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Khadijat Bello May 2023
First, let me start by Greeting you in Twi, "memawo akye" in Kumasi
And back to my home land, I say to you, "Yene"! in Ebira
"Habri za asubuhi"! from Swahill
Ina kwana in Hausa
Emesiere! in Ibibibo
ụtụtụ ọma! in Igbo
Africa, the home of one third of the world's languages
Here I am telling you Djam walli!  in Fulfulde
Nigeria is a power house of over 500 languages
I say Kube lazhin! Nupe
U nder vee! in Tiv
Manao ahoana! in Malagasy language
Ojobe in Boki
Africa! My home continent, where some languages are foreign to most.
West Africa, my land region the Zone of the Giant of Africa.
Nigeria, my Father land! I say to you Good morning in different dialect.
Telling my own Africa story by Greeting you all Good Morning in different African dialects.
They are silent and beautiful,
gorgeous in in the white halo,
cemented in a beautiful terrazzo,
baring the names of fallen soldiers,
the European soldiers that fell in Wars;
second and first and the heinous silent wars,
i hope this  is why they have a proverb; white sepulchre,
only baring the white dead, only chiefs but no dead Indian.

Common wealth graveyards are all over in Africa,
in India , panama , Latin America and europe,
the active fronts in which the allies fought ******,
they are beautifully placed in silently posh areas,
in langata when in Nairobi, in Mbaraki when in Mombasa,
in Matisi  when in Kenya, In Namusungui when in Lodwar,
They bear horizontal silence with white names engraved
on their beautiful face shouting the glory of European empires,
which provoked the evil sense in the heart of the king's horseman
in Kenya, in the city of Nairobi, to steal the graveyard lands,
he made them his urban home with an uppish courtyard,
for him the dead white neighbours are better than in-corruption.

I walk around the commonwealth graveyards,
in the all quarters of erstwhile British empire,
looking for the names of African soldiers ,
who died in thousands fighting for the queen
the royal bloodied woman of England;Elizabeth,
Looking for the sons of Ethiopia who stood with
the second duce Benito son of Mussolini,
fighting for ******,for Shintos in the European war,
i have seen no name of any African,
I have not seen Wandabwa wa masibo,
who was conscripted into the first world war,
Along with his father Biket wa Khayongo,
Biket back after seven years in 1918,
carrying Wandabwa's Belt,
Wandabwa died in the field,
Where was he buried, he is nowhere
Not anywhere among the soldiers in cemeteries,
I have not seen Nasong'o wa Khayongo,
who was conscripted in 1940,
to fight against ******,
he was conscripted on his nuptial evening,
even before he had had the first ***,
with his new wife, he went  away crying,
he never came back, his name is  nowhere in the  graves
the commonwealth graves that bare names of the fallen,
Fallen soldiers, but they all bare white names in the black world.

you come to Africa, Kenya, Nigeria, Malagasy,Egypt,
whatever the geographies of Africa, and you keep keen,
you hear someone  is called Mr. Keya, or Madam Keya,
or you come to Bungoma county of Kenya,
you meet a man  that is of the circumcision age group,
Known as Bakikwameti Keya, Bakinyikewi Musolini,
Keya is  subverted sound for Kings african rivals; KAR
the African sound for  KAR is Keya,
in reference to mass conscription of Africans
into the  KAR, to fight ******,
A child born during that time is Keya,
A man circumcised during  the time
is in the age group of Keya,
A simple lesson in regard to our people,
taken away to fight the colonial power
and left to died and rot away in the bush
with a simple courtesy for ceremonial burial,
that come along with the death of soldiers,
who passed away in the battle field.
Nelleah Nkosi Apr 2015
Jumping, bouncing and swinging from tree to tree
In a sparse forest just outside a village on the outskirts of Antananarivo
They adapt to the changes flung at them and strive to survive

On the ground a troop leaps sideways side by side in a straight line
What a comical spectacle
However solemn their purpose, they must find a home
The little one abaft of the line
Takes one last glimpse at the home he leaves behind
Oh it’s up in flames now and bulldozers knock down his trees
Beyond, just yonder
Over a hill further down south, the prospect is in sight
A new forest with new opportunities
It’s denser; it hasn't caught the eye of encroaching villagers
They forge on towards it in that spectacular procession

High up in the trees they mark their territory
Males call out to females and they howl in response
The young ones frolic in the underbrush
They mate, they eat, they thrive

