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“I cannot but remember such things were,
  And were most dear to me.”
  ‘Macbeth’

  [”That were most precious to me.”
  ‘Macbeth’, act iv, sc. 3.]


When slow Disease, with all her host of Pains,
Chills the warm tide, which flows along the veins;
When Health, affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confin’d,
Unyielding pangs assail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow,
With Resignation wage relentless strife,
While Hope retires appall’d, and clings to life.
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish’d days to rapture given,
When Love was bliss, and Beauty form’d our heaven;
Or, dear to youth, pourtrays each childish scene,
Those fairy bowers, where all in turn have been.
As when, through clouds that pour the summer storm,
The orb of day unveils his distant form,
Gilds with faint beams the crystal dews of rain
And dimly twinkles o’er the watery plain;
Thus, while the future dark and cheerless gleams,
The Sun of Memory, glowing through my dreams,
Though sunk the radiance of his former blaze,
To scenes far distant points his paler rays,
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, unlook’d for and unsought;
My soul to Fancy’s fond suggestion yields,
And roams romantic o’er her airy fields.
Scenes of my youth, develop’d, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me, for aye, except in dreams;
Some, who in marble prematurely sleep,
Whose forms I now remember, but to weep;
Some, who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation, fill the senior place!
These, with a thousand visions, now unite,
To dazzle, though they please, my aching sight.

IDA! blest spot, where Science holds her reign,
How joyous, once, I join’d thy youthful train!
Bright, in idea, gleams thy lofty spire,
Again, I mingle with thy playful quire;
Our tricks of mischief, every childish game,
Unchang’d by time or distance, seem the same;
Through winding paths, along the glade I trace
The social smile of every welcome face;
My wonted haunts, my scenes of joy or woe,
Each early boyish friend, or youthful foe,
Our feuds dissolv’d, but not my friendship past,—
I bless the former, and forgive the last.
Hours of my youth! when, nurtur’d in my breast,
To Love a stranger, Friendship made me blest,—
Friendship, the dear peculiar bond of youth,
When every artless ***** throbs with truth;
Untaught by worldly wisdom how to feign,
And check each impulse with prudential rein;
When, all we feel, our honest souls disclose,
In love to friends, in open hate to foes;
No varnish’d tales the lips of youth repeat,
No dear-bought knowledge purchased by deceit;
Hypocrisy, the gift of lengthen’d years,
Matured by age, the garb of Prudence wears:
When, now, the Boy is ripen’d into Man,
His careful Sire chalks forth some wary plan;
Instructs his Son from Candour’s path to shrink,
Smoothly to speak, and cautiously to think;
Still to assent, and never to deny—
A patron’s praise can well reward the lie:
And who, when Fortune’s warning voice is heard,
Would lose his opening prospects for a word?
Although, against that word, his heart rebel,
And Truth, indignant, all his ***** swell.

  Away with themes like this! not mine the task,
From flattering friends to tear the hateful mask;
Let keener bards delight in Satire’s sting,
My Fancy soars not on Detraction’s wing:
Once, and but once, she aim’d a deadly blow,
To hurl Defiance on a secret Foe;
But when that foe, from feeling or from shame,
The cause unknown, yet still to me the same,
Warn’d by some friendly hint, perchance, retir’d,
With this submission all her rage expired.
From dreaded pangs that feeble Foe to save,
She hush’d her young resentment, and forgave.
Or, if my Muse a Pedant’s portrait drew,
POMPOSUS’ virtues are but known to few:
I never fear’d the young usurper’s nod,
And he who wields must, sometimes, feel the rod.
If since on Granta’s failings, known to all
Who share the converse of a college hall,
She sometimes trifled in a lighter strain,
’Tis past, and thus she will not sin again:
Soon must her early song for ever cease,
And, all may rail, when I shall rest in peace.

  Here, first remember’d be the joyous band,
Who hail’d me chief, obedient to command;
Who join’d with me, in every boyish sport,
Their first adviser, and their last resort;
Nor shrunk beneath the upstart pedant’s frown,
Or all the sable glories of his gown;
Who, thus, transplanted from his father’s school,
Unfit to govern, ignorant of rule—
Succeeded him, whom all unite to praise,
The dear preceptor of my early days,
PROBUS, the pride of science, and the boast—
To IDA now, alas! for ever lost!
With him, for years, we search’d the classic page,
And fear’d the Master, though we lov’d the Sage:
Retir’d at last, his small yet peaceful seat
From learning’s labour is the blest retreat.
POMPOSUS fills his magisterial chair;
POMPOSUS governs,—but, my Muse, forbear:
Contempt, in silence, be the pedant’s lot,
His name and precepts be alike forgot;
No more his mention shall my verse degrade,—
To him my tribute is already paid.

  High, through those elms with hoary branches crown’d
Fair IDA’S bower adorns the landscape round;
There Science, from her favour’d seat, surveys
The vale where rural Nature claims her praise;
To her awhile resigns her youthful train,
Who move in joy, and dance along the plain;
In scatter’d groups, each favour’d haunt pursue,
Repeat old pastimes, and discover new;
Flush’d with his rays, beneath the noontide Sun,
In rival bands, between the wickets run,
Drive o’er the sward the ball with active force,
Or chase with nimble feet its rapid course.
But these with slower steps direct their way,
Where Brent’s cool waves in limpid currents stray,
While yonder few search out some green retreat,
And arbours shade them from the summer heat:
Others, again, a pert and lively crew,
Some rough and thoughtless stranger plac’d in view,
With frolic quaint their antic jests expose,
And tease the grumbling rustic as he goes;
Nor rest with this, but many a passing fray
Tradition treasures for a future day:
“’Twas here the gather’d swains for vengeance fought,
And here we earn’d the conquest dearly bought:
Here have we fled before superior might,
And here renew’d the wild tumultuous fight.”
While thus our souls with early passions swell,
In lingering tones resounds the distant bell;
Th’ allotted hour of daily sport is o’er,
And Learning beckons from her temple’s door.
No splendid tablets grace her simple hall,
But ruder records fill the dusky wall:
There, deeply carv’d, behold! each Tyro’s name
Secures its owner’s academic fame;
Here mingling view the names of Sire and Son,
The one long grav’d, the other just begun:
These shall survive alike when Son and Sire,
Beneath one common stroke of fate expire;
Perhaps, their last memorial these alone,
Denied, in death, a monumental stone,
Whilst to the gale in mournful cadence wave
The sighing weeds, that hide their nameless grave.
And, here, my name, and many an early friend’s,
Along the wall in lengthen’d line extends.
Though, still, our deeds amuse the youthful race,
Who tread our steps, and fill our former place,
Who young obeyed their lords in silent awe,
Whose nod commanded, and whose voice was law;
And now, in turn, possess the reins of power,
To rule, the little Tyrants of an hour;
Though sometimes, with the Tales of ancient day,
They pass the dreary Winter’s eve away;
“And, thus, our former rulers stemm’d the tide,
And, thus, they dealt the combat, side by side;
Just in this place, the mouldering walls they scaled,
Nor bolts, nor bars, against their strength avail’d;
Here PROBUS came, the rising fray to quell,
And, here, he falter’d forth his last farewell;
And, here, one night abroad they dared to roam,
While bold POMPOSUS bravely staid at home;”
While thus they speak, the hour must soon arrive,
When names of these, like ours, alone survive:
Yet a few years, one general wreck will whelm
The faint remembrance of our fairy realm.

  Dear honest race! though now we meet no more,
One last long look on what we were before—
Our first kind greetings, and our last adieu—
Drew tears from eyes unus’d to weep with you.
Through splendid circles, Fashion’s gaudy world,
Where Folly’s glaring standard waves unfurl’d,
I plung’d to drown in noise my fond regret,
And all I sought or hop’d was to forget:
Vain wish! if, chance, some well-remember’d face,
Some old companion of my early race,
Advanc’d to claim his friend with honest joy,
My eyes, my heart, proclaim’d me still a boy;
The glittering scene, the fluttering groups around,
Were quite forgotten when my friend was found;
The smiles of Beauty, (for, alas! I’ve known
What ’tis to bend before Love’s mighty throne;)
The smiles of Beauty, though those smiles were dear,
Could hardly charm me, when that friend was near:
My thoughts bewilder’d in the fond surprise,
The woods of IDA danc’d before my eyes;
I saw the sprightly wand’rers pour along,
I saw, and join’d again the joyous throng;
Panting, again I trac’d her lofty grove,
And Friendship’s feelings triumph’d over Love.

  Yet, why should I alone with such delight
Retrace the circuit of my former flight?
Is there no cause beyond the common claim,
Endear’d to all in childhood’s very name?
Ah! sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
Those hearts, dear IDA, have I found in thee,
A home, a world, a paradise to me.
Stern Death forbade my orphan youth to share
The tender guidance of a Father’s care;
Can Rank, or e’en a Guardian’s name supply
The love, which glistens in a Father’s eye?
For this, can Wealth, or Title’s sound atone,
Made, by a Parent’s early loss, my own?
What Brother springs a Brother’s love to seek?
What Sister’s gentle kiss has prest my cheek?
For me, how dull the vacant moments rise,
To no fond ***** link’d by kindred ties!
Oft, in the progress of some fleeting dream,
Fraternal smiles, collected round me seem;
While still the visions to my heart are prest,
The voice of Love will murmur in my rest:
I hear—I wake—and in the sound rejoice!
I hear again,—but, ah! no Brother’s voice.
A Hermit, ’midst of crowds, I fain must stray
Alone, though thousand pilgrims fill the way;
While these a thousand kindred wreaths entwine,
I cannot call one single blossom mine:
What then remains? in solitude to groan,
To mix in friendship, or to sigh alone?
Thus, must I cling to some endearing hand,
And none more dear, than IDA’S social band.

  Alonzo! best and dearest of my friends,
Thy name ennobles him, who thus commends:
From this fond tribute thou canst gain no praise;
The praise is his, who now that tribute pays.
Oh! in the promise of thy early youth,
If Hope anticipate the words of Truth!
Some loftier bard shall sing thy glorious name,
To build his own, upon thy deathless fame:
Friend of my heart, and foremost of the list
Of those with whom I lived supremely blest;
Oft have we drain’d the font of ancient lore,
Though drinking deeply, thirsting still the more;
Yet, when Confinement’s lingering hour was done,
Our sports, our studies, and our souls were one:
Together we impell’d the flying ball,
Together waited in our tutor’s hall;
Together join’d in cricket’s manly toil,
Or shar’d the produce of the river’s spoil;
Or plunging from the green declining shore,
Our pliant limbs the buoyant billows bore:
In every element, unchang’d, the same,
All, all that brothers should be, but the name.

  Nor, yet, are you forgot, my jocund Boy!
DAVUS, the harbinger of childish joy;
For ever foremost in the ranks of fun,
The laughing herald of the harmless pun;
Yet, with a breast of such materials made,
Anxious to please, of pleasing half afraid;
Candid and liberal, with a heart of steel
In Danger’s path, though not untaught to feel.
Still, I remember, in the factious strife,
The rustic’s musket aim’d against my life:
High pois’d in air the massy weapon hung,
A cry of horror burst from every tongue:
Whilst I, in combat with another foe,
Fought on, unconscious of th’ impending blow;
Your arm, brave Boy, arrested his career—
Forward you sprung, insensible to fear;
Disarm’d, and baffled by your conquering hand,
The grovelling Savage roll’d upon the sand:
An act like this, can simple thanks repay?
Or all the labours of a grateful lay?
Oh no! whene’er my breast forgets the deed,
That instant, DAVUS, it deserves to bleed.

  LYCUS! on me thy claims are justly great:
Thy milder virtues could my Muse relate,
To thee, alone, unrivall’d, would belong
The feeble efforts of my lengthen’d song.
Well canst thou boast, to lead in senates fit,
A Spartan firmness, with Athenian wit:
Though yet, in embryo, these perfections shine,
LYCUS! thy father’s fame will soon be thine.
Where Learning nurtures the superior mind,
What may we hope, from genius thus refin’d;
When Time, at length, matures thy growing years,
How wilt thou tower, above thy fellow peers!
Prudence and sense, a spirit bold and free,
With Honour’s soul, united beam in thee.

Shall fair EURYALUS, pass by unsung?
From ancient lineage, not unworthy, sprung:
What, though one sad dissension bade us part,
That name is yet embalm’d within my heart,
Yet, at the mention, does that heart rebound,
And palpitate, responsive to the sound;
Envy dissolved our ties, and not our will:
We once were friends,—I’ll think, we are so still.
A form unmatch’d in Nature’s partial mould,
A heart untainted, we, in thee, behold:
Yet, not the Senate’s thunder thou shall wield,
Nor seek for glory, in the tented field:
To minds of ruder texture, these be given—
Thy soul shall nearer soar its native heaven.
Haply, in polish’d courts might be thy seat,
But, that thy tongue could never forge deceit:
The courtier’s supple bow, and sneering smile,
The flow of compliment, the slippery wile,
Would make that breast, with indignation, burn,
And, all the glittering snares, to tempt thee, spurn.
Domestic happiness will stamp thy fate;
Sacred to love, unclouded e’er by hate;
The world admire thee, and thy friends adore;—
Ambition’s slave, alone, would toil for more.

  Now last, but nearest, of the social band,
See honest, open, generous CLEON stand;
With scarce one speck, to cloud the pleasing scene,
No vice degrades that purest soul serene.
On the same day, our studious race begun,
On the same day, our studious race was run;
Thus, side by side, we pass’d our first career,
Thus, side by side, we strove for many a year:
At last, concluded our scholastic life,
We neither conquer’d in the classic strife:
As Speakers, each supports an equal name,
And crowds allow to both a partial fame:
To soothe a youthful Rival’s early pride,
Though Cleon’s candour would the palm divide,
Yet Candour’s self compels me now to own,
Justice awards it to my Friend alone.

