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"showgirl" poems
lost in a maze of gazes; lured to the pool by the sound; Sondheim sung badly in a nasal twang; cught in her lace negligee one more time; we give the old women the benefit of the doubtful proposition;  if       granny wants to get tied to on the bedpost  -  yet again;    the gallant refrain from that old song is remade the kpop way & tuned in to the drag subculture;  everyone u know; the prostitution used to be better; maybe there were once better prostitutes,  what I can see is unpleasantly stink eyed; hos used to have class before they could switch genders back & forth; that's some millennial ****   the first celebrity I ever became aware of was Christine Jorgensen, from the newspaper story about a man who had surgery to turn himself into a woman; a patently impossible task; in the picture in the newspaper he had on a bouffant wig & big sequin *****  working as a showgirl in Vegas in its heyday, so she was already well-known; I always thought that bit of trivial information would come in handy one day: never did
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Aug 12, 2018
Aug 12, 2018 at 7:22 PM UTC
ode on my Amish fembot
Back in upstate New York she was a girl with stars in her eyes She hopped a freight out westward And tried Vegas on for size Off strip hotels, little shows Young Delores danced with glee She was working in Las Vegas the home of Jubilee "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" Twenty years upon the strip Wearing fruit baskets on her head Delores was a showgirl Even though the shows were dead She danced backup for lounge singers She was with Wayne Newton for a while She still had all the attributes That made the tourists smile "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" Time went by as it always does Her body said "No more" Dancing in the big time shows Had made her body sore Options down in Vegas For ex-showgirls were not good But she wasn't going east again Even though folks said she should "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" She didn't have the hands for dealing The casino was her second home But, she didn't want to waitress She was just too old to roam But in Vegas, there's a sub trade One she had the smile for She could still work in the casinos And help get people through the door "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" Selling timeshares to the folks Who come in all the time They could get free shows and dinners And it wouldn't cost a dime Delores was still a show girl But, it was not the same by far But, she was still selling in Vegas And Delores was still a star "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal"...
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Feb 6, 2013
Feb 6, 2013 at 7:15 PM UTC
"Do You Have a Minute?"
Back in upstate New York she was a girl with stars in her eyes She hopped a freight out westward And tried Vegas on for size Off strip hotels, little shows Young Delores danced with glee She was working in Las Vegas the home of Jubilee "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" Twenty years upon the strip Wearing fruit baskets on her head Delores was a showgirl Even though the shows were dead She danced backup for lounge singers She was with Wayne Newton for a while She still had all the attributes That made the tourists smile "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" Time went by as it always does Her body said "No more" Dancing in the big time shows Had made her body sore Options down in Vegas For ex-showgirls were not good But she wasn't going east again Even though folks said she should "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" She didn't have the hands for dealing The casino was her second home But, she didn't want to waitress She was just too old to roam But in Vegas, there's a sub trade One she had the smile for She could still work in the casinos And help get people through the door "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal" Selling timeshares to the folks Who come in all the time They could get free shows and dinners And it wouldn't cost a dime Delores was still a show girl But, it was not the same by far But, she was still selling in Vegas And Delores was still a star "Do you have a minute folks?' "Do you need tickets for a show?" "Will you be in town tonight?" "There's a place you need to go" "Will you be in town tomorrow?" "We could send you for a meal" "You just have to see our condo's" "It's a real fantastic deal"...
