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"schubert" poems
I lay awake tonight, sleep departs from my weary soul. It might be the effect of the caffeine i took this afternoon.. Or the moon in it's full bloom. But i think it's something more. Something more alive. A reason with no explanation. I think... I think it's her... The way she walked elegantly towards me, holding the tray of my order.     *I saw flashes of the future; a bride of mine,walking down an aisle* the way her scent-a mixture of vanilla and rose-caught inside my lungs when she got so close..   it felt like every  breath i have is branded and exclusively for her the way she smiled and the way her voice sounded when she asked "do you need anything else?"     like the melody of a violin to the tune of Franz Schubert's Ave Maria So gentle and calm and warm And the way I was hypnotized or crazy enough to respond...   You . I need you in my life . Will you marry me .
0
Jun 18, 2015
Jun 18, 2015 at 9:23 PM UTC
Fool Moon
I like hearing you talk about Mozart Because it means you’re listening. His piano keys are no different from mine. I like hearing you talk about Mozart. I used to play his pieces before I sleep. His arpeggio is my lullaby; His laughter, a sombre tune to which I tune My keys. There’s no denying that you like Mozart; Never mind his spending habit. I sometimes think you are Mozart. I think Beethoven was fad gone true because He was deaf to his laughter, And Schubert was too old, too young to remember How to step on the pedals While he tried his many operas On his baby grand piano. I think of Mozart in my sleep, in my dreams, On the toilet, while eating. I think of Mozart and his young son And the requiem he stood dying to finish. Mozart became a One night stand, and I am not proud of that. I majored in advertising, God knows why, and maybe Mozart had something to do with that. I factored one and two equals the sign of what digit, And maybe Mozart had something to do with that. I wrote a story once, About a starving artist; Maybe he was the force behind that. I filled my library with fiction, And fiction became a running schedule for me. Maybe Mozart had something to do with that. I’ve grown roots and sprouted horns listening to Bach; I don’t think Mozart knew that. But it was the size of the shoe that never fit me in third grade, And the roots run as deep as a well of Hope grown asunder. I knew Mozart would not like that. And it was holy. We are holy. He was holy. Mozart was holy. Mozart was holy. Mozart was holier than a cow gunned for meat turned to steak And corned beef on my breakfast sandwich. Mozart was holier than a dishwashing paste advertisement That promises oil free, squeaky clean Experience. Mozart was more than a religious façade played in the sala Of some affluent geeky teenager’s house Where no one bothers to eat the garnishing. Mozart was holier than Bach, Chopin, Stravinsky, Wagner. His flute promised a princess to remain priceless. Mozart was holier than Salieri. Mozart knew better than Salieri. Mozart played better than Salieri, And he got the better of Salieri when Antonio himself said, **** that Austrian ****** who plays, lives and howls like a show monkey. **** this court. **** this Emperor who can hardly keep together his fingers to play. **** Austria. **** Vienna. **** this era of opera played in German that hardly sells a ticket. **** this requiem and this boy, This mad man, pint sized and hardly put together like a china doll. **** this piano, and to hell with his lovers.” I saw Mozart once. He waved at me. I turned and looked away because I was listening to you talk about Mozart. And I like hearing you talk about Mozart Than Mozart talking about Himself.
0
Apr 20, 2012
Apr 20, 2012 at 6:46 PM UTC
I Like Hearing You Talk About Mozart
I like hearing you talk about Mozart Because it means you’re listening. His piano keys are no different from mine. I like hearing you talk about Mozart. I used to play his pieces before I sleep. His arpeggio is my lullaby; His laughter, a sombre tune to which I tune My keys. There’s no denying that you like Mozart; Never mind his spending habit. I sometimes think you are Mozart. I think Beethoven was fad gone true because He was deaf to his laughter, And Schubert was too old, too young to remember How to step on the pedals While he tried his many operas On his baby grand piano. I think of Mozart in my sleep, in my dreams, On the toilet, while eating. I think of Mozart and his young son And the requiem he stood dying to finish. Mozart became a One night stand, and I am not proud of that. I majored in advertising, God knows why, and maybe Mozart had something to do with that. I factored one and two equals the sign of what digit, And maybe Mozart had something to do with that. I wrote a story once, About a starving artist; Maybe he was the force behind that. I filled my library with fiction, And fiction became a running schedule for me. Maybe Mozart had something to do with that. I’ve grown roots and sprouted horns listening to Bach; I don’t think Mozart knew that. But it was the size of the shoe that never fit me in third grade, And the roots run as deep as a well of Hope grown asunder. I knew Mozart would not like that. And it was holy. We are holy. He was holy. Mozart was holy. Mozart was holy. Mozart was holier than a cow gunned for meat turned to steak And corned beef on my breakfast sandwich. Mozart was holier than a dishwashing paste advertisement That promises oil free, squeaky clean Experience. Mozart was more than a religious façade played in the sala Of some affluent geeky teenager’s house Where no one bothers to eat the garnishing. Mozart was holier than Bach, Chopin, Stravinsky, Wagner. His flute promised a princess to remain priceless. Mozart was holier than Salieri. Mozart knew better than Salieri. Mozart played better than Salieri, And he got the better of Salieri when Antonio himself said, **** that Austrian ****** who plays, lives and howls like a show monkey. **** this court. **** this Emperor who can hardly keep together his fingers to play. **** Austria. **** Vienna. **** this era of opera played in German that hardly sells a ticket. **** this requiem and this boy, This mad man, pint sized and hardly put together like a china doll. **** this piano, and to hell with his lovers.” I saw Mozart once. He waved at me. I turned and looked away because I was listening to you talk about Mozart. And I like hearing you talk about Mozart Than Mozart talking about Himself.