  Oh! Friends regretted, Scenes for ever dear,
Remembrance hails you with her warmest tear!
Drooping, she bends o’er pensive Fancy’s urn,
To trace the hours, which never can return;
Yet, with the retrospection loves to dwell,
And soothe the sorrows of her last farewell!
Yet greets the triumph of my boyish mind,
As infant laurels round my head were twin’d;
When PROBUS’ praise repaid my lyric song,
Or plac’d me higher in the studious throng;
Or when my first harangue receiv’d applause,
His sage instruction the primeval cause,
What gratitude, to him, my soul possest,
While hope of dawning honours fill’d my breast!
For all my humble fame, to him alone,
The praise is due, who made that fame my own.
Oh! could I soar above these feeble lays,
These young effusions of my early days,
To him my Muse her noblest strain would give,
The song might perish, but the theme might live.
Yet, why for him the needless verse essay?
His honour’d name requires no vain display:
By every son of grateful IDA blest,
It finds an ech
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Mateuš Conrad Mar 2019
.how did the political "debate" ever become surmount to include musicians? from what i've seen? of the KEXP radio session...  Ashish Vyas had the most fun from the session... i always admired the bass players more than those ****-offs running out of rhythm guitar sessions... bass, a tier above the drums... masturbator-grand-master-soloist... i guess this is one of those nights where i drink more than i write... elephant's ******* choking me to come... oh well... not even a Decalogue will save me... the political art is no art to begin with, curtains... all i'm seeing if curtains... and households filled with retired personel... and curtains... curtains but not blinds... it's abhorrent to have to listen to music with hushed bass guitar... notably metallica... apart from devil's dance and... where's the bass guitar? the rhythm guitar section overpowers the music... fine fine, have your solo *******, but don't silence the bass guitar with the rhythm guitar, i need to hear the drums translated via the bass guitar into the rhythm guitar... solo guitar and vocals all you want... it's like... the lessons to be learned from jazz, when all the fire prime instruments are allowed to solo... went, "missing"... i need the bass, man... frantic bass & drum genre type of music will not do lollipops for me... what was the alternative? dub-step? well... vex'd & distance... burial... who were the others? i don't remember... don't make me cite skrillex: white privelege man! yeah... at least with rabbit teeth missing, doing that well known party trick! i don't like bands that have a knack at an over-emphasis of the rhythm guitar, who neglect the bass guitar... it's so counter the jazz-inheritance... tool: grand bass, red hot chilli peppers, silverchair... i need that smoothing out layer of sound that manifests itself in a bass... a layer of sound just below the rhythm guitar and a tier above the base (not bass) of the african drum borrow... bāß... base (not bass)... yes, it's not supposed to look pretty: a phonetic antithesis... as most "things" in english...

             mind you... did i mention how heidegger
has a foot in the door?
       oh... i didn't? did i?
     the reflexive and the reflective quadratic...
the reflex of conscience "vs."
the reflectiveness of consciousness...
       heidegger:
                  language - only if speech has acquired
the highest univocity of the word does it become
strong for the hidden play of its essential
   multivocity (as withdrawn from all "logic"),
of which poets and thinkers alone are capable,
in their own respective modes and their own
directions of sovereignty.

  of the few lyrics i've entertained these passing
"days"?
             the black keys: lonely boy -
              i got a love that keeps me waiting...
borrowing from Kafka i guess:
      in that case, i’ll miss the thing by waiting for it.
   no?
   guess there's no "oops" where these words
come from...
              
    with the "passive" circumstance of the faculty
of memory...
                two tiers of memory:
the reflexive memory type,
the scholastic rubric type...
  1 x 4 = 4, a + b + a +c + u + s = instrument =
counting... etc.,
            that's the reflexive memory type...
a scholastic rubric...
      dyktando...
but memory also occupies
the reflective parameters...
          which involve personality...
a sort of memory dissociated from schooling,
and more, associated with:
disinhibiting any chances of succumbing
to dementia's grinding machine
of the mortal circus...

  the reflexive memory storage bank is
the buffer...
the "placebo": nay... the safety mechanism...
but... too much education,
too much pointless education,
and the erosion of the reflective memory
storage bank: this is not a buffer,
this is not a something equipped with
a "safety mechanism"...
        given that a self is perpetuated
within the confines of
a constant conflict with the "self"...
   a and italics / the and "ambiguity commas"...

well, there's always a place to start...
i find of like philosophy as being
a rigour associated with a satisfactory
form of vocab.,
       namely?
i can use the associated words bound
to a sentence with confidance...
unlike a ****** fiction writer,
sometimes dabbling into loan words
from a thesaurus, to, invoke:
an intelligence superiority...
  don't worry...
  when people lend themselves
to use a thesaurus, having exhausted
their adjective knowledge... it shows...

come on... a background in chemistry nouns?
3,5-methylhexane... you think?
that's the remains of a saxon past in english...
in chemistry...
germans spell like dr. faustus to begin with,
they, compound...
        the remains of a germanic past in
the current state of english shrapnel still
lives... in chemistry...
        hydrocarbons...
                  usually met with a hypen:
hydro-carbons...
       siebentausendzweihundertvierundfünfzig
(7,254)...
well, very german: what a waste of not employing
punctuation marks (', -) when it came
to the caterpillar 189, 819:
methionylthreonylthreonylglutaminylarginyl...isoleucine,

Me­thionylthreonylthreonylglutaminylarginyltyrosylglutamylserylleucy­lphenylalanylalanylglutaminylleucyllysylglutamylarginyllysylgluta­mylglycylalanylphenylalanylvalylprolylphenylalanylvalylthreonylle­ucylglycylaspartylprolylglycylisoleucylglutamylglutaminylserylleu­cyllysylisoleucylaspartylthreonylleucylisoleucylglutamylalanylgly­cylalanylaspartylalanylleucylglutamylleucylglycylisoleucylprolylp­henylalanylserylaspartylprolylleucylalanylaspartylglycylprolylthr­eonylisoleucylglutaminylasparaginylalanylthreonylleucyl arginylalanylphenylalanylalanylalanylglycylvalylthreonylprolylala­nylglutaminylcysteinylphenylalanylglutamylmethionylleucylalanylle­ucylisoleucylarginylglutaminyllysylhistidylprolylthreonylisoleucy­lprolylisoleucylglycylleucylleucylmethionyltyrosylalanylasparagin­ylleucylvalylphenylalanylasparaginyllysylglycylisoleucylaspartylg­lutamylphenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylv­alylglycylvalylaspartylserylvalylleucylvalylalanylaspartylvalylpr­olylvalylglutaminylglutamylserylalanylprolylphenylalanylarg inylglutaminylalanylalanylleucylarginylhistidylasparaginylvalylal­anylprolylisoleucylphenylalanylisoleuc…

or just read the end of james joyce's ulysses
or jean-paul sarte's iron in the soul...
you do have to insert shrapenl punctuation
into this word...

but these are the last remains of the english language
being associated with a germanic origin:
compounding words...
             esp. in chemistry...
                

as any drunk would state,
to suffice...

    what was it that the luftwaffe
prescribed for the night raids
on London?

   and what did isis fighters
be prescribed?

    amphetamines?
n'oh!
   (minus the extended omega:
oooooo enough time
for a katy perry song,
an afternoon shower,
a slap in the face,
and then a few punches,
hey, jerking off became
boring)...

   so the british,
and a few polacks doing their
r.a.f. bit beat the germans
because?
   oh... **** no...
they were ingesting
an impediment factor,
durg, ****,
drunk, numb-skulled...

    we're talking counter
measure to the "enchanced"
mensch...
    high on amphetamines...
insomniac, but still going...
i guess the loci of
the amphetamine adventure
had to relocate to the anti-ego
focus of the phallus
in the variation of viagara...

****...
i care more for my giggles
and a friar tuck physiognomy...
seriously...
   it's more important than mere
gymnastics of
a freudian "metaphor"...
  ha ha...
   i guess conversation is
also allowed...
   try keeping that up...
given that most men are
******* into a solipsism...

     date nights... m'ah ah ha ha ha...
i figured that i don't
need french intellectuals to
redefine absurdity,
or german philosophers
to "redefine" existentialism,
i just needed to leech
off an nativistic english
"public"...

                      what the ruling
class spews:
   i reinterpret...
                  simple, 1 + 1 = 2...
crux, numbers,
   bounce back...
echo...
     compliment to the language...
as i stood in the shower thinking...
well isn't modern gaming
slightly "ingenious"...
money piggy...

or... reversed...
    provided the unlimited time
of experience...
no constraints,
just a game within a game,
like sims 3: making a sim
play a video game...
wormhole paradox
      and a brain shattering moment,
a jolt,

         these modern "free" games?
well... at least if you
do not invest in them,
are... games mostly associated with
time...
time is the game...

   whoever gets ****** into
the money laundering schemes
of these games,
forgot to read the cheat walkthroughs
akin to final fantasy VII,
because of homework,
and... Saturday mornings.

   **** air guitar:
here's to air drumming to posit
a point...

          the allies drunk their pint
of whiskey, slightly debilitated,
without the circumstance of feeding
a feeling of superiority,
the germans over-inflated
their superiority complex with
amphetamines...

         ergo?
    i'm either proper drunk, or just plain dumb,
or... it's related to listen, repeat,
listen, repeat: katy perry
  (sucker for POP!)....

      never mind...

games used to be fun,
games used to lead to a completion,
tenchu, that was fun,
final fantasy VII...
but this current,
money-sucker of an experience?
well... sure...
now games have reached
an anti checkmate conundrum
which it is...
because, the games are "free"...

           apparently time,
is perceived as a non-commodity...
tell that to someone stuck
in traffic...
      time: the "elder" flimsy
              construct of relativism...

try not giggling
while exchanging whislting to
either the british grenadier march song,
and the french la marseillaise...

   it's like eating pork liver with onions
fry funny...
    or at least a stew of chicken
hearts... tight tender little *******...

but modern gaming is just that...
ingenious counter measure
to the old school variation
of gaming,
    games... without fiction,
games, without script...
    continued perpetuation
of engagement "syndrome"...

     thank god,
i'm pretty sure that if i went beyond
owning a PS1,
i wouldn't have spotted this,
and have a narrative subsequently,
for the worth any sort
of compromise...

ergo? i drink...
   eh... i need to dumb down...
it wouldn't be fair otherwise...
it's not so easy,
to acquire a culture,
a psychology,
a mentality,
   and then...
     to ****... (grimmace, burp,
         snigger) it all away...

**** me, the flute always
gets me...
          i mean...
every time i hear that flute...
my feet at rambling,
itching to tap along...

   well of course it wasn't
the ******* jazzy clarinet,
was it?!
  tell that to the broad
who perfect a *******...
see if she comes back
as smart,
as smart to comply with
the intricacies
of playing, the ******* clarinet.

p.s.
aud lang syne: the only song,
of all time...
shakespeare seems
pale by comparison,
"side-note"...

          broad vs. brode,
******* giggles in the afternoon.
Mateuš Conrad Oct 2020
i return to these words that are barely
an architectural promise of a house as a mere:
rummaging squatter,
that this will eventually become
scrutinised by eyes beside my own...
well it's not like i rhyme-on-the-cheap...
i've been trying to watch some penny
dreadful episodes:
what would woman do without
the devil; i suppose man tangled with
god is nothing but an obnoxious brat...
the devil of emotions
and their plethora; this belittling god
fiddling with stones and creases
in york oak stand-alones...
                          then it came like
an itch: poached-taming-(of a)-toe...
just a tatty... a humble:
i am pretty sure i saw the letters
prefix a toad somewhere: po-ta-to(e):
ah... there! poached tame toad...
a sputniks for a brainz...
in penny dreadful: john claire
the name of victor frankenstein's monster:
oh dear old god: this continued
exasperation with poetry:
one must live a most unsatisfying life
to cross the rubricon of
old testament anemia:
            i think i admired wordsworth too... -

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...
i will not heed to market emphasis...
(Ꝛ if you might ask:
there's no leg to stand on...
the "R" falls into a turddle -
a tumble: a trill)...

ꝛ - a missing hammer: it would seem...
a sickle my dreading of apparents...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

clamour for the subjective experince...
none of this: hammer to a nail
sort of "magic" that leaves
one... sensibly "ostententious":

a semi-decent poem contra:
a good night's sleep...
always the latter...
   but unlike today:
6am wake... giving blood for
scrutiny - subsequently...
a broad need for 4 hours in...
a makeshift wilderness...
from Hainault Forest
to Havering County Park...

                        i would clearly have
to start all over again...
should i mind reading back into Tironian
notes and what i had expected to find...
it will suffice to mind...
the characters of empress wu...

         國 (guo)

beginning: coming back to bite some back
from a beijing pork belly:
where you'd first have to make caramel
from the sugar dissolved in oil:
before all the wine would care to glisten...

             𤯔 (ren)...

                              in reverse:
ren-guo - people (of) nation...
                      walking past this field:
impromptu: please keep off of field...
that's what i read...
      this was exclusive -
there was not need to denote further...

and this funny oddity:
saying good-morning or a hello
in an environment that's beside...
walking down the street with a stable
hound of anonymity surrounding
crisp grey blockage of: the amass!
yet people are so expecting
a common courtesy to brief you
on a morning: good...
is it? incessantly so! apparently!
switch them to the torment of the cements
and the back-to-basics apathetic crew
is on the counter...
ghost faces...
  but push them far enough to be alone
and into nature:
they pass a stranger and apparently
demand a prompt: hello!

i go into a depth of nature like
i have *** with prostitutes in a brothel:
i want to have as little to do with talking
that i'd loan: smothering someone
to shut up...
i came for the crows the knee-high-hallubaloos
of nonsense that...
i will extract myself to break
fasting to give blood by foraging
some blackberries...

i still prefer the lesser democratic voices...
it's not that robert duncan was going
to be a stand-alone show akin
to gibsberg...
but... my house is currently in disarray...
i'm playing chess by having
a makeshift kitchen in my living room...
i don't even know where the spices
are! but i'll manage
to bake a **** fine moroccan kobhz!

- this little but current focus for a genetic
"protection": half of me,
then a quarter, an eight, a sixteenth,
a 32-and-a-third... jump toward
64... 128... and... from all these fractions:
half and half:
beauty is no longer viable:
i imagine love as being a prized
bull kept for nothing except
for ******* the gene pool silly...

that's "love" from a darwin from
a materialism: breeding racing horses
or... both the submissive
and the contentious workers -
pay up! but i am not looking
for the generic beauty of
the plateau of the women
employed as surrogates
in this darwinistic harem...
            
isn't it obvious? it would have been
better have be allowed ourselves
to be dead: aborted...
but then: critter load: make-up...
i actually offend my own existence
by affording these dorian gray
parades to take hope in puruing
norms...
i like the scaps i like the wounds
i even like nibbling on the shellfish!

