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RAJ NANDY Sep 2015
RAJ NANDY
37 followers
AN INTRODUCTION TO THE ITALIAN RENAISSANCE IN VERSE
                                    By Raj Nandy
THE ITALIAN RENAISSANCE WAS A PERIOD OF TRANSITION
BETWEEN MEDIEVAL & THE MODERN  WORLD. I propose to
present in three installments my researched work for both the Art &
History lovers of this Site. Kindly take your time to read at leisure before commenting. Thanks, -Raj Nandy, New Delhi.

                   PART ONE: BACKGROUND
The Term Renaissance :
The word ‘Renaissance’ means ‘to be born again’ ,
Derives from French ‘renaistre’ and Latin ‘renascere’, -
both meaning the same !
Swiss historian Jacob Buckhardt by writing “The
Civilization of Renaissance in Italy”,
Helped to popularize this term during the 19th Century !
The Renaissance evolved out of ‘Christendom’ , which
was Medieval Europe ;
Ruled entirely by the Catholic Church and the Pope !
It formed a period of transition between the Medieval
and the Modern Age ,
And as a contrast to the preceding thousand years , -
Which the Latin scholar Petrarch christened as the
‘Dark Ages’ !
This era saw a revival of interest in classical learning
of Greek and Roman art and culture ;
Focused on individual’s life on earth , with a new spirit
of adventure !
Happiness was no longer shelved to an afterlife and
repentance for salvation ;
But it lay in the advancement of human beings on Earth , -
with secular contemplation !
Thus individualism , secularism , and humanism , were
chief characteristics of the Renaissance ;
With innovations in art, architecture , and a scientific
temper of thought !
Knowledge no longer remained confined within the cold
ecclesiastical walls ,
But it spread from Italy across Northern Europe , -
To distant English shores through France !
During the Renaissance era Humanism became its
dominant philosophy ;
And there begins our Renaissance Story, since knowledge
is no man’s monopoly !
Events leading up to the Renaissance were many ;
Let me now dwell upon some salient features which
shaped its History !

THE BLACK DEATH (Peaked between 1347-1352) :
It was brought by Genoese merchant ships from the Orient ,
The fatal bacillus of the bubonic plague carried in the blood
stream of rodents !
The plague from Sicily and Italy spread to Northern Europe ,
All medicines failed , and even the Church provided no hope !
After having raged for almost a decade it started to abate ;
But by then almost one-third of entire Europe’s population
lay dead !
This deadly plague which followed the Hundred Year’s War
between England and France ,
Created social , economic and political upheavals in Europe,
leaving little to chance !
People began to lose faith in the church and on sermons of
afterlife ,
Secular thoughts now prevailed in a world where only the
fittest could survive !
Shortages of labour brought an end to Medieval feudalism
and serfdom ,
And Europe gradually emerged out of those Dark Ages, -
to greet the rising Renaissance sun !
The meager labour force could now bargain for better
wages and individual rights ;
Later, merchant guilds protected specialized labour and
their human rights !
Cities got gradually built and a new social order began
to emerge ,
Historians say that Europe saw the rise of a new Middle
Class !
As Europe gradually begun to recover from the aftermath
of war , plague, and devastation ;
The City-States of Italy lit the torch of a new intellectual
emancipation !
But before moving onto the Italian city-states, I must
mention the Holy Crusades ;
Since the Crusades opened up the doors of knowledge
and trade ;
Helping this ‘New Learning’ of the Renaissance to spread !

THE HOLY CRUSADES (1095-1270) :
At the behest of Pope Urban II and his battle cry “God
Wills It! ” ;
The First Crusade was launched to recapture the Holy Land
from Muslim infidels !
Within a span of next two hundred years eight Crusades
were launched ,
The First one took Jerusalem , but the Second failed to make
Damascus fall !
The Third led by Richard the Lion Heart, made Saladin to
grant the rights , -
To Christian pilgrims to visit their Holy shrines in Palestine !
The Fourth Crusade had sacked Constantinople , - then a
commercial rival of the Italians !
Now cutting a long story short , let us see what History
has taught !
These Crusades helped in opening up the trade routes ,
For importing paper, spices, soap, silk and luxury goods !
Trade was carried out with the countries of Levant region ,
Which included the countries from Turkey to Egypt , -
Bordering the eastern seaboards of the Mediterranean !
These trade routes formed a major conduit of culture
and knowledge ,
And exchanges and interactions broadened the mental
horizon of the Italians !
From Constantinople, recently Christianized Spain , and
the Arab lands , -
The preserved ancient classical knowledge now reached
the Italian hands !
In their School of Salamanca the Arabs of  Spain ,
Had translated works of Aristotle and classical scholars
into Arabic , - thereby preserving the same !
Later scholars translated these precious works into Greek
and Italian ,
And thus the Ancient Classics saw a glorious revival !
The scientific, philosophical, and mathematical thoughts
of the Arabs had also entered Northern Italy ,
From Egypt and the Levant region , to enrich Pre-
Renaissance Italy !
And when Byzantine Empire fell to the Turks in 1453 ,
Its Greek scholars with their precious manuscripts flocked
into Italy !

