go see him.
Come in, I’m Dr Massey, I’m going to have an informal chat with you, sort of get to know you, anything you want to ask me.
Your fly is open.
So sorry, right lets get started, you’ve been involved in a lot of the fighting recently, talk me through it.
Let me see, we’re heading out of camp, now I always check the lunch menu before we go, it’s fish, simple dish, not to long on the hot plate, splash of lemon, great. We’re at a standoff, so I say to Pete, toss a grenade at them, guy's a genius with a grenade, can throw it for miles.
Though for some reason he’s mixed up the procedure, the grenade ends up killing the livestock, the enemy see this as an insult and go bonkers.
Then just as things couldn’t get any worse, I get back to camp to find the chefs burnt the fish, I mean, how the hell can you burn fish.
Right, this is interesting, go on.
Next day we’re heading out, steak’s on the menu, now I like my steak well done, so I was looking forward to lunch. Quiet morning, get back to camp, the idiot’s used a flamethrower on the steaks, swear to god he’s the real enemy.
Can i ask you, when you’re on home leave, do you get flashbacks, and if so, how do you deal with them.
I usually discuss everything with Sergeant Johnston.
Right, this is good, he’s been through this himself.
Oh yes, amazing man, do you know he survived the Somme only to be killed a year later in a mining accident.
Okay, wind back a bit, you talk to Sergeant Johnston who is actually dead, does he talk back you.
Come on doc, he’s like the chefs best effort at cooking, dead.
Okay that was quite interesting, what’s on the menu today.
Lasagne.
Is that good.
If you want to die, yes, better off reading a magazine.
Do you read a lot.
Yes I was reading this magazine on the workings of the human body, right up your street doc, but I seem to have misplaced it.
Well I hope you find it.
So do I doc, it will be a definite relief.