****-****** literature is my achilles
heel...
better a heel than trodding along
with faking a ******* knee...
robert duncan... jack spicer...
i like reading eyes by (metaphorically)
licking up the ****...
and it's not like i might give good head...
i employ a growth of
***** hair to convert my chin
to a niqab like i might: perhaps blink...

then again: face-masks and fashion?
is... this... somehow...
a "thing"?
            well it must be new:
it's nothing from the sort
of the elders i might care to remember...
i walked the scenic route...
blackberries and horseshit...
everything is baking in a procrastination
of: tickle the rats' nibbling...
scrutiny of the lesser of the food
hierarchy: omnivore that i am...

yes... that i like petting criters
that find themselves adamant in their
superiority...
but who have yet to see me:
teasing myself with
a: what if...
                 hours match-up to
not keeping count: there's a fog of them
that goes way back to...
out of the womb... then abandoned
by the scholastic detail that
allows them to float: limbless...
and then return to earth: degenerate...
and less than amiable...

        douglas murray is probably
a hot topic... i too sometimes bewilder myself:
it would have been best to have
allowed the pendulum to swing both ways...
but he (ol' doug) speaks very well:
his writing is... beside the generic...
salt of grain: akin to my own...
for a cubic's worth of water...

    i don't want this tongue to be somewhow
exasperated with concerns for this / an "art"...
or that it can belittle a scientific bone...
thrown to the politics and red herring marches...
spins the doctor: no plates...
forever the new lies
kept in the same old... rhetorical: quirk-and-quickness
of the quilled-tongue...
a knock-knock stone cold: generic...
must: mediocre...
tired of living tongue of poetry
that has to become tired:
truth has to tire so easily...
so that politics: and the freshness
of lies and the no-niche-audience-allowance
can cast their:
"vote"... their... archaic... illiterate "X"..

i will not poetry for rhymes for
exasperations - fooled i: to you: to pursue
that paragraph of fiction - either...
but as freely as this will not:
become an exercise in myopic-claustrophobia...
so it will not rhyme:
perhaps: to advent a coming of my
prescribed punctuation:
but more: your own, your "post-nationalistic"
canadian:
something the people of India or
China will not share with you...
because:
they are still of the mindset: China...
India... hell! Russian is towing suitor!
individualism collapses nations...
whether with a homogeneity of ethnicity
or the heterogeneity of liberalism...

           a wonderful collage of stories...
from the 20th century:
agony aunt israel bewildering
to either confront or defend...
            2000 years have somehow passed
and: europe is no new: "anew"...
it's the same old bland palette
of readily ethno-primed availability
of spices...
hurrah for thyme! and rosemary! mint!

from some mythical above
to this drudge of the pressurised castor -
there was something about robert duncan
that might always have:
made me... diverge from...
it could have been expected...
stash a tonne of bricks by day...
weave in an escapism posit of cinema
come sabbath...
now... escapism into... where?!
critical reignition of marxism:
that sort of marxism my parents escaped
from from under the old soviet
yolk of the satellite state
of poland: thank **** i too am an
immigrant:
but i see no repatriation politics
either...
               go back to a state of
the littlest of all bald envy necropolis
Impoleons?

            no among my native people:
among the natives of these isles...
a thespian: knee deep in ****...
           faking best predicts a survival
rate of this uncoiling...
it's a nation full of: self-
pre-determina...
                  automated prefixation that
can never allow itself to:
make sensible coagulations
of the odd sociable pint...

this atom world this atom's worth
of man...
best life lived as designated
to a harem...
  my and my leftover "blues"...
this world of god and the adventures
of...
no longer available...
thus this one "reality" presented:
playing by man's rules
for the purpose of man's eventual:
transcendence...
a dwarf riding a hunchback
        toward a goal that's a talking donkey!

what's otherwise best?
this has to be an: exercise in futility -
that it had to come from somewhere like:
borrowed prior -
that it could only be borrowed prior:
this tongue had to be inherited:
it could never be acquired -
that a native speaker is...
of a higher status to a bilingual -
because the earth breathes rights...

i forget: i am not equipped
with the desirable physiognomy -
problem being:
when i might find black males
attractive like i might lions: distinct...
i have this ****** on my brain
that says to me...
  well... well...
     i'm not gay.. but i'm certainly
not heterosexual:
even if Flaubert might ask the question:
blondes, brunetters - afro-beauties:
ivory envy?
  what can i do? fest on a hard-on
chemical "oops" / short-cut?
i can't possibly have... a beijing fetish?
a mongol fetish?
i can't? there's only one variation
of interracial mixing...
i guess... so...

     it would be so much easier
to just be gay and leave this world
with a ******* massive **** salvo
of: not coming back!
               to **** a black girl:
not enough...
to not **** a black girl: doubly knot...
******* a lemon while
staring at the sun:
the sado-masochism of
all the post-colonial empires...
and me: whittle ol' resurrected
******... or searching:
the elder prus - the new estonians...
some little european *******...
i imagine...
going to Kenya and running
for parliament:
to concern myself for the voices
of the: minority!

it's... fiddling with the already
prescribed narrative:
trying to make a lee evans jokes
out of it... but...
it's not ******* happening woe-o'-sunshine...
is it?!
it's not like i'm strapped
to a northern monkey
reservation... while still retaining
my: immigrant southern fairy:
commuter hell "debate":
this is not devonshire...
this is not bristol: i'd love to scoop
up a life of a decade's worth
up in Bangor... but it's not even that...
pay by way to:
a collective identity crisis of:
zee vest...
            
if it's anger: perhaps...
it's more a seance in glorifying confusion:
it was once perhaps a little
bit... naive...
but then... who's naive enough
to repeat two-folds of yesterday
within the confines of a day:
to- / to- are not future even
if subjected to incremental changes...
fx/dx changes that might
spawn alternate realities...

        the breaking of a donkey's dollars
worth: i do fishing in the indian sea...
with some... somali pirates...
it's not like i'll ever wake up from
this guilt... the guilt that might
riddle a people that inherited...
i inherited exile from my fathers...
i inherited: no...
the ****** aristocracy didn't tend
to their garden... there was no Eton...
no rugby no football...
there was only a partitioning...
to look toward the past is
an agony that i wish to only hide
in the english countryside...
after all, i thought: who would't want...
make a feast of conquest of this land...
but in a way that was norman:
that the anglo-saxon debauchery could
be... delianted
and brought to a celtic-esque heel...
with a dash of neo-paganism:
a york-up sort o' pie...

without disturbing this dilligent
people of: a most fervent... attention to detail...
it's an island... it's devoid
of any continental squabble...
no mongol ever... no ottoman ever...
it break my heart...
it reminds me: although it shouldn't
remind me...
the aristocratic class (they deem themselves
as much, so why deny them?)
of this country are like the ******
aristocracy
of the three partition "era"...
as napoleon was celebrated "elsewhere"...
with the resurrection
of the duchy of warsaw...
and... england made a beef from
a wellington...
and how the confederacy of germans
repaid the english during the first:
thirst for war...

                   a shogun's pride:
no one would invade japan:
given the persistence of pressure
from a civility of: glamour creases...
it's still the ******* canon rolling
the pawns and pins...

i have but this little interlude in time
to entertain: a history i have learned...
beside citing the obvious apple
hanging on a tree...
who? the burning vietnamese monk?
that's who i am going to... erase...
2000 (circa) years of history with?
this is how i play: conquistador-catch-up?!
this is my whittle muhammad
stage-fright?!

these new surgical masks are
not imitations of the niqab...
the arabs are not drying up their dinosaur
marrow reserves and are not
scouting for willing sodomite freshers
to their gargantuan wealth-soiling
of "morals"?
no? this is all... a pauper's conspiracy
theory... god!
i try to imagine the conspiracy
theory of kings!
it must invite a realisation of
a god or gods...
and at least a quarter of an abstaining
pademomium!

the poets and the sceptics
living under: the... gates are open...
a republic under "scrutiny"...
the philosophers and the
geocentrists - have allowed
for nothing more... than this...
thespian "bureucracy" of
shadow "fiddling"... tail with now:
tail best quite...

attention spanning the glorifications
of non-replica, generic
Solomon comes to the furore
front: then a mismatch
when the brain: swiss cheese project:
is treated at the Avignon
pontiff...
the harem and debauchery shifts
focus...
there's that "we're" and...
dumb-lasso-dumber than you'd
pay the libido of a camel with: for...

i have to always imagine myself
petting cats... or dogs...
to have to dissociate myself from having
perfect: the needs for either halal or
kosher demands of leather...
i best prefer the pipsqueak of
a meow to... an actual oink
in the litany of cogs and perhaps:
clogging up the machinery of
"jurisprudence"... as some Jain might...

borrow from... export very little to...
come the omnivorse of the east
and all succumb to:
boy-scout avenues of:
yes ss'ir...
most loathsome ss'ir...
                     i have to interrogate
the dead man as i am:
the best example of a cul de sac
of dreams: the...
pedestrian could mind not thinking:
imagine: imagine the corpus deity
of: unimaginable thought...
or one which has
an alias: unthinkable imagiation...

memory freelance architect prior
to noon...
is somewhat justified with...
a boredom of a cat come
5pm... but by then...
no cat is ever really bored...
and i have no need to concern
myself with dogs... or leashes...
or desires to: address a
workability of legs...
          to: give scrutiny when all
other examples are wheelchair bound...

he held a piece of paper:
between his hands... like my shadow might:
hold a butterfly...
exasperation:
that philosophers of ancient greece
said: poets begone!
no wonder this...
currency... of wanting to imitate
a petting of animals...
and... this thespian autocracy
that no elders could abide by...
it can still be excused:
the role of actors:
the role of shadow-thieves...

it can still be salvaged...
some of us are still the same rummaging:
in ruinous...
wordsmiths or... best...
plumbers... not some aspirtation
beckons for youth...
it must rhyme:
it must come down to: 2 + 2 = 4
sort of: flimsy poetics...

i'd must prefer to be a
homosexual plumber these days
that my very own mediocre leftover...
thank god i do not encompass
a courtship of a woman:
then imagine!
what did i do with my time:
that i do so much!
having made... so little money!
ghosts can't spend: ****!
i did with my time that
would not allow woman
to turn time into money!
thus i turned money into monkey's
play on elephant and
called tha pennies: p'p'eh-nuts!

  the old man dies:
the youth of man was never
supposed to be born;

god... this was supposed
to be profound?
with this idiosyncratic lost...
spontaneity of punctuation...
i take this reading as
a leverage for making
image: of an anchor dropped:
that would sink the ship.
‘I am…’ 'Or am I’? Who can say?
‘A posteriori’ leads the way
For the extra and the ordinary
Axiomatic sway,
In the gravity of corollary,
‘A priori’ interplay
Ataraxic overlay of anxious automation,
As the innocence of dissonance delay.
Practicing semantic contemplation,
In willfully prevenient interpolation,
Civilly disobedient in expediently seeming disarray,
Forecasts in vague extrapolation
Contrasts the millennial contagion
Already underway,
Filling nihilistic voids with particles in waves,
To interpret dreams of Freud to free Oedipus’s slaves,
A degreeless scholastic who never misbehaves,
Simulated humanoid dramatic in the affect that he craves,
Inflating linguistics in acrobatic raves,
A thespian who plans conation with legacy engraves.
The probabilistic determiner of cosmogenous debates,
An apperceived inquirer of qualitative states,
Inspiring proprietor of dismality abates.
Challenging aporia as epistemic oscillates,
Stoically, heroically, ‘one’ who amalgamates,
Circling the infinite in hermeneutic calibrates.
An escaped prisoner from depressive disillusion,
Of an introspective extrovert who finds solace in confusion,
The personable recluse fighting an illusion
Breaking down the nuances of every institution.
Calculating consequence as time goes to infinity
Revolutionary commonsense of principal utility,
An opinionated adversary,
to the realist without evidence,
Theorizing in futility,
Stipulating every sense leading to the virility of the pretense that dominates community.
Divergently converging all the efforts we’ve personified,
Inadvertently submerging old traditions that unethically were codified,
Hastening the urgency for purging that which cannot be modified through the merging of the certainty that will no longer coincide,
Stationing the levies to finally stem the tide,
Of periodic enmities disguised to be necessities so blatantly deified.
Observing moral sentiments, perched upon eternity,
As consequential regiments are expounded universally,
To unstratify the residents indiscriminately
And identify quantum elements spiritualistically,
Changing collective behavior individually,
Socializing constructs in joint ventured logo therapy.
This is an edited, expanded, expounded, confounded, reverberation of Linguistic Illusions to Probable Solutions written months back.
Nigel Morgan Oct 2012
When Zuo Fen woke day was well advanced into the Horse hour. In her darkened room a frame of the brightest light pulsed around the shuttered window. A breeze of scents from her herb garden brought sage, motherwort and lovage to cleanse the confined air, what remained of his visit, those rare aromatic oils from a body freed from its robes. Turning her head into the pillow that odour of him embraced her once more as in the deepest and most prolonged kiss , when with no space to breathe passion displaces reason in the mind.
 
The goat cart had brought him silently to her court in the Tiger hour, as was his custom in these summer days when, tired of his women’s attention, he seeks her company. In the vestibule her maid leaves a bowl of fresh water scented with lemon juice, a towel, her late uncle’s comb, a salve for his hands. Without removing his shoes, an Emperor’s privilege, he enters her study pausing momentarily while Xi-Lu removes himself from the exalted presence, his long tail *****, his walk provocative, dismissive. Zuo Fen is at her desk, brush in hand she finishes a copy of  ‘A Rhapsody for my Lord’. She has submitted herself to enter yet again that persona of the young concubine taken from her family to serve that community from which there seems no escape.
 
I was born in a humble, isolated, thatched house,
And was never well-versed in writing.
I never saw the marvellous pictures of books,
Nor had I heard of the classics of ancient sages.
I am dim-witted, humble and ignorant,
But was mistakenly placed in the Purple Palace . . .

 
He loves to hear her read such words, to imagine this fragile girl, and see her life at court described in the poet’s elegant characters. Zuo Fen’s scrolls lie on his second desk. Touching them, as he does frequently, is to touch her, is to feel mystery of her long body with its disregard of the courtly customs of his many, many women; the soft hair on her legs, the deep forest guarding her hidden ***, her peasant feet, her long fingers with their scent of ink and herbs.
 
He kneels beside her, gradually opening his ringed hand wide on her gowned thigh, then closing, then opening. A habit: an affectation. His head is bent in an obeisance he has no need to make, only, as he desires her he does this, so she knows this is so. She is prepared, as always, to act the part, or be this self she has opened to him, in all innocence at first, then in quiet delight that this is so and no more.
 
‘A rhapsody for me perhaps?’
‘What does Liu Xie say? The rhapsody is a fork in the road . . .
‘ . . . a different line’, he interrupts and quotes,’ it describes people and objects. It pictures appearance with a brilliance akin to sculpture or painting.’
‘What is clogged and confined it invariably opens. It depicts the commonplace with unbounded charm.’
‘But the goal of the form is beauty well-ordered . . . . as you are, dearest poet.’
‘You spoilt the richness of Lui Xie’s ending . . .’
‘I would rather speak of your beauty than Xie’s talk of gardening.’
‘Weeding is not gardening my Lord.’
 
And with that he summons her to read her rhapsody whilst his hands part her gown . . .
 
Over the years since he took her maidenhead, brusquely, with the impatience of his station, and she, on their second encounter deflowered him in turn with her poem about the pleasure due to woman, they had become as one branch on the same tree. She sought to be, and was, his equal in the prowess of scholastic memory. She had honed such facility with the word: years of training from her father in the palace archives and later in the mind games invented by and played with her brother. Then, as she entered womanhood and feared oblivion in an arranged marriage, she invented the persona of the pale girl, a fiction, who, with great gentleness and poetry, guided the male reader into the secrets of a woman’s ****** pleasure and fulfilment. In disguise, and with her brother’s help, she had sought those outside concubinage - for whom the congress of the male and female is rarely negotiable. She listened and transcribed, then gradually drew the Emperor into a web of new experience to which he readily succumbed, and the like of which he could have hardly imagined. He wished to promote her to the first lady of his Purple Chamber. She declined, insisting he provide her with a court distant from his palace rooms, yet close to the Zu-lin gardens, a place of quiet, meditation and the study of astronomy.
 
