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"danceable" poems
Candleabra's flickering flames cast a shimmering dancing shadow of me, upon my golden coffer overhead, brought about by a sudden gust of window-wind... God's finger-breeze... Master airy-finger puppeteer you are dance the leaves about my Autumn yard... Push and stir soft light newly blanketed wintry snow on lifting eddies, causing flying fancy, barnyard dancer's dos-a-dos among infinitesimal, and featherweight delicately frozen crystal-looking flakes... Push tiny tango waves upon reflected sparkling silvery lakes that crest s l i d e then fall And spectator trees that enciricle about the watery ballroom-lake surface-floor, then with airy fingertips clap, clap together the loudly whispering and rustling leaves that applaud the watery dancing waves below... And with windy fingertips sail white billowing cotton like vapor-sails across an unplowable oceanless spatial blue... Glad God You mostly are puppeteer of every star Dance sundries of objects on your play-ball planet and puppet-likened stage And let me laugh in zestful rage about danceable things that can be danced, that can be danced on windy-finger days...
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Sep 17, 2014
Sep 17, 2014 at 3:09 PM UTC
Windy-Finger puppeteer
He kinetically arrived with 1973. Night is the longest day, here come the warm jets, served on a cold plate. Play it back at half-speed and you've got auditory wallpaper, it must be as ignorable as it is interesting. His own world spins within a device: cacophony of sound mixed in a blender and xeroxed; a little snake guitar, a little Leslie piano — music to resign you to the possibility of death. Then came 1983 and beyond just him. Tamper tantrum hotline, amplifiers on the balcony, secretly taping Edge and Adam Clayton on a 4th of July. The numbered streets and desert rain add soul to this heartland, it's the gospel truth he wiped the deck clean. (sort of and maybe). His device spins within its own world: manageable hums, danceable drones, welded into night; daytime variations held together no better (and no worse) than a cloud. Then there's sfumato: music without lines or borders, in the manner of smoke — theatrical fog — a different kind of blue. Densely layered, so impossible to track, this being lost in the magnetic hush of airports and   other strange kiosks, it all falls into a creative lull. Guess it's time for Oblique Strategies...
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Jul 9, 2022
Jul 9, 2022 at 1:43 PM UTC
Brian Eno
The intangible danceable Felt but not seen Frolicking on the edge Of spaces in between Peek-a-boo shadows Spider-web touches Goosebumped skin Rosy red blushes Whispers on wind Soