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at lege mor og tørre op
og vaske op og at gå op i
et andet menneske
helt så samvittigheden
klistrer på din tunge,
helt så du glemmer din hud
i dørkarmen
sætter aftryk af blod
i badeværelset, og efterlader  hemmeligheder
i gulvsprækkerne
hvisker historier til væggene, alle
dem jeg aldrig fik fortalt dig
jeg var hende, der rakte kolde
hænder ud i et naivt forsøg på at
få dig til at smile i marts
opdrog dig med moderlige øjne
og blå ord, jeg ellers kun skrev ned
holdte dig i hånden, og lod dig ikke
bevæge dig yderligere
indtil du omsider kunne gå selv
vidste ikke dengang,
du ville gå længere ud,
end du selv kunne  bunde
lærte dig at holde om pigeskuldre
så det skar i organer af glæde
lod dig blive afhængig, og lod dig
skænke samvittighed op til randen
af glasset, så vinen smagte af
cork og følelser, der gav mig lyst
til at stikke tre fingre i halsen
måske bliver jeg væk en dag,
drukner
mig selv så jeg måske er væk
snart
- digte om et papmachesind
BOOK I

S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. "Why do you wind no horn?' she said
"And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
"We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

"My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

"What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
"I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

"Were there no better than my son
That you through all that foam should run?'

"I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
"And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

"O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, "It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
"Were these two born in the Danaan land,
Or have they breathed the mortal air?'

"Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
"A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
"O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
"Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

"Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, "God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  "Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  "You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick. Tell On.

Oisin. Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, "His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds



























































­

























Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

"An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, ""Unjust, unjust';
And ""My speed is a weariness,' falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

#######
BOOK II
#######

NOW, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
"Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers
B May 2013
what is this mind that was given to me that is able to see things i print on screen with my digital zip drive of a brain that is stuck inside a laptop main frame, ******* server uploading and crashing sending pings and things to hackers who perform doss attacks and web cracks and serial cracks while eating cereal going over javascript material program landslide juno got bit by emails and other technical software jargin computer guy got the blue screen of death corruption on the web the spider metacrawling and setting it on angelfire i google the facebook twitter and hot wire my car on the trader the wall street journal and the white house, **** sites and white owls, getting arrested and being hired by the government, the money's spent, criminal punishment, in cells locked up no breakfast but lunch under the crack of a door inside ur naked ***, on irc chat, the warez rat, pirates on bays and whispers from kittens, brown paper packages exploding a smidgeon, binary, metamorphosis, code program gold, warning anti virus and spywares, baghdad to china, spy on private, eyes on cameras, cell phones like trackers, global position mappers, predator drones, video games, nfl madden, mad men, and happy wal marts, hacking wal mart, with social engineers, traveling the silk road with a cloak ip address revoked
S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

'My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

'What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
'I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

'Were there no better than my son
That you through all that foam should run?'

'I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
'And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

'O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, 'It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
'Were these two born in the Danaan land,
Or have they breathed the mortal air?'

'Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
'A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
'O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
'Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

'Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, 'God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  'Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  'You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick.      Tell on.

Oisin.                 Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, 'His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds
Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

'An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, "Unjust, unjust";
And "My speed is a weariness," falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'
When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man's dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and ***** seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
   Freedom.

Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.

Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it's the U.S.A.

A long time ago, but not too long ago, a man said:
        ALL MEN ARE CREATED EQUAL--
        ENDOWED BY THEIR CREATOR
        WITH CERTAIN UNALIENABLE RIGHTS--
        AMONG THESE LIFE, LIBERTY
        AND THE PURSUIT OF HAPPINESS.
His name was Jefferson. There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
        NO MAN IS GOOD ENOUGH
        TO GOVERN ANOTHER MAN
        WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
        BETTER TO DIE FREE
        THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.

With John Brown at Harper's Ferry, Negroes died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
   Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
    Keep Your Hand On The Plow! Hold On!
Out of war it came, ****** and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.

America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man. Together we are building our land."

America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don't be discouraged, builder!
If the fight is not yet won,
Don't be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
        ALL MEN ARE CREATED EQUAL.
        NO MAN IS GOOD ENOUGH
        TO GOVERN ANOTHER MAN
        WITHOUT HIS CONSENT.
        BETTER DIE FREE,
        THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
   FREEDOM!
     BROTHERHOOD!
         DEMOCRACY!
To all the enemies of these great words:
We say, NO!

A long time ago,
An enslaved people heading toward freedom
Made up a song:
     Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
     KEEP YOUR HAND ON THE PLOW! HOLD ON!
Nat Lipstadt Jan 2014
my love brought
me tranquility.
my love bought
me tranquility,
in a Manhattan bodega.

late at night in my city,
everything is for sale
where least expected
in mini marts, local delis,
greek coffee shops, spanish bodegas
pizza parlors, hardware stores,
all selling
salves for late night salvation

purveyors of
differential equations of
differing soulful sustenances,
certain imports that will probably never be
for sale in Walmart after midnight

all, readily available,
twenty four seven
in my miracle Manhattan heaven

My woman,
mapper of the byways
of my ****** landmarks
worn broad~ways,
his-toric foot trails of tears,
lines of laughters,
even a
purported dimple
I call a crevasse.

a sole survivor of
a mother's birthing skill marker,
duly recorded by her upon my visage,
in my miracle Manhattan

She knows, as do
some of youse guys,
that my poetry is
water born(e) and water soluble,
but Peconic Bay always
ain't right handy,
so bring on a
substitute teacher,
a hot bath,
helps me to enunciate
my verbal visitations

my love brought
me tranquility.
my  love bought
me tranquility
in a Manhattan bodega.

pour the aromatherapy,
my love brought me
for inspiration into and upon
my liquid writing table,
"Tranquility,"
a summer garden aroma

It soothes
my bad memories,
the herbs salve
accursed ancient wounds
that will never
ever fully heal
or be forgiven

my love brought
me tranquility.

my graces restored,
this poem offered in
grateful appreciation
with unlimited adoration,
something,
maybe even the
very one thing
**that can't be bought,
even,
in my miracle Manhattan
Oct. 16th, 2011
Quinn Jun 2013
ant infested arm chairs
folding accordian hardwoods
seas of soiled laundry littered about

tomorrow i'll hand off my birthday
in a bag to the neighbors, someone
may as well make a cent or two
off my quarter of a century on this earth

the whole block talks **** about us in spanish,
quiero decirles que entiendo,
but instead, i smoke bowls on the porch
and laugh at their corruption and convinction
over a couple of twenty somethings
who like to have a good time a little too much

i imagine them lining the streets with
pitch forks and torches, yelling to us,
escuche perras, su tiempo ha venido,
instead the neighborhood committee
knocks on the door at four pm interrupting
my six hours of vommiting, i stumble
down the stairway bra-less, brazen, and
baited, waiting for the moment to say,
we'll be gone july first

funny how families are cool with drug
front pyramid marts, but birthday parties
seem to have no place here
Spencer Dennison Dec 2014
It is here
that broken memories find their home.
Divorced from the nests
they have made in our chests,
sinking talons into hearts
and clogging our veins
like the junk from a million Wal-Marts.

The air hangs like flypaper,
catching every breath
like a moment in time.
Every foot falls on crust and grime
and used needles.
The colors are faint
but still bursting with life,
pastel shades of peeled paint.

There's a girl with antelope antlers
and a man with a lobster head,
A lobster made completely
of whole-wheat sliced bread.
There's freaks of every size and shape
abominations of every description
but for a surrealist,
these thoughts are our prescription.
Sarah Bishop Nov 2011
GPS
(Type in “Robert Frost”)


Whose woods these are, I have no clue.
I should be in Kalamazoo;
I made a left instead of right
And saw Costco and a J. Crew.

My GPS must think it strange
That my cell phone is out of range.
I’m already late but I don’t care;
Once again, my plans will change.

I know that I’ve made a mistake.
I’ve passed two Sears, a Steak-n-Shake,
three Wal-Marts, and a Lowe’s or two,
A small bread shop that smelled of cake.

I drive and drive in my red Jeep.
I pass a farm and start to weep.
The only things I see are sheep.
The only things I see are sheep.
A friend of mine showed me an article in the New Yorker about a collection of poetry that used famous poems to poke fun of GPS devices, and I decided to write my own to the tune of "Stopping by Woods on a Snowy Evening" by Robert Frost.
min næsetip er ikke længere kold
vi takker og griner og jeg ryster, fyldt med følelser
nu er det endelig forår, på kalenderen og ikke mindst i tankerne, i samtalen
den glødende varme af lettelse, af akavethed, af tilgivelse og nye begyndelser
mine mange vinterjakker fylder for meget til vores skab
hænger over stolen
dit glas er blevet erstattet og du står egenhændigt og
grundlæggende stærkt
det kræver mod og styrke at være sårbar
følelserne, dokumenterede og udprintede og highlightede
endelig endelig endelig
boblende forår
sjette marts. tiende marts
glade dage, lune dage
RyanMJenkins Feb 2013
The winter outside is cold,
But the pale skin pales in comparison to the ice in peoples' hearts.

We're deprived of organic necessities and forced into community peasantries,
That rely on the institutions as much as Wal-Marts.

Historical facts are often masked by watered-down history books.
What if I told you the facets of your life
Are managed by murderers and crooks,
That **** the livelihood on all who're deemed below?
They've all the world-wide power within their grasps,
Yet to none other than blood will they bestow.

The media's mediated control over our minds,
Refusing to let you grow and flourish.
Throwing pesticides on what you choose to chew,
Yet we tend to believe we're well-nourished?

The sky has been taken over, with contaminates and missiles.
Confined with egg shell on our feet,
Because we've chosen to blindly oblige government officials.

The relationship is similar to that of scientists and lab rats.
We put our best efforts in for a minuscule piece of cheese,
While they make money off of you while producing more as they please.

So maybe we wanna follow our dreams,
And earn degrees to ensure that* We really are Somebodies,
...Then fall into a dark debt hole for doing so,
Barely able to find jobs in the fields we gave our whole.

..Then we rush to the polls..

High on promises and a "better America",
Forever blinded by the Right and Left paradigm
That you don't realize those you've been arguing with are right there with ya!

This regime we're under, it's been said, follows a model of the Roman empire.
The Revolutionaries that exemplified love, justice, and courage,
Are being picked off to this day, and you still think I'm just here to conspire?
Well there's an opening now, I'm gonna take it
And spread truth against all those that forsake it until my body is to retire.
I may go down without a blaze of glory, but I won't be known as a liar.
If you don't take a stand with me, know that you too will fall prey.
Invest time into knowledge and self-awareness,
So that one day peace and honesty will find a home in the land of the brave.

This world's a brutal business, manipulative and cold.
But it can't compete with the heat emitting from my soul.

We are one, help each other thrive, all while having fun.
The conscious revolution will emerge, before our time here is done~

One love, that's all the ranting for today
I hope peace is with you, Namaste.
Tårerne falder og maler gulvet sort
ligesom den blanke kaffe jeg spejler mig i.
Jeg ser din månehvide hud
alt imens natkanonen sender toner blå,
af melankoli gennem mine årer og bider sig
fast
på min krogede rygsøjle og
jeg kan mærke mine lunger.
Synet af dig skærer i mine blå øjne
Jeg tænker tilbage på tiden med dådyrøjne og cashmerehjerter.
Nu har vi kun reptilblikke og vinylindre.
Omridset af dit ansigt
har jeg glemt
og jeg famler hjælpeløs i tågen for at
nå dine krystalgrå hænder
med farer for
at blive spist af
fortrængelsen.
Åh. Jeg husker din pastelhud og dine øjne som
lilla ferskner.
Duften var som jorden selv.
Du smagte af knuste drømme og hypotetiske realiteter.
Jeg tænker på dig,
så stille som en marts nat.
Du er så smuk
Især når du er stille.
'Men hvad ved jeg også om det?'
Platonisk kærlighed.
Jeg har allerede fortrudt min tanke
og ønsket om at vende om,
sætter sig som glasskår i mine øjne.
Måske er du noget jeg har fundet på?
Mine kinder bløder og stjernerne danser røde og blå.
Lysår væk.
Jeg overværede din samtale med satan
I skændtes, ikke sandt?
Handlede det om det støv i skuffen?
Du var stille som marts nat og ville aldrig fortælle hvor det kom fra
Jeg vidste godt det kom fra mordet på englen
For det rykkede i mine ribben da englen gik bort og mine knogler blev til mel
Du rev mit tøj af samme nat
Din hånd lagde sig over min mund  
Jeg ville skrige men nu var begge hænder over min mund syet fast med små sting
Danish dansk engle pain greef Night tears
Nanna Gregersen Sep 2014
Dit navn smager af efterår, og dine læber udstråler sommer
Din glød viser forår, mens dit hår er formet som vinter

Dine øjenvipper mod min kind er august, og dine fingerspidser er februar
Dine fregner er juni og dine øjne er klart oktober

Dine blodårer er marts, men dit hjerte er maj
Din hud er januar, og dit smil er juli og de lidt for tydelige kraveben er da helt sikkert april
Linjerne i dine hænder er september, og de sorte rander om øjnene minder mig om november

og nu forstår du vel, at jeg ikke kan svare på, hvilken af månederne der er min yndlings.
Anna Oct 2014
dine grå øjne er alt og ingenting
du er min sortmalet kaffe, mine marlboro cigaretter, mine høretelefoner til min musik og smagen i min mund
men på den anden side er du ingenting men en ren silhouet af perfektionisme, arrogance, mystik og kærlighed
du er de første blomster der springer ud på den første kolde forårsdag i marts måned
men du er også tågen i københavns gader på en overskyet søndag morgen
ungdomspoet Mar 2015
gode veninder
der snakker løs om liv og død
om kærlighed og fester
om glæde og sorg
på en kold marts aften
hvor vi begge havde lyst til at drikke rødvin
jeg ved at du er den eneste jeg kan regne med
vinden blæser i dit sorte hår
og dine store øjne betragter mig mens jeg snakker
du lytter
en rød flaske papvin og **** cigaretter senere
ligger vi begge i vores senge og tænker
og jeg ved at du tænker i samme baner som jeg
om liv og død
om kærlighed og fester
om glæde og sorg
og jeg ved at vi begge vil sove trygt
for rødvinen har bedøvet os
og røgen har fyldt vores sorte lunger op
og vi har hinanden
for gode veninder
de snakker løs
kirk Jun 2020
A local lady would be nice, to reach my ****** peak
***'s, Gilf's and ****'s, and girls with extra cheek
You don't have to be a model, with an hourglass physique
I'm not concerned about your looks, or if your fat or sleek

If you are a willing female, then I would not hesitate
Entice me with your nakedness, and through your garden gate
Whether you are young and slim, or old and overweight
That doesn't really bother me, when we kiss and copulate

Big birds that need stuffing, old ladies with grey hair
I am not superficial, and I really do not care
Borrow me for favours, take me deep inside your lair
Invite me round I'll be discrete, and you can strip me bare

It wouldn't matter if your a *****, or an ugly looking skunk
Or if your a smoking crack *****, or an alcoholic drunk
As long as we can go *******, and squirt our lovely *****
And you don't mind an average Joe, that's not much of a hunk ?