But today, this hot summer’s day, she had reckoned to be her birthday. She expected due recognition for one whose days moved closer to that age when a birthday is traditionally and lavishly celebrated. Her maid Mei-Lim would have already prepared the egg dishes associated with this special day. Her brother Zuo-Si may have penned a celebratory ode, and later would visit her with his lute to caress his subtle words of invention.
 
Your green eyes reflect a world apart
Where into silence words are formed dew-like,
Glistening as the sun rises on this precious day.
As a stony spring washes over precious jade,
delicate fishes swim in its depths
dancing to your reflection on the cool surface.
No need of strings, or bamboo instruments
When mountains and waters give forth their pure notes . . .

 
Her lord had left on her desk his own Confucian-led offering, in brushstrokes of his time-stretched hand, but his own hand nevertheless, and then in salutation the flower-like character leh (joy)
 
‘Wheresoever you go, go with all your heart’.
 
Meanwhile Xi-Lu stirred on the coverlet reminding Zuo Fen that the day was advancing and he had received no attention or conversation. It was whispered abroad that this lady spoke with her cat whom each afternoon would accompany his mistress on a walk through the adjacent gardens. It was true, Zuo Fen had taught Xi-Lu to converse in the dialect of her late mother’s province, but that is another story.
 
Lying on her back, eyes firmly shut, Zuo Fen surveyed the past year, a year of her brother’s pilgrimage to the Tai Mountains, his subsequent disappearance at the onset of winter, her Lord’s anger then indulgence as he allowed her to seek Zuo Si’s whereabouts. She thought of her sojourn in Ryzoki, the village of stone, where she discovered the blind servant girl who had revealed not only her brother’s whereabouts but her undying love for this strange, ungainly, uncomfortably ugly man who, with the experience gained from his sister’s persistent research had finally learned to love and be loved in equal measure for his gentle and tender actions. And together, their triumph: in ‘summoning the recluse’, and not one alone but a community of five living harmoniously in caves of the limestone heights. Now returned they had worked in ever secret ways to serve their Emperor in his conflict against the war-lord Tang.
 
She now resolved to take a brief holiday from this espionage, her stroking of the Emperor’s mind and body, and those caring sisterly duties she so readily performed. She would remove herself and her maid to a forest cabin: to lie in the dry mottled grass of summer and listen to the rustle of leaves, the chatter of birds, the sounds of insects and the creak-crack of the forest in the summer heat. She would plan a new chapter in her work as a poet and writer: she would be the pale girl no longer but a woman of strength and confidence made beautiful by good fortune, wise management and a generosity of spirit. She needed to prepare herself for her Lord’s demise, when their joyful hours living the lives of Prince and Lady of Xiang, he with his stallion gathering galingales, she with her dreams of an underwater house, would no longer be. She would study the ways of the old. She would seek to learn how peace and serenity might overcome those afflictions of age and circumstance, and when it is said that love’s chemistry distils pure joy through the intense refinement of memory.
This short story with poetry introduces the world of Zuo Fen, one of the first female poets of Chinese antiquity.
Lead us, Evolution, lead us
Up the future's endless stair;
Chop us, change us, **** us, **** us.
For stagnation is despair:
Groping, guessing, yet progressing,
Lead us nobody knows where.

Wrong or justice, joy or sorrow,
In the present what are they
while there's always jam-tomorrow,
While we tread the onward way?
Never knowing where we're going,
We can never go astray.

To whatever variation
Our posterity may turn
Hairy, squashy, or crustacean,
Bulbous-eyed or square of stern,
Tusked or toothless, mild or ruthless,
Towards that unknown god we yearn.

Ask not if it's god or devil,
Brethren, lest your words imply
Static norms of good and evil
(As in Plato) throned on high;
Such scholastic, inelastic,
Abstract yardsticks we deny.

Far too long have sages vainly
Glossed great Nature's simple text;
He who runs can read it plainly,
'Goodness = what comes next.'
By evolving, Life is solving
All the questions we perplexed.

Oh then! Value means survival-
Value. If our progeny
Spreads and spawns and licks each rival,
That will prove its deity
(Far from pleasant, by our present,
Standards, though it may well be).
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
Mateuš Conrad Mar 2016
the greater technique in writing poetry,
is not really associated with the
scholastic, well at least not with poets-in-residence
at university institution, esp. with the current
curb on free experience of expression
having to walk a ballerina sort of walk on
tip toe, even though a ballerina walk on
hard surfaces is an elephants stomp (swan lake?
the drumming of the ballerinas deafens the
music, what a crude sadistic art-form),
and should ballerinas practice the art-form on
cushions they couldn't do their tip-toe...
a ballerina sort of walk to not cause usurping
apathy by the bullish heart is a paradox...
because hard topics with a ballerina tread will
still become a piano hitting the ground...
and soft topics with a ballerina tread will
only become the agonising loss of firm footing,
and a torture of the trivial having to be danced
upon with such seriousness as the samba would
otherwise allow... the tip-toe having not firm
rooting... if that makes a sensual impression on you,
so be it, it's hardly senseless to write such words,
since you see the symbolic encoding with you words,
so unless these arrangements don't make you blind,
i'm assuming you will not allow anti-geometrics of
certain painters... and instead you're embracing
satisfaction with squares and triangles...
a rigid narrative of pre-planning an expedition to
Antarctica asking for the right provisions of fur,
tents and water and food... it's not up to me to play with
these words for interpretation, i've made the interpretation
a freedom only you can behold, i can't always be found
willing to interpret the arrangement for you,
i'm not into thought ******* and shackling,
and if you're into that... then you're just plain ******* lazy;
i mean, if i was a poet-in-residence at a university
and told to mind recognisable poetic technique
in the range of onomatopoeia and metaphor
and not accept a higher technique, the digression
via the kaleidoscope, the many diversion,
changed subject matters... i'd bore myself to death...
of course there's the rambling technique of
a poetic narrative, a sudden caffeine injection of
the elevated moment, but that technique calls for
a single subject matter - i'm talking explosions...
a return to ballerinas, if poets mind hard subjects,
heavy subjects, and they want to treat on them
gracefully like ballerinas in agony
they will have to embrace the fact that such
"grace" is actually an elephants stomp...
it's no good asking ballerinas to practice their
art by dancing on cushions... the two graces -
one of dance and the other of grace will never allow
you to walk around on tip-tope...
oh come on, interpret it with images of some sort
of comparison, like a ballerina on a tightrope...
i'm not going to be spoon-feeding you
anywhere from the page.

spring clean, the boiler-man came for an annual
check-up, i was working and kept my room
a bit un-kept...
cleaned the windows, hoovered the floor,
steamed it, cleaned the bookshelves from dust,
it smelt like a mint-conditioning comic after,
changed the bedsheets,
took all the empty cups from the shelves,
spotless clean...
but i'm telling you, if i get to see 2015's
best film *inside out
by pixar i'd give you
a clear analysis on the specific points,
at the moment i have this **** of thinking
about how the optics of man
only start engaging in memory after 4 years
upon birth...
spending nine months in the waters of the womb
(imagine coal miners trapped in
perpetual coal-mine for nine months,
they'd re-enter the light of day like moles,
having to wear sunglasses for the same number
of months before the eyes adjusted) -
it's no wonder that the parts of the body
passing fluids (well, **** in the form of
diarrhoea is pigeon ****) are weak...
why the ***** i'm saying...
why the mushy pulp of the apple purée
because the oesophagus is weak too and needs
to develop like bones, become hardened,
indeed these soft tissues need to become firm
paralleled with bones, baby bones are undeveloped
in terms of how we can't walk at the beginning
but crawl... forget the drawings of darwinism
of shortened historical explanation...
our's isn't with tail and hunched spine...
we're crawling...
but the pixar film inside out i will write a detailed
analysis when i see it again...
at first i can only relate one fascination...
the way we only become to actually consciously
see aged ~4... prior to that we have no
optical impression of the world with memory...
memory and seeing only enjoin
aged ~4... prior to that all the senses are based
in the unconscious, once the senses emerge from
the unconscious, actual faculties develop,
sight develops with memory...
i could say that speech develops with sounds...
but ba ba goo goo ma ma da da is actual
gibberish to consider since we become so eloquent
after, aided by the fact that we capture sounds
with phonetic optics of letters...
i'll stick my ground,
the first symbiosis is that of sight and memory,
which also becomes a symbiosis of
sight and memorising-imagination, or memory-in-itself...
and the clash of these two symbioses
creates a paradox of what actually happened
and what happened upon re-imagining...
like i said, i could expand on the theories within
inside out, with my re-evaluation as alt. outside in,
and i can say about a 1000 child psychologists could
be spawned from this single film...
but you never know, i might even theorise further
tonight once i drink enough and get a toilet break;
and bear in mind i'm about to cross the threshold
of being awake for 24 hours, after i miscalculated
my doctor's appointment for an amitriptyline (25mg)
prescription; the depth of the film is immense,
but i think it's harsh for so many psychological
undertones to be shown t children,
i think that it's a film for adults, even though
it's rated U... and indeed, more like a U-turn in
terms of thinking about life than suitable for
the under-aged
,
at first you get the early stages of child development,
by the end of the film of hopefully seeing adolescent
development, but that's cut short when
puberty obstructs sensitive sensible matters that
lead into sadomasochism in certain cases,
and in others into ****** carelessness as documented
by grooming examples in societies, like the ones
in england... or two girls today in mini-skirts with
the still cold spring nights, one ******* crouched
in an alley, the other trying to ease her on
while i walk past to finish it quickly...
i could, really could bombast you with my little
theory tool-kit... when joy becomes jealous of
sadness and wants to rob sadness of a prime memory...
the simple cutting of the umbilical chord of
being born in one place, but moving to another...
the sheer thoughtless release of tears in a classroom...
then the imaginary friend encounter...
never take short-cuts with that third cat,
third elephant, third dolphin character leading
you into the world of imagination,
the imaginary friend is actually a placebo figure in
this realm, he can't have imagined it all,
we couldn't have been the first prize pundit in it all...
he's the thief of ownership...
and then dragged into the cyst pit of those
characters real in life, celebrating your third birthday,
still blind to the world... the rainbows of life
and the darkness of the foetal mine...
the clown who's less horror but more a 5 year
student of acting reduced to cheap party tricks...
distorted not in life, but in your dreams,
as proof that you really didn't see the world
so early... you couldn't have, because if you had,
the dream world would not distort so profoundly...
and upon re-entry into the foetal position of sleep
your first 3 years are reflected in sleep...
such that when joy and sadness walked into
the realm of the imagination i thought they'd wake
the girl up by going to the cinema to watch a horror movie
like the one joy tried to block when the family
first moved to san francisco...
oh indeed the over-layering of the five crude expressions
of thought, memory and imagination...
i wonder why these chose those five...
and there was no hope among them - and hope's
triplet shapes of hope itself, love, and fear...
and when suddenly the imaginary friend dragged
the poor girl into the abyss of forgettable memories,
it dawned on me how the girl sat there holding
memories she wished to remember, a motherly
narcissism as to say: my own child...
but it felt so strange to imagine this child
holding onto memories like that, when in reality
without the five crude impressions of feelings
she would be unable to do so... this melancholic
reflection of joy suddenly dawned upon her
that the real sadness was the it too was sadness,
for if natural selection exists... so too much
cognitive selection, however dear some things are
to us... some of us have to remember
being able to give surgery, learn to drive buses,
teach mathematics... to be truly enjoined with humanity,
and not simple childish solipsists;
even as such... write poetry and weep.
bobby burns Jan 2013
today i will look for
chocolate and flowers
and find a pound of
belgian dark in my
pantry, and wilted
tulips on the counter.
i will hand write a
poem because it's
just so much better
on paper, and i will
serenade my darling
with bright eyes
on a scholastic field
after the last bell rings,
for at last i can stop
musing on possibilities
and begin to dwell
on solidity.

today i will bring you
a rose, for the petals
and lines and worn
down world-weary
ravines contained
in you; i will bring
you sweet darkness
in a plastic wrapping
for all the sugar laced
in with your hair and
irises, and despite your
fire and your heritage,
i will leave out the heat
of sacred mayan ritual
peppers because together
we'll be warm enough.

     finally, i will lean
  down close to you and
    whisper what i have
     not whispered for a
  million seconds or more,
    because i just haven't
     had the opportunity:
  *Ya llegué, mi querida.
loosely translated: I'm home, my dear.
James Alexander Dec 2014
If I could buy time I would save my last dime
To when it comes to when I'm dying
And tell the world as I was lying
The world can change
Just offer some change
To the poor on the street The hearts and the brains
Stereotypes are the death of humanity and if such continues caviar eating blacks and less fortunate whites and non scholastic Asians will begin to lose insanity
Mateuš Conrad Oct 2018
.when did i realize there was no point in lying? people who are pathological liars tend to forget, the scrutiny of memory; my god, memory has a bias for scrutiny, why do you think the powers-at-be are relentless in exhausting it with scholastic examination, marking, the whole rubric of needless demands?! lying also erodes the capacity to engulf and, keep, memories... telling the truth, counter-wise? memory becomes a cinema... whenever i remember something, i remember it because it was truthful, and it becomes a subversive cinema reel that i sometimes tune into... point about pathological liars, they're just like the pristine students in the days of high school... they end up being the best students... given? for the lie to be true, they have to remember the lie, word for word, by a demand that demands them to disclose it, and they can't make variations... you have to keep the lie as intact as an eye aiming to bite into that forbidden apple... you deviate... the lie implodes... lie covers lie until what takes place, is, until enough coverings the original lie is covered with, a naked statue emerges... satan's original sin was a lie... man's "original" sin was... that it was altogether... "original"... to transcend the stated law; you can't be a liar, and have a ****** faculty for memory... you lie, bad, real bad, if you don't have photographic memory... bad liars make bad killers / accusers... to lie... you need to remember the original focus of the subsequent thread! and there's only one thread of events... you can't juxtapose what happens contrary to what is thought, because thought is a theta-precursor of a moral: ought... plus we're mortal! **** only happens once for us paupers of existence!