THE CITY-STATES OF ITALY :
‘Italia’, once the epicenter of the mighty Roman Empire ,
Disintegrated into several small principalities breaking
up Italy entire !
Its mountainous rugged terrain was a barrier to effective
internal communication ;
And no strong unified monarchies emerged, as in other
parts of Europe !
Italy with its peninsula jutting out into the Mediterranean
Sea ,
Had begun to monopolize the trade routes, and also to
prosper economically !
During the time of the Renaissance , Italy had numerous
autonomous city-states and territories ;
Where a powerful leader called the Signore , ruled for
a fixed tenure initially ;
But later this post was declared as hereditary !
Kingdom of Naples controlled the south ;
Republic of Florence and the Papal States the center ;
Genoese and the Milanese the north and west respectively ;
And the Venetians the eastern part of Italy .
These Italian city-states prospered greatly from its growing
trade during the 14th century ;
Its cargo ships visiting Byzantine , and the cities bordering
the Mediterranean Sea !
It became a status symbol for rich families to patronize
art and culture ;
They vied with one another commissioning paintings
and architecture !
But the Italian city-state that had prospered the most ,
Was the city-state of Florence which became the host ;
And the ‘Cradle of European Renaissance’ !
...............................................................­­................................
* ALL COPY RIGHTS WITH THE AUTHOR -RAJ NANDY*
(My Part -II will contain the Story of Florence , - " Cradle of the
Italian Renaissance". Thanks for reading, do recommend this Verse to
your other poet friends!
Comments from Gita Ashok, an Educator, from ‘Poetfreak.com’:- A thoroughly researched erudite collection of historical facts presented in a very lucid and interesting manner. This write made me reminisce all those history lessons that I learnt in school many years ago - many of which I found boring as it was taught in an intimidating way. I feel like going back in time, becoming a student once again and learning history through such creatively written works of art. But I realize that we are all yet students of life and can still continue to learn and grow. I feel fortunate to have read this great piece of literary work and I look forward to reading the second part.-  by Gita Ashok | Reply
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AN INTRODUCTION TO ITALIAN RENAISSANCE was added 21 hours ago.
Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on—
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel’s track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,

He is ever drifted on
O’er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
What, if there no heart will meet
His with love’s impatient beat;
Wander wheresoe’er he may,
Can he dream before that day
To find refuge from distress
In friendship’s smile, in love’s caress?
Then ’twill wreak him little woe
Whether such there be or no:
Senseless is the breast, and cold,
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortured lips and brow,
Are like sapless leaflets now
Frozen upon December’s bough.

On the beach of a northern sea
Which tempests shake eternally,
As once the wretch there lay to sleep,
Lies a solitary heap,
One white skull and seven dry bones,
On the margin of the stones,
Where a few grey rushes stand,
Boundaries of the sea and land:
Nor is heard one voice of wail
But the sea-mews, as they sail
O’er the billows of the gale;
Or the whirlwind up and down
Howling, like a slaughtered town,
When a king in glory rides
Through the pomp and fratricides:
Those unburied bones around
There is many a mournful sound;
There is no lament for him,
Like a sunless vapour, dim,
Who once clothed with life and thought
What now moves nor murmurs not.

Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led,
My bark by soft winds piloted:
’Mid the mountains Euganean
I stood listening to the paean
With which the legioned rooks did hail
The sun’s uprise majestical;
Gathering round with wings all ****,
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts, and then, as clouds of even,
Flecked with fire and azure, lie
In the unfathomable sky,
So their plumes of purple grain,
Starred with drops of golden rain,
Gleam above the sunlight woods,
As in silent multitudes
On the morning’s fitful gale
Through the broken mist they sail,
And the vapours cloven and gleaming
Follow, down the dark steep streaming,
Till all is bright, and clear, and still,
Round the solitary hill.

Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath Day’s azure eyes
Ocean’s nursling, Venice, lies,
A peopled labyrinth of walls,
Amphitrite’s destined halls,
Which her hoary sire now paves
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold
Where Apollo spoke of old.

Sea-girt City, thou hast been
Ocean’s child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne, among the waves
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O’er thine isles depopulate,
And all is in its ancient state,
Save where many a palace gate
With green sea-flowers overgrown
Like a rock of Ocean’s own,
Topples o’er the abandoned sea
As the tides change sullenly.
The fisher on his watery way,
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o’er the starlight deep,
Lead a rapid masque of death
O’er the waters of his path.

Those who alone thy towers behold
Quivering through aereal gold,
As I now behold them here,
Would imagine not they were
Sepulchres, where human forms,
Like pollution-nourished worms,
To the corpse of greatness cling,
Murdered, and now mouldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou ldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou and they!—
Clouds which stain truth’s rising day
By her sun consumed away—
Earth can spare ye; while like flowers,
In the waste of years and hours,
From your dust new nations spring
With more kindly blossoming.

Perish—let there only be
Floating o’er thy heartless sea
As the garment of thy sky
Clothes the world immortally,
One remembrance, more sublime
Than the tattered pall of time,
Which scarce hides thy visage wan;—
That a tempest-cleaving Swan
Of the sons of Albion,
Driven from his ancestral streams
By the might of evil dreams,
Found a nest in thee; and Ocean
Welcomed him with such emotion
That its joy grew his, and sprung
From his lips like music flung
O’er a mighty thunder-fit,
Chastening terror:—what though yet
Poesy’s unfailing River,
Which through Albion winds forever
Lashing with melodious wave
Many a sacred Poet’s grave,
Mourn its latest nursling fled?
What though thou with all thy dead
Scarce can for this fame repay
Aught thine own? oh, rather say
Though thy sins and slaveries foul
Overcloud a sunlike soul?
As the ghost of Homer clings
Round Scamander’s wasting springs;
As divinest Shakespeare’s might
Fills Avon and the world with light
Like omniscient power which he
Imaged ’mid mortality;
As the love from Petrarch’s urn,
Yet amid yon hills doth burn,
A quenchless lamp by which the heart
Sees things unearthly;—so thou art,
Mighty spirit—so shall be
The City that did refuge thee.

