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Glen Brunson Sep 2014
I have been told since I
learned to read
that holding someone close
says I love you with my
heart inside my body inside my head.

she said "fall in love with someone
who's comfortable with your silence."
and still,
          I only find you in the dark
           crushing my toe on your frame
           the scratched black nail in the morning
           shines like the love I gave was too
                     loud and bright, so blinding

that you sank behind the sun
as I played "She loves me,
She loves me Gordian not"
with the sword rays.
splayed across my tongue.

the razor-blade foreplay
was violent enough to carnage
your room to a crime scene wrapped
yellow tape package CAUTION
you yelled with the nothing CAUTION
do not cross do not cross do not cross
                 you fake messiah
                 you save yourself savior complex
                 of a narcissist, drowned in his own pool
                              of backlogged traffic jam verbage
living with a rearview mirror in every room
especially our bed.

           I find myself
with arms wrapped too tight
around a precious thing,
screaming until the spit sling blade
found every secret place inside your ear
and carved it to echo the only word
                 I have ever really known

ME
ME
ME
ME
ME
ME
MYSELF AND EVERYTHING INSIDE ME

living with a rearview mirror in every room
especially the ones you're in.
especially when you are too quiet
to be anything but a noisemaker
in my cavern of a head
filled with my own claps
singing my own song
playing by my own rules
until everything I knew of you was
dust and shivers in the mist.
Old one. Relevant.
wyatt rabbit Jun 2014
I could spend hours writing about you
and believe me, I have
but they all end up the same way
"I love her  I love her  I love her"
I want to put the pens down and grab your hands instead
run them across my body while I tell you all the things that I've written
but never said
pull your lips to mine and let our tongues do all the talking
while they're conversing I'll start *******
you slowly
I wanna savor the moment I come in contact with your body
move my lips down to your chest
and whisper my secrets to your skin
leave a message in every kiss
and a kiss at every corner
while I breathe you in
every breath I take
now the beds starting to shake
as I start to make
love to
you
Sophie Herzing Oct 2013
Two blondes.
One bouncing in the red cushion window seat,
bowl cut, light-up sneakers, making engine sounds
as his small hands hold the body of the airplane
flying it through the October air.
The other sitting on brown hardwood,
soft curls, pink sparkle dress, stumbling over words
as she reads aloud Goodnight Moon in the afternoon.

Grandma's in the kitchen,
smoking out the window over the sink,
telling them that daddy will be home in just a minute.

Daddy walks in, screen door flinging shut, with muddy work boots,
torn jeans, and black hands.
The boy directs his plane right into his daddy's arms
spit spurting from his noisemaker lips.
The little girl jumps into Daddy's other side, resting on his hip.
Daddy kisses her soft cheek before he sets them both down.
They grab their backpacks and strap their sneakers.
Daddy's thanking grandma who put her cigarette out as she heard him walk in.
She coughs and says not to mention it again.
She'll see him tomorrow.

Daddy buckles his kids in the back seat,
listening to the boy ramble on about his day,
the little girl trying to interrupt.
Daddy nods and smiles,
fixes the rearview mirror and drives through the yard
careful not to rip the grass up
as he turns on the main road.
They both fall asleep before he makes it home.

My mom wakes up in a sweat,
calls me on the phone when I'm asleep
telling me all about her marvelous dream
about Daddy and my kids.
Tells me this wouldn't be the first time
she's saw him and I make it to the end.
I tell her this wouldn't be the first time
I believed it either.
I am the noisemaker
The loud, obnoxious sound
That heightens the awareness
Of those that stand around
Putting off pretenders
The defenders behind masks
That reside and hide in solitude
From questions no one asks
Natty Morrison Jan 2012
I am using poetry
wrong
like a New Year's noisemaker
taking out all the silent parts
so I can scream my ******* name in your ear.
I open my eyes
The woman stands
At the foot of my bed
She looks at me
   Unblinking  
     Watching
       Waiting for something

I don't know her
Never seen her before
She's dressed formally
As if for dinner
   Black gown
     Crimson sash
       Long white gloves

How'd you get in here?
I ask
Coughing the words
From my shriveled lungs
   Nothing
     Silence
       She doesn't speak

I question her again
Who are you?
Again, nothing
She just stands there
   A pillar
     A gravestone
       Still as marble

I look up
Up at her face
Her face
Oh God, her face
   Slender
     Pale
       A classical beauty