you know, sometimes you have to bring a few songs back
into your abode having walked the nightly death toll..
the maneouvre,
   the manouevre...
the manouvre...
**** it... it's French, which is worse than English
on the number of surds and what equates into the clarification
of syllable...
there's this son of a site manager on site at where
my father works...
he asked...
for the spelling of the word: T O R C H...
there are only two syllables!
   tor-ch! chitty chitty lucky fucky thai bang bang!
it's not even natives who are proud...
proud as in: up-keeping something...
these ******* make us look silly
defending their culture...
seriously?
you can spell T O R C H?
   give me a breather...
                        i'm not joking when,
i try to joke, that these people exist...
apparently the claim that we're all literate
isn't true...
i know the authorities promised us
a literate mass of people...
but apparently that's not true...
the whole:
but it's the 21st century argument... ???
gone, out the ******* window,
we're starting over...
it's not happening!
no chance in hell!
i'm not buying this *******
quest for an en masse literacy project...
no... sorry.. not happening...
   i don't, speak, French...
   and even though the English primary school
system is superior to the secondary schools,
esp. the faith schools...
  i should be speaking a third language
by now...
   namely German, which is why i'm teasing
using it...
French? no! no! i don#t understand
the logic behind hiding syllables
and exposing sometimes unnecessary
diacritical marks!
**** don't float,
moreover: it doesn't flow!
it's not a ******* river,
or a **** exposed to a high concentration
of fat!
no!
         it's not happening!
whatever the English think that
somehow speaking French will do to their
children... it's... gone!
i'm not thaat honk of a clumsy
**** facet... forget it...
they might have the better good...
but in terms of linguistics?
is Dianna Specer alive?
thought so...
   i wouldn't dare to even send my shadow
into that custard clumsy clown
show of a mine field of mistakes:
just readied for my mistake to take place...
but as you do,
walking back home,
in the scary streets of outer suburbia...
scary men, scary witches...
ooh... can get a man better
than a ******...
                 that famous, "supposed":
thrill of the chase...
more like:
i've got one, let's have another one...
hope you're enjoying your harem
you little camel jockey...
i'll side with the Iranians
and the Bangladeshi...
never the ******* undertaker
of the desert switch and frivolity -
isn't... "frivolience"
and adjective, without an affix, -ness?
yes, -ness is an affix,
not a suffix...
           a quality agitator of
a, somehow, mundane word...
but rarely does it happen,
coming home with songs
that begin and end
with rotting christ's
(greek black metal)
                     Κατά τον δαίμονα εαυτού
album,
and begin with
the soft moon's album,
of the same name, debut...
rarely...
        usually my way of thinking
is such shrapnel material
that i notice the difference...
this time i couldn't...

i couldn't help that instance,
in my memory cinema
with regards to an incident in the night...

i write fast, so i don't lie,
i'm probably prone to write
faster than you read...

the traffic incident involving
two cars parked prior to an X
junction with a pack
of deer in the middle of it,
and me walking past from a drinking
session in a field of wheat,
drunk like a skunk,
noticing a young deer-ling
looking back at me...

so i gave it the chase...
i charged at it...
the flock of deer with their offspring
ran down the road,
and jumped over the fence,
and into the opening of
a field, subsequently into a forest...
so i managed the traffic incident...

now...
   am i lying?
and i would lie because.... ?
what, likes, shares the whole sha-bang of
using social media?
     em...
   i groove to the clash's
rock the casbah...

   sure, three mares,
about five young Bambi types...

BUT...

   what if a, ******* stag was there
to boot?
Santa not getting enough horn
*****?!
       how am i supposed to know
if a harem just lost its
alpha met, and is standing
disorientated in human
cement territory?

                 i'm not a child...
   i get bored, as i got bored of
lying, a long time ago...
           it's pointless to make *******
impressions on people,
which, you will evidently never meet once
more...

             yeah... deer, no i didn't count
how many there were...
i'm pretty ******* sure there
wasn't a stag in sight..

otherwise i'd be musing how many
imaginary acorns i could shoot from
my ***... with those antennas
shoved up my ***...

but traffic problem solved...
what was funny was that i didn't finish
my beer...

   Santa...
on an imaginary sleigh,,,
deer in front, no reins...
running like a madman
with a can of beer in one hand.
David Barr Jun 2014
Phanerogams are plants which produce seeds.
The wanton harlot may be laid against the wall, with legs splayed, and may also have given birth to unbridled rage.
However, even though such stages of development can be entitled as “*******”, it is worth noting that all behaviour has meaning, my darkened companion of presumed sophistication.
The scholastic scribes will etch their wisdom upon the hardness of our vile vanity.
I hold in my hand a gothic stone, where those who stand before the courts accused of heresy and witchcraft can plead innocence before chanting crowds of bloodlust.
The reaper will gather the harvest at Lughnasadh, whilst the olfactory nerve propagates her funeral games amidst the cutting of ancient cornfields.
As we perch upon the gallows end, let us join hands and chant the mantras of old.
Photosynthesis is a forensic entrancement where there is no rest for the sinner.
Samir Jun 2012
an anomaly
few roots are many roots of the same tree
from outside I am within the bark that encloses me

here ye here ye! polygonal me
mocking you an apology
all a'Riddle first due to the very nature
my skin my leaf

contradictory, the roots they twist on me
the vines of me
the veins of me

my pain you cannot see
my pain you cannot see

double vision two no three
four or infinity to a varying degree

my body tis' of thee, tangled up insanity
of thee I sing

***** from my fathers side
egg from my mothers side
brain and heart formaldehyde
let my moods swing

polygonal me an anomaly
normally unnatural
and artificially indeed
through means of fabrication
and good malicious deed

confiscatory generous
and metaphorically my breed
sarcastically scholastic
institutionalized branches
from the end to my seed

divinely soulless
constrictedly free
interestingly boring
grammatical greed

desperately selfish
slowly with speed
movingly static
hungry to feed

constantly moving
polygonal anomaly
how many sides
to a coin always flipping
to a coin always spinning

polygonal me
transparency
just
like
a
tree

there are many sides to a story
through shadows cannot see
the interlocking counterparts
elbows, knees, branches on trees.

who says they can't get along?
I say they have to disagree.
why can't they just let it be?
why don't you be you?...
and me be me me me me.

Just like a tree
whistling and singing
chirping with glee
waking me up at 6:30
though shadows cannot see
an anomaly sometimes
they play tricks on me

polygonal me
Mateuš Conrad Dec 2016
allowing for a two part volume
of Proust's À la recherche du temps perdu...
is unforgiving... it's asking a meat-head
to read such a body like exploring a woman's...
a gay-man's psyche is pretty much a woman...
or what a woman thinks in secret,
gay men merely vocalise what a woman does
not say... and yes, that a with a diacritical
mark... that grave above the a? the à?
it works like a comma... à! a surprise kindred
an eureka that's not really original,
an: ah! and then you say the rest of the title...
iconic pause: in search of lost time...
          it took me about five minutes to figure
that one out... lost time, but occupied a space...
  and so much political vanity is consecrated
upon the reverse.. ineffective space:
thus gained time... for all that protests are worth.

i know i go on about this a lot, surprise surprise,
i'm actually engaging in systematisation...
once you enjoy writing as much as walking
you get to reach a systematisation,
     it's a painful process, i'd never do the editing process
of a Hemingway... write something: shoot some
camels and reindeer and go back and revise a piece
of writing: drink a *death in the afternoon
-
a shot of absinthe inside a champagne glug
or the modern: shot of Jägermeister inside a glass
of red bull... (yay-gay-mr.) -
                       or how do you make snakebite?
half a láger half a çíder - and a head of blackcurrant
squash... scoot meine good look.
  but diacritical marks are what punctuation marks
are... it's only that they've become elevated,
and unlike punctuation marks governing paragraphs
and sentences... they govern the words,
         they are syllable incision indicators...
  i mean: i don't revise something i've already written,
unless it's a spelling mistake... i just write
something new... it's sadistic in my mind's eye to
revise and revise a single effort of writing...
                i'd rather centralise a theme of the paradox
of re-, in the year 2018 i will still experience
the tetratempus - containing four seasons -
         and i will never return toward making a piece
of writing become a morbidly corrected statue...
     what's done is done, let us move toward another
circumstance of being able to acquire a new kind
of observation... i can't be a sadist in terms of also
being a perfectionist... i break a leg, i break a leg...
if i write a ****** poem, i'll write a ****** poem...
but i won't be bothered like human history has been
by preoccupying itself in forwarding the drama
on Golgotha Street...
    the newest addition to the vogue scene is a corset
paired with a waistcoat...
   the snooker championships are taking place,
and i says to my father: 'a bit like chess, ain't it?'
   'sure is', he replies, 'you have to think 3 moves ahead.'
and it is... a smart sport, actually the most intelligent
sport there is... ****** boring obviously,
unless you fake the boredom and think about angles
and triangles and Newton...
   and cover the game with such congestions of
pretending to hallucinate it all...
                or take to thinking about rebellious
Saturn spinning out of orbit and doing a Mike Tyson
to Jupiter...
          but it's very much like chess...
                   it's sporty chess... snooker is chess...
  and it definitely ain't pool...
         you could actually have a ******* on a snooker table...
while either doggy or missionary positioning on
the snooker table... so what are the odds?!
         but i'll tell you one thing... snooker beats golf...
i don't know why... but once colour televisions came into
existence: it made much more sense for both
spectator and commentator... and how dare you
not cling to the 20th century if you were born in it
to translate to the 21st androids how we experienced
an evolution of technology, that made much more sense
after what i just heard...
      so there's this woman in the U.S., and this is before
president-elect and whatnot...
  and she's 22, and it's all over vice news,
and she's scared, and she's a mother of a 1 year old...
    and then this picture emerges
(don't worry, it's not anything like playing the Sims
   and moving your Sim to play computer games
and seeing a wormhole, or the infinity mirror effect)...
and there's a scene when she's talking Donald Duck
to the child... there are no meaningful words being
said... merely sounds... onomatopoeias...
and yes... this makes perfectly good sense when
stressed as a cut-off capsule...
because Darwinism doesn't really provide much
history... Darwinism is a historical erasure:
the past 2000 years could have happened,
but not really...
  but it just fascinated me...
         when did we learn or who did we learn it from
given we were placed at so many different
plots of the globe and became convergent -
anyway - the woman is teaching the child
words via the onomatopoeia of a hoarse quacking
of a duck! i probably will not find an answer
(primarily because i'm not supposed to,
if i am to perpetuate what Aristotle taught, i.e.:
be wrong and continually circumstance being in awe,
given the mundanity that nonetheless
everything keeps repeating itself over and over again,
for sustenance, and you are not sustenance bound
as corrected by your language deficiency to
ever merge into an unconsciously organised module
that might also argue an ego) -
    but i wonder how difficult it must have been
to extract something beyond the minimalism of animals
that identifies a duck with a quack, a cow with a moo,
an serpent with a sss... a cat with a meow, a dog with a bark...
    i cannot conceive how difficult this explanation
will be... but given the timeframe, i'm more awe-stricken
by this than merely being awe-bound by the time-scale...
which becomes the least affordable option of being
struck by awe, because one becomes merely awe-bound
by it, and therefore apathetic towards such a time-scale.
       how did we suddenly extract an understanding
of an onomatopoeia to distinguish our own ontological
basis for making a sound by infusing a sound that
doesn't resemble us? when did the first ape bark like
a dog? but then again, looking at the canvas already
apparent to us... what was the point of such an adventure?
hippy culture says: monkey accidently ate a mushroom,
monkey suddenly was blown away and reasoned of
a higher purpose other than a tree and a coconut...
     mudvayne quotes the guy on l.d. 50...
what's the guys name... uggh! not Timothy Leary...
ah ****! Terence McKenna! that's it!
        am i high? nope... my respectability of argument
comes from the mystical properties of... whiskey.
hmm...      that rarely happens to people.
                   it's what's called being earthbound, or gravity
prone... sink like a skipping pebble across the lake...
          and like a tonne of lard.
             tomorrow i'll wake once more and still
think about how we encouraged the discovery of
onomatopoeia to teach our children the multiplicity of
sounds, and later deconstruct such a multiplicity to
create meaningful words that go beyond knock knock! jokes
and grunts and barking...
                     but i will never know the man who
created the fermentation process from potatoes to make
*****...
                or the guy who brewed the first pint...
or the guy that smoked the first marijuana bush ensemble
while clearing the land for a place to harvest wheat...
   all the fame that exists is simply scholastic...
  schoolboy fame... which is why so much attention
goes into becoming famous in school...
                        but still that woman teaching her child how
to speak by going down into the blobby-gurgling
  tongue of the toddler, stiffening it,
      and tightening the **** and bladder too...
  by talking Donald Duck to it...
                        i probably could have had a family myself...
but can you imagine someone writing this load of
******* and having a family? there wouldn't be any time!
           still (god, what a need to repeat!)
         how did we progress from saying ape-****?
surely if we started to imitate other animals they'd join us
in our need to usurp those ******* lions!
  lo and behold... we managed to pet dogs (so they were
in on it all along)... and cats (who came from Japan,
if **** sapiens came from Africa... cats came from Japan...
bonsai frocked and all) -
                            but you have to admit...
from what is written history, to what is history and
a gap in history going back to a similitude of form -
      you can write as much historical fiction as you want...
    and you'll never have to write a bestseller about
some centurion in the Roman Empire...
   or a quo vadis by Sienkiewicz (nobel prize winner)
for the depiction of emperor Nero...
                               ******* Sesame St. giggles...
still, the question beckons... if animals can behave in
an ultra-intuitive way as if fashioned by a telepathy...
then telepathy can only exist upon a very simple,
atomic, terse vocalisation of an identity...
   a dog barks... a man can bark too...
                                but we have completely lost our
intuitive talent (if it can be called that)...
          to have sacrificed intuition is to have created
cults or counter-intuitive hierarchies...
  so a 1000 blah blahs later i still prefer to write what
i like... than write what people "might" understand
and talk to a girl about...
                                     a bit like a woman discovering
you faked writing a poem 20 years into a marriage...
                  obviously the setbacks to boot...
                            dyslexia is an optical dimension...
no one dyslexic says a word they don't understand
a meaning of... dyslexia seemingly came from
finally having enshrined the "secret" to the monopoly
of writing sounds...
                          nonetheless... at the end of the day...
it's just too much history... there's too much of it...
            there was never going to be a world
where carpe diem ruled it...
                               it was a question how we clung to
certain things, within a framework of
                                             salmon dye omni:
sure sure... piglet pink and innocent for the rest
of our lives... once Darwinism pointed at the ape,
and once physicists dropped the bomb and the bang...
no day has had any significance at all...
   + the 24h news channels...           snuggle up to a hog
             and say: fog over Heathrow... all flights are grounded.
David Barr Feb 2014
How exotic is this curvaceous dance within our brazen synaptic hemispheres?
The scholastic wisdom of the ages boldly pronounces licentiousness when Ashtoreth makes herself readily available to ravenous self-projections of post-modernity.
As we saunter around the parameters of entitlement, the monster will reveal itself with narcissistic glory whilst cotton candy is purchased by naïve populations of bewitched obedience.
Scan the desolate horizon where economical lap dances are nothing more than a mere mirage of repressed Oedipus conflicts.
Mateuš Conrad Oct 2018
.how similar does the braille N(⠝) represent the Hebrai lamed (ל), fascinating, the, similarity, isn't it?

it just so happens that i enjoy music too much, to listen to the anglophone arguments of existential-Darwinism... the whole Hitchens "thing" concerning eternity only being experienced via the passing of genes... sure, sure... no problem... English existentialism is so... so... pish-*******-poor that i don't know whether to abrupt myself of sanity by wetting myself, or take another drink... i guess the whole, French, cafe culture... and what, with the English pub... Darwinism has a reality, in science... applied-Darwinism, or rather, an over-bearing presence of Darwinism in the humanities? monkey say, in braille: ⠃⠕⠗⠊⠝⠛    ⠁⠎        ⠋⠥⠉⠅.

in the good old days of
the Catholic Reneissance...
what?!
  so now i'm supposed to listen
to these pampered western european
*******...
telling me...
  i need to watch the only
***** available...
which includes making fun of
the size of my *****?
while she ***** a black guy?
you sure... sure you you want
to tread these waters?
can i compliment the *******
armchair of an ***
attached to a black woman's
spine?
  like cedric of wessex stated:
we don't mix with these
women...
why am i supposed to sit
out through this ordeal
like some cockload *******
spank face?
****... you're on your own
from here, (as a gay might
say) darling...
the star in my starless night sky!
****...
and people thought that
the Catholic restrictions were bad...
um um um...
nail-biting moment:
and the secular feminists
do not employ a more fervor imbued
reinterpretation of ***,
via secular feminism?!
no?!
        just give me access to
a Bulgarian ******* twice
a year and £220 skim...
     which includes no worry
about S.T.D.s...
             given, we're latex friendly,
and ****** prone...
i never imagined an S.T.D.
as being ingested via oral ***...
****... £10 extra... make that £240 a year...
two ***** and happy and a *******
flock of seagulls... hey presto!
- but there's no *******...
         i ****, i leave, suave perfume
of a woman's flesh...
i skip taking a shower for about
three days...
             life becomes rosy as ****
on steroids...
          back in the day...
the Catholics...
    jeez! the guilt from fornication...
but now? now?!
now is worse...
              i have to sit through a lecture
course about how white western women
prefer a big fat black ****...
   a B.F.B.B. -
   well... better than what jerking off
probably feels like doing ****:
i.e. banging the ******* hole
   (B.B.B.H.) -
               whatever...
              you know... the white guys who
engage in this sort of ****...
i wouldn't touch someone
with a ******* fetish...
   but these *******?
              i'm licking a shaving razor
and thinking of ******...
western women...
          and their little carousel run of things...
they ****** monologues and
their ***** windmills...
   like hell me reproducing with them...
i entertain the presence of
prostitutes: so am i bothered about
promiscuity?! no!
            but when you read
some Marquis de Sade...
      you spot the sadists, and the masochists...
personally?
    i once deemed it necessary to
put out four cigarettes on the tips of
my knuckles...
  well... i was never into tattoos...
i guessed... if i punch someone with my
left arm... they might be punched
with a lesson in arithmetic to boot!
honey, hush...
   i'm not your daddy...
feel free... enjoy...
            but i'm not going to have anything
of worth, having to associate with you...
hey... they weren't wrong
in the movie get out...
         i look at it as...
"migrant crisis"... crisis?!
      NO!
         it's an army of marching ******!
but no... you don't begin your
command of argument...
elevating the original Catholic guilt
concerning ***...
   no chance, in hell... oh... wait...
this is hell...given that Catholicism has
been translated into
a secular most-modernist  (here comes
the verbiage) feminist "theory"...
so basically nuns 'r' us...
                     you do whatever the hell
you want with your ******* feminist males...
hard-on slaps in the face...
last time i heard...
the ancient Greeks thought that
enlarged phallus end-to-ends-meat...
(yeah yeah, no, not EE via a ******'s...
"floral" pattern!)
                  were a sign of barbarism...
wait... could it possibly be that
i write... but can't read?!
               my my...
      frustrated?
   i take out my frustration on
a bottle of bourbon, *** or whiskey,
or *****...
      after a while...
            it all sounds the same:
   a swift return toward a sweet,
                                                          ­  lullaby.

p.s. i didn't say that Darwinism was
wrong... but after you've read
some French existentialism,
   or esp. German existentialism...
you've already accepted the facts...
and move... forward...
             the encompassing mantra of
yes, yes, no....
    the no... arising from post-modernism...
or whatever the scholastic term
is...
     all of a sudden people
are focusing on the usage of both
nouns, and pronouns...
     just two, just two grammatical
categories of words...
              apparently language has
become a pancake reality,
squashed... and it didn't even require
a dictator to perform this "magic trick"...
and i was considered mad
about 10 years ago...
        i'm not about to join
this ******* circus...
   no acrobats, no lions,
no clowns...
               n'ah...
                                i think i'll pass.
Mateuš Conrad Oct 2018
.how else? with a variety of histories clinging to the focus and exerting the stamina as coordinator? there's the historiology of Darwinism, there's the historiology of the Big Bang theory (with "god" as a, end of sentence "after-thought", dot, , there's the historiology of scholastic efforts of the study of history of history, then there's the personal history of the individual: as nostalgia, then there's the historiology of journalism... then there's the historiology of your immediate predecessors... at what exact point, are you supposed to begin with, to create a rational creature? i suppose the easiest answer is... ? to have children... and construct a shadow, to hide all these focal points of genesis... never mind the historiological study via the biblical narrative, or archeological historiology; so, as you can see? time is not exactly the replica of space, a beginning a present a past... space is not three-dimensional outside this atmosphere of the grand Orb... because all scientists know that... this, supposed motivational claim of... "thinking" outside, "the" box... at the end... there's no "box" to begin with!

such a recurrent thought,
it stalks me like a shadow,
but i just... never seem to be rid of it...
i was 21, she was 18...
love...
                love...

but an unhinged desire for death
to boot,

******* her for 7 hours one night
in St. Petersburg...
didn't really matter...

a vague similarity to
incubating a cushion...

there was no accident...
if only talk took the place of telling lies...

i could have explored
the latex ***** *** **** outside
the realm of a ******...

sure, i write about Hebrew
theories in terms of phonetics...
but i could never be circumcised...
a caduceus of protruding veins
envelop my *******...
so... no mushroom head
of a phallus to boot...
i'd bleed out...

               but was it so bad of me
to suggest an abortion to
a teenager?
            would she still possess
a masters degree?

she married later,
then "divorced" her husband
and i met her new boyfriend,
when i randomly traveled
back to Edinburgh,
and watched her playing
video games with a slashes
hand...

no... not at the wrists...
along the veins,
from the inner side of the elbow
right down to the wrist...

my ex, my one true decency of
womanhood once said
to me: stop trying to save
these women,
to which i should have replied:
i'm not! i'm trying to
save myself!

sometimes the night creeps in,
and i think of the 21 year old me...
she, taking contraceptive pills,
then stopping,
and then, becoming
pregnant... or at least that's
what it sounded like:

matt, i think i'm pregnant...
it didn't register that well
while on a construction site...
industrial roofing never really
does give you the luxury of
pondering...
i was either about to move
some canadian tar into the boiler,
or cut up a roll of mineral felt,
or transfer some insulation...

she came from a Novosibirsk
oligarchy,
two apartments in St. Petersburg,
one in Moscow,
a mansion in Novosibirsk,
etc. etc....

     just left uni, and was doing
what any son of a manual laborer does,
being utilized in his father's
profession...

but it's not like i could afford
to give her what she expected...
a flat in central Edinburgh...
i might have said:
you might think about getting
an abortion /
you know what you have to
do? get an abortion...

            21?! seriously?
so i'm supposed to drop a job
in London?
the only sort of job i could
get out of uni?
a job i... to be honest...
yes, it was hard... but i enjoyed it!
it would have been a job
that would cover the years
my father went "missing",
from 4 through to 8...

but this Russian lass wouldn't
ever move in with her in-laws,
or to the outskirts for that
matter...

plus... what happened later?
she married...
supposedly divorced,
and there, i met her new boyfriend...

to be honest...
i don't even know if
there was ever a child to begin with...

see...
  hmm...
  the existence of god is not so much
an issue of me that serves
the diligence of plating up a proof...
i have too many personal
certainties in my own life,
to give the concept of god
the "benefit of the doubt"...

agnostics doubt a god,
atheists deny a god...
  big difference...
         i can't do either...
i know so little of my personal life
sometimes, if not all the time,
that... at least:
there's this coordinate
i can focus on...

as ever... it's not the freedom
of speech that bothers me...
i'm more inclined to serve the purpose:
give me the freedom
to think, from what i've said...

and what i have to say?
is found in the comment section...
not here... this is me...
thinking "aloud"...
don't come here expecting me
to be found talking,
you'll only receive a reply
of keyboard clicking...

i can think of a deity,
but, sure as ****: can't pray to one...

deus est cogitatio,
                    non est sermo
:

god is thought,
                         isn't talk.

wow... i didn't even shed a tear
writing this...
ah...
               when i once played
my muse... my ex-girlfriend's
younger sister the song
solitude by black sabbath,
and then we washed the dishes together...
it's playing now...
and it's raining...

    a pristine English October.

a conundrum question...
did i chose wisely?
i didn't chose wisely at all...
i made a post-existentialist gamble...
i gambled...
   i simply... gambled...
  although as aversive i am
to casual gambling... on horses...
dogs... football matches...
i made but one gamble,
the result of which,
is confined to me writing, this.
Dania Jun 2014
I met a man the other day,
About 6”2 from about 2 feet away.
He was tall and dark and wise and uncanny.
And he sat with me and said,
“My name is Sanny.”
And he told me his life story.
He said some of it was boring
But the music in his voice was roaring.
He was excited to tell me about his day at work that day;
How he got that promotion
And then gave it away.
He said the other man deserved the trophy.
He worked so hard and played the goalie.
I didn’t ask a question.
I didn’t say a word.
I wasn’t going to tell him I thought he was absurd.
But he could tell from the look on my face
That I had grown up in a society of disgrace.
He looked at my thesis
And gave me some cautionary pieces.
He asked me what I’d like to be:
A lawyer, a doctor, a singer, the queen bee?
I gave him a look of perplexity
And he explained to me the power of certainty.
He said,
“One day, you’ll be something.
Because I see you studying here everyday.
It’s almost disgusting.
Now don’t get me wrong girl,
You’re not unpleasant.
But because you spend your days and nights in the words of your textbook,
You’ve become a scholastic peasant.”
And I could’ve been offended,
And requested he mend the words he proudly defended.
But his words kept whirling
Into the coffee-scented aroma that was swirling.
He told me his goals.
And how he’d challenged his superior roles.
He never asked me what my name was,
Because it didn’t matter.
He had seen my sunken eyes
And my complexion begin to batter.
He told me he grew up in Bosnia
And noticed my insomnia.
He noticed the way I looked up to people only because I was short,
And he said that I needed to acknowledge that I am my own resort.
He says he has a wife and a family,
And that he always feels the need to be manly.
But he looked at me and said,
“I’m sure you could lead for me instead.
I can see it in your eyes,
You want to be the one who flies,
And word to the wise,
Even Superman
Woman,
Cries.”
And he glanced up at me—
The first time anyone had.
He told me when someone sits down to enjoy the beauty of life,
It’s not so bad.
Dead in the eye,
He told me,
“You be bold, you be beautiful, you be brave.
Don’t let anyone tell you how to behave.
And when life gives lemons or a fancy promotion,
You think about what you’ve got and experience the lovely commotion.”
For a girl who always had a remark to bark or an input to inspire,
I was speechless, and needless to say,
Beginning to perspire.
I had become the product of my youth,
Which I buried in the textbook of the uncouth.
I hadn’t said anything ******,
But I had become a statistical number
Of those who take tests and write papers and waste their precious slumber
On ACTs and SATs and MTV and Tumblr.
Deep in my awakened blue eyes,
He witnessed the thoughts unraveling like a sneaky spy.
He implanted a plant of unrelenting growth.
Within a matter of minutes, he taught me how to **** out the most
Of the world on which I place my intellectual bare hands like an ambitious cloak.
He told me to stand up,
4’11,
4’10,
And all.
He told me I had a short figure,
For a brainy leader so tall.
He told me he was fifty-six and six foot two,
But he watched the way I learned from the world and wished he could walk a day in my size 6-shoe.
He then stood up and extended his hand.
I said, “it was nice to meet you.”
And he answered, “Someday, you will realize you’re more than four foot ten and you can
Be the one who aspires to be more than a fan of everyone else’s own life span.
And I hope they all look you dead in the eye and show you how much they care,
You look like one who breeds too much potential to simply sit with your coffee and homework and iPhone and wasted youth on that boring chair,
To let the thoughts you have roaming in this free wifi and G-D given life not to share.”
Better presented ******
Mateuš Conrad Oct 2018
no... it's not one of those what came first
type of questions revolving around
a chicken and an egg...

but... since we became innate in translating
images into audibility,
of a more potent system of encoding...

i'm starting to question one "clue"...
did humanity discover the current
encoding system of meaning,
from what, let's just posit: hieroglyphs
as the starting block...

well... because whatever the Chinese
invested in originally... has remained intact...
but i'm wondering...

did we discover the Greek Δ (delta) first...
or... was it the case that...
encoding sounds, using images,
became so outdated...
that looking up at the stars...
               we figured a second tier of
the abstract of communication?

basically... did we discover the skeletal
phonetic first... or did we discover geometry first?
geometry: the basis for an abstract
spatial coordination, with regards to
whether time should be inclusive,
or exclusive in this new field of study?

to me it's a big question...
does the letter Δ (delta) predate the concept
of a triangle?

              new chicken, new egg dynamic...
i'm just curious...
   i'm trying to suggest that...
according to the Greeks...
         the triangle had to be
an a priori concept with the a posteriori
Δ...
               i could be wrong...
but... like an aeroplane conundrum...

i'm thinking: Δ... so... people talking about
climbing mountains?!
how else could you even begin abstracting
a letter, delta, conjuring up a triangle?!

I VM ᛏ Δ:
                   i walk up mountain...

primordial languages,
which primarily originated in verbs...
not the elaborate nouns and noun
distinctions of today...

so what came first? the triangle,
or Δ?
                 in Latin that's I VM T D...
WM? zigzag, or the anti-image
representation of side-winding,
walking: up-down-up-down-up-down...

so what came first?
the letter Δ... or the discussion concerning
triangles?

well... if you look further in time...
i'm pretty sure that I predates 1,
V predates 5,
                        IV predates 4...
X predates 10...
      a time when even 0 wasn't conjured
of looking into the void of Omicron...
so...

                  Δ predates the concept of
studying a triangle...
Δ is the a priori variant of the a posteriori
triangle...
given the Roman numerals...

and i'm pretty sure Δ was derived
from the contorts of a mountain...

i like that summary in the title:
I VM ᛏ Δ        : i travel up mountain...
Roman, Runic, Greek...

                  which just bewilders me,
how much of the ancient tongues had
to improvise with hand-gestures,
the same gesticulations that are still with
us when it concerns deaf people...

i did write a contradiction in this
piece didn't i?
   i might have written that the triangle
predated the Δ,
which is impossible...

                  given that...
Δ is an abstraction of a hieroglyph construct
of encoding...
   at having written the encoding Δ,
having spent some time looking
at a mountain... there was no triangle
in sight... no 2D pyramid in the world...

but then some scholastic book-worm
concentrated on the letter Δ...
and conjured up a triangle!