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69
.*i can think of one cool job... a nighttime DJ on a radio station... anything more cool than being a DJ between the hours 12am through to 5am? honestly... can't think of a cooler job... all the song requests are gone from the classical.fm show between 3pm and 5pm... now one is telling you what to do... **** me... as a kid... either a veterinarian, or an owner of a music shop... now? an insomniac DJ... they would never play Christopher Young's Something to Think About in the afternoon... sorry... i'm a Hellraiser cult-follower of the first two movies... and that song? why? i just can't be bothered with listening to that Braveheart over-scratched Song of / for a Princess... it's good... once in a while... but, come, on!* just one of those nights... having listened to the scoops from the alternative... worried your to hell about not having ******* enough concerning the previous day's load which would make the pleasures of **** *** look tame... perched on a windowsill - solving a sudoku -    and listening to Frank Zappa's occam's razor... and wishing:   making sure it was never hot in the city by Billy Idol, or Kiss' crazy nights to usher in the night,           and the watchman... why?    it's not your standard guitar solo... it's a medley...     big difference... guitar solos are bound to a strict return to the rhythm section...    they are caged beasts... composed of a restricted time constrain in a song... but a guitar medley? **** me...      it's what obliterates a need for vocals...    the guitar medley is the vocals substitute...              and that aspect of music? mm... gummy bears... jelly in the knees...            which is why i like the fact that jazz is the antithesis of classical music symphony... sure... i get the Schubert / Schumann piano duets...    nice...          but jazz? the breakdown of the quintet? **** let me count... piano, drums...         bass... horn... sax... yep, a quintet...           that moment in a jazz song? where each instrument player gets his solo? genius!             the same with a guitar medley... neither solo,   nor the rhythm section... what a beautiful opening to what i expect to be, a beautiful night:    as the watchman once said.
0
Aug 22, 2018
Aug 22, 2018 at 6:34 PM UTC
ZAPPAH!
.*i can think of one cool job... a nighttime DJ on a radio station... anything more cool than being a DJ between the hours 12am through to 5am? honestly... can't think of a cooler job... all the song requests are gone from the classical.fm show between 3pm and 5pm... now one is telling you what to do... **** me... as a kid... either a veterinarian, or an owner of a music shop... now? an insomniac DJ... they would never play Christopher Young's Something to Think About in the afternoon... sorry... i'm a Hellraiser cult-follower of the first two movies... and that song? why? i just can't be bothered with listening to that Braveheart over-scratched Song of / for a Princess... it's good... once in a while... but, come, on!* just one of those nights... having listened to the scoops from the alternative... worried your to hell about not having ******* enough concerning the previous day's load which would make the pleasures of **** *** look tame... perched on a windowsill - solving a sudoku -    and listening to Frank Zappa's occam's razor... and wishing:   making sure it was never hot in the city by Billy Idol, or Kiss' crazy nights to usher in the night,           and the watchman... why?    it's not your standard guitar solo... it's a medley...     big difference... guitar solos are bound to a strict return to the rhythm section...    they are caged beasts... composed of a restricted time constrain in a song... but a guitar medley? **** me...      it's what obliterates a need for vocals...    the guitar medley is the vocals substitute...              and that aspect of music? mm... gummy bears... jelly in the knees...            which is why i like the fact that jazz is the antithesis of classical music symphony... sure... i get the Schubert / Schumann piano duets...    nice...          but jazz? the breakdown of the quintet? **** let me count... piano, drums...         bass... horn... sax... yep, a quintet...           that moment in a jazz song? where each instrument player gets his solo? genius!             the same with a guitar medley... neither solo,   nor the rhythm section... what a beautiful opening to what i expect to be, a beautiful night:    as the watchman once said.
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64
Mother listens while I play Schubert on the piano, said Yochana, my fingers travel the keyboard from memory. Not so fast, she says, it slows at this passage. I slow down, and think of Benedict, that time he kissed me on the cheek on the playing field, and the time he watched me play the piano in the classroom, his breath on my neck, his hands on my waist. Softer here, my mother says; I press the keys softer; I sense her eyes on me as she sits in the armchair as I play. And the weekend he stayed here in our guestroom, and I crept along to the room and climbed into the bed with him. My mother never knew nor suspected. I come to the end and lift my hands away and cease to play.
0
Jul 31, 2018
Jul 31, 2018 at 2:41 AM UTC
While Yochana Played 1962
Beethoven's Ninth; Mozart's Thirty-Eighth; What do they lack Artistically speaking? They lack the music of the buttocks, The celestial odourous **** Which charmeth all who hear it. Although admittedly Schubert Left an unfinished movement On the floor near his piano And the whiff was something horrid.
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Jan 12, 2015
Jan 12, 2015 at 10:03 AM UTC
Buttock Music
As she plays the Schubert piano piece Yochana thinks on Benedict even as her mother stands behind her listening to her every note Benedict's image fills her mind the kiss still feels damp upon her lips and cheek and as she fingers the Schubert she senses her fingers wanting to finger him her mother says you missed a note you are not focusing Yochana pauses her fingers over the keyboard of black and white senses her mother's breath upon her neck her mother's fingers tapping her shoulder and even as she begins to play again it's Benedict whom she thinks on and his eyes she sees in the reflection of the piano wood it must flow her mother says let Schubert speak but Benedict's fingers on her back as he held her close are all she feels as she moves to the music's pulse on the piano stool and as her mother's breath floats upon her neck it's his breath she imagines is there and she and he not there at the piano but closer elsewhere.
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Jun 28, 2015
Jun 28, 2015 at 2:45 AM UTC
SCHUBERT OR BENEDICT 1962.