If I were a younger man
I would say I were in love
But if I were a younger man
I wouldn't be here now.
   Lying
     Helpless
       Choking on nothing

She steps forward
My breath quickens
The monitor in the corner
That eternal noisemaker
   Beeping
     Beeping
       Beeps faster now

She smiles at me
I smile back
Or try to
My face feels stuck
   I struggle
     I strain
       It won't move

I try to say something
The words are slurred
Strange noises come out
She raises a finger to her lips
   Shhh
     Calm
       Everything is alright

The sound of her voice
It's beautiful
It quiets me
It sounds strange, though
   Elegant
     Foreign
       But so cold

Cold?
She steps even closer
Out of the shadow
I see her eyes
   Grey
     Unfeeling
       Pinning me down

I can't move
Can't stop staring at those eyes
The eyes of the dead
They seem to grow
   Larger
     Deeper
       Swallowing me up

Still staring at me
Staring into me
She lifts her arm
Pulls off her gloves
   Her hands
     Those hands
       Hands of a skeleton

Her hands are so pale
Paler than the rest of her
Almost pure white
I look now at her fingers
   Long
     Lithesome
       They look fragile

She reaches out
Towards me
I try to pull back
The monitor beeps again
   Faster
     Faster
       Beeping too fast

She touches me
Cradles my head
Reaches into my mouth
Pulls something out
   It's warm
     It's glowing
       It looks alive

I think it's my soul
My vision clouds
Darkness eats my peripherals
The monitor beeps again
   Slower
     Slower
       Beeping too slow

All of a sudden I see pictures
Scenes from my life
Played out again before my eyes
It was a good life
   Full
     Significant
       With no regrets

I realize something
I must be dying
I realize something else
She's not a woman at all
   An angel?
     That's it
       The Angel of Death
Barton D Smock Oct 2015
[the omens]

to the rabbit
he can’t bring himself
to shoot
in the foot
the boy
with a sore thumb

whose mother
wrote the book
on book
burnings, whose father
baptized
a scarecrow
as scarce

crow

whispers

in hindsight
of course
the omens
are coming

[you]

are now’s
nostalgia


[bridge]

god has gathered the disabled to make his case against reincarnation

-

unable to sleep, I become an alcoholic

-

I prefer
like my father
my insects

noncommittal

-

insomnia is the insect my scar becomes

-

noggin, mouth-hole, skinflick

-

a ghost
when I study
angels


[wolf, wolf, god]

her plane is in the air.  she is showing late signs of believing she’s left an octopus in the oven.  the man she is with knows nothing about paper.  on the ground, in awe of the bee stings on a sister’s bare back, a brother carries orphanhood to term.  everything I touch belongs to the same alarm clock.    


[bygone]

I started smoking in my early thirties because I missed my brothers.  because a train is the only thing I can act like I’ve seen before.  because a claw opened and a child dropped.  because unhurt the child was a girl and injured it was a boy made of being touched.  because giant birds were ****** to give other people rain.  because all hail, as all do, location.  because riot then riot envy.  because bright spot became a cloth in a police car.  because I can’t sleep and couldn’t without thinking of sleep as a copy of a copy.  because lost the baby wasn’t getting any younger.  because nightlight and tadpole, mom and dad.


[nigh]

don’t talk to babies. write. write to be the first one there. the frostbitten woman ******* her thumb has all her teeth. walk once a week into the wrong bathroom. worry. bump around the house at night, noisemaker. a depressed elephant in a walrus graveyard. pull. pull from your habit forming past. be the bomb god’s yet to wear. surround with others the baseball bat signed by the last woman to mourn sleeping beauty. open your mouth then look at your son. call it photography. if spotted, be a monster.

[indwell]*

I either have to **** my father or keep loving him.  a friend of my brother’s says she can get me cigarettes, a knife, and two cans of beer.  says her own father was a doctor up until he delivered a baby with a serial number tattooed on its arm.  she doesn’t know what her father does now.  her mother is in the dark.  her mother is obsessed with the three the disciple lied to.  people want me to back up but a man is never the same sadness.  define people.    

