Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I

PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.

On a long journey across the night of an America
I drove into the desert landscape and beheld
Elvis and Morrison, Hendrix and Dylan
In a ditch to the side of the road, with trash bags in their hands.
They seemed to whistle while they worked,
But the notes just wafted into the night, not nearly fast enough to catch my speeding
Cadillac.

In the morning, I stopped into a diner
With my breakfast and coffee,
I saw a newspaper that was guaranteed by the Andy Warhol himself
to be one hundred percent truthful.
I didn't read it.  Had to get back on the road

The desert went on forever, and in the oil fields
I saw Jackson Pollack, standing by a gusher,
Wearing a cheshire grin.
I smiled back at him, secure in the knowledge that I would have enough gas to get
where I was going.

The announcer's voice blasted through my car's radio.
He said Poe had solved overpopulation,
and that Emerson, Thoreau, Uncle Walt and Miss Em
had got their hands ***** and fed the entire continent of Africa.
I shut him off and bore my eyes down on the asphalt ahead.

I passed a drive in theater on the left side of the road
and caught a glimpse of Scorsese accepting the Nobel Prize for Peace.
Someone told me later that he and DeNiro had stopped genocide.  
I politely nodded and got back in my car.  

Out there was America and I was going to find it.
Out there was industry and capital.
Out there was ingenuity and hard work.
Out there were my own bootstraps waiting for me to pull them up.
Out there was
America,  
and I was going to find it fast.

California Kids

I’ll call you up on Saturday
And invite you over.
Take the 101, 110 and 1;
(Sounds like an equation!)
And you’re there.
Just use your GPS..
There’ll be a party at my house,
Daft Punk playing on the Echo.
It’ll be epic, Echoic!
With some vintage’ tunes,
Crankin’ the Beach Boys,
Watching surfers
Shredding out-the-back,
Past prowling sharks in the shallows.
Lets go to the dunes and maybe kiss.
I know that you miss me,
So don’t ask me why
And when you come,
I won’t ask
“What are you doing here?”
We’ll eat fish tacos,
Guacamole, Pico de Gallo
And drink margaritas
While we debate French new wave,
I’ll praise Truffaut while you
Tell me that Scorsese is the man.
When we get drunk enough
I will suggest a walk
Along the iridescent surf.
You should say yes because
I’m safe now that I drive electric,
That I turned vegan
(sorry about the fish)
and wear cruelty-free clothes.
I don’t grill snapper anymore
And take my shoes off inside the door.
Maybe we’ll make it to Tower 28,
Lay down and watch the full moon
Like Jim Morrison did to write.
I’ll tell you I’m glad you’re alive—
I’m no poet, but you know that.

My brain is a factory,
producing every toxic part of me.
******* until my hand gets lazy,
fantasizing about Lexi Belle
and being Martin Scorsese.

My blood is a vacuum,
alone in a crowded room;
my white blood cells like to
travel to my *****,
so I can someday infect
designer uterine walls.

Locked and loaded,
my heart exploded.
The tissue and issues
attracted crocodiles
that swam from the mall,
for miles and miles.

Store-bought baby, my body isn't ready,
to be stripped down to the bone,
and sold to teenage radios,
that'll broadcast my American moans.

Caucasian nightmare:
my skin is not fair.
Peel enough off with chemicals,
until I decide there's no more,
and hide the layers in bathroom stalls,
located in the bleach of Baltimore.

I met an insomniac through a Craigslist post

Who alleged: She’d stolen > 2000 hearts

On subways/escalators/sidewalks – men turn to toast

(By her gorgon glance, she boasts, even testicles depart) .

How does one ensnare one fashioned of nails and sap?

By invisibility, mirrored shield, winged boots, curved sword?

The heart’s armor, thus arrayed, can easily entrap

This goddess, dreadlocked in her own umbilical cord.

But I do not stoop to conquer, but to please

This walking paradox, over-caffeinated, old soul

Intoxicated by words, music, auteurs (esp. Scorsese) ,

You’re my aurora, glowing green, in the north celestial pole.