Pale leaves fall silently in the dead of winter I realise I have lived far too long I was once a bold and outgoing singer but no longer has life left me any single song- in the night's thickest snow I wander the heartless winds they blow loud and strong tears of forlorn love on icy rocks they flounder in this chilling hour I weep, to none do I belong
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Nov 3, 2021
Nov 3, 2021 at 1:40 AM UTC
After Schubert's 'Winterreise'
Do not treat me like a princess Though I enjoy the pretty things in life And the joys that money can buy I know that there is always a price to be paid Do not treat me like a princess I may read and write poetry in the morning With Schubert playing in the background But let me have a moment with my Scream Queens Do not treat me like a princess You may love me and think I am perfect With all the grace and beauty in the world But to love is to understand that perfection is a façade And the truest love of all Is when you love me Without my perfection
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Dec 21, 2016
Dec 21, 2016 at 11:27 AM UTC
Do Not Treat Me Like A Princess
Gira la negra, gira la luna, gira la negra luna, sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -¡Bah! ¡Canciones! Y músicas abstractas...! Y, lo que canta, es la Música Viva! Oye el Viaje de Invierno, de Franz Schubert, y el Rey de los Alisos, y El Doble y Ganímedes y Ante el mar, y de Schumann, Amores de un poeta, y de Dupare, Invitación al viaje y La vida anterior..., y de Chopín, Preludios y Nocturnos: tú, soñador romántico; tú, doliente elegíaco. Oye la voz serena, la voz profunda oye de Bach -añosa encina, inmensurable selva, órgano él mismo y templo de la harmonía-: tú, sereno y profundo. Y de Mozart el diáfano y sortílego, y de Haydn y Franck, la cortesana y la mística voz, inconfundibles, tú, gustador de lo pulcro y etéreo. Los Cánticos y Danzas de la Muerte, y Sin sol, de Musorgski, tú, angustiado, febril, hiperestésico; y Borís Godunov, Borís Godunov, oye, (bárbara gesta, miedo, sangre, lujuria y fausto) tú, Sátrapa en los sueños... Y, catador sutil de quintaesencias, gusta la mediatinta debussyana, pesquisidora de inusados timbres y lontanos acordes, 1 en un dorado ambiente de calígine. Y, borracho de lumbres y colores, Óye, de Rímski, Antar y Xeherazada y el Gallo de oro -vértigo y lascivia-: mas, si de ritmos ebrio, tú, frenético danzarín, danza todas las furias de Stravínski -del sabio y del bufón mezcladas dósis-: fino humor ricos timbres, forma clara 2 (sobria, o en concertado cataclismo). Y oye, en la noche, y en Tristán e Iseo, la voz vigía de Brangane, plena de lo fatal, o el corno quejumbroso; si no los Funerales de Sigfrido; o el Tránsito al Valhalla, milagroso tumulto. Y tú, plasmado en bronce, los vastos himnos oye, óye las soberanas sinfonías con que la voz del Sordo el orbe nutre! Las acendradas síntesis: sonatas y quátuors, insólito prodigio, filtros puros: la Misa en re, misterio panteísta, denso peán a la Naturaleza! Y el trágico clangor de Coriolano...: oye la voz del Indomado Prometeo, oye la voz del Sordo, oye la voz del Sordo! Gira la negra luna, gira sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -Bah! Ficciones! Y músicas abstractas...! Y, lo que canta, es la Música Misma!
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1.6k
Suite de la luna negra
Gira la negra, gira la luna, gira la negra luna, sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -¡Bah! ¡Canciones! Y músicas abstractas...! Y, lo que canta, es la Música Viva! Oye el Viaje de Invierno, de Franz Schubert, y el Rey de los Alisos, y El Doble y Ganímedes y Ante el mar, y de Schumann, Amores de un poeta, y de Dupare, Invitación al viaje y La vida anterior..., y de Chopín, Preludios y Nocturnos: tú, soñador romántico; tú, doliente elegíaco. Oye la voz serena, la voz profunda oye de Bach -añosa encina, inmensurable selva, órgano él mismo y templo de la harmonía-: tú, sereno y profundo. Y de Mozart el diáfano y sortílego, y de Haydn y Franck, la cortesana y la mística voz, inconfundibles, tú, gustador de lo pulcro y etéreo. Los Cánticos y Danzas de la Muerte, y Sin sol, de Musorgski, tú, angustiado, febril, hiperestésico; y Borís Godunov, Borís Godunov, oye, (bárbara gesta, miedo, sangre, lujuria y fausto) tú, Sátrapa en los sueños... Y, catador sutil de quintaesencias, gusta la mediatinta debussyana, pesquisidora de inusados timbres y lontanos acordes, 1 en un dorado ambiente de calígine. Y, borracho de lumbres y colores, Óye, de Rímski, Antar y Xeherazada y el Gallo de oro -vértigo y lascivia-: mas, si de ritmos ebrio, tú, frenético danzarín, danza todas las furias de Stravínski -del sabio y del bufón mezcladas dósis-: fino humor ricos timbres, forma clara 2 (sobria, o en concertado cataclismo). Y oye, en la noche, y en Tristán e Iseo, la voz vigía de Brangane, plena de lo fatal, o el corno quejumbroso; si no los Funerales de Sigfrido; o el Tránsito al Valhalla, milagroso tumulto. Y tú, plasmado en bronce, los vastos himnos oye, óye las soberanas sinfonías con que la voz del Sordo el orbe nutre! Las acendradas síntesis: sonatas y quátuors, insólito prodigio, filtros puros: la Misa en re, misterio panteísta, denso peán a la Naturaleza! Y el trágico clangor de Coriolano...: oye la voz del Indomado Prometeo, oye la voz del Sordo, oye la voz del Sordo! Gira la negra luna, gira sobre sí propia, gira la negra luna de ebonita, gira la negra luna de ebonita -sobre sí propia- y canta: -Bah! Ficciones! Y músicas abstractas...! Y, lo que canta, es la Música Misma!
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78
My love knows no Louis Vuitton  or Cartier she doesn't belong to the city she lives in a farm with her parents and siblings in the faraway country. My love thinks not of manicures her hands are busy in the soil the flowers and plants relish their tender touch from dawn to dusk she does toil My love didn't go to uni but she knows Keats, Byron and Shelley even French, German and Russian poetry lots of Sartre and Camus--she takes delight in philosophy. My love is no Maria Callas nor Joan Sutherland but beautifully she sings Schubert's lieder opera and folk songs she takes delight in like none other My love never had music lessons how she excels on the piano she plays Mozart, Beethoven and Bach by ear at the music-hall the villagers love her as she plays solo I am the son of old John Mac Gregor her next-door neighbour I  went to school never too shy to date her Dad and mum said learn to write poetry send her a sweet love poem if she likes it, she will marry you---happily!
0
Oct 7, 2015
Oct 7, 2015 at 9:24 PM UTC
LOVE, WITH A RURAL FLAVOUR
Benny's the new boy in class he sits at the back with some kid called Rennie while the teacher Miss G yaks on about Schubert or some feller putting on some LP as they sit and put on interested faces the girl who smiled at him on the school bus is there looking over at him beaming like a new sun her eyes bright as fresh stars he looks at her briefly then looks away storing her eyes for some other day.
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Jun 23, 2015
Jun 23, 2015 at 3:21 PM UTC
NEW SCHOOL 1962
Miss Schinzer do not undress they said but she did and so they locked her in the side room alone and she heard the key turn in the lock and that was that she heard them walk away along the passage heard the footsteps getting soft and softer then silence the silence of that abbey she went to some years back as a child and the nun with her beady eyes said here one must absorb the silence here silence is our food and drink and she remembered the way the nun empathised the word silence the way her lips moulded the word as if it were brand new and not to be damaged or spoilt but that was then as a child before the voices began before the orders were laid out for her to obey do not undress Miss Schinzer they had said but her voices inside said undress take off garment by garment and as you do so think of Christ and how he was disrobed and hammered to the wood and she did hearing as she undressed the hammer on nails the jacket and then the blouse and then the brassiere and she felt the chill about her ******* how they stiffened she thought waiting to remove more cloth waiting for the voice to say undress more of the clothes and she recalled how Mr Dimpledone had said the same thing but she was a child then a girl in the choir but she didn’t ask why she just undressed and he just stared at her and said what are you doing child? but you said so she said no no he said gruffly be silent unless you want to leave the choir but she didn’t remember him saying that not then but couldn’t be sure and the voices said take off the lower garments and so she removed her skirt the black one the one that made her look like a nun she took it off and then removed her slip and underwear and sat on the floor quite bare remembering the hanging Christ the hands curled like ***** nailed to the cross beam his naked flesh the wounds the blood and she lay down flat and put out her arms forming a cross and her legs tight together one foot touching the other and over in the corner knitting and humming some Schubert her bossed eyed mother.
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Mar 15, 2013
Mar 15, 2013 at 8:39 AM UTC
DO NOT MISS SCHINZER.
Miss Schinzer do not undress they said but she did and so they locked her in the side room alone and she heard the key turn in the lock and that was that she heard them walk away along the passage heard the footsteps getting soft and softer then silence the silence of that abbey she went to some years back as a child and the nun with her beady eyes said here one must absorb the silence here silence is our food and drink and she remembered the way the nun empathised the word silence the way her lips moulded the word as if it were brand new and not to be damaged or spoilt but that was then as a child before the voices began before the orders were laid out for her to obey do not undress Miss Schinzer they had said but her voices inside said undress take off garment by garment and as you do so think of Christ and how he was disrobed and hammered to the wood and she did hearing as she undressed the hammer on nails the jacket and then the blouse and then the brassiere and she felt the chill about her ******* how they stiffened she thought waiting to remove more cloth waiting for the voice to say undress more of the clothes and she recalled how Mr Dimpledone had said the same thing but she was a child then a girl in the choir but she didn’t ask why she just undressed and he just stared at her and said what are you doing child? but you said so she said no no he said gruffly be silent unless you want to leave the choir but she didn’t remember him saying that not then but couldn’t be sure and the voices said take off the lower garments and so she removed her skirt the black one the one that made her look like a nun she took it off and then removed her slip and underwear and sat on the floor quite bare remembering the hanging Christ the hands curled like ***** nailed to the cross beam his naked flesh the wounds the blood and she lay down flat and put out her arms forming a cross and her legs tight together one foot touching the other and over in the corner knitting and humming some Schubert her bossed eyed mother.
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54
Jeanette flexed her fingers, aware her mother was sitting on the sofa, her critical eyes and ears alert, aware Benedict was also there, beside her mother, a guest, reluctantly of her mother. Play the Schubert you have been practising, her mother said. Jeanette stretched her fingers, feeling her mother's eyes were on her, her ears alert for notes missed, too fast or slow. She sat comfortably, placed her fingers over the keyboard, brought her mind to bare on the Schubert piece. Benedict sat and gazed at Jeanette's waist, the structure of her slim back, how her dark hair flowed over her shoulders. He didn't know Schubert from Mozart or if it was fast or slow. Jeanette began. Her fingers moved as the brain dictated. Her ears acute for tone and timbre. She wondered if Benedict was gazing at her. She imagined his breath on her neck as he had that time she played him the Beethoven piece in the empty classroom, his hands around her waist, and still she kept the piece going. Slower here, her mother said, the tone's slightly off. Benedict recalled the kiss on her neck in class that time. Lips on her soft skin, but still she played with eyes closed as if she prayed.
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Sep 20, 2018
Sep 20, 2018 at 4:29 PM UTC
As If She Prayed 1962
A bright full moon invites, midnight blue firmament is rich with starlight while a gentle sea breeze blows on this starry night, making stargazing such a delight... Twas a house in a quaint village, with a dimly lit gazebo, two shadows, two lovers' hearts are aglow ....... to Schubert's Serenade, they dance, embrace, like Romeo and Juliet their bodies, clinging so close, now turn to moving silhouettes... the night's romantic mood attunes with the weather... in the garden's hidden corners, further down, near the sea waters nameless couples coo at each other... , hoping for that promise of union waiting for its consummation... On     this           fascinating                          lovers'                                  night a captivating                      full                           moon                                   invites... alas.....             my                     cold                             empty                                       arms...                        ..............it           ......  does                         ... not                                  ... excite... ::::::::::::::::::::::::::::::::::::::::::::: ~~~~~~~~~~~~~~~~~~~~~~~~~~ Sally Copyright 2014 Rosalia Rosario A. Bayan
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May 28, 2014
May 28, 2014 at 9:08 AM UTC
Empty Arms
A bright full moon invites, midnight blue firmament is rich with starlight while a gentle sea breeze blows on this starry night, making stargazing such a delight... Twas a house in a quaint village, with a dimly lit gazebo, two shadows, two lovers' hearts are aglow ....... to Schubert's Serenade, they dance, embrace, like Romeo and Juliet their bodies, clinging so close, now turn to moving silhouettes... the night's romantic mood attunes with the weather... in the garden's hidden corners, further down, near the sea waters nameless couples coo at each other... , hoping for that promise of union waiting for its consummation... On     this           fascinating                          lovers'                                  night a captivating                      full                           moon                                   invites... alas.....             my                     cold                             empty                                       arms...                        ..............it           ......  does                         ... not                                  ... excite... ::::::::::::::::::::::::::::::::::::::::::::: ~~~~~~~~~~~~~~~~~~~~~~~~~~ Sally Copyright 2014 Rosalia Rosario A. Bayan
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38
~ ~ ~ ~ ~ When emerging from a dialogue, a communion.....with God, taking in all the good and bad we've poured, a reassuring calm rests upon us, through a peaceful silence...a lilt flows in every word and move...a smile graces all <<<~>>> In the midst of chi kung mornings all energies combine...no one speaks, a silence enfolds participants...a time to receive energy, and share...a time to be strengthened...to strengthen others <<<~>>> alone, by the deck of a ferryboat, with no bouts of mal de mer...a vista of the limitless horizon, and the flowing sea, mutes the human voice...gives way to quiet moments, to mull over things, and discover one's self......senses are made aware, by a mist of sea water, and a swooshing wind that brings a scent of salt ......a peaceful silence calms the soul <<<~>>> a moment comes, when cacophony heightens. drums, gongs, church bells and cell phones ringing, dominate the airs. in our own found silence, we listen closely...'til a pleasant beat finally waves...rhythm is found...and heard, until music is born....like a dream. tunes agree, there's nothing left to do but sing "la-di-das and la-la-las..." <<<~>>> late nights, before and beyond midnight when the night radio rhythmically plays a crescendo and diminuendo of snores, i seek for my muse that teases and hides, there's fun....in the silence of creation... <<<~>>> inspiration, suddenly becomes incipient, it resonates, at times, stubbornly torments, no sound could ever distract the flow. <<<~>>> Schubert's Serenade, or Beethoven's Silence can only enhance......not crumble, nor ruin the attempt to create......especially when silence is most eloquent.....i am rendered ..................impassioned <<<~>>> Sally © Rosalia Rosario A. Bayan September 3, 2018
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Sep 3, 2018
Sep 3, 2018 at 9:07 AM UTC
A Silence Most Eloquent
~ ~ ~ ~ ~ When emerging from a dialogue, a communion.....with God, taking in all the good and bad we've poured, a reassuring calm rests upon us, through a peaceful silence...a lilt flows in every word and move...a smile graces all <<<~>>> In the midst of chi kung mornings all energies combine...no one speaks, a silence enfolds participants...a time to receive energy, and share...a time to be strengthened...to strengthen others <<<~>>> alone, by the deck of a ferryboat, with no bouts of mal de mer...a vista of the limitless horizon, and the flowing sea, mutes the human voice...gives way to quiet moments, to mull over things, and discover one's self......senses are made aware, by a mist of sea water, and a swooshing wind that brings a scent of salt ......a peaceful silence calms the soul <<<~>>> a moment comes, when cacophony heightens. drums, gongs, church bells and cell phones ringing, dominate the airs. in our own found silence, we listen closely...'til a pleasant beat finally waves...rhythm is found...and heard, until music is born....like a dream. tunes agree, there's nothing left to do but sing "la-di-das and la-la-las..." <<<~>>> late nights, before and beyond midnight when the night radio rhythmically plays a crescendo and diminuendo of snores, i seek for my muse that teases and hides, there's fun....in the silence of creation... <<<~>>> inspiration, suddenly becomes incipient, it resonates, at times, stubbornly torments, no sound could ever distract the flow. <<<~>>> Schubert's Serenade, or Beethoven's Silence can only enhance......not crumble, nor ruin the attempt to create......especially when silence is most eloquent.....i am rendered ..................impassioned <<<~>>> Sally © Rosalia Rosario A. Bayan September 3, 2018