~          

from *Drone & Chickenhouse

84 pages, poems, Barton Smock, Oct 2015, 6.00

http://www.lulu.com/shop/barton-smock/drone-chickenhouse/paperback/product-22390933.html
blushing prince Jul 2017
The tips of my toes curl
fold inwardly like noisemaker blowouts
like the feet of the wicked witch of the east
I was always envious of the tongue flicker her feet took
the slug slithering into its’ shell
my hands are always sweating pools into a liver shaped pond
and this is where I lie
in the altar of altruism
into the bucket womb of the dark
where I prop myself against the saints I’ve collected
each one with hands clasped
each one never saying the prayers I want to hear
the one that will console me
the one that will **** my pupils dry
I think I hear it
but it’s time to dust the pagan guardians again
it’s time to light the candle
the flame licking my hair
sending it into a sizzle that smells
like a butcher’s shop
my eyes the color of kidney beans splitting
I want the angels to help
to promise me that I won’t be bad again
that the good in me is the good
in those that never get sick during the flu season
I am eternity stuck underneath lamplight
waiting for that bell to toll
to announce the coming of the
moment where I will
more monk than human
more enlightened than domestic cat
more blissful contemplation than damnation
sir humbug Jul 2023
five years ago, June 2018,
I, poet Sir Humbug,
wrote:that the job of the artist was to be
luminous and dangerous

<>

the job of the artist
is to be
luminous and dangerous

luminous to others
by being
dangerous to themselves

when the words are ripped from the chest,
atmosphere disbursed by the body’s projectile messes,
starburst fireworks,
luminous and dangerous,
luminating the shared night,
laminating your truths,
in poems disguised

and so the job,
our work,
begins


<>

five years on,
somethings have changed,
indeed, the dangers of
being luminous,
clarifying and exposing,
the requisite badge of courage,
need-be more desperately earned

the work is more risky,
as the rules of now are none,
and the risk of good taste,
thoughtful caring,
exposing you innards outwardly,
so easy to demean
and sadly
that titillates the iliterati

like a fire-working fireflies flashing,
their in-concert of ligh attracts the
oohs and aahs
but too,
the restless for glory,
opinionated blowhard,
whose critical boundaries of ill will
are
boundless

yet,
write on, right on
to be where courage be the
sticking point!

your verbs must be pointy,
your direction true,
adjectives of modest innovation,
craft harder, then harder again,
for the work must be honest
in a manner most delicate

now is the time of
subtlety -
if one must bang pots to be heard,
that you to are but a noisemaker, a loser,
an addition to those
lost in the din

quiet passion,
thoughtful insight
to inside, to the tender parts,
will rule the day

and the blow smokers
will rue the day,
as their pretenses chafe and flail wayside,
and your words,
be like sightings of new lands
where you take us utterly beholden,
willing explorers to places most wonderfully

luminous and dangerous!
Barton D Smock Sep 2015
don’t talk to babies.  write.  write to be the first one there.  the frostbitten woman ******* her thumb has all her teeth.  walk once a week into the wrong bathroom.  worry.  bump around the house at night, noisemaker.  a depressed elephant in a walrus graveyard.  pull.  pull from your habit forming past.  be the bomb god’s yet to wear.  surround with others the baseball bat signed by the last woman to mourn sleeping beauty.  open your mouth then look at your son.  call it photography.  if spotted, be a monster.
Amanda Arends Mar 2014
through the snow i walk
trudging through the heavy whiteness
breaking up the smooth sparkling surface
i glance back at the path of destruction behind me
then up to the midnight sky
the glimmer of stars mirrors the snow here on the ground
i stand there in awe, overcome by the realization that i am a small speck in between the earth and space
a small stain, destined to destroy nature and its beauty
destined to pollute this universe with my human ignorance

i continue my walk but am stopped once again
this time by the quiet of winter
the complete absence of sound
absolute
silence
it’s as if the snow sits here and ***** up all the noise from the atmosphere
as if the sounds are absorbed into the crevices made by the crystallized ice
i am the only noisemaker here
why does the silence hurt my ears?
the air is still and i shiver
too aware of my human-ness
and as ashamed of it as i can be
Barton D Smock Aug 2017
[notes from life under bell]

(i)

on video my cousin is singing a song she’s learned by heart. she’s maybe four. I don’t know where to begin. this pond behind her, perhaps? that in my memory is the size of a fire pit. or maybe, here, in the darkening sameness of those sentences strung together by cows. or years from now, even, with the word no and her sister’s lookalike being assaulted by an only child in a library of fragile non-fiction. my cousin is singing a song she’s learned by heart. she’s five. a careful six. sound’s fossil. no city half-imagined. no insect obsessed with privacy. time matters to the frog we catch.