Lo, the sun floats up the sky
Like thought-winged Liberty,
Till the universal light
Seems to level plain and height;
From the sea a mist has spread,
And the beams of morn lie dead
On the towers of Venice now,
Like its glory long ago.
By the skirts of that gray cloud
Many-domed Padua proud
Stands, a peopled solitude,
’Mid the harvest-shining plain,
Where the peasant heaps his grain
In the garner of his foe,
And the milk-white oxen slow
With the purple vintage strain,
Heaped upon the creaking wain,
That the brutal Celt may swill
Drunken sleep with savage will;
And the sickle to the sword
Lies unchanged, though many a lord,
Like a **** whose shade is poison,
Overgrows this region’s foison,
Sheaves of whom are ripe to come
To destruction’s harvest-home:
Men must reap the things they sow,
Force from force must ever flow,
Or worse; but ’tis a bitter woe
That love or reason cannot change
The despot’s rage, the slave’s revenge.

Padua, thou within whose walls
Those mute guests at festivals,
Son and Mother, Death and Sin,
Played at dice for Ezzelin,
Till Death cried, “I win, I win!”
And Sin cursed to lose the wager,
But Death promised, to assuage her,
That he would petition for
Her to be made Vice-Emperor,
When the destined years were o’er,
Over all between the Po
And the eastern Alpine snow,
Under the mighty Austrian.
She smiled so as Sin only can,
And since that time, ay, long before,
Both have ruled from shore to shore,—
That incestuous pair, who follow
Tyrants as the sun the swallow,
As Repentance follows Crime,
And as changes follow Time.

In thine halls the lamp of learning,
Padua, now no more is burning;
Like a meteor, whose wild way
Is lost over the grave of day,
It gleams betrayed and to betray:
Once remotest nations came
To adore that sacred flame,
When it lit not many a hearth
On this cold and gloomy earth:
Now new fires from antique light
Spring beneath the wide world’s might;
But their spark lies dead in thee,
Trampled out by Tyranny.
As the Norway woodman quells,
In the depth of piny dells,
One light flame among the brakes,
While the boundless forest shakes,
And its mighty trunks are torn
By the fire thus lowly born:
The spark beneath his feet is dead,
He starts to see the flames it fed
Howling through the darkened sky
With a myriad tongues victoriously,
And sinks down in fear: so thou,
O Tyranny, beholdest now
Light around thee, and thou hearest
The loud flames ascend, and fearest:
Grovel on the earth; ay, hide
In the dust thy purple pride!

Noon descends around me now:
’Tis the noon of autumn’s glow,
When a soft and purple mist
Like a vapourous amethyst,
Or an air-dissolved star
Mingling light and fragrance, far
From the curved horizon’s bound
To the point of Heaven’s profound,
Fills the overflowing sky;
And the plains that silent lie
Underneath the leaves unsodden
Where the infant Frost has trodden
With his morning-winged feet,
Whose bright print is gleaming yet;
And the red and golden vines,
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less,
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandalled Apennine
In the south dimly islanded;
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit which so long
Darkened this swift stream of song,—
Interpenetrated lie
By the glory of the sky:
Be it love, light, harmony,
Odour, or the soul of all
Which from Heaven like dew doth fall,
Or the mind which feeds this verse
Peopling the lone universe.

Noon descends, and after noon
Autumn’s evening meets me soon,
Leading the infantine moon,
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset’s radiant springs:
And the soft dreams of the morn
(Which like winged winds had borne
To that silent isle, which lies
Mid remembered agonies,
The frail bark of this lone being)
Pass, to other sufferers fleeing,
And its ancient pilot, Pain,
Sits beside the helm again.

Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee
O’er that gulf: even now, perhaps,
On some rock the wild wave wraps,
With folded wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove,
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell mid lawny hills,
Which the wild sea-murmur fills,
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine:
We may live so happy there,
That the Spirits of the Air,
Envying us, may even entice
To our healing Paradise
The polluting multitude;
But their rage would be subdued
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval
In their whisperings musical
The inspired soul supplies
With its own deep melodies;
And the love which heals all strife
Circling, like the breath of life,
All things in that sweet abode
With its own mild brotherhood:
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain,
And the earth grow young again.
Breanna Stockham Jan 2011
I see him staring from a distant place
I know he wishes only to embrace
not just my hand, my heart and soul as well
but for an unknown reason, keeps his space.

I feel his precious eyes sink into me
they're powerful to such a strong degree
I get quite scared and turn my head away
and will until my heart and mind agree.

Too many accounts of a broken heart
to even consider a brand new start
I contradict my heart and feed my mind
is nothing is formed, it can't fall apart.

I must pretend I am too blind to see
my honest love for him, and his for me.
Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch’s wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile’s grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
Montgomery! true, the common lot
  Of mortals lies in Lethe’s wave;
Yet some shall never be forgot,
  Some shall exist beyond the grave.

“Unknown the region of his birth,”
  The hero rolls the tide of war;
Yet not unknown his martial worth,
  Which glares a meteor from afar.

His joy or grief, his weal or woe,
  Perchance may ’scape the page of fame;
Yet nations, now unborn, will know
  The record of his deathless name.

The Patriot’s and the Poet’s frame
  Must share the common tomb of all:
Their glory will not sleep the same;
  ‘That’ will arise, though Empires fall.