******, swingers and brash chavs, bent over kitchen sinks
Inhibitions will be lost, after one or two more drinks
Fluids flow but I'd still go, into a hole that stinks
If I went there I would not care, what anybody thinks

If your hygiene is lacking, I'd just think what the hell
A sweating body against mine, with a ***** that works well
Extra **** is always good, when both of us can jell
Our pheromones would be increased, and I really love the smell

I may not be that handsome, or the cream of the crop
But getting older does not mean, these activities should stop
Take me any way you want, doggy or ******* top
Forget about party balloons, because the rubber will go pop

****, oral water sports, they would be such a treat
Especially in the same town, next door or the same street
Young maidens might be succulent, but they'd still have to compete
With the obese and elderly, because their so tasty and sweet

Don't waste time just searching, if you really want a man
Lifes too short to hesitate, lets get it while we can
**** mothers are just fine, as well as your Nan or Gran
And obese cougars are ideal, I'm a fat old woman fan

Large ladies are most welcome, so are haggard drunken tarts
And grannies that are ******, who perform in carnal arts
I wonder should I advertise, in Exchange and Marts ?
With all of the old bangers, and neglected lonely hearts
I was never happy with my short poem Lonely Hearts written in 2017. When I looked at it recently I decided it wasn't good enough so I have completely rewritten and extended it. The original version will remain for reference purposes comparison and dexterity. However it will be removed by the end of the year
Anna Jan 2016
Nostalgi er erindringen om en lykkelig fortid, et savn efter gamle minder. Nostalgi er duften af hans parfume, det er bænken ved havnen hvor vi alle sad en kold dag i marts og det er sangen der blev spillet på repeat i de første forårsmåneder.
Men nostalgi er i sandhed også et væld af ødelagte brudstykker. Et skærpet syn på dengang, kun fremtvunget af dufte, lyde eller steder. Nostalgi er idéen om at alting var perfekt, og at alt nu er forkert. Det er sløret og utydeligt, en rude der er dugget til, rent synsbedrag. Bare fordi vi husker det som noget godt, er det ikke nødvendigvis rigtigt.
noget ala en textpost jeg fandt på tumblr
Of course the town's not the same anymore, they've painted the monuments gold and they tore down the church doors, kicked out the old ******, the hobo, the wino, the addicts, picked up the pimps and sent them to death row, shot down in flames every side show that decided to show, closed all the cinemas, the mini marts, the sisters of mercy and donated their hearts to a third world charity, the pawn shops, the **** shops, the born again brigades, the renegades were rounded up or hunted down, the old town is not the same anymore,
They've by-passed the underpass with an overpass and no one sleeps under a by-pass unless they're under the influence of alcohol which is no defence in courts of law which were privatised to become the eyes of Lords and Ladies who see us as running dogs mad with rabies or scurvy and the town's all topsy-turvy,
it's all a bit Enid Blyton which is right on the nose for those in the know and those not in the know don't know and care even less unless they're the hunted ones , the ones shunted off to a dumping ground, silenced by the sound of the sound of it all.
I'll fall too, the town's not the same anymore,
it's new and I don't like it, but
I'm open to persuasion.
Ken Pepiton May 2022
bad hair day, mindwise. Too much good stuff,
as the munchies ads for AM/PM mini marts said,

using the idea in too much good stuff, to lure
the fat freaks addicted to good stuff, twinkies flash

screaming yellow zonkers, wow,
America, home of many very fat freaks/ who code.

And don't read as much as listen,
multi-tasking scatters the noise, so signals are clearer.

Knowledge portal, from Terraria X-Box to Darwin's Black Box.

You bet I knew,
I bet I didn't. … irreducible complexity, manifolded protein tech.

who can lie and call life, the whole idea, all inclusive
unto the nth degree,
stuff of stars we are. Dust in a pop song.

--- stage is bare, the narrator, walks in, unscripted/

this is it, he says. The real thing is us inter-acting,

thinking in parallel, serially infectious,
ideal shape,
whistler's teeth and tongue, call in the hounds.

When one thing bleeds into another, there is a roar,
and the echo of that is no doubt maddening,

and far from that maddened crowd,
we saw a lost soul land, and say, we gotta at least try

to own this view.