~

(ii)

there are days he is the son of muscle memory and funny bone. days his hands are gloves from a small god. poor god, he says, and grows. days he can carry a circle to any clock in the town of hours. days his past can be heard by his siblings- you’re beautiful the way you are. days his blood pushes a bread crumb through his thigh. days his scar is a raft for ear number three. nights his brain / the separation of church and church.

~

(iii)

violence is a dreamer. a boy on a stopped bus is dared to eat a worm. it feels authentic. alas, there is no worm. the devil knows to stay pregnant. word spreads about the girl without a tongue. cricket lover. and then, bulimic, when she won’t sneeze.

~

(iv)

the mother of your hand is smashing spiders with her wrist. we have a high-chair for every creature that eats its own hair. the twins in the attic have switched diapers. skeptics. voices heard by the ghost of my stomach.

~

(v)

it is snowing the first time my daughter drives alone. Ohio is cruel. stillbirth, old four-eyes. you want them to like you. the insects you save.

~

(vi)

a lawnmower starts then dies then is pushed by a noisemaker past fog’s dark church.  an unprepared prophet drinks the milk meant for baby eyesore.  my sister loses most of her hair putting together a puzzle of her mouth.  a bomb is dropped on a bomb.                

~

(vii)

the man his shadow and the woman her dream.  

their child
its track
of time

~

(viii)

onstage a dog barks at an empty stroller.  the mosh pit is weak.  last count had three pregnant, three resembling the man who unplugged my father, and two praying for the inner life of a hole.  onstage a boy is holding up a kite for another boy to punch.  dog’s been tased.

~

(ix)

we put a museum on the moon. I had all my dreams at once. a mouse was wrapped in a washcloth then crushed with the songbook of baby hairless. fire treats grass like fire.

~

(x)

outside the bathroom’s designer absence, our melancholy impressed by symbolism, we form

a line

~

(xi)

tree: the unbathed statue of your screaming

shade: the folder of my clothes

~

(xii)

praying he’ll see again them cows of lake suicide, the handcuffed frog shepherd

prays he’ll see again them cows of lake suicide    

~

(xiii)

a body to dry my blood.  some god

seeing me
as a person…  

how quickly birth gets old.  

~

(xiv)

lonelier than creation, I have nothing on trauma.  genetically speaking, I don’t think anybody expected us to spend so much time on one idea.  this open umbrella.  ghost at the keyboard.

~

(xv)

and in the spacecraft where a mother diapers the doll that makes her fat there plays the voice of god asking for a film crew none will miss

~

(xvi)

we wore clothes as an apology for being nearby.  a door was a door.  a ghost was a ghost and a door.  the house was possible.  its rooms were not.  baby was a body spat from the mouth of any creature dreaming of a bathtub.  I got this lifejacket from a scarecrow.  said the redheaded tooth fairy.

~

(xvii)

his baby is wailing in its crib for its mother and he mans you up for a cigarette and blows on the baby’s face and somewhere you yourself have stopped crying as you are pulled from a pile of leaves by two people made of smoke

~

(xviii)

for a spine, doll prays to fork.    

all kinds
of shapes
miscarry.

~

(xix)

one day my son is dying, the next he is not, and the next he is.  day four:  prayer is dismissive, but welcome.  whose past is how we left it?  body is delivered twice.  beginning and end.  nostalgia and wardrobe.  middle eats everything.  it snowed and I thought my blood was melting.  could be the way you reason that happens for a reason.  I was a kid when mouse was a kid.  there’s no hope and I hope.  

-

my son’s weight is a cricket on a piano key.  it’s more than I can handle that god gave us god.      

-

aside:  we don’t come out faking our death, but are born because birth can’t sleep

-

aside:

I study lullaby
and lullaby
bruise    

-

it takes four juveniles to recruit his thumb.  his fist has been called:  hitchhiker practicing yoga in a junkyard.  I cannot visit the instant ruin that forgiveness creates.

-

sickness in the young is god’s way of preventing nostalgia from becoming the god I remember

-

I was beautiful but now I’m ugly. (now) being the most recognizable symbol of the present. this is the silence I speak of. my son says (more ball) and you hear (moon bone). he is very sick. his moon has bones.

-

the disappearance surrounding said event.  a horse belly-up in water’s blood.  see telescope.  also, cane of the blind ghost. magician, maybe, on a rabbitless moon- oh cure.  

oh silence afraid to start a sentence.  

-

in the photograph a fist is cut from, a kneeling family of five is putting to bed

the unremembered
present.  

-

traced, perhaps, for a terrible circle-

today was mostly your hand.
Barton D Smock Jun 2018
thru June 11th, Lulu is offering 10% off all print books AND free mail shipping (or 50% off ground) with coupon code of BOOKSHIP18

poetry collections, mine, self-published, are here: http://www.lulu.com/spotlight/acolyteroad

~



NOTES FROM LIFE UNDER BELL

(i)

on video my cousin is singing a song she’s learned by heart. she’s maybe four. I don’t know where to begin. this pond behind her, perhaps? that in my memory is the size of a fire pit. or maybe, here, in the darkening sameness of those sentences strung together by cows. or years from now, even, with the word no and her sister’s lookalike being assaulted by an only child in a library of fragile non-fiction. my cousin is singing a song she’s learned by heart. she’s five. a careful six. sound’s fossil. no city half-imagined. no insect obsessed with privacy. time matters to the frog we catch.

~

(ii)

there are days he is the son of muscle memory and funny bone. days his hands are gloves from a small god. poor god, he says, and grows. days he can carry a circle to any clock in the town of hours. days his past can be heard by his siblings- you’re beautiful the way you are. days his blood pushes a bread crumb through his thigh. days his scar is a raft for ear number three. nights his brain / the separation of church and church.

~

(iii)

violence is a dreamer. a boy on a stopped bus is dared to eat a worm. it feels authentic. alas, there is no worm. the devil knows to stay pregnant. word spreads about the girl without a tongue. cricket lover. and then, bulimic, when she won’t sneeze.

~

(iv)

the mother of your hand is smashing spiders with her wrist. we have a high-chair for every creature that eats its own hair. the twins in the attic have switched diapers. skeptics. voices heard by the ghost of my stomach.

~

(v)

it is snowing the first time my daughter drives alone. Ohio is cruel. stillbirth, old four-eyes. you want them to like you. the insects you save.

~

(vi)

a lawnmower starts then dies then is pushed by a noisemaker past fog’s dark church. an unprepared prophet drinks the milk meant for baby eyesore. my sister loses most of her hair putting together a puzzle of her mouth. a bomb is dropped on a bomb.

~

(vii)

the man his shadow and the woman her dream.

their child
its track
of time

~

(viii)

onstage a dog barks at an empty stroller. the mosh pit is weak. last count had three pregnant, three resembling the man who unplugged my father, and two praying for the inner life of a hole. onstage a boy is holding up a kite for another boy to punch. dog’s been tased.

~

(ix)

we put a museum on the moon. I had all my dreams at once. a mouse was wrapped in a washcloth then crushed with the songbook of baby hairless. fire treats grass like fire.

~

(x)

outside the bathroom’s designer absence, our melancholy impressed by symbolism, we form

a line

~

(xi)

tree: the unbathed statue of your screaming

shade: the folder of my clothes

~

(xii)

praying he’ll see again them cows of lake suicide, the handcuffed frog shepherd

prays he’ll see again them cows of lake suicide

~

(xiii)

a body to dry my blood. some god

seeing me
as a person…

how quickly birth gets old.

~

(xiv)

lonelier than creation, I have nothing on trauma. genetically speaking, I don’t think anybody expected us to spend so much time on one idea. this open umbrella. ghost at the keyboard.

~

(xv)

and in the spacecraft where a mother diapers the doll that makes her fat there plays the voice of god asking for a film crew none will miss

~

(xvi)

we wore clothes as an apology for being nearby. a door was a door. a ghost was a ghost and a door. the house was possible. its rooms were not. baby was a body spat from the mouth of any creature dreaming of a bathtub. I got this lifejacket from a scarecrow. said the redheaded tooth fairy.

~

(xvii)

his baby is wailing in its crib for its mother and he mans you up for a cigarette and blows on the baby’s face and somewhere you yourself have stopped crying as you are pulled from a pile of leaves by two people made of smoke

~

(xviii)

for a spine, doll prays to fork.

all kinds
of shapes
miscarry.