                         i guess i should make
this an ode, an ode to the god Tyr.

p.s.

there is a variant of how sign-language
provided the enzyme of evolution...
the gnostic A / Λ (lambda)
to denote the unit of 1, or the vector
encouragement posit of:
  one's actions -
                                   the gnostics
tend to focus, not on the iota, I...
the index finger... but the alpha...

                            i.e.

                      (  )     (  )
                            A

the blanks denoting the presence of eyes...
    by comparison Λ (la-mbda)
                                    how many African
languages use the mbaku - the mb-
prefix?
                                   Λ VM ᛏ Δ -
           i.e. i'm the first (on top)
to walk up the mountain...
                  the mountain is a mountain
because its foundation is the ground
i walk on...
               but among the people,
the people are not my foundation...
i am the foundation that pulls people
forward...
                                      otherwise...
conflict stemming from Λ in the form
of A...
                       hierarchic conflict at the cut
off point... whereby... a large majority
of people: fall into the abyss...
     as it definitely does happen
in real life.
“Cold…dark, January no doubt. Crystallized gasps hold in the air, indiscriminately juggling between transparency, and opacity. Inhale and cringe as the stifling breeze moves deep, penetrating bone. Shell shocked in a state of disarray, wheezing, and coughing, as the cruel chill proves too much. Hold fast, buckling against bus stops, feeding off the warmth from sewers as they cough up hot, rancid steam. Bathing in the fumes, collecting sweat. Step out from sanctuary to discover that bitter wind that eastern wind, which carries with it a victimizing frost, designed to paralyze movements, to stagnate the course towards salvation. Stumble…fall to the blank canvas bellow, imprint on it the vague outline of the carcass, then move on, holding high, beyond that cold, dark, January.”

Blankness, complete and utter blankness, no smile, no course stare, just blankness, complete and utter blankness.

“Does anyone have any questions or comments? No? All right, you may take a seat Mr. Ryier.”

Is it mockery? Am I the victim of some vast highbrow jest? Is this a period of intentional silence, one designed to brew up this self-doubt roaming about my mind on a destructive and wholly unnecessary cycle?”

“Next up…we have, Mrs. Kennison, reading another poem, I believe. Is that correct?”

“Yes Mrs. Fiordine, It’s called Grasshoppers.”

“Wonderful title, but would you please head to the front of the class to start. Mr. Ryier, did your…piece, have a title?”

“Yes ma’am, ‘Incendiary Delusions On The Effect Of A Cold Temperament’.”

“A bit wordy. We’ll go with cold, dark January. Pay attention now though, Mrs. Kennison is about to begin.”

This woman, this mentor, whose name I can, but won’t recall, I loathe her, and the ability she fosters not just in herself, but others. That thing that has her speak falsehoods with a smile, and to act pleased when riddled with agonizing pain. A monstrous creation she is, and just as Dr. Frankenstein, she yearns for the day when she can cast down her aspersions onto a vacant shell before here, breeding her cruelty into the hollow mind, knowing one day it will come forth, a wholly more monstrous creation, destined to march along a dotted path, until coming across their own pupil, or kin.

“Grasshoppers…they hop…hop right along, in and out of my life, just like David. David, that man I loved, that fleeting hopeless soul, that 28 to my 16, that hold me down, take my pristine, that tie me up, finger licked clean. Where, why, how could you be born with wings, why could I not tether you, or lock you in a cage? David, oh David, my fleeting grasshopper.”

Them, they show excitement, applause, ragging applause. Me, I’m stuck debating the poetic merits of statutory ****, and the indignant need for teenage girls and boys to listlessly portray their life and love as some haphazard, poorly assembled recreation of a renaissance era romance. True love is dead; it died when you let a 28-year-old finger your *******.

“What a stupendous piece Mrs. Kennison! Evokes such images in the mind. Provoking me towards an entangled and banned place of thought. Truly stupendous.”

I want to hit a woman for the first time in my life. Should I? No doubt I shouldn’t. Still, temptation has a way of overwhelming logic. Clenched fist…white knuckles, second thought, dropped hand.

“Best of the day, no doubt Mrs. Kennison. Clear you knew what you were doing. Are there any questions, comments? Yes, Mr. Unner?”

“I believe the piece had a lot of merit. It was clear that this poem, in particular, had a sense of clarity…I guess I’m trying to say I liked it. I liked it because it seemed you knew at least where it was going, and what it was going to be.”

Try harder perhaps, she’s be bound to fall right into your lap, light up with a playful squeeze, bow down, and suckle from her knees. Delusions of enlightenment at the realization of a hardened ****, stuttered compliments of a flirtatious nature, elevating a worthless stock. Holding a vigil to a fictional ****** locked in-between the realms of fantasy and ****, negligent minded to the forthcoming, inevitable scorn.

“I don’t agree, to me, the piece seemed as though Beatrice was trying to perpetuate the delusion men have of being able to break a naïve, young girl’s heart.”

“Superb point Mr. Arden, though it isn’t up to the artist to define the message, that responsibility lays with the reader.”

The girl, Kennison, this newly appointed poetic iconoclast, she breaks her proud stare with the teacher, and glances over at Mr. Arden, Ralph, with a doting look. Mr. Unner, Charlie, not happy with this, not one bit. His heart was broken; he had fallen in and out of love in less than 30 seconds.

“Another comment from Mr. Unner, what is it you have to say?”

“I retract my earlier statement, it was foolish. I hadn’t gone deeper than surface level. The poem is nothing, it’s a forgery mimicking the talents of someone gifted, someone capable of writing something of worth. What we have here is a case of blonde hair, crooked teeth.”

“Charlie!”

“Mrs. Kennison, please, you must stay calm during a critique, Mr. Unner has his right to an opinion. Mr. Arden, something to add?”

“Yes Mrs. Fiordine, I believe what we actually have here, is a brilliant piece, something so wise, so grand, that it goes beyond second, third, forth glance, it transgresses the boundaries of scholastic worth. It is an insurmountable achievement.”

“I’m sorry Mr. Unner, I know you’d like to make another comment, but we simply have too many pieces left to go. Time just won’t allow for it. Please, take your seat Mrs. Kennison.”

Marching casually, soaking up complimentary looks like *** and candy, the anointed artist holds high, perched on her plateaued vanity. Contemplate laying down a foot in the isle. Disrupt the whole parade. Good will holds me back; move on as the teacher gets things on track.

“Mrs. Enid, please, go forth and delight us with your work.”

The girl walks up, hunched, biting her lip raw. Tremors, pulse through her like shivers, sporadically giving her movement odd twinges. She stands, before her peers, terrified by their eyes, holding on the cusp of cruelty. She feels ugly. She looks ugly.

“I’m here, though vision may not allow for it. Take me in, wholehearted, in a look, in glance, just don’t glare. Don’t beat me down with your beady eyes, holding me accountable for your own lack of vision, believing my person, my appearance, to be some misfortune cast onto you. It’s my damnation. It’s my curse. I struggle with it; you just need to avert your eyes. Is that what I’ve become though, someone to look away from. If so, hold me accountable, **** me for my looks, scorn and belittle me, just glance my way, and don’t treat me like I’m not in the room.”

“Amanda, that was really great. A great poem. Now…questions comments. Yes, Mr. Arden?”

“Boo…go weep yourself to sleep, dreaming about what it’d be like to not look like a monster.”

“Charlie!”

“I’m sorry Mr. Fiordine, but her face, and the ugliness carried on it, that was all in her poem. I think that makes it fair game.”

“Any other comments…”

“Boo…”

“Please, stop, whoever did it. This is not the place for such cruelty.”

There it was, the teacher’s out. The avoidance of on property bullying, through the acknowledgment of not an end to the torment, but rather a delay, it was brilliant…in a cowardly sort of way.

“Amanda, you may take a seat…would anyone else like to share?”

Clumsy, her feet seem to stick together as she makes her way towards the desk in the back corner of the room, away from people, away from the windows, away from the light. The hierarchy notice, they’re weary of her positioning, fearful of the dreadful, inevitable fall from grace, a fall which would bring them to that place, the spot at the back of the room, where no one goes, and no one looks.
It sits there, at the back. No one knows whose there, whose listening. They just know the occupants aren’t wanted.
A young man stands before the class; he speaks from a page in a monotone voice, barely accentuating his alternating rhyming scheme.  There’s a stop, people screaming. A trail of blood pooled up in a low in the floor, it’s origins lie with Amanda, in that space at the back of the room, that place no one looked, no one wanted to go, that cold, dark, January.
David Barr Nov 2013
Scholastic escapades of theft and the smearing of stools are a sure janitorial surprise in suburban utopia.
I have scraped dinner off my plate, onto the floor.
So, pick the tar which slowly drools down the shaft of wooden telegraph poles in the height of mid-seventies summers, whilst classic rock resounds her commanding octaves throughout the snow in summer.
I have always respected those who are elderly and have given thanks to solidarity whilst sausages spark in the frying pan.
Look at the crows as they maintain circular flight above the stony church steeple, and rebel against authority whilst you wet your bed.
wifi is literally the radio wave r.a.d.a.r. like sonar or ultrasound but super computer crunching the data to visual rendered interpretations of digital information like laser 3d imaging real time full spectrum 3d environment video rendered in some cases, and others tiny tiny pin head mic and cams, but wifi via modems, devices tablets and cell with land line and cell tower , then you see the full saturation of the principalities of the air. and yes. it is that all seeing. and then infuse the social media, digital records of criminal, medical, military, scholastic, employment, financial, political emails, all forms of communications even snail mail, news agencies, all world wide data transfers, all audio systems even car stereos, home entertainment and appliances have secretly been incorporating the circuits that can be used via wire less signal to act as data points even microphones like a speaker is a mic just huge, and a temp sensor and many sensor actually function in many other useful ways, this is not uncommon, sort of like how an butter knife becomes a Flathead ***** driver when in need. your tv, refrigerator, sound system, even light bulbs of the cfl pigtail sort have been claimed to act as data gathering point, but the scary stuff in not just that you can be seen in full move around with the target 360 and 3d is that many devices transit data or harmonic frequencies into your home even when you have zero internet or c able even electricity, just take note of your wifi lists of neighbors, then realize many do not transmit their identity to be seen, and all these sensors and outright cameras and mics do not alert or announce that they can be accessed by internet of many, many common devices and these frequencies can do a hell of a lot of scary things to living conscious biological tissue, like make you sick, or even change emotions and states of comfort or discomfort, like cause you to feel pain in the back and gut, ( most common side effect and a sign of its use) simply search elf wifi cell towers and mind control, sound manipulation, sound that you can not hear you still interpret and even sound can cause you to see different colors and never hear it. so go figure and let the mind wonder and you have still not hit the horrors of this techs use, try the assault and made to forget, or the hypnotic induced trance via wave length in wifi and not recall events of bad things and even loose time some small like 5 10 minutes others loose days or hours. we have, a lot and well, this might help folks realize the power that these things have and just think if bad people in groups decide to use it.
Mateuš Conrad Oct 2018
.i come across objects that, being inanimate... somehow impose on the inanimate conviction of stasis... faking their inanimate ontology... in stasis... becoming animate... smiling... and... for all the oddity... i feel... slightly bewildered by the welcome... like i'm expected... like i'm welcome... just prior to death... i know where i am being allocated a home... and.. its a home, which foundations are focused upon the virtue of... patience.

but i've seen faces!
carved into stone!

**** your rationality!
**** it!
let it die a nice, solemn death
of being reprimanded for
deviating
from the scholastic bedroom
antics... of:

revising rubrics...
i care as much for it,
as i might care for...
whatever the **** it takes
to conjure up a ****'s worth
of custard...

    let's see the ******* ice-berg...
then, only then...
will i bring out
the ******* Titanic!
Hi Gibson, of Algonquins table. i want to accept that your comments are elderly and full of  scholastic charm. I have been appreciative to you in each and every situation. I still promise that i will listen to you in the future.I have looked at your photography it shows you are an elder. in this perspective an intellectual elder and an elder in the global community without regard to race and geography. you are the age of my father and thus i am bound to respect you as my father.However, i am intellectually emboldened by both logic,reason,ethics and wisdom of the times to differ with you on a few factors in relation to my story poem humanity of Jesus Christ.First you over focused on my grammatical and typing mistakes in relation to English language  and also on the issue of whether Nazareth was in the colony or it was a colony.By this selfish focus you failled to remember that my inference of Nazareth as a  colony was simply my employing of a poetic tool of synechdoche.I can use one to refer to all or all to refer to one.Just like the same synechdochal experience we have in the bible where Jesus was referred to as son of David , son of man, son of God, and so forth.My in ability to use  written English which can impress you should be  seen as an intellectual anachronism. I am not a chauvinist of English language. I have my own native language which is more mature than English. i don't have any motivation to treat a deficient language like English with any earnest. Secondly i wanted you to see the point of Jesus physical deformity, afilliative relationship with Mary Magdalene and the experience of his mother in the bombazine. you have not seen this.When his brothers slavishly laboured for  Joseph of Aremathea and Yude his last brother slapped him you have deliberately refused to see.
There is another problem i want to point out,i was responding to Theodore not you , but you came out in full combat armed to your teeth with drones of your academic superlativity. Here you are wrong. You lacked the virtue of intellectual humility. Why are you always joining Theodore and his foot soldiers to attack other participants on this table ? or you want me to forgive you by concluding that all Americans have a burden of proving to be Americans and hence this tempo of cliffhanger civilization ?
The references you have mentioned in your riposte lack the element of universality. Most of them are published in north America.These preceded by a current world quagmire that usually in every social , political and intellectual situations North Americans fail to have behave publicly by wanting every thing to look American . And even their social researches have always been skewed by a bias that the results must ring an American tone.You have not quoted any work written in french language,Russian language, Germany language nor Arabic  only not mention Yiddish. You have displayed an avoidable limitation.Kindly research again into humanity of Jesus Christ for the benefit of those who depend on you intellectually.