I have hordes of sunset series, from this landing zone,
where we have grown news, from dry bones,

ground to the essential message in the marrow,
we are all variations on a theme,
adaptable to most any realm where a kilo is 2.2 pounds.

---------- shaken, not stirred, pretentious ***, licensed
to ****.

There's your hero boys, JFK got away from the madness of DC
in the pages of cold war confabulation, fueled by Ian Fleming's

little trick with the knack of persona-ification infection,
a cultural carrier dis-ease, trains of thought
running through the rust belt
jumped the
tracks and rederailed
that  Zimmerman kid, was it something we did?
-Times changed.
I played around, and stayed around, that old town,
too long,

now, relative, this to that,  chart of consequences,
nothing happens.
Today,
right, this now. Reader POV.
And this is the page we are on. - self query RAM

this is all she wrote. Return to sender.
I heard Zinder, all my life
I looked for Zinder, and never found I mistook the entire song.

And here is where, the dust settled.

Gabe, my readingest grandson, so far, calls, me, really,

Look, Grandpa, I got a portal, I'll show you how it works.

Back to X-box, those black boxes are dark, take a light.
for now 502 is easier to deal with than required contests at Allpoetry, someday, maybe.
Mike Hauser Jun 2014
The other day my cousin Mabel
She said to me
Mike I ain't never seen
Nothing before like your poetry

Cuz, you need to be famous
We're going to take this on the road
We're going to knock down some doors
We're going to make some heads explode

She said I know this feller
He's going to do good by you
He's one of them there agents of sorts
He'll put you in the news

Right then and there she called up Bubba
Who believe me, didn't come cheap
Wanting all the money up front
If he was to represent me

So I handed over all my doe
And now that's where we are
On a whirlwind of a tour
Of America's Super Wal-Marts

He even had me a bunch
Of my poetry books printed out
I think that they're in English
But I still have my doubts

That's okay cause most here
Prefer not to read
And Bubba had his kid draw in some pictures
Which seems about all they need

They ask if I'm famous
I come back with a lie
Ever hear of Jeff Foxworthy?
Well I know that guy

That's when the book sales took off
Like history in the making
I told Bubba to buy his son more crayons
We're going to need more illustrations

Yes this being a famous poet
Seems to really suit me
Tomorrow we're going to set up a stand
Outside of Denny's

We'll be hitting the breakfast crowd
Right on up through lunch
So move over fame your in my spot
Just call it a hunch
Raven Quill Jul 2017
People’s rhymes sold in auctions, please take caution
Of the window washing smileys panhandling toxins
Give no option, moshing many minerals
Cocktail parties are more hardy maybe visceral
Rock the mini marts when the boys tumble out
To cull clerks hurtin’ in no cocktail lounge
Shout outs as loud as the whole neighborhood
Mounds of scatter chips blitz grub to scrounge
Shout out to the clerk, sorry we’re super drunk
How bout not being a dupe or **** you entertainment monks
Who’d of thunk these the spunky thinkers of tomorrow
10 minute challenge
Your all conquering charms weaves its magic in hearts
Your beauty oozes from dress showing grace of parts
Sun and moon carry, follow your encompassing charts
Your smart actions of love is celebrated in all the marts

My love see you in all your graces, charm in real prime
Your beauty is celebrated everywhere in place and time
Your glowing cheeks and juicy lips instigate me to crime
Your innocence is style which communicates pantomime

Let me taste eternal divine wine from your juicy red lips
Through your beauty my heart aspires very many trips
I am so enthralled that your graces are on my finger tips
As a romantic poet I owe you me, all my love manuscripts


Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Wk kortas Dec 2016
This most silent of silent nights
Was no different from any which had come before it,
Nothing at all to mark it as extraordinary or sacrosanct:
The village had long since stopped putting up decorations,
(Lights featuring jolly snowmen and steadfast wooden soldiers,
Now faded, cracked, with ancient and capricious wiring
Impossible to replace and impractical to repair)
Those old enough to harbor warm memories of caroling
Having long since wintered in some southern locale
Bearing Spanish names of dubious authenticity,
Those left behind by circumstance or stubbornness
Very likely slouched behind a cash register or un-crating paper towels,
The Wal-Marts, Kinneys, and Price Choppers,
In a shotgun marriage of customer service and rank capitalism,
Staying open a bit later every year,
Though at least providing the unanticipated benefit
Of one less hour to fret over things unbought,
One less hour to dwell upon promises unmet.