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Does the makeup hide the tears Painted faces masking fears But underneath all the glitter She has a heart of gold Mornings serving coffee In the street corner café Nights she's there again Turning tricks for extra pay And can you see behind the costume See the light within her eyes Her home lies dark and vacant She's leading double lives Just a small town woman Struggling to sustain Just a casual showgirl 'Till the morning sun rises again
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Aug 27, 2012
Aug 27, 2012 at 10:09 PM UTC
Casual Showgirl
his baby blue buick and ten gallon cowboy hat made him the lonesome rodeo star of Nantucket beach but it was when he would sit by the Charles River and play his banjo for all the kind folk walking in the summer sunshine hand in hand walking neath the sycamores and laughin sweet and free that boy really shone true and beautiful his played that banjo like it was part of his soul it played him like it was alive together they made such a lonesome sweet sound that'd chill the hardest heart he would sing till the summer moon had run its trail chased by the stars in innocent game he sang of the girl who had stole his heart gone to Vegas or some such to be a showgirl and live the bright lights and cheers he sang of his mamma who cried for her wayward boy he sang for the pretty girls sunning themselves there by the banks of the Charles River sweet sweet songs carefree and lovin as he should be he's there still if you listen real close to that gentle stirring sound of the trees in summer breeze you can hear him sing you a sweet song just to see you smile
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Feb 8, 2014
Feb 8, 2014 at 2:06 PM UTC
Charles River cowboy
Yesterday I lost a poem. It took me hours to write. So,has anyone seen a poem? I titled it Aurora Borealis. It was brief and beautiful, Well written and insightful. The poem was immaculate Done in tribute to nature. This is very weird I know, Because it's never been done? So pardon my action, Result of my frustration. So,if you see a green light, Cocooned in ghostly neon, Bordered in a frosty white dress, Flash dancing across the sky, Do have me informed at once. Or sit back,watch and be amazed. For those who need to know, Aurora is like nature's showgirl. Some call her the Northern light. She appears when it's chilly cold, When the night is quiet and starry, She comes out like a luminous ghost. IB-Poetry© 20/12/2018
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Dec 21, 2018
Dec 21, 2018 at 1:52 AM UTC
Have You Seen Aurora?
My average means I don’t have to take final exams. So my bachelor's degree is a finished product. I cranked it out, all that’s left now is the walk (May 18th). Let’s call it my nearly forgotten masterpiece. My schedule says that I start a 1-year ‘master of public health’ degree in 38 days. It was my mom’s idea. She said, “You need to keep active” (pre- med-school). It sounds crazier to me now than it did last year, when I was accepted and agreed. Now, I feel like some chary, aging showgirl who’s about to be hustled back on-stage. But what’s life without massive compromise? Anyway, don’t cry for me. I’m still sizing it all up, I’ll figure it out. I suppose we’re all out there hustling. It’s our response to slowing med-school admissions, those glitches in the medical, industrial education complex or that’s how the narrative’s shaped, anyway. It’s not the additional work that bothers me, I’m regular worker bee, It’s the perma-threat of loneliness. I’m already packing. Leaving feels real and I'm surfing this maudlin wave tonight—shading deep blue. The simple march of time will take away friends I’ve grown to love. We’ve allegorised and transformed one another by proximity. I’ve really loved it here. . . Songs for this: Graduation (Friends Forever) by Vitamin C Graduation Day by Tony Rivers & The Castaways
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Apr 21, 2025
Apr 21, 2025 at 8:01 AM UTC
masterpieces
I am your showgirl, the pretty one with a sleigh-bell laugh, whom spoke only when spoken to. I am your accessory, arms around my waist, to add to an image already destroyed by reputation. I am the prize, the trophy, the girl you have touched and the one you have kept. I am your girl you rung the morning after, your selfish pleasure, the first call when you're in need of satisfaction. I am your object, your porcelain doll with moon-shaped eyes, you keep in a cabinet for all to admire. As not only was i beautiful in your eyes, but also possessed a public attraction worth using for yourself.
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Dec 20, 2012
Dec 20, 2012 at 8:58 PM UTC
Showgirl.