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55
I can tell- I could just tell You're hard to sum up, Difficult to describe Not how- Or who you are But the Feeling that night Like Spring after Rain or how April does Shine Dew Without Dust With the Air Thin and Fine I can just tell I could tell Your Grandeur of Love Reached Father then mine Further than most and Farther than mine Having no end Oh Laborious,  Infinite line In one glimpse at night I can just tell I am able to tell Our Dreams are alike Not the Same, I dare say- Congruent in Virtue Yet Unequal in Size Passion Far more Your words Jump Alive I can just tell I can tell- Aspirations Larger With beliefs Similar to Mine Our goals Compliment Now, our Journeys align If only we had spoke We would Forever be Entwine I can just tell
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Feb 7, 2011
Feb 7, 2011 at 7:43 PM UTC
Schubert Plays Softly
Sol espledente de primavera, a cuyo beso, fresca y lozana, la flor se yergue, la mariposa viola el capullo, la yema estalla; sol espledente de primavera: ¡yo te aborrezco! porque desgarras las brumas leves, que me circundan como rizado crespón de plata.   A mí me gustan las tardes grises, las melancolías, las heladas, en que las rosas tiemblan de frío, en que los cierzos gimiendo pasan, en que las aves, entre las hojas, el pico esconden bajo del ala.   A mí me gustan esas penumbras indefinibles de la enramada, a cuyo amparo corren las fuentes, surgen los gnomos, las hojas charlan...   Sol espledente de primavera, cede tu gloria, declina, pasa: deja las brumas que me rodean como rizado crespón de plata.   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada, ¡os aborrezco! Vuestros encantos ni me seducen ni me arrebatan.   A mí me gustan las niñas tristes, a mí me gustan las niñas pálidas, las de apacibles ojos obscuros donde perenne misterio irradia; las de miradas que me acarician bajo el alero de las pestañas...   Más que las rosas, amo los lirios y las gardenias inmaculadas; más que claveles de sangre y fuego, la sensitiva mi vista encanta...   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada: pasad en ronda vertiginosa; vuestros encantos no me arrebatan...   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas, ¡os aborrezco! porque, al oíros, trémulas huyen mis musas blancas.   A mí me gustan las notas leves... las notas leves... las notas lánguidas, las que parecen suspiros hondos... suspiros hondos de almas que pasan...   Chopin: delirio por tus nocturnos; Beethoven: sueño con tus sonatas: Weber: adoro tu Pensamiento Schubert: me arroba tu Serenata.   ¡Oh! Cuántas veces, bajo el imperio de vuestra música apasionada, Ella me dice: ¿Me quieres mucho? y yo respondo: ¡Con toda el alma!   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas: ¡chit! porque huyen al escucharos, trémulas todas, mis musas blancas...   Sol espledente de primavera, lindas mujeres de faz rosada, himnos triunfales...; ¡dejadme a solas con mis ensueños y mis nostalgias!   Pálidas brumas que me rodean como rizado crespón de plata, vagas penumbras, niñas enfermas de ojos obscuros y tez de nácar, notas dolientes: ¡venid, que os amo! ¡Venid, que os amo! ¡Tended las alas!
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975
Perlas negras - xii
Sol espledente de primavera, a cuyo beso, fresca y lozana, la flor se yergue, la mariposa viola el capullo, la yema estalla; sol espledente de primavera: ¡yo te aborrezco! porque desgarras las brumas leves, que me circundan como rizado crespón de plata.   A mí me gustan las tardes grises, las melancolías, las heladas, en que las rosas tiemblan de frío, en que los cierzos gimiendo pasan, en que las aves, entre las hojas, el pico esconden bajo del ala.   A mí me gustan esas penumbras indefinibles de la enramada, a cuyo amparo corren las fuentes, surgen los gnomos, las hojas charlan...   Sol espledente de primavera, cede tu gloria, declina, pasa: deja las brumas que me rodean como rizado crespón de plata.   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada, ¡os aborrezco! Vuestros encantos ni me seducen ni me arrebatan.   A mí me gustan las niñas tristes, a mí me gustan las niñas pálidas, las de apacibles ojos obscuros donde perenne misterio irradia; las de miradas que me acarician bajo el alero de las pestañas...   Más que las rosas, amo los lirios y las gardenias inmaculadas; más que claveles de sangre y fuego, la sensitiva mi vista encanta...   Bellas mujeres de ardientes ojos, de vivos labios, de tez rosada: pasad en ronda vertiginosa; vuestros encantos no me arrebatan...   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas, ¡os aborrezco! porque, al oíros, trémulas huyen mis musas blancas.   A mí me gustan las notas leves... las notas leves... las notas lánguidas, las que parecen suspiros hondos... suspiros hondos de almas que pasan...   Chopin: delirio por tus nocturnos; Beethoven: sueño con tus sonatas: Weber: adoro tu Pensamiento Schubert: me arroba tu Serenata.   ¡Oh! Cuántas veces, bajo el imperio de vuestra música apasionada, Ella me dice: ¿Me quieres mucho? y yo respondo: ¡Con toda el alma!   Himnos vibrantes de las victorias, notas triunfales, bélicas marchas: ¡chit! porque huyen al escucharos, trémulas todas, mis musas blancas...   Sol espledente de primavera, lindas mujeres de faz rosada, himnos triunfales...; ¡dejadme a solas con mis ensueños y mis nostalgias!   Pálidas brumas que me rodean como rizado crespón de plata, vagas penumbras, niñas enfermas de ojos obscuros y tez de nácar, notas dolientes: ¡venid, que os amo! ¡Venid, que os amo! ¡Tended las alas!
