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Tommy Johnson Sep 2014
A line has been drawn
And you have nothing to say about the height chart in the door frame
***** smocks
The ebbing and flowing of passengers in the middle seat
Who do nothing but leave coffee rings everywhere they've been
And say, "my left shoes has a sturdier soul than I do!"
Then forget to close the toaster oven
Rusted lamp posts and artificial flavoring
The Kettle telling The ***, "don't do me no favors"
I see clear coasts and those who've missed their boats
They should have taken their piece of cake
Now, this is gonna hurt me more than it hurts you
Getting back to business and usual
Better make that eyelash wish count
It's a free for all
It's sibling rivalry
For all the brown-nosers
Who live up to their reputations of raised leg urination
Give me a pull start
And then demote me to cabin boy
       -Tommy Johnson
BarelyABard Jan 2013
I have an inclination to lean towards discrimination.
A biased noise is all I hear.
"*******.
Go to hell.
I'll bash your head in you
****."
When magnets are pulling you towards the left,
how can you swing to the right?
If you reverse your polarity
then you will still be swinging to one side
and one side
Alone.
A middleground in all you need
so grab two magnets and become free.
i am singing soft pinks,
after my too bold reds;

i mean,
maybe, my great, round bursts of
clumsy heart
didn't bruise as sweetly
as i'd hoped.


i haven't a thing against
climbing to middleground;

my lips are left
less chapped.

--

I am a
yet, wild queen -
learned-head bowed
low.

heart lifted

-in anticipatory gusts
of questions,
peppered with thanks,
for the inner knowing,
melding into my all-

to the heavens, above,
lifting up fervent
pleas and blessings:

thanks, for the continuing cycle
that continued
long enough
for me to believe
and is continuing,
even still -

this was something
different.

not singing after?
but, softening to?


this feels much,
much more like home.
Need to get these writing juices flowing again!
Ad infinitum*

embroiled       in another
waking            moment with
a bated            breath nothing like
this day           inclined only to obfuscate
its meaningless      joy of seeing yourself

in a pond        swimmingly doubling the inertia
of the koi       the day constricting within the verdigris
ready to          seal shut in hermetic   this vermillion eye
to wake up     into a long-held confrontation

       of   what this system closes in a document
       why bother this validation when valedictory


Ad nauseam

why bother     this   confrontation
when disappearance     this  space much like a long-held performance
   if concert is hermetic     in front   of a nonchalant audience

laudable     with  no sound,  an untranslatable music
      unhinged from the inherent risk of felling

an    inert   day   struggling   like    koi   trapped
  in a    pond    seeking  what it is   to transcend
   or   the  multiplied   joy   of seeing  yourself  meaningless

   ready   for   an  eye to   be   caught in  a  monotonously
     claustrophobic      *****   of    a   tremulous   middleground
   with   no   possible  agreement   other   than:

   this    potentially   demands   an  end
       when  beginning   you   are   lionized

  to    a   fault,   repeated,    trite:    *what for?
Each of us possesses our own personal dialects.

Though many of us may indeed share a common tongue, perhaps even two or three,
each of us uses these toolboxes in our own, personal way.
A way that is constantly in flux.

Fluctuating from the inside, ideally,
but it can be imposed upon by various forces.

When we think,
our mind must fabricate
then it must translate that fabrication into language.
When we speak,
we must in turn mold and shape thought into a common middleground
which is then subject to interpretation
upon which people generally reflect
and can be shifted in their own minds
such that they now perceive differently
and thus interpret differently
than they once had before.

If done constructively, this is generally called teaching (if external) or learning (internally).
Destructively, it can be called brainwashing.

Sometimes it is more innocent
but it is often manipulated
by various people
for various ends.

One must fortify one's own interpretations
based upon personal experience
and ideally critical thinking.

Also,
One must realize the limitations of language
as well as the limitations of interpretation
before one can begin to cultivate
what may someday become an 'enlightened' perspective
that is to say the mind of the Sage;
the Shaman. The Teacher. The Student. The Buddha.
(To be continued)
Jeffrey Pua Feb 2015
Here's to folly, to the great valley called love
Which reminded me of forever through imperfections,
Hardships and disappointments, of falling deeply
Into discovery from self-doubt, of reaching freedom,
The bore of a goal like contentment.