The Life of a Showgirl Glitter is just dust that learned to beg for attention. The crowd loves the fire, not the girl breathing the smoke. I’ve bled in gowns worth more than rent. Showgirls don’t sleep, we just step out of view. I bow so low the room flips upside down and think about staying there. The house always wins when the house is me. Every encore’s just a prettier cage. Applause is hunger wearing perfume. I’ve been feeding it my spine for years. Every standing ovation is an autopsy report— cause of death: she was too good at her job. I learned to stand still so the aim would be easier. The dress is breathtaking, and I can’t breathe. The pearls bruise softer in summer. By fall, they know my throat’s shape. By winter, I forget I can take them off. The life of a showgirl is knowing the curtain call and the execution order sound exactly the same. And I bow until the curtain closes, and I’m gone- even I’m not sure where I go.
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Aug 15, 2025
Aug 15, 2025 at 3:05 PM UTC
The Life of a Showgirl
it's called falling in love but it's more like the sudden stop at the bottom the organ-jarring slam into frigid water turned concrete turned freeway leading to the purest pain and immaculate agony of vulnerable viscera and exhumed faith and aren't i still a believer when i spout blasphemy like gagging bile choking out your breath erudite acidity of alacrity from verbose confession and didn't you warn me of your limited vocabulary when words have always been my companion how can you take their place if you've never wrestled an angel like Jacob to steal a word from beyond this holy of holies grasping and groping mute in darkness still wet behind the ears i still don't have the words to quell your fear of that one that lingers on the tip of my tongue threatening to jump out and betray my cover but you always see right through me surgically slicing to the heart of the matter how is it not written all over my face when i've tattooed it across the back of my eyelids so i never can escape your face who needs a sun when in my core you've ignited my own fission reactor whose critical mass is a capacity to love and be loved that you found splattered on a highway emotional roadkill carrion long left to rot in the baking sun but who else would feed the raven? the loneliness that gnaws at me persistently he'll never love you like that like a three day weekend and i'll never be like them changing costumes more than a washed up Vegas showgirl as used as my bones and as looked at as my naked body people don't change though you'll never admit it until there is already spaghetti on the wall a broken dinner plate and a shatter that reverberates into my past and future they're all the same after all but i think if i hadn't met you if i hadn't loved you i'd never know the weight of four letters to grind me to dust.
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Nov 27, 2015
Nov 27, 2015 at 1:45 PM UTC
Untitled
it's called falling in love but it's more like the sudden stop at the bottom the organ-jarring slam into frigid water turned concrete turned freeway leading to the purest pain and immaculate agony of vulnerable viscera and exhumed faith and aren't i still a believer when i spout blasphemy like gagging bile choking out your breath erudite acidity of alacrity from verbose confession and didn't you warn me of your limited vocabulary when words have always been my companion how can you take their place if you've never wrestled an angel like Jacob to steal a word from beyond this holy of holies grasping and groping mute in darkness still wet behind the ears i still don't have the words to quell your fear of that one that lingers on the tip of my tongue threatening to jump out and betray my cover but you always see right through me surgically slicing to the heart of the matter how is it not written all over my face when i've tattooed it across the back of my eyelids so i never can escape your face who needs a sun when in my core you've ignited my own fission reactor whose critical mass is a capacity to love and be loved that you found splattered on a highway emotional roadkill carrion long left to rot in the baking sun but who else would feed the raven? the loneliness that gnaws at me persistently he'll never love you like that like a three day weekend and i'll never be like them changing costumes more than a washed up Vegas showgirl as used as my bones and as looked at as my naked body people don't change though you'll never admit it until there is already spaghetti on the wall a broken dinner plate and a shatter that reverberates into my past and future they're all the same after all but i think if i hadn't met you if i hadn't loved you i'd never know the weight of four letters to grind me to dust.