~

(xix)

one day my son is dying, the next he is not, and the next he is. day four: prayer is dismissive, but welcome. whose past is how we left it? body is delivered twice. beginning and end. nostalgia and wardrobe. middle eats everything. it snowed and I thought my blood was melting. could be the way you reason that happens for a reason. I was a kid when mouse was a kid. there’s no hope and I hope.



my son’s weight is a cricket on a piano key. it’s more than I can handle that god gave us god.



aside: we don’t come out faking our death, but are born because birth can’t sleep



aside:

I study lullaby
and lullaby
bruise



it takes four juveniles to recruit his thumb. his fist has been called: hitchhiker practicing yoga in a junkyard. I cannot visit the instant ruin that forgiveness creates.



sickness in the young is god’s way of preventing nostalgia from becoming the god I remember



I was beautiful but now I’m ugly. (now) being the most recognizable symbol of the present. this is the silence I speak of. my son says (more ball) and you hear (moon bone). he is very sick. his moon has bones.



the disappearance surrounding said event. a horse belly-up in water’s blood. see telescope. also, cane of the blind ghost. magician, maybe, on a rabbitless moon- oh cure.

oh silence afraid to start a sentence.



in the photograph a fist is cut from, a kneeling family of five is putting to bed

the unremembered
present.



traced, perhaps, for a terrible circle-

today was mostly your hand.





WE BROUGHT HOME THE WRONG DYING BABY



I ain’t been talked to in so long my wife’s kid thinks I have amnesia. ain’t been touched since Ohio’s ramshackle symbolism swallowed up some ***** donor’s shadow. I went yesterday to a funeral for a woman’s ear. told people what I was wearing was a bedsheet belonged to the man in the moon. told myself I had this microscope could see a ghost and that I’ve only ever lost an empty house. I don’t know how old I am but I know what year I want it to be. before dying I saw it flash how I should have died. low creature. tugboat.

~~~

father an optometrist inspecting a replica of a totem pole and mother an eel collapsing at the thought of a play performed in a stone.

and there, at the bottom of grief, a cup of dirt with nothing to bury.

~~~

mother is chewing gum like something fell asleep in my mouth. I say dog for both dog and puppy. pray for things I know will happen. a rooster through a windshield. a dried-up toad in a deep footprint.

~~~

mother and father give their word that all narrators are orphans. that blood is a short leash. sometimes, a fence. be, they say, the symbol your god remembers you by. tell your brother to act like a chicken. your stickmen to share a toothache.

~~~

I saw a cigarette with its mouth open. today was hard. hate is amazing.

god will die with his ear on my stomach.

~~~

the darkness has many stomachs and we’ve no one to tell my son he’s lonely.

seller of the disappearing stone, the mouth names everything and is born after eating a blindfold.

~~~

for desperation, boy puts a bird in a hand puppet. here a finger and there a worm, sadness has no family. oh fetus my moth of many colors. oh mosquito that bit an angel. time with my son

in scenario’s territory.

~~~

atavism
(god is someone’s calendar



valley
(a girl with a marble who answers to overdose



pulpit
(rooster ghosted by elevator



subculture
(in my years with the poor, I wrote nothing down



alpenglow
(the scalp will baby its grief

~~~

on muscle detail, the clapping boy from the cult of thunder brings a wheelchair to the last rocking horse known to model swimwear for the few dolls that remain married to the same mask. the boy is weak but maybe he puts two words together. like ghost

and exodus. for the second coming of the handcuffed animal.

~~~

the boy picking flowers for my shadow loves no one. everything I touch remembers being my hand. the world has ended, or started early. god’s heartbeat. sound’s watermark.

~~~

because her son can see the future, she is not yet born. god matters to the discovered.

~~~

overtook no cigarette. surprised no sleep. keyed the car

of a minor
toymaker.

radar is getting possessive.

~~~

for the gone and for the nearly, brother has the same stick.

I call belly
what he calls
eye
what answers
to limb

~~~

to speak
it needs gum
from the invisible
purse.

comes with everything. cries like me.

~~~

she says
three times
the word
brain
to her stomach’s
blue
mirror
and scores
sight’s wardrobe
of rags
in earworm’s
dream

~~~

there’s a comb
in my narrative, a goldfish

coming to
in a beheaded
angel
Barton D Smock Jul 2017
a lawnmower starts then dies then is pushed by a noisemaker past fog’s dark church.  an unprepared prophet drinks the milk meant for baby eyesore.  my sister loses most of her hair putting together a puzzle of her mouth.  a bomb is dropped on a bomb.

— The End —