The lustre of a Beauty’s eye
  Assumes the ghastly stare of death;
The fair, the brave, the good must die,
  And sink the yawning grave beneath.

Once more, the speaking eye revives,
  Still beaming through the lover’s strain;
For Petrarch’s Laura still survives:
  She died, but ne’er will die again.

The rolling seasons pass away,
  And Time, untiring, waves his wing;
Whilst honour’s laurels ne’er decay,
  But bloom in fresh, unfading spring.

All, all must sleep in grim repose,
  Collected in the silent tomb;
The old, the young, with friends and foes,
  Fest’ring alike in shrouds, consume.

The mouldering marble lasts its day,
  Yet falls at length an useless fane;
To Ruin’s ruthless fangs a prey,
  The wrecks of pillar’d Pride remain.

What, though the sculpture be destroy’d,
  From dark Oblivion meant to guard;
A bright renown shall be enjoy’d,
  By those, whose virtues claim reward.

Then do not say the common lot
  Of all lies deep in Lethe’s wave;
Some few who ne’er will be forgot
  Shall burst the ******* of the grave.
Keen, fitful gusts are whisp'ring here and there
Among the bushes half leafless, and dry;
The stars look very cold about the sky,
And I have many miles on foot to fare.
Yet feel I little of the cool bleak air,
Or of the dead leaves rustling drearily,
Or of those silver lamps that burn on high,
Or of the distance from home's pleasant lair:
For I am brimfull of the friendliness
That in a little cottage I have found;
Of fair-hair'd Milton's eloquent distress,
And all his love for gentle Lycid drown'd;
Of lovely Laura in her light green dress,
And faithful Petrarch gloriously crown'd.
Jenny Gordon Aug 2016
Come to think of it, Garrison Keillor reads poetry like he'd feign be Bukowski or something.



(sonnets #MMMMMCCCXXXII and MMMMMCCCXXXIII)

I


Bukowski. If I'd known--and there must trail
Off seeking an excuse to bother hence
With aught. Nor should I have writ these his sense
Of our supposed age could acknowledge bail
For, since his voice kills any spirit's frail
Hope of existance, while he coughs from thence
To fiercely say the madness dictates whence
As chopped, clipped phrases whereby he'd prevail.
And Shelley, who saw further than now's poor
Horizon, said art veils her glass whilst through
The centries curs as ole Bukowski tour--
To vanish, sans a note. Yet here all who
Aspire think vile is tops, our work as twere
In vain and refuse. Cuz such never knew.



II


Lo, ******. Surrey, Wyatt, and aught hence
Who bowed themselves to Petrarch's mincing scale,
Yes, "polished our erst homely," ruder tale
Of lines and poetry, whose manners thence
Became refined thus as we yielded, whence
Far more rebelled than dared submit, t'assail
What set us 'part from beasts as if in frail
Excuse to cavil suited their intents.
He said the "mountaintop" was mine as twere
T'enjoy, but if I wanted friends maunt do,
As they all wallowed in the mud, each boor
Disgusted save by filthy scents. Sans clue
Of our high calling meant to raise th'obscure
Light for our fellow man, ye can't, who knew.

24Dec15c,d
*Does "he" call himself "Nateive Son" here?  Either way, chancing across his post I guess that night these were penned, his video clip of Bukowski intro'd me to the devil and inspired this.  Not the best sonnets, but whatever, it's Charles' fault, shall we say?
[https://www.youtube.com/watch?v=tamy_K2jmW0]
Poetry, the reason we are all here.
Writing words that we hope someone reads and hears
Hears in the sounds of the words, them coming alive
Vocally there is a potency to written words
Say them out loud, hear them, feel them form in your mouth
Soulfully continue this aged tradition of story telling
Poetry, is known globally, it transcends diplomacy,
it reaches souls, hearts and minds.
Like a minority,poetry is seen as weak and bleak,
but then life is not a bed of roses, there are thorns.
Reproachfully it is scorned, 'poet? Try writing a novel'
Wrongfully seen as the poor man to a novelist, poetry
at its best conveys, more in a few verses than a thousand
pages of a novel. Lonesome is the poet, that sees truth.
There is merit in poetry, the continuation of odes told by
the fireside, Viking, Persian, Celt, all historic bardic civilisations.
Purity in poetry leads down a path least travelled these days
but tales of yore still prevail, and Beowulf still roars.
Canterbury tales still elicit smiles, cries and woe.
Shakespeare, Dante, Poe, Neruda, Thomas, Petrarch all Poets with soul.
So, you tell me, and all of us poets are we the novelists poor relation?
Or, just reclaiming our station in life as the purest storytellers?
© JLB
Scorn not the Sonnet; Critic, you have frown’d,
  Mindless of its just honours; with this key
  Shakespeare unlock’d his heart; the melody
Of this small lute gave ease to Petrarch’s wound;
A thousand times this pipe did Tasso sound;
  With it Camöens sooth’d an exile’s grief;
  The Sonnet glitter’d a gay myrtle leaf
Amid the cypress with which Dante crown’d
His visionary brow: a glow-worm lamp,
  It cheer’d mild Spenser, call’d from Faery-land
To struggle through dark ways; and when a damp
  Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
Thomas Thurman Apr 2011
I tried to  say: you make my life complete,
you put my puzzle pieces into place.
But then I tried to send it as a tweet.

It didn't fit.  I thought I could delete
one part, about the joys of your embrace;
I tried to say: you make my life complete,

but still it was too long.  I thought I'd cheat
ByMergingWordsAndUsingCamelCase.
But then I tried to send it as a tweet.