Slacker, artist, writer, words have escaped you:

You lay breathless at the foot of your wandering Jew.

by Beryl Dov

Headmaster’s son
Skipped class
Entered theater
Life to Alter
Matinee show Shaheed
Worshipped Dilip Kumar
Like many before
Dreamt about Movies
Like a few followed up
Won Filmfare talent Contest
Frontier Mail to Bombay
Promised film stalled after start
Struggled even for a bit part
Anonymous in stature
Mononymous in Name
Debut in 1960
Finally part of filmdom
Small role
Mentor Arjun Hingorani
For a princely sum of fifty and a cup of tea
Still a novice
Women centric movies
Romantic lead in the Sixties
Meena Mala and Nutan
Supporting role with passion
Step by step rise
Salary raise
Accepted every role
Occupied was his goal
Villain to Jubilee Star
Filmfare Nomination
Sunil Dutt first choice
Destiny's voice
Phool Aur Patthar
Set on fire
Box office Register
Superstardom attained
Humility retained
First Action Star
Christened He Man
Shirt removed on Screen
Greek God looks
Women Swooned
Top ten lists
Most beautiful men
Ranked seven
Romance and Melodrama
Bollywood formula
Action film as chosen path
Rode the Lone road Superstardom under grasp
Looks Delivery and Fights
Made fans of Men &Women alike
Blockbusters galore
India's Superhero
Hit after hit
Audience explode
Cinemas full
Entry to Dress Circle
Needed a Miracle
Action and Drama
Tragedy and Comedy
Range of talent and skill
For one ticket fans would ****
All performed with ease
Endearing fans with range
Complete Superstar India’s Gain
Rajesh Khanna with Aradhana
Took the Nation by Storm
Adulation never seen
Sensation by definition
Costume Mannerism
Copied by every Indian
Every Star took a fall
Rajesh the magician
Stars faded into oblivion
Mass hysteria
Across India
First Superstar
Next 5 years none on par
Giants’ wayside
Stood his ground
Equal number hits
Second to none
Dedicated Fans
Built over a decade
Common man
Still wanted the He Man
Action and Adventure
Helped endure
Glorious career
Storm passed
Many faded
He never dated
He was fated
Test of time
Passed with Jubilees
No obstacle for water
Flows through all
Fridays proved
He’d never fall.
August 15 1975
Saw the release of Sholay
The greatest Indian film ever made
Said the Great Master Satyajit Ray
Top billed in the cast
One film showcased talent all
Action, Comedy, Drama
Cannot tell the Character and Actor apart
True quality of a genuine movie star
Many giants in the cast
He did help some get the part
Ensemble film
Even though the biggest star
Did not want to stand apart
Final product always in his heart.
70 mm Surround Sound
Entire country Theater bound
Never seen action sequence
Racing high the crowds pulse
Music Score by Burman
Records sold by the Million
Every dialogue known by heart
Salim Javed knew their craft
Ramesh Sippy knew to bring them all
Extremely well acted by the cast
Never will be another Sholay
Present future or past
Not to be seen but experienced
Its not a film but a phenomenon
Greatest Story ever told
Greatest cast ever assembled
Was the Tag Line
Global Indian Population
Viewership the film got
Not surpassed till now
Never will be
Every city town or village
Across the entire Country
Full house boards were not a mystery
Number of years it had its run
Till today box-office records undone
Yeh Dosti with Manna Dey and Kishore Kumar
Greatest  film Song picturised
Sizzling chemistry and male bonding
Friendship the central theme
Bullet with side car
Everyman’s. dream
Zanjeer with Amitabh Bachchan
Birth of the Angry young man
Indian Cinema never the same
Reached Pinnacle
Rode like a Colossus
One Man Industry
Steamrolled into one
Every Aspirant pushed
Donning Supporting Role
Every Reputed Writer, Banner and Director behind
Thirteen years
None had a career
Superstars became former
Stars to Supporting actors
Newcomers extinct
Old timers jaded
Galvanized Nation
Every release
Celebrations for fans
Faded festivals
Another Superstar
Bigger and Better
More popular than god
Elevated to one
Neither shaken or stirred
Matched Bachchan
With box-office Gangbusters
Hits became a habit
Fans and public
Yearning for more
Whatever the competition
Stood his ground
Megastar or Superstar
No dent to this Farmer
Paired with Hema Malini
Record Successive strikes
Result was Box office gold
Many a Phoenix
Flashed and Vanished
Shorter reign at the top
Never could topple him
From the moviegoers heart
Superstars became Supernovas
Younger generations
Had come to stay
Still stood in the fray
Never one to give way
Always had the final say
Held cash registers still in sway
Replaced Relegated
Never to be
Another name for longevity
Turn of the century
Completed 4 decades in the industry
60s 70s 80s 90s
Times changed
Many faded
Some retired
Contemporaries eased into character roles
Later lot fared similar
Star Sons made their mark
His sons did their part
Dawned the new century
Multiplex and wide releases
He never ceased to be a draw.
Man with a very big heart
Gave breaks to many a director and star
Never bitter Never insecure
Thanks people for making him a Superstar
Gratitude and love
His trump card
Became the Symbol of friendship
His Chemistry with Amitabh
Deep from the heart
Reciprocal in nature
Their oneness
Greatest gift of God
For the entire Country
Will be celebrated
For generations to come
Amitabh and his name
Always mentioned together
For every moviegoer
Till kingdom come
Till the universe remains
Etched in the hearts
Is his name forever
Can never be erased
That's true loves power
Men want to be him
Women want to be with him
Oldest cliché used for a star
Suits none better than this man from Punjab
60 years completed
From Meena to Mallika acted.
Done films with his son
Now with Grandson
There’s no one on par
Who's lasted so far
What can you say
About an Actor and Star
Captured a billion hearts
Transcended generations
In this delicate world of films
Who cannot be confined to any era
This timeless living legend
Is called Dharmendra.