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I'd like to think I'm cold and calculating and unwavering, sometimes I'd wished I was like the people who hurt me, always looking for the next, never understanding or having to retravel the damp, crushed paths of destruction that leaked from the soles of their shoes, never caring to turn and see the thick, salty metal smoke choking it's way through the light. But, I am a lover. A dreamer of only the most sweet, silver realities, realities that are, to most, wildest dreams. I write letters and excerpts, often to people I've never met, often in the position of who I dream to become, often like a madwoman. It terrifies me, how I so often go limp and dazzled by men like gods, on covers, who's voices lull my aching showgirl heart into an almost always fitful sleep, but that I can't get over ever, and I know he'll love me too one day, crying out my name in his virile, fiery tone, to the screeching excitement of electric guitars. Do you let yourself give in to your insanities? Can you claim them for your own, dance with them, let them burst free into your every other area of normalcy? I do, I can, I always have. I am the girl turning the corner, the flashing, fleeing green and red lights in the sky, the faint sound of applause you know is coming from somewhere where incredible things are happening. I've been the hate, and the sick, and the lust, I have hot blood and a heart, and they are pumping, always pumping.
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Jul 29, 2014
Jul 29, 2014 at 2:24 AM UTC
,
Tonight, the moon is dressed in lavender shadows, and rhinestone starlight. A showgirl dancing on a windowsill, she tempts a dreamer to shed inhibitions. There’s no yesterday or tomorrow at midnight. Luna’s wink through the curtain is a kiss without regrets.
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Aug 16, 2025
Aug 16, 2025 at 4:36 PM UTC
A Touch of Lavender
I mean no disrespect, understand; Larry Tate is a hell of a guy, But if you can’t wrangle up a showgirl or ****** on short notice, You have no business calling yourself an ad man. Likewise, the Stephens kid gets results (God only knows how he carries off Some of the last-minute miracles he pulls out of his *** But you gotta keep him away from the money clients; Too skittish, too much of a loose cannon.   No, every agency needs a core principle, A philosophy to anchor itself on; You remember the first big campaign we did? You call that a suit?  Mine’s an Irving Freibush. That was my baby, and let me tell you, I didn’t need a focus group Or some fifty-thousand dollar demographic study To figure out if the ******* desk The model was leaning against should be oak or cherry.   I knew it would work, Because I knew what every ad man (And preacher and politician, for that matter) Worth a **** knows as well as he knows his own name; That everyone, deep inside, feels they are not quite right, That they’re a little slow, a little shabby, A little less than their fellow man. We just (quietly, mind you) reinforce that notion a bit, And present them a shinier, newer band-aid. Anyway, the ads worked like gangbusters, And it always gave me the jollies that both Hef and Billy Graham Each had a closet full of those suits.   Look, what we do isn’t rocket science or parlor tricks, But a bunch of big black figures At the bottom line of the ledger book? Now that, boys and girls, is ******* magic.
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Jan 24, 2018
Jan 24, 2018 at 12:12 PM UTC
In Which The Founding Partner of McMann & Tate Weighs In On The Ad Game
I mean no disrespect, understand; Larry Tate is a hell of a guy, But if you can’t wrangle up a showgirl or ****** on short notice, You have no business calling yourself an ad man. Likewise, the Stephens kid gets results (God only knows how he carries off Some of the last-minute miracles he pulls out of his *** But you gotta keep him away from the money clients; Too skittish, too much of a loose cannon.   No, every agency needs a core principle, A philosophy to anchor itself on; You remember the first big campaign we did? You call that a suit?  Mine’s an Irving Freibush. That was my baby, and let me tell you, I didn’t need a focus group Or some fifty-thousand dollar demographic study To figure out if the ******* desk The model was leaning against should be oak or cherry.   I knew it would work, Because I knew what every ad man (And preacher and politician, for that matter) Worth a **** knows as well as he knows his own name; That everyone, deep inside, feels they are not quite right, That they’re a little slow, a little shabby, A little less than their fellow man. We just (quietly, mind you) reinforce that notion a bit, And present them a shinier, newer band-aid. Anyway, the ads worked like gangbusters, And it always gave me the jollies that both Hef and Billy Graham Each had a closet full of those suits.   Look, what we do isn’t rocket science or parlor tricks, But a bunch of big black figures At the bottom line of the ledger book? Now that, boys and girls, is ******* magic.
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