Here's to pain, the antithesis of the stars,
Of pretensions and incompletion, the middleground
Between the starts and the endings, the covert catalyst,
The grand surrealist, as we dread to know
The fullness of our sanity, of our souls,
Our fragility, of our very being.

Here's to the machinery, the agitation
Called dreams, the sweet fog of distant memories,
Or the dark smoke of passion sometimes,
Cunning as ever, like a freight train,
Like wind, like havoc, like thypoon,
Oftenly deprived of conclusive destinations.

Here's to art, drama and poetry, the mystics,
The sons and daughters of the grand mystics,
Of philosophy, science and religion, not to mention
History, the grand infidel, and mythology, the fibber.

Answers overwhelm us, test us, and divide us,
They appear when we're most not ready,
Yet the questions keep us sane, ever growing,
Ever sun, ever moon and ever cloud.

Only time will tell and would not,
The old grey, the clear dark, the pale light,
It never learned a language,
It only learned to live, noticed
But never quite understood.
How diaphanous. How vague.

So here's to the confusion, to the uncertainty
Like love always has been.
Here's to us, to our ambitions,
Our possessions, the treasures which speak
Permanence in our hearts.
Here's to the violent, the meek and the indifferent.
Here's to the society and the humanity
That's left in it. Here's to those who hate me.
Here's to our faith and our fate.
Here's to the poems that will never be written again.

Here's to you, my love, my true.
May we stay kind, mad, and human,
Or something more, whatever that means,
Despite the opposition, and deception and progression.
So here's to the Universe.
Here's to the grand riddler called existence.*

© 2015 J.S.P.
Longer than the usual.
Carolyn Cagnon Nov 2017
What is life without loss?
Love without suffering?
Laughter without tears?

So many emotions for one night,
I'm screaming out for help to fight...
I just want a ******* middleground.

Drink a little drink and say a prayer,
Throw some salt into the air...
Anything to escape the hell I'm in.

How do you turn your life around?
I've got so much **** to figure out.
How do I feel joy...yet want to die?

Take the meds they put ya on,
Only to become a shell of yourself.
Gotta figure this **** out...

Good luck...here comes mania.

Can't stop now...dance, sing, sketch,
Run, swing...build a ****** tree house,
Rinse, wash, & repeat until depressed.

Looks like depression's back at it again

Scratch your eyes or slash your wrists,
Looks like you're all ****** up again,
Take your pill and be someone else.

"Welcome to hell, we hope you enjoy your stay. We'll make you feel insane every step of the way until you finally snap...
And just like your sanity,
Your neck shall snap too."
The demons chant in your mind.


This is what it's like to be me at 2 o'clock in the morning...
Welcome to the hell of bipolar disorder...

We hope you enjoy your stay,
It's a lifelong adventure.
harmony crescent Mar 2018
its dark and soft, everywhere
danger and comfort coexisting around me
and i am tucked away in the latter
invader, middleground, muddled mind
i turn my head and there is a spear of light
two
they glow, ******* up the life and eminating pain
restriction and aggrivation
the clunk, clunk of metal and rubber
breath caught, eyes fixed
fateful and stunning, slender silver
i hate them but i cant move without them
the sheets lose their softness, my middleground slips away
i cant go back to sleep
2:08 am
i woke up in the middle of the night and saw my crutches in the dark
Rollie Rathburn May 2021
Dreams thrive fervently
in the middleground
between
raw gossamer shores and
sullen building
cramped days.
Hushed pleas of belonging
lingering in humid air
nourished yet disoriented
never quite calibrating
to fleeting happenstance
faltering gently across years.

Small mercies creasing
long hellos
short goodbyes
and bathwater moans.
Dice refusing to roll
twice by the time
minds can be made.

The quickening pulse
of a world ending
not just here
but everywhere.
Giving in is not giving up
Heather Mar 2020
her
I want to write about her
Brown hair curves in to meet under a soft chin
Wide, dark eyes pierce with calculated curiosity
A million and one half emotions take shape

They share the same intensity in their eyes
The same broad nose and wide mouthed smile
Sometimes aloof or unapologetically direct
I find myself in an undefined middleground  

I want to write about her
A tempest that springs up on an otherwise calm day
Demanding immediate attention
While I stand waiting on a silent shore

I walk a smudged black line
Hands out, exposed and uncertain
Palms tender and timid in their exploration  
As if to navigate a safe path forward

I want to write about her
The disquieting distance between us
A bruised space that beckons
For the company of two strangers

— The End —