It failed again.  I must admit defeat.
Like Fermat's margin, Twitter lacks the space
to let me say you make my life complete.

It makes the longer forms seem obsolete.
But even Petrarch's work would meet disgrace
if cut and scaled to send it as a tweet!

And somehow public posts seem indiscreet.
I think I'd rather whisper to your face
the message that you make my life complete,
and far too full to post it as a tweet.
Joel M Frye Feb 2015
what fragments lay in stone and silent wait
for sunrise creeping stealthily through dark
to back-light marbled forms who knew Petrarch
truncated arms which strain to touch and sate
a cold and calculated yearning carved
in everlasting porous rock compressed
as otherworldly beauty barely dressed
they stand exposed and gorgeous, proud yet starved
to feast on passion's fragments etched inside
by sculptors long since sated, fed and dead
who pounded love with hammer, chisel, sweat
from abstract concept into sanctified
emotion pulsing from unbreathing stone;
stories bled from humankind alone
Memory of a literal run through the Louvre.  The second-ex-Mrs. Frye and I did the whole museum in a single day.
yasmin miranda May 2011
I do not understand Pordon when she says
your love makes her “tremble with me
in paralyzing pauses,” nor do I understand
Cummings when the texture of your fragility “compels me
with the colour of its countries.”


Too often poets confuse some high,
a drug-induced elation, with a testament
of love. But it is not some contrived intoxication
that makes me see your beauty as divine
or your voice as some thrill to be craved.


Your touch does not electrify my skin or send me
into the light-headed ecstasy of a common drunk.
But the simple warmth of your center, the smooth suppleness
of each padded fingertip does elicit euphoria in me because it is you,
my earthly lover, who possesses them, and in so possesses me.


Your kiss does not make time speed
through the highways of my mind like
an amphetamine, blurring physics into philosophy.
Rather, your mouth points out the geometric precision
of time compared to the fluidity in
the organic bow of your bottom lip.


I am not addicted to your glances like some aesthetic ******,
because your gaze does not make my heart race
like the hummingbird pace of someone needing a hit
of your rainbow-prismed eye. Instead, it is the complex brown,
turned honey in the sunlight, that stills my heart
whenever you turn from me, because it is that familiar liquid tint
that I love more than any other.


And the sight of you does not commit me to profound
epiphanies on politics or sociology, because, I admit,
you are my favorite distraction, and I prefer looking at you
to some wild hallucination, since I am struck momentarily dumb
by the weighty power of your sudden presence,
left in myopic gratitude until you leave again.


So understand, dear reader, that it was not some chemical
fixation that bound Petrarch to Laura or Dante to Beatrice,
but rather the arresting truth that the million colors poured out
by the sun, the duck fluff softness of the rowdy dogs at your feet,
and the explosive, joyous giggles of the neighborhood children
will continue to exist in heart-breaking beauty tomorrow.
As a complete ****** to drugs (and one who plans to stay that way) i hate when people compare to love to a drug. this poem was my attempt to verbalize that articulately. My idea may have been good, but i still need to tweak it.
nomadpenguin Nov 2014
To my first follower*

This will be a love poem,
for all poems are love poems.
Fast love is the way of poets,
and are we not poets, you and I?

So my hater of titles, my quicksilver bird,
my dreamer of stars, my monochrome tulip,
my lover of the ugly, my age-cracked china,
barely sixteen and world-weary,
invisible but trapped in your own shadow,

this is my poem to tell you
that all the words of Petrarch
    and every sonnet of Shakespeare
    could not describe your radiance,
that you're worth more than
    all the gold that slumbers
    in warmth beneath the earth,
that one day you'll lie in a meadow
    with the cool breeze bringing the
    smell of salt to your nose,
    and wonder when the constellations
    got so bright.

You'll not believe a word,
but yet here I am,
writing you a love poem.
Chapter XVIII
Parapsychological Plot

They were in the parapsychological hypnosis session all undaunted by everything that could happen. The journey of a life through the hidden spaces of past existence was a reality. It all begins in antiquity where Vernarth was hypno transported to meet his inmates and comrades. He proved to be a great defender of libertarian ideals and above all not to betray his formation of great leadership of the greatest empire, with his immeasurable feats of achievement, of this super experience of reunion for a world past to more reunions for having lived and relive them again.

The master director of this great feat, acknowledged never having attended something that is compared to him, it is an unprecedented fact that would mark a new milestone in his specialty and the study of parasychology. The doctor together with his assistants arranged to reevaluate a new systemic therapy policy, in exchange for their own way of life, generating the largest plan of the episode of intercommunicativeness to planes and dimensions of the ancestral memory of the entire created world and those that its beneficiaries have been able to verify.
In the immediate vicinity of the clinical consultation, hundreds of people, curious, journalists and the media gambled. To which one of them asks the doctor:

Journalist: Dear Sir, I would have a coffee ... just when I heard about this great news. We decided to come to his interview. I consult you. What has been the greatest content that has differentiated this from the rest of the procedures that you have carried out, and how will your future method be to reconvert your specialty?

Parapsychologist says:  there are undoubtedly innumerable connections in our life and beyond ...., But now I have found routes that I did not think I was capable of knowing at this point. And I think that now they will be more than I could count in my entire active professional life.