Another forced migration
There they go again in that sideways march
More deforestation for infrastructure
There must be leeway for civilization one way or the other
One must wonder now
What future lies in store for these that have no place in government?
Their trails fade away from the Malagasy ecosystem
Their lives hang in a balance at the brink of extinction
Will our grandchildren ever get to appreciate
The extraordinary feats of agility they display
The gymnastics they perform from day to day
On the trees and on the ground in the jungle everyday
Ostentations of dramatic optical presentations
In their furry coats of monochromatic patterns
Perhaps they will disappear and my son’s sons may only get to
Read about them in the has been list of the annals of history
At this rate since erecting urban jungles
Of tar roads and skyscrapers is the order of the day
They might even be able to catch an obscure image of the lemur
In the form of a costumed trapezist mimicking one
Or a twisting contortionist in The Cirque Du Soleil









Nellie Nkosi
Aaron LaLux Nov 2017
Tourists touring temples taking #selfies,
body’s there but souls not,
like Techno Ghosts back from the future,
not here to save the world just here to take a few shots,

but my body is my only temple,
and true enlightenment comes from the absence of Self,
so selfies seem silly to me,
in the same way as trying to wear pants 2 sizes to big without a belt,

or I guess a better analogy would be,
trying to wear a heavy belt without a buckle,
and that thought’s deep better yet heavy,
like Axel Rose those thoughts are heavy metal,

which makes sense especially if you’re an alchemist,
and believe what the Kyballion says about how everything’s metal,

yeah that’s heavy,
heavy as Heavy Metal rock,
being played by the US Army,
in Baghdad with the volume all the way up,

all the while spraying heavy metals,
in order to weigh down moral,
but what does any of this have to do with #selfies you ask,
well listen and I’ll tell you,

narcissist egos created this mess,
force used to push an agenda,
because when we’re too focused on our “selfs”,
we lose sight of the big picture,

like taking #selfies at temples,
and not seeing the beauty around you,
like drowning out the sounds of nature,
with the playlist on your iTunes,

it’s all kinda ironic isn’t it,
it’s tough having morals when complicit in any empire,
so I try and escape to exotic landscapes,
like Malagasy rainforests or Tibetan Temples,

but when I get there I find,
to my disappointing surprise,
a bunch of tourists on their phones,
only remotely living their lives…

∆ Aaron LA Lux ∆
Michael Marchese Aug 2017
I'm the unholiest of nights
I am nocturnal antichrists
I am the intifada phantom
Blacking out the Israelites

I am the netherworld Rohingya  
To Gautama's paradise
I can indulge in my salvation
For a fraction of the price

I am the spice of life aboard
Malagasy pirate ships
I am the pyramids of greed
Built atop the cracks of whips

I get on nerves of your Nirvana
I'm the burning Book of Mormon
I'm a hundred years of war
And famine, plagues and locusts swarmin'

I am 47 ronin  
To the Hiroshima priest
As they Shinto Harakiri
I am rising in the east

I am the fracture in the caste
Of the Brahmin’s brittle bones
I am the wrath of jealous deities
On Mount Olympus thrones

I'm the cult of personality
The Satan's circle level
I'm the hammer and the sickle
I'm the patron saint of rebel

I'm the heathen Eden extremist
The radical depiction
Of Muhammad's severed head
Adorned in crowns of crucifixion

I'm the Xenu Voodoo Guru
I'm the omniversal cosmic view  
The lord of space and time
And now my thetan horde awakens you