There is some solace, perhaps, in the notion
That the good times were only so good, after all
(It’s been said when the great ditch connecting Albany and Buffalo
Was finally completed, you could already hear train whistles,
Shrill and of ominous portent, in the distance)
And as Barbara Van Borland,
Thrice-married and eternally hopeful,
Opined from her perch at the Dewitt Clinton House,
If you’re gonna fall, better offa stool than a ladder.
Perhaps there is a certain mercy in laboring under the yoke
(Allegorical, but securely fastened all the same) of knowing
That we should expect little and prepare to make do with even less,
That these hard times are the only times we can expect to know.

How, then, do we carry on?  
Follow Pope’s dictum, one supposes,
And say your lines and hit your marks
With as much conviction as can be mustered
As we walk through this land of shuttered country schools,
This forest of plywood and concrete,
Where shoots of grasses and patches of weeds
Rise up through crevices and faults in the neglected blacktop
(But ride out on the back roads of the other side of river,
Out toward Cherry Valley, say, or Sharon Springs,
And see the wide panorama of the valley below,
The hills gently, gradually sloping upward to the Adirondacks,
Creating a vista which would make Norman Rockwell blush,
And you would say My God, how beautiful
If it didn’t seem foolish to give voice to something so patently obvious)
Until that time we are carried gently to that plot
Where we shall lie down next to our parents
In the newer section of the cemetery
Sitting hard by the edge of the sluggish Mohawk,
Where the remnants of by-products
From dormant farms and long-closed tanneries
Mix with the residue of hasty abortions
And the bones of forgotten and un-mourned canal mules.
Texas billboards wound my eyes
Every mile apart
They lure the cars on 35
To burgers and gas marts

But as I stretch my vision down
The line of road ahead
They're nullified when soon I spy
A mass of flower beds

They aren't the kind that Granny's find
And plant from catalogs
Always a disappointment when
They bear no fruit at all

No these are weaved among the weeds
Along the roadside ditch
They're wildflowers consisting of
Milk thistle perched by finch

Their purple orbs tall ornaments
Protruding, taking cue
From all the yellow yarrow that
Contrasts with robin blue

That's crowded thick among the mix
Craving all the attention
The blue bonnets that sit like hats
On stems that aren't worth mention

And like the bush 'twas burning on
The mountain of Sinai
The paintbrush named for Indians
With their head dresses thrive!

And as my mind reflects upon
This flower popping power
I never even notice that
The drive lasted for hours

Written by Sara Fielder © May 2013
Wk kortas Dec 2019
(AUTHOR'S NOTE:  This is a re-post of an older piece, but I am inexplicably fond of it, so I thought it warranted being on the line to air out once more.)

This most silent of silent nights
Was no different from any which had come before it,
Nothing at all to mark it as extraordinary or sacrosanct:
The village had long since stopped putting up decorations,
(Lights featuring jolly snowmen and steadfast wooden soldiers,
Now faded, cracked, with ancient and capricious wiring
Impossible to replace and impractical to repair)
Those old enough to harbor warm memories of caroling
Having long since wintered in some southern locale
Bearing Spanish names of dubious authenticity,
Those left behind by circumstance or stubbornness
Very likely slouched behind a cash register or un-crating paper towels,
The Wal-Marts, Kinneys, and Price Choppers,
In a shotgun marriage of customer service and rank capitalism,
Staying open a bit later every year,
Though at least providing the unanticipated benefit
Of one less hour to fret over things unbought,
One less hour to dwell upon promises unmet.