Thanks

Alexander k  Opicho
Eldoret,Kenya
Mateuš Conrad Nov 2018
.why would anyone think that women belong in the kitchen?! hell... they can bake... keeping that "thing" in the oven for 9 months... but kitchens doors should read signs like: NO WOMEN ALLOWED... or WOMEN AT YOUR PERIL.. or some other bogus crap... women should be kept out of the kitchen, de facto... so... what's left? looking pretty, like a geisha porcelain doll, sitting before the modern fireplace of the t.v., pretending to look bored... men cook in the army, don't they? all the pre-Communism collapse conscripts in the Polish army, fondly remember the split pea soup, cooked by men, for men... unless she's a country girl, like my distant cousin auntie, who made me chase a chicken, while she stood, arching with an axe... decapitated the fluttering bird... took out all the feathers and made a decent chicken broth for seconds, and a chicken soup for starters... did you know that chickens are covert cannibals? once the head was separated from the body, looking semi-alive... the other chickens jumped onto the chopping block of a stump of oak, and started to drink up the blood... while pecking at the decapitated head of their former, "comrade"... these old country women... who... had the heart and nerve to **** an animal, and prepare dinner... now? little ms. geisha with her porcelain hands... sits pretty before the fireplace... a place that says: i don't want her in the kitchen to begin with... little ms. oven, little ms. oven loaf of doughy life... why... my dear... hasn't feminism robbed women of a certain allowance of feminine pride? now that i can cook for myself, clean for myself... do you know how many marriages i've seen break down over overcooked pasta and undercooked potatoes... while the men decided to go take-away? 2, on two different instances... and that's 1 too many on two separate instances... but once upon a time... once upon a time in terms of Cinderella... women were the cuisine specialists... now the men take to the cooking... the feminists were right all along... organic chemistry lessons paid off... the feminists were right all along... women do not belong in the kitchen... and i hope they never will.

more like, life's a ****,
you get ****** over,
and then you hope to die...

or...
life... **** happens...
   who would have thought
that the playlist i posted
could have put a smile
on my face...

     two dream jobs that are
on the decline...
      working the music shop...
dead...
             bartender...
which means i'm left with
the third, worst, option...
claiming to be a "poet"...
without actually encompassing
classical, scholastic
approaches to poetry...
namely rhyming...

          god, i hate rhyming...
rhyming to me is like a dry
cough, or an irritating
itch.
Ari Jan 2018
late nights
study hard
bad results...





repeat.
168

If the foolish, call them “flowers“—
Need the wiser, tell?
If the Savants “Classify” them
It is just as well!

Those who read the “Revelations”
Must not criticize
Those who read the same Edition—
With beclouded Eyes!

Could we stand with that Old “Moses”—
“Canaan” denied—
Scan like him, the stately landscape
On the other side—

Doubtless, we should deem superfluous
Many Sciences,
Not pursued by learned Angels
In scholastic skies!

Low amid that glad Belles lettres
Grant that we may stand,
Stars, amid profound Galaxies—
At that grand “Right hand”!
David Betten Oct 2016
HUNGRY PRINCE
            It is the year One-Reed, and on this date
            Lord Quetzalcoatl, from this earthly throne,
            Long, long ago departed for the East,
            And on One-Reed it’s known he will return.

PRIEST OF TLALOC
            One-Reed: It is a fatal year for kings.
            Our scriptures teach that when a murderous streak
            Finds black Tezcatlipoca, lord of chaos,
            On year One-Crocodile, he hunts our elders,
            One-Jaguar or One-Deer, he claims our children.
            But if he strikes on ominous One-Reed,
            Death swoops for princes.

MOTECUHZOMA                             On that jolly note,
            I open business for this syndicate,
            Myself presiding. All may find their seats.
            Now Tlacaelel, venerable friend,
            What progress on the state’s scholastic front?
            When last we met, the annals of our past
            Were deemed due for aesthetic overhaul.

TLACAELEL
            Lords, as you know, our eldest histories
            Have painted base and barbarous accounts
            Of our bewildered, wandering origins
            As meek and muddy natives, which- though true-
            Do not keep pace with our notorious present.
            Those earth-born tracts have all been commandeered
            And each one cast to char in heaping bonfires.
            Ah, what a purifying blaze that was!
            The inks of black and reds were rarefied
            To sheets of flame and wells of fluid coals.
            Now is our culture cleansed of heresies!
            So far from mourning that scholastic loss,
            The rabble whooped, and, singing rowdy reels,
            Made merry at that bedtime barbecue.
            And now, to re-devise those lowly annals,
            I move that we enlist our liveliest dreamers
            To craft extravagant and stately archives
            And claim the pedigree that we deserve.
            For what are histories but wrangling theses,
            Or dogma, but the darlings of a moment?
            So on this same authentic evidence,
            Let’s breed imaginary ancestors-
            Or ***** their deeds out- with a flourished pen.
David Barr Apr 2014
The hyacinth is glorious as she displays her gorgeous petals across dangerous stratas.
Crows may circle the church steeples in their scavenging plight for obscure answers, but the janitor is the one who knows what has been pasted upon the walls of scholastic defiance.
Cobwebs form across forbidden sandstone doorways in Horselethill, where sophisticated frailty is negated by the innocence of childhood mockery.
There is a particular smell from the cellar.
I know that chestnuts fall from trees in their designated seasons, where the threshold of the dawn is characterised by ****** of spiritualism and astral projection.
Just look at the patterns upon the side of the plate, and savour the olfactory experience of Nana.
Thank you for your basic expressions which were most rich in this age of debauchery.
Dolores L Day Oct 2014
You're growing fonder of me, I can tell.
But the position I'm in hurts like hell.

I love you.
I really think I do.
It may have always been there, or maybe it's something new.

We have nothing in common, you and I.
And to say I didn't care would be a lie.

We're just brown.
Together, in this white town.
That's the only reason you have me around.

You're cocky and scholastic.
genius and bombastic.

Capable of being more
Than the school system's *****.
I hope you discover all that life has in store.

I love you.
But I hate the things you do.

I don't want to be your mom.
I try hard to remain calm.
Even if I think this path is wrong.

You overt your eyes in the hall
And it drives me up the wall

Your dark hair and dark eyes.
The need for normal will be our demise.
Being brown friends is no compromise.

That's why I'm so ******* you.
Even though I don't mean to.

You're too busy with applications
And pursuing dull aspirations
You're lack of time for love fuels my frustration.

But for now I'll shut my mouth.
Let your plan play out.
I'll find other things for us to talk about.

Like how brown we are.
I know you stare at me in class.
Molly Smithson May 2014
Paint left, humidity purgatory,
Sticky but practically peeled off, while

Water and lime, the kind you hear about
On infomercials promising to rid
You of Built Up ****, is trapped between the
Panes they said they replaced but I don’t know.

Clothes piled with invisible coatings of
Dust from the floor last swept ten years ago,

And sweat from leaving the AC off
(Because saving a few bucks is worth it),

And sweat in stained dresses when you touched me,
And sweat in damp briefs when I touched myself.

Paper stacks, three years, busy work
And scholastic articles I should
Have read, say I will, but won’t pick up,

And verses I wrote that go nowhere but
Here and to a real poet, happily
Trapped at an average liberal arts college.

So instead of dressing or cleaning I
Call you, naked, a fattened odalisque,
Silent for hours, my thin mouth, a suture.

A fit black girl cut across the dog park,
She saw my bare shoulders, sloped pudgy pale,
We gazed in the other’s faces, but now

I can’t think what she wore, and she knows
I’m just sad, still: a ghost in the windows.
Mateuš Conrad Sep 2016
now i'm going to to finish a
bottle of 70cl whiskey,
catch a mosquito in the bathroom
while taking a ****,
trying to feed it to that
****** reptile in furry disguise
(cats, of all felines have
  reptilian pupils - slits instead
of spheres) - who'll disagree
and i'll feed him the usual crunchy snacks,
when i'll go downstairs and eat
a packet of sushi -
                then i'll go to sleep;
if this isn't an autobiographic
millimetre, when compared to all
other, previous autobiographies,
then i don't know what is:
meaning? as life in the moment,
and written about,
but not as life lived to a moment
equated with scholastic precision
listed according to: the speed of light,
pi, gravity... sure, those facts are
important, and i'd love to write
an autobiography that's merely
a postscript to these facts...
but i've written mine according to
what's also universal and equipped
with the stated scholastic facts: now;
or being oblivious to the power
of images... writing a word softens the blow
where an image would otherwise be equal to a k.o.
Jesse Salgado Nov 2011
Life lessons are stockpiled in my pantry,
I think of them as I look out of my front window.
The sweet smell of tabacco lifts from my pipe,
reminding me of times of naivety.

Laughter, my only defense from most of the deeds I committed.
It comforts me to know that even in my youth,
I knew I would laugh at myself for things I've done
Oh to be blinded by young love.

The strip of grey in my beard excites me,
They say with age comes wisdom,
I would venture to say not all of the old are wise.
For with life comes wisdom, and too many watched it pass.

To be loved right,
I am most thankful for this,
In youth we tried so hard to love,
Neither of us knowing how, these things dont just come to you.
Pain always came of our scholastic journey.

I look forward to what lies ahead,
I have at least lived enough to know,
I never knew,
To accept that, was my greatest accomplishment.
Mateuš Conrad Sep 2016
that was my pet name, a love's long lost word
of infuriating apathy against grey public passerby materials:
simply that: kakasha - or little ****, or mouse ****,
or rodent shrapnel - i guess me being a Pole
and she being a Russian would have never worked out -
i don't actually know what was expected of me, an English girl?
n'ah, wouldn't have worked with the master slave antics -
a Polish girl? **** me, no! well, it just ended up being
a love for the people... which is a lot and nothing at all
come to think of it... whenever i said Cyrillic
was the new Greek i was right... shame though,
i could have had a marriage correct my deviant bachelor years...
i would't have written anything at all...
and it would all seem like the perfection of life: problem here,
problem there... but that's all i remember
from the days when youth allowed  my body to be buff and me
staging  a dumb way out of having a body of a model,
but hardly the vacancy to accept it... god it takes such a
large chunk of manoeuvring a Zeppelin
to land a paper aeroplane equivalent -
               i just didn't have the vacancy
to keep at the gym routine...
         went back to the bloated lamb belly,
and felt all the better for it....
                 starting drinking professionally -
because soberness was  a bit of wasteland -
nice name, that lover's pet name: kakasha:
or little ****, or mice pebbles, don't you think?
sometimes that's what's needed to
strengthen the memory, when memory
overpowers imagination,
it's not a case of lingering on the past,
utilise phonetic encoding well enough
and the symbols reveal a lacking need to
move forward and take into consideration
triangles and squares...
          images...
      you just forget about the future...
you're not stuck in the past,
        it's just about how everything's encoded
and where you place your primers -
        but of course i'm not nostalgic
as in hoping for a revision or a revival:
i just mean: it actually happened,
i can't reverse it from having happened -
what i can do is treat memory as the most
private event of cinematography -
nothing the forward looking imagination
might breed - what imagination lacks is the
fact that symbols can't change... they remain
intact... all imagination can do
is use the same symbols of encoding that
memory otherwise decodes, unravels and
makes desecration of... imagination is politically
correct by comparison... memory really does
become the perfect cinema, provided there's
a life worthy of cinema, however simple...
i know i bankrupted on imaging things as
they'll never be... but memory?
i already knew they happened - hence
the counter-imaginative response:
memory, alter-cinema -
                     which, in another framework of
sentences is a second rebellion,
counter teeny winy annie mo - of how they
framework educational models,
stuffing our imagination with fall-safe mechanisation
of know techniques: akin to arithmetic -
and how we were taught to remember what
would readily become forgotten come the next year...
                   of what i understand:
i think             i imagine                 i remember
                   precipitates into           being
                     - thus the three prime faculties
  and akin to the rules of prime numbers:
               no positive divisor greater than 1 or the
           stated faculty per se-
      later she slanders me with the nouns schizoid
and autistic: because we didn't have the picnic
  and didn't raise a family... a lonely world indeed.
i feel: and indeed the many loves, and failings of
    the heart's housekeeping standards -
             after that it just becomes a guess-work
   pattern of competition and incompetence -
                    or how language can become anti-journalistic,
  as it often does, it never is a scenario of
             Wednesday, 6th of July 2016 a.d.
                                        and credits akin to a movie:
             like you'll never talk to the background of things
and the people who move them while you pay the tax.
right now i have a 9kg Maine **** cat trying to
escape the house during the night, a cat turned
Pavarotti - meow meow, meow ******* meow,
meow meow... Lombroso should be near... this
is really starting to bug me... he might have a case
about a cat that never shut up and the person that
strangled it...
               so, indeed, three basic faculties of the mind...
i kept them as: imagination, thinking, memorisation...
                which means i went against the
Cartesian model of denial thought and doubt -
because i found them too emotionally entwined,
and therefore less puritan in consideration -
            and also less scholastic by the looks of it -
exams...                     for me the three prime
faculties are imagination, thought and memory...
they're antidotes of what later became the existential
revision of the Cartesian inspection: how
                              namely the notion of denial
as the antidote to good faith (doubt) - i just didn't
like the kindergarten of adults playing childish games.
Ryan P Kinney Apr 2015
Relics (House of Stolen Light)
by Ryan P. Kinney

When I pull up in my battle-scarred truck
That old song is playing on the radio
Whose lyrics I have misheard and, hell…
“Who did that **** song, anyways?”
Nonetheless, of what I do hear through the cracks and pops,
It definitely suits this house

It’s an old run down bi-level, with a winding porch
And more windows than walls
But the windows are heavily tinted and shades are all half drawn
The windows do not let the light into the home,
But rather steal it, consume it into the darkness, never to be seen again

How many neighborhood rumors revolved around this home?
For how long has it been whispered that THIS is THAT haunted house?
Or this is where that one creepy guy did that one horrific thing?
Or even that series of horrific things?

Did the boogie man originate here?
Inside the darkness of that house, stealing the sunshine from precocious little boys and girls
Finally freed from the confines of scholastic imprisonment
Until eventually their days of play started getting shorter
And they return to their nine months of confinement
With no one to blame but the invisible tenant of that ever decaying, but seemingly indestructible and insurmountable home

I imagine a stone in my hand
To be thrown into this house of glass
I picture it not breaking the glass so much as piercing a pool of darkness, that ripples across the entire house, melting each window and finally freeing everyone’s abducted childhoods
I see the sunlight exploding from the foundation
The cracked, brown leaves in every dead, broken tree suddenly springing to life and filling with green
Years of devoured Frisbees, kites, and baseballs launching into the air from every crevice

And then, I think, maybe appearances can be deceiving
Maybe, this house is not so much the spooky old ruin
But rather a cracked and worn old photo album
Housing years of relics of lives spent well and with love
Love that our generation could not possibly fathom
Devoid of the electronic means of expressing and spreading it

How many boys turned men turned soldiers here?
How many mothers turned grandmothers, turned cherished memories?
How many years were cried over scrapped knees and first loves?
Or spent on lover’s lanes, backyard barbeques, and drunken sibling brawls?
Is that old tire finally getting its deserved rest from someone’s swing, or off the wheels of a well-loved ancestor to my vehicle?
Who’s lives and legends were parked in this dusty driveway?
Who’s footprints am I standing in right now?

Maybe those dark windows never really robbed the light
But, rather were meant to hold it in for the love growing inside
So that anyone within would always feel its warmth and brightness
And anytime someone left that house, they returned that light to the world in kind
Richer and brighter than it ever would have been had it not spent its time within those walls

Who are you, oh house of stolen light?
What secrets do you hold?
How many childhoods were used up here, either stolen or spent fully?
What lives have you had?
What adventures can you tell me?

I smile.
“This is gonna be fun.”
As I kick in the front door

— The End —