From sins of your mortality
I know them all too well
You place your faith in heaven
But I make mine here in hell
Trefild Nov 2023
a[ɛ]m I going psychotic in my dA̲[ɛ]mn mind
or ma[ɛ]nkind is on a deranged ride
[in fact, I prefer the word "humankind", but it doesn't fit with the rhyme pattern]
on an armored train? like that power-cray
North Korean son of a bo[ɑ]mb afraid
of his own go[ɑ]ddamn shadow, for it, ju[ɪ]st like
this *****#cking fatso's order, is quite
terrible; on a reckless ride that's
go[ʌ]nna take
the highly developed kind back
fro[ʌ]m the age
of reason to the uncivilized past's
darksome days
["dark somedays"]
(probably the latter)
————————————————————————————————
should be in a mental asylum watched over (why?)
off my "meds" like some iron-grip jE̲rkwad
[the meds were mostly video games]
in power striking a wA̲r up
an indescribable U̲rge to wreak destruction & ******
[mostly lyrically]
as if I were a horse-riding enforcer of the Apo[ɑ]calypse or a
jihadist supporter of the IslA̲mist new order
heading to a spot with the public galO̲re to
turn up at; I'm highly avE̲rse to
autocracy, but tyrant-like to[—]ward a kindergartner-like verser
half-a## writers, conformers, & allies of usurpers
better put on something fire-sound or go underground
like the Camorra or Johaness Arnesson, fO̲r I
["for I" is supposed to be read/pronounced as "fora"]
[Camorra is a part of the underworld]
[Johannes Arnesson (Owl Vision) makes underground type of electronic music]
am, like when a living victim's hide's being bU̲rned to
muscles by a hob O̲r a cutting blowpipe, a fierce torcher
["torture"]
and if there were, like Ivan the Fourth, a
terrible tsar & a murker, like a hitman satisfying hit orders
[the reign of Ivan the Terrible is infamous for, inter alia, tortures]
for me to take my pick like a **** 𝑓𝑜[ɔ]𝑡𝑘𝑎
["pic."]
I'd, like the wight-like equine rider
direct my sight on the former (scythe); you hardly can stI̲r up
[Death, the pale one of the 4 horsemen of the Apocalypse]
a spark, I've come to the taiga & stI̲rred up
a violent inferno; while in the wilds, I've discerned a
couple of male old-timers encircled
by some guards & cam workers; a fire fiend, for the
restless mind is like a flamethrower
which this corruption-plagued world su—
—pplies with fuel like a "Flying J" servo
don't get this wrong, I can't be bothered re[eɪ]
which kai is fave by which state, but I'm afraid
autocracy is, in the China vein, on the rise today (on the rice)
but, for the sake of a fighter plane
laying f#cking waste to a ride or train
with an autocratic ******* aboard
what is a singular someO̲ne that ain't
a well-savvy hacktivist nor
a sick gunfighter, like Max Payne
to do when the disbalance between a civil society
and a regime in some abysmal auto[ɑ]cracy
is so grave there's nothing safe
and rock-solid, like a tungsten *****
to do to undermine this state
of affairs? apply the cre[i]do of yours
to whatever at which you are versed
that's why I'm engaged in my anti-autocratic rhyme crusade
[previously to this one: "punishment of an autocrat"; "надвигался 2022-ой" ➔]
[➔ "a couple of words for dictators" & anti-authoritarian fragments ➔]
[➔ of some other rhyme pieces published by me]
I might lO̲O̲k to be an evil-minded skate
now, but, seizing the opportunity
like some viced ***** gained
a role O̲f a rU̲ler with
an unchecked political might & aimed
at establishing a tight-grip reign inside the state
there's something I'd like to say
I hhhooock... thooo... spit on tyrants' graves
and graves of their compliant aides
without the slightest shame, I, like a crane for construction, raze
["raise"]
their heads—tones by a mace from the knightly age
bet taphophiles ain't gonna like the way
in which I behave; ones who're enviro-cray
better get fire squa[ɑ]ds awake like a rite that takes
place after someone's life has waned
wholly (a wake), 'cause I get mY̲ hands laid
on a pulverizer with spirits of wine & spray
it on those scheissers' grave—yards, then make
'em go, like the face of someone laughing so wildly they
are about to split their sides, ablaze
and I've barely gotten underway
lyrics-wise, I'm gonna give a harsh time
to a power-blinded, nazissistic go[ɑ]bshite
a sort of tea party which you'll no[ɑ]t like
'cause there's a billypo[ɑ]t rife with steaming splo[ɑ]sh I've
got in the pipeline, like oil, & will be pleased to slo[ɑ]sh right
into your filthy mug, swine, so here's a piece of a[ɑ]dvice
better get equipped with some wipes
and something chilling, much like
a horror game when you sit without lights
and with earphones on in the middle o[ʌ]f night
it may seem now as if I'm a kitchen cart guy
and you're at an eating spo[ɑ]t (why?)
'cause you're about to get served
scuzz, I'ma strike