At that moment, his assistant called him urgently to tell him that an emergency had arisen. They both rush in and enter the cabin. And they manage to perceive that Vernarth was with the clothes on a sofa from the time of the exploits of 331 a. C. requested that they excuse him for his demands and needs, but he had a lot to propose and deliver to his comrades who were in Bumodos. Considering his beloved wife, Walekiria, who was as always preparing elixirs and essences for the restoration of the recipe for his chest and limbs. He had an urge to improve this whole process before the next Ekadashi, to enlist with new stages of his worksheet. Surely he should return to Patmos to take over the pantry and library of Saint John the Evangelist. He had to restore local buildings, house rooms, temples, regional development works, and regional art. Another elementary task was to take care of agriculture, and obey Hera's designs, for the next millennia to re-awaken from the cultures that survive on themselves. “Another of their great passionate obligations was to ride through Macedonia for the sunrises that run through the grasslands of grass and the swarm of hieratic insects, when the Oracle of Dodona made them polish their germinated seeds in the arms of dawn turned into Fireflies. He flew with his horse, appearing to be acclaimed from all over the world for his “Liturgical Conclave”. To surrender in its entirety to the pazos  of time on their Alikanto, beyond all the Eras and Millennia incapable of evading the disgraced ways by consolidating a new firmament. ”
Countless times Vernarth and Alikanto are seen crashing into the gleaming valleys and shores, encapsulated in the fields with the golden hooves of their steed, ushering in a new rebirth of their adventures, which are more than the same as God would entrust to a individual anxious to reissue Genesis or a new collaborative proposal with the Evangelist in Patmos.

Parapsychological Session resumes:
Vernarth, wake up. And she comments to those who accompanied her. ” I thought that as a child playing with weapons was only entertainment. Today I have realized that this never ends. Now I know that they are waiting for me in Patmos”. He quickly says goodbye to everyone and the rest remain undaunted by such a decision. Vernarth continues; I'm leaving with Raeder and his pelican Petrobus. Alikantus is also grazing for this long journey. Even every time he takes me away, he gets an allergy in his nose that makes him lose his nose. But my magic steed laughs at the ridicule and the decline of all doubts imposed on it. From Gaugamela who has had intermittences with his nose, but we will arrive at Patmos. The afternoon is darkening and is tinged with predominant whitish-white colors; Raeder arrived, entering through the large gentle window. They were preparing to begin the journey.

Vernarth greets him with a gesture of courtesy to Raeder, who offered to leave running from the new exile, it would be one more contingency. From that moment, he stood in front of Petrobus. Telling you; The Great Hour is undefeated in the face of the setback, it will be a great amenity to be with it.
Petrobus says: Greetings my lord! With my master Raeder we have been attentive to this moment, to overcome the best wishes of taking him to the Dodecanese and then from there to the Grotto of Patmos.  Where well known will be welcome in the house of the Evangelist. The time has come to leave ...!

“At that moment, Vernarth remembers an animal that was in a forest when he went to collect species as a child. He lunged at the animal; Vernarth looked at him squarely, then left. The animal followed him walking for several hours, until suddenly he looked to the side and was gone. He still misses this entire magical continuous event and with this cycled image of the animal kingdom. When he was preparing to arrive at his palace almost at night, he appears again before him, the animal showing him the desire to accompany him. Vernarth  looks at him and they start running, each time imposing more speed on the go. Vernarth screamed with contagious laughter and happiness. While his companion fired circulating cries that were confused with soft longings to address him by the middle ear and rule him. But beyond there, they both laughed almost turning and merging two into oneself, festively eager to laugh at the secretion that every man fills his soul, have another similar competing in a race without knowing where to go ... or why to leave? . "

React from that moment; Petrobus was blowing the room with strong and swirling winds. Raeder takes Petrobus by his golden feet and prepares for the journey.
Raeder says: Vernarth await us! We have to suspend ourselves at the dawn that glides through the winds of the wheat fields of the Dodecanseso. Petrobus will go near the iris of the great atmospheres, and will be supported by the great masses of winds that will take us to Greece. We intuit that Kanti, will then pass to escort us and join our events beyond the bend where the guidelines collide where the sea and the sky end, where Zeus will give us the good things.
  
Parasicological ellipsis in Piacenza:
Piacenza, Italy in 1887. It was right here where all the parapsychological regression was carried out. In the two-story house, he had two feline pets; Rannura and Catutto and three Tupac dogs, and three Canela and Bianca females, followed by Mara. These mysterious and resilient cats, at night they used to scare their inhabitants changing the tone of their meows by those of large beasts. But generally they were seen sleeping in their bedroom, one of them looked at them from the closet and pondered a compliment. The other was quiet near the feet of some of the two from Vernarth or Walekiria.

Its dwelling It is located in the padana plain at an altitude of 61 meters above sea level, on the south bank of the Po when the bushes change in autumn to the average of adult trees and the Trebia river meets in the west and the Nure torrent in the east from the city. She was always going to trek a few kilometers south, close to the slopes of the Piacenza hills, the first propagations of the Ligurian Apennines. Here they all passed through together, in such a way that there was no time to clean up or calm down in trifles. It was all playful diplomacy. Even when they rested, the pets teased him to continue with the ritual of running and running in circles through the groves, some flowery for ***, yellow lantanas, ornamental citrus etc. And why not name Pyramid Cypress or cemeteries...

Here his brother Etréstles always came in the spring with Drestnia from Messolonghi, Greece. Lía, the Muse who loved them both when they attended the Tuscan festival, usually came to visit him. Where he met Maddalena Tressi,  her greatest fortune teller of her regressive ancestral journeys, great inspirer of her artistic, religious and secular works at a great spring carnival. Whose name derives from the one used by Greeks and Latins to designate the lands occupied by the Etruscans, a territory of fertile plains surrounded by the main mountain ranges. The Tuscan landscape is characterized by the undulations that form the hills invaded by vineyards, olive trees and cypresses, especially in the footsteps of the Troncosada, which were and will be reunions of Italian families, of which there is no support or limestone that remains intact to its omnipresence.