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70
Nimble fingered she scaled high mountains teary eyed swam in delicate balances of mozart saint saens, beethoven, schubert, unmindful that i watched in awe and grace at her aquiline features melting in those crescendos of throbbing chords and intricate switches between registers of scales. i struggled to keep the pace, tame the tempo, feel the texture and tone, sing in my heart that which felt pure crystalline diamonds sparkling at an evenings lesson. I went faithfully every two days just to watch and wonder at the magic she spun with her fingers. No orchestra ever came close to this feeling no symphony ever beat its pulse in my passion as this piano tutor did. Did she play alone for me, for somebody else or held a conversation with the masters while I watched as a witness? The only time she ever played chopin, and the minute waltz the tears rolled down freely from both our cheeks. 'thank you, sir, for listening' she said smiling ' you alone made an audience of a hundred and fifty' Author Notes She was beautiful. © Marshall Gass. All rights reserved, 10 days ago - See more at: http://allpoetry.com/poem/11580746-The-piano-tutor......-by-Marshall-Gass#sthash.yW3jTCNC.dpuf
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Jul 31, 2014
Jul 31, 2014 at 4:17 PM UTC
The piano tutor......
To break is an abstraction. To break what? A noun? Tangible? Phoebe fell down four flights, fracturing her femur. A verb? Felt sharply in a sudden absence? Singing Schubert and feeling a spasm of sorrow, his voice shattered. Direct object? A being, a destination. I am. I am (what?) I am (broken). Don't tell me I haven't failed in the same sentence you tell me I'm not enough. And watch me leaf-like tremble, fumble hands, cover mouth A paper mask over shaking gasps that wrack me naked. Don't tell me I'm not broken. When I am (broken).
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Feb 15, 2012
Feb 15, 2012 at 3:28 PM UTC
(broken)
I'm dying but death I deny- I'm still living though hope is not in the offing yet  with every dawn there's sweet unfolding meaning as I've loved living there's not a stint of sadness in my soon-to-be departing I've been listening to Schubert's Das Tod Und Das Madchen# death is a friend--a thought so comforting my poetry is my life entire- -singing to me is each line drawn from my body-system which is failing you my friends who brought me poetry books for reading late into the night I kept awake I'd been through Keats, Shelley, Byron, Wordsworth and Browning yet more,  the other poets remaining-- the true poet never gives in to weeping his poems triumph over everything you, my dear friends, now I'm biding you good cheer, do promise you would go away smiling knowing I've loved every moment of living.
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May 1, 2016
May 1, 2016 at 10:54 PM UTC
THROUGH MY EYES: ' I'M DYING'-THE LAST POEM OF WILLIAM SOUTAR*
That Russian novel read in Paris afterwards with Schubert being played on the white radio in the cheap hotel room Sonya stripped down to those skimpy pink underwear invites me to remove a present for you to unwrap and see what's there she whispers I unwrap her slowly the ripe fruit the soft fig my two lips watering come pluck fruit she whispers plough my deep soft valley sensuous apricots Schubert plays in the air Paris sounds filter in from the wide open window as I plough and pluck fruit and kiss her sweet soft fig come on man she mutters in my ear with hot breath dig dig dig.
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Aug 9, 2016
Aug 9, 2016 at 3:38 AM UTC
SONYA'S FRUIT 1973.
/|\ /|\ /|\ /|\ /|\ /|\ /|\ /|\ /|\ /|\ """"" Whether composed, ailing...or up and about, i'm always roaming in this untouched forest, where trees are tall with inspirations...abundantly blooming with lovely words and phrases...and, i always find you there. i see you peeking, at the start or, in the middle, at the end...even between the lines of a poem. you're bound to mind by indestructible ropes made from vines and roots of a durable tree...you seem to be, unthinkably permanent, not even Chopin's etudes, or Schubert's serenade could unbind you. you emerge from buckets i fill with water, or from the *** where i make meat sauce...you rise amongst tangled leaves of the asparagus fern, or the crisp and fragrant oregano plants. there, you dwell pensively within my forest of thoughts because............because, you are the poem, the longest, i ever wrote. ~~~~~~~~ ~~~~~~ ~~~~~ sally b ©Rosalia Rosario A. Bayan August 22, 2021
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Aug 22, 2021
Aug 22, 2021 at 3:34 AM UTC
Forest
It wasn't until Rowland poked my elbow in music class and said hey Benny look at the titless one at the front with the blonde ****** I looked to where his finger pointed that I noticed Yochana for the first time sitting at the front of class with a blonde girl who was shorter but that hardly made her a ****** -Rowland and his humour- I studied her as Miss G talked about Schubert and his music and his life I noted the thinness of her body - Yochana's not Miss G's- the black hair smooth and shiny and I never thought about her titlessness at time but something about her caught my eye later after the kissing on the cheek thing and the day after I kissed her hand I waited for her at the end of biology class when she came out with her friend the blonde haired Angela -Rowland went onto the tuck shop and then to morning recess- when she saw me there and I smiled she shooed her friend off and waited by the wall she said are you waiting for me? shouldn't I? why would you? why not? do you always answer questions with a question? do you? she smiled and looked me in my hazel eyes what did you want? she asked to talk with you I said is that all? anything else on offer? what other else? I don't know yet but I'm sure I can think of something I said I'm sure you can she said is that it? are you in a rush? my friend's waiting for me she replied can't your girlfriend wait a bit longer? she'd not my girlfriend she's a friend who is a girl she said defensively I dreamed of you last night I said did you? no you wouldn't let me let you what? Miss G passed us by and walked down the corridor giving us a backward stare kiss you I said shame Yochana said yes it was I said we stood in the corridor a few seconds in silence kids passing by you kissed my hand the other day isn't that enough? she said no a glimpse of heaven isn't enough until you get there I said she looked past me then at the kids passing by not here maybe lunch time some place quiet we can maybe kiss she said then touching my hand briefly she walked off down the corridor and I watched her going with a kind of yearning my inner soul and my body burning.