a lyrical skewer through your mouth & your stern
just like a swine
————————————————————————————————
it is night-time, like the pre-enlightenment E̲[i]poch, but I'm
["knight time"]
like a ballista sho[ɑ]t flyi[—]ng
the target's way, in the open air & quite away
like an anthracite aflame/ablaze
["(a) vay" (Malagasy) - "(a) glowing coal"]
nearby the gates of your sublime estate
a mite ashamed to say this, but I might be ta'en
for the Russian state or the "Hamas" brigade (why?)
these premises are like Ukraine
or Israel, respectively, inasmuch as they
are gonna be violated sI̲m. to a victim of a ******; finna
penetrate your villa like the agent Fisher
[Sam Fisher from the "Splintel Cell" videogame series]
which is gonna be made much quicker
than you, a[ɛ]nxious geezer, would make a lady stimu—lated I̲nto
the ****** state; your security system & lights are way
like a surgeon who's armless, they no longer o[ɑ]perate (ha-ha)
'cause I have an EMP device in play; the weather, by the way
is trash, raining, just like Hussein in his presiding days (trash, reigning)
but your cap-cladded daw[ɑ]gs remain
outside despite that & an adage Russians say
that a dog keeper that is mindful ain't
gonna let his dogs be outside at the time it rains
or when some other weather that's bad becomes the case
but thA̲t's, un—like the sign that's made
of metal & acts A̲s an
indication that it's a co[ɑ]p you face
not a bother; like a register that has an
["buzzer", in the sense of "police badge"]
abundant range
of info about a vile regime's pieces of crap having
rank slides, such as their addies, mug sho[ɑ]ts, & names
a specialist, the black-cladded
["special list"]
crusader from the Norsefire-tyrannized UK
in the Guy Fawkes mask strapped with
[V from "V For Vendetta"]
a blowgun with darts, like the pirate claimed
the title of an assassin
[Edward Kenway from "Assassin's Creed IV: Black Flag"]
by which I sedate those diletta[ɑ]nte[—]s ordained
to guard your place as I slyly make my go[ɑ]ddamn way
forth like a farcE̲U̲r coming out
of behind the stage
lock pick the door of your house
then walk inside like a pro[ɑ]mena[eɪ]de (walking site)
while touring around
the pretty so[ɑ]lid place
of yours, I encoun—
—ter your do[ɑ]xy draped
with a corse[—]let-like towel
not far away from the room in which you shower, bathe
with her bo[ɑ]dy shape, to one whose mind's unchaste
she's like a va—cant front seat to one whose sight's debased
hard not to try & take; but, given the time & place, I try to stay
away from these broad thoughts like an ex-****-bawd (thots)
besides your inviting bae
like a ship-parking space nearby a pirate-obliging place
["inviting bay"]
I descry your maid nearby the kitchen-dinette; they
both get tranquilized, like someO̲ne who came
for a massage, & chained to pillars of a ba[ɑ]lustrade
with their gobs sealed with parcel tape
arrived a mite hungry, so I knife a slice
off of an icebox pie I came bY̲ inside
the fridge of yours, then eat it sE̲rved on
your high-cost plate
using your silver fork &
your table knife engraved
with a rhomb grid adornment
(some would think you're a perfectionist, like me when I undertake)
(rhyming like an Eastern person)
["ramen"]
(but, in accordance with what my mindset says)
(it's more likely you're just pretty corny)
(like rappers whose lines display their consumerism-governed brains)
(and whose body of rhymes is shaped in an unenticing way)
once the meal's finished, like a rival/fighter slain
in a "Mortal Ko[ɑ]mbat" fray, I leave your tableware defiled, same
as that pious place, in which ***** Riot made
a protest performance
pU̲t on, like that unashamed
co[ɑ]cky, a la desert soldiers
["khaki"]
autocratic swine that reigns in the north-east mo[ɑ]bster state
some high-octane tunes fro[ʌ]m a play—
—list of mine, then start to make your hideaway
[it's supposed that the EMP effect has gone by this time, so electronics are able to function]
look like it faced the wildest rave that mustered skates
who have, like a wrE̲cking ball
a disorganizing trait
towards stuff that's ta[ɛ]ngible
and are prone to territory-marking, same
as what's done by a[ɛ]nimals
or bY̲ street ga[ɛ]ngs
quite an effortful
jo[ɑ]b awaits your unlucky maid
or whoever you're gonna choose to invite & pay
in order to neutralize the may—hem caused by my stay
————————————————————————————————
such a misfortune you, A̲##hole
are away from your glorious castle
which is, like a brutal ******
that you are, looking nO̲[ɑ]t so
["nutso"]
glorious now if you look insI̲de, *** (ha-ha)
you stupid ****̲teball, ***** you, li̲ke bolts
"spit on autocrats' graves" by TREF1LD (TRFLD) is licensed under CC BY-NC-SA 4.0 (to view a copy of this license, visit creativecommons.org/licenses/by-nc-sa/4.0)

— The End —