There is some solace, perhaps, in the notion
That the good times were only so good, after all
(It’s been said when the great ditch connecting Albany and Buffalo
Was finally completed, you could already hear train whistles,
Shrill and of ominous portent, in the distance)
And as Barbara Van Borland,
Thrice-married and eternally hopeful,
Opined from her perch at the Dewitt Clinton House,
If you’re gonna fall, better offa stool than a ladder.
Perhaps there is a certain mercy in laboring under the yoke
(Allegorical, but securely fastened all the same) of knowing
That we should expect little and prepare to make do with even less,
That these hard times are the only times we can expect to know.

How, then, do we carry on?  
Follow Pope’s dictum, one supposes,
And say your lines and hit your marks
With as much conviction as can be mustered
As we walk through this land of shuttered country schools,
This forest of plywood and concrete,
Where shoots of grasses and patches of weeds
Rise up through crevices and faults in the neglected blacktop
(But ride out on the back roads of the other side of river,
Out toward Cherry Valley, say, or Sharon Springs,
And see the wide panorama of the valley below,
The hills gently, gradually sloping upward to the Adirondacks,
Creating a vista which would make Norman Rockwell blush,
And you would say My God, how beautiful
If it didn’t seem foolish to give voice to something so patently obvious)
Until that time we are carried gently to that plot
Where we shall lie down next to our parents
In the newer section of the cemetery
Sitting hard by the edge of the sluggish Mohawk,
Where the remnants of by-products
From dormant farms and long-closed tanneries
Mix with the residue of hasty abortions
And the bones of forgotten and un-mourned canal mules.
Matt Shade Jan 2020
I ran though those rotating doors
where men were doing silly chores-
polishing statues and waxing floors
outside of those redundant stores
that line the air conditioned alleys,
ten foot poster **** sallys,
and symmetry in pale valleys
beneath the ceiling of Elysium;
more marble in here than an art museum.
A sad omen for whats in store-
just which god is this temple for?

I bought that Norman Rockwell mood
I surely absolutely needed,
then headed for the court of food
(for shopping does leave one defeated)
where I was so kindly greeted
by a man who’s head was beaded
where his eyes were meant to be.
Some would stare, but no, not me!
I ordered white chocolate ***** tea
double espresso and sugar free,
but sugar overflowed ‘til it coated the floor
and I’m already craving more.

I then stood up to take my leave,
and lock myself at home to grieve
for what prosperity had done;
our towers now eclipsed the sun.
My gentle stroll became a run,
for underneath fluorescent haze
the walls and marts became a maze-
some escalator MC Escher craze
which drowned me after several days.
The secret which I had not known
was simply that the mall had grown
and stretched itself right out the door.
Which god is this temple for?
Trout Aug 2019
Picture me in grease
My heart is yearning for the time
The goats are leaving as they please
The zebra screams half past midnight
From the ghosts of aviation
To the wind inside my chest
The caboose is such a shame
Salem witch trials in me

The flag is very high
Devouring knowledge like a crime
My eyes are focused on a fruit
I would attack you for your loot

Your bag is full of
Pieces of my heart
But you can’t see them
They blend in with bread crumbs

Point at higher towers
The litter’s on the floor
My mark is written on my hand
The chattel’s scribbled on the wall
I want to take it as it goes
The marts are settled on my chin
My ears are open to your eyes
Your spirit has kept me alive

My hiss is blurring
Go to the point where
We aren’t forever
Your fish are lonesome
Comfort them sometime
I am the fifth bite
I want to cry sight
No
Excuse
Find
Some room

I’m a little masterpiece
I’m a little masterpiece
I’m a little masterpiece
Oh my life is slowly changing

Leaving till the bones are alive
Freudian ecstasy sight
Grinding in the break of light
Shivering after the sight!
I’m a little masterpiece
Oh my life is thlowly change

— The End —