In 790, a capitular of the Carolingian king of Italy, Pipino, in whom he acted on behalf of his father Charlemagne, prohibited the citizens of Piacenza by deliberately granting citizenship to those who depended on the king, thus allowing someone to escape control of this. The prohibition prevented escape from royal power. The city became famous on May 10, 1847 when the annexation to Piedmont took place, which started the long process of the Unification of Italy, which culminated in 1870 with the incorporation of the Papal States. Vernarth undoubtedly before closing the door inside his house opened it for a well-deserved new constitution of the right to acquire.

From here he went on great excursions to the Island of Sardinia in the autumn, where they lived from 1874 to 1877. Sailing trips were true insignia that shone through the waters of the green Celestine Sea. In an emerald sea between large and small coves of white sand ... on the celestial map of Sardinia, great syllogistic light of the Mediterranean for only them, with a territory full of galleries and bookstores, mainly mountainous for their walks and a half barefoot in summer, and with high chamber music peaks. The presence of Vernarth and Etréstles, attracted a lot of attention here, because they were seen every 50 or a hundred years, always seeing that their environment appeared the same, but humanly different. Sometimes in this territory, there are large areas that remain magically intact, inhabited by deer, wild horses and birds of prey, rich in forests with ancient trees, ponds and small desert areas where they both rose, to dissipate the sea that reigns with its colors and it is insinuated in the hidden coves, along the coast and on the beaches in the most frequented towns. The Emerald Coast, on account of impatient dreams in a little gem such as Porto Cervo, Porto Vecchio and Porto Rotondo, the latter facing the Gulf of Cugnana.

Great commotion attributed their curiosity to them as they were older, and where every millennium to be inaugurated they went to the nuragic complexes scattered throughout the territory: Unique monuments in the world that serve as testimony to an ancient and mysterious culture, dating from the fifteenth century to VI BC The nuraga, built with large stone blocks, were developed around a central tower in the shape of a cone trunk, which transmits solidity and power. These are archaeological sites where signs of ancient rituals and domestic life can still be found today.

In this algebraic cradle, it is where his Liturgy will connect linearly with Patmos and evangelization methodologies. All the seasons of travel to this mysterious area, he summoned them to meet and plot the 1,020 km. Where no thread of life is left unpatched without their repeated prayers before each glass of wine served, not even in the darkness of the Mausoleums themselves of the Troncosada, noble family originally from Venezia, in the early middle Ages.


Ellipsis in Tuscany, Villa Gamberaia
Vernarth, and Etréstles and Valekiara, are approaching the coincidence of Tuscany. Once they stayed in Sardinia, a coastal sailboat transported them in the middle of a stormy day. It was a great happy day to arrive in La Spezia.

They arrived, in a bright cart devastated by the olive trees, near the Villa Gamberaia, after eating some bacon and cheese sandwiches. This villa was originally a country house, which was owned by Matteo Gamberelli, a bricklayer, in the early 15th century. His sons Juan and Bernardo became famous architects by the name of Rossellino. After Bernardo's son sold Jacopo Riccialbani in 1597, the house was greatly enlarged, then almost completely rebuilt by the next owner, Zenobi Lapi, documents from the time mention a limonaia and the landscaped bowling alley that is part of the garden in today's design. Here they parked and at night they followed the Liturgy, highlighting those that coincided with Lent of Easter, where one day they were seen talking with Petrarch and Laura de Noves. Here Vernarth with them offering the modest auction that without a doubt would bet one day on this Villa of immemorial centuries with great challenge to its ruse, and of such architecture.

“A little more history…, The flower bed was presented with French-cut broderies in the 18th century, as can be seen in a detailed map of the estate described by Georgina Masson. The olive trees have always occupied the slopes below the garden, It has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in stucco relief in a niche decorated with pebble mosaics and padded masonry. ” Here at the Verbena of a long feast day, everyone together with Vernarth got drunk with Corinthian Wine, which they brought and did not stop from the swing of the rhythm of the music that made them foresee their multi existence beyond their limitless sensibilities.

The parapsychological plot took them through multiple spaces of their frantic journey, as if they were being recently procreated by their heavenly and earthly parents, before they resumed the end with Kanti, Reader and their pelican Petrobus. This outcome would mark a new path of valleys on valleys, to shelter and fill their memories, especially their great navigation to the Dodecanese and Patmos, so close and intertwined with Sardinia as two islands united by the same new ocean in which we will have to navigate, and domains to ride shipped around the world.

To be continued , under eition
parasychological plot
B Dec 2015
Blessed be the day, and the month, and the year,
and the season, and the time, and the hour, and the moment,
and the beautiful country, and the place where I was joined
to the two beautiful eyes that have bound me:
and blessed be the first sweet suffering
that I felt in being conjoined with Love,
and the bow, and the shafts with which I was pierced,
and the wounds that run to the depths of my heart.

Blessed be all those verses I scattered
calling out the name of my lady,
and the sighs, and the tears, and the passion:
and blessed be all the sheets
where I acquire fame, and my thoughts,
that are only of her, that no one else has part of

-Petrarch
not mine, but Petrarch's.
Haley Harrison Aug 2020
You are my doom, a Laura reincarnate,

and I Petrarch, bound to you by fate.

I'd pray for salvation, but whom to implore?