0
May 8, 2015
May 8, 2015 at 2:19 AM UTC
YOCHANA'S PROMISE 1962.
It wasn't until Rowland poked my elbow in music class and said hey Benny look at the titless one at the front with the blonde ****** I looked to where his finger pointed that I noticed Yochana for the first time sitting at the front of class with a blonde girl who was shorter but that hardly made her a ****** -Rowland and his humour- I studied her as Miss G talked about Schubert and his music and his life I noted the thinness of her body - Yochana's not Miss G's- the black hair smooth and shiny and I never thought about her titlessness at time but something about her caught my eye later after the kissing on the cheek thing and the day after I kissed her hand I waited for her at the end of biology class when she came out with her friend the blonde haired Angela -Rowland went onto the tuck shop and then to morning recess- when she saw me there and I smiled she shooed her friend off and waited by the wall she said are you waiting for me? shouldn't I? why would you? why not? do you always answer questions with a question? do you? she smiled and looked me in my hazel eyes what did you want? she asked to talk with you I said is that all? anything else on offer? what other else? I don't know yet but I'm sure I can think of something I said I'm sure you can she said is that it? are you in a rush? my friend's waiting for me she replied can't your girlfriend wait a bit longer? she'd not my girlfriend she's a friend who is a girl she said defensively I dreamed of you last night I said did you? no you wouldn't let me let you what? Miss G passed us by and walked down the corridor giving us a backward stare kiss you I said shame Yochana said yes it was I said we stood in the corridor a few seconds in silence kids passing by you kissed my hand the other day isn't that enough? she said no a glimpse of heaven isn't enough until you get there I said she looked past me then at the kids passing by not here maybe lunch time some place quiet we can maybe kiss she said then touching my hand briefly she walked off down the corridor and I watched her going with a kind of yearning my inner soul and my body burning.
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130
*i'm writing on a white page, i'm punching defeat, so why would an idiot invite himself to be defeated with me in order to censor me and not allow me to write of my defeat? who would write over defeat a victory? a polish woman attempting being multi-cultural over a polish-man with overt political correctness invoked like a virus to no one's use - globalisation paved the way for ethnic self-loathing, never protected by bilingual transactions of the same body kept asking the same mirror: mirror mirror on the wall... are those big black athletes of the n.f.l. / n.b.a. etc. the same idiots that were caught by the slave traders?! **** me, that's about as much ***** as is worth killing off victorian sensibilities.* your mr.                         *** street name                       your name ,the town                       you get to name the county                       then get to post code extra and all you get is a taste in music (https://goo.gl/U5hJJ8) while the pagans say: i rather end my life abbreviated with pleasures that extended with christian miseries for a sainthood. never underestimate the irish violins in pop just because they were never the welcome medleys in schubert; just because the irish took to **** down the pole's throat, ha, as said ha i said ha and took the irish to the welcomed leash. wrong crew... i think you were asking about your colonial fathers... instead you were asking about your brothers being oppressed by the two empires... but then again you were pseudo-irish... integrated into english society well enough to earn a matrimony with oxford ***** hardly a belfast in you to say anything except attempting a fake californian fruit cake colony on foreign soil as a claim of your own, something or other / fruit salad, freedom to breathe became your oppression of dogmatic vocabulary as anything said had to conform to grammar without any grammar actually learned.
0
Jan 19, 2016
Jan 19, 2016 at 9:57 PM UTC
punch up punchline / my turn
*i'm writing on a white page, i'm punching defeat, so why would an idiot invite himself to be defeated with me in order to censor me and not allow me to write of my defeat? who would write over defeat a victory? a polish woman attempting being multi-cultural over a polish-man with overt political correctness invoked like a virus to no one's use - globalisation paved the way for ethnic self-loathing, never protected by bilingual transactions of the same body kept asking the same mirror: mirror mirror on the wall... are those big black athletes of the n.f.l. / n.b.a. etc. the same idiots that were caught by the slave traders?! **** me, that's about as much ***** as is worth killing off victorian sensibilities.* your mr.                         *** street name                       your name ,the town                       you get to name the county                       then get to post code extra and all you get is a taste in music (https://goo.gl/U5hJJ8) while the pagans say: i rather end my life abbreviated with pleasures that extended with christian miseries for a sainthood. never underestimate the irish violins in pop just because they were never the welcome medleys in schubert; just because the irish took to **** down the pole's throat, ha, as said ha i said ha and took the irish to the welcomed leash. wrong crew... i think you were asking about your colonial fathers... instead you were asking about your brothers being oppressed by the two empires... but then again you were pseudo-irish... integrated into english society well enough to earn a matrimony with oxford ***** hardly a belfast in you to say anything except attempting a fake californian fruit cake colony on foreign soil as a claim of your own, something or other / fruit salad, freedom to breathe became your oppression of dogmatic vocabulary as anything said had to conform to grammar without any grammar actually learned.
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30
She comes in Yochana with her friend Angela a squat girl with blonde hair and sit down in two seats at the front of the class I watch her from the back with Reynard my best friend the teacher old Miss G is writing on the board with white chalk before she sits down she looks at me (Yochana not Miss G) there's a hint of a smile then she turns and I see just the back of her head (straight black hair reaching down past shoulders) sometimes when when she turns left or right I catch her pale profile and secretly take a kiss from my lips put it down on my palm and blow it towards her pallid cheek no one sees the palm blown small kisses then Miss G plays piano some Schubert piano work and I watch Yochana's thin fingers move along the desk top her response to Schubert not to me I sit there wishing hard those fingers were playing upon me.
0
Mar 19, 2015
Mar 19, 2015 at 3:24 AM UTC
SCHUBERT & ME.