While giving away the Cecil B Demille Lifetime Achievement Award to Martin Scorsese Robert De Niro famously said that Mr. Demille will be equally honored if he were to receive the Martin Scorsese award
Likewise Mr. Phalke would be equally delighted to receive the Dharmendra Award

I don't know where you are
But I remember where you were
When you first touched me
Not leaving a mark on my skin
But a tattoo on my brain
I don't think I'll ever forget
How I could sense you from a mile away
The way you would crawl into bed
How you held me in your sleep
Instead of dreaming
Because we never had to dream
Our dreams were reality
Our reality
Like a movie
Each day was like a different frame
Our life was seamless
A perfect blending of happiness
Not even Scorsese could direct
Words turned to actions
And questions turned into promises
In the forms of affection and in rings
And rolling the windows down in the car
Because you liked the way my hair looked in the gust
I remember everything
Every memory
Every touch
Like stains on a white blouse I will never get out
You stained my skin
You changed my whole being


I don't think I could ever deny what we had
What we could have
Or what we were
Though you hurt me in more ways than one
I don't think i will ever get that tattoo removed
Because I will never regret loving you
And I never want you off my mind

My chest crushed and any semblance of a man is gone, there is no turning back... what is done is done. Again and again, all the way through to what feels like infinity multiplied by infinity times a thousand! Yes I am a child, buried deep down in the well of my soul locked away forever, and right now I am kicking and screaming, directing self-pity like Scorsese!  My disease is killing me, more than just physically, it is mentally, spiritually, emotionally, and virtually everything that is me.

I’ve read
More than enough,
To write the definitive work
On Kerouac and Ginsberg
But my dissertation
Will always sit
As blank notebooks
An empty New Document file.

I’ve watched
more than enough
to know Scorsese shots
and Spielberg framing
to make my cinematic opus
but I've never taken action
From behind my camera.

The idea man without the action
Unshared,
Unused,
Thoughts
Never have
to answer
To built up potential

They stay safe
And empty.

Some disappointment in Pope Francis
Reactionary on the women
The old Catholic Church
Authoritarian, all male, decrepit, sick

So I watch Batman Begins
Listen to John Denver
Listen to Elle King
Reread Moby ****

My father attended a Jesuit college
My mother, however, did not
Martin Scorsese to Ryan
I Walk the Line to Scott

The United States needs Canada
God bless Marty Mcfly!
Y Mexico tambien
To teach us how to die

        Santa Rosa sky

            Ay! Ay! Ay!

Marty Scorsese says the task of the artist
Is to convince people to care about your obsessions.

                        - Bruce Springsteen