You? Or a deity I believe in no more?

.

You lurk, uninvited, in the corners of my mind,

the edges of consciousness, never hard to find.

Invading my thoughts – it's not very kind,

it is a death sentence, that I myself have signed;

Because I made no attempt to dispel such a thought,

visions of you, my heart blindly sought.

.

You are my drug, and recovery I shun,

I've tried rehab, but addiction has won.

You wouldn't ask Earth to give up the Sun,

or a bullet to fly without a gun.

So, trying to quit – with that I am done,

After countless failed attempts to run.

.

You are my sorrow, but these lines ease the pain,

as burns and bruises hurt less in the rain.

I turn my heartache into verse, and time slows,

as bittersweet loneliness into words flows.

I drain myself of the pain, I keep it at bay,

however, it never completely goes away.

.

In these poems, it is you I address,

but I wouldn't ever let you see this mess;

I write so this torture would hurt a little less,

as, repeatedly and fruitlessly, my love I confess.

So, these lines will never ever go to press,

as you won't hear my lips whisper: "S".
29.08.2019.

(for S.)
Vernarth was in Sardinia in the Nuraghe megalithic complexes when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. In whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde tasks with Aristotle, from a laxity that invited, after long rejoices, to record and sculpt messages with the pigeons of his village. Near Pela, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-barbarian inhabitants, tracing the Chalcidian league , after the Peloponnesian War. He was in great campaigns in the former Pela, in which he watched arduously in urban and architectural plans, where he had the privilege of interacting with great artists, thinkers, historians and philosophers.

His testament as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift towards a mission of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, in substitution of Judas Iscariot, due to his apostasy. . Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his Hetairoi ranks, transcending over the stain of Judas Iscariot, to face in the arena of Pela. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, Channeling his spiritual raging and tramontano in the gulf, to take him out of a banal summer from his transition of an immolated soul and make him walk for thirty days to bare feet, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble from the crops of the deleterious nesting grounds of the Kashmar Ravens, bidding him so that his blood is ****** from the heels of the rooted trees of Thor forest, usurping the " Don de Iahvé ”in dishonor of its Hebraic appellation, for rhetorical onomatopoeic, resulting from the whimsical roar of black lineage emanating from the mouth of Aulos centrally in the Cobra. In the aforementioned connection he was recomposed in the group of twelve, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he being with his prayer and sacrifice in the religious character for the community worshiping Kashmar; whose roots hardened towards the immolation portent of silence as it entered the black night of Judas, for excessive twists of its bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas diminishing over the stained requeríos of hell ..., thus their remains were scattered by the synod of bustard birds in the sky sprinkled with globular creation, faded by the hordes of the conclusive of the late Neolithic Druid by the alternate deity Belinus, with ingots of sooty petrified poplar of Hecate boiling in  the Avernus.


We shoveled over the holm oak groves and their trees, sacralizing factotum after the ritual of the Dodona sanctuary, in uniformity towards a murmur in the leaves from an oak in the spell of a man towards an oracle, to consummate him with the mendicant count of the Ziziphus spina-christi ; hawthorn from the crown of Jesus but with Kashmar implants, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so he also walked in the inlet of Sardinia, after being in the megalithic complex Nugara, together with Etréstles and Walekiara, they are approaching the coincidence from Tuscany. Once they stayed in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, highlighting those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarch and Laura de Noves. The olive trees keep pietism with the phantasmagorical spectra of the Kashmar, conceived for them by the double murmur of the Duoversal man's spell. Always in Tuscany the slopes below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain is set on a steep hill on a side flank of the garden terrace, where it has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. "Here at the Verbena ..., one day of long feast, everyone together with Vernarth gets drunk with Corinth Wine and snakes crushed by their deformed feet, which brought and did not stop the swaying rhythm of the music that made them anticipate their multi existence beyond the grave than his limitless sensibilities, turning his apostolate close to his instigated destiny to Patmos in the hands of his original Duoverse with translation, rotation and Duoversal Theurgic orbit, for spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to communicate with its compatriot land near Pela, in synonymy with Sardinia and Florence.
Verthian Apostolic Conception – Kashmar / part 10
Qualyxian Quest Sep 2019
Think you Petrarch would
have written sonnets all his life
had Laura been his wife?

True, so still I write
and sway and seek
lonesome moan for Susan Meek.
Qualyxian Quest Jul 2023
Think you Petrarch would have
Written sonnets all his life
If Laura had been his wife?
Qualyxian Quest May 2021
1337
Petrarch to Avignon

2037
Will I linger on?

  Night. Or Dawn?
Qualyxian Quest Feb 2023
Think you Petrarch
Would have written sonnets
All his life
Had Laura been his wife?
Cuts close to the bone for me
Qualyxian Quest May 2020
If Petrarch would have had Laura
For his wife

Think ye he'd have written
Sonnets all his life?

If we had married
And not broken up

Would I be Westley
And she Buttercup?

Yet he has blue eyes
And she is blond

But we're both brown
Time travels on.
Qualyxian Quest Oct 2020
The mysteries of life: unresolved
Cold Mountain: no through trail

Prayers for death at the Celtic Cross
Monday I return to the mail

One insular Tahiti
Horrors of the half known life

Think you Petrarch would compose sonnets
If Laura had been his wife?
Qualyxian Quest Sep 2020
Think you Petrarch
Would have written sonnets all his life

If Laura had been his wife?
Qualyxian Quest Apr 2021
Think you Petrarch
Would have written sonnets
All his life
Had Laura been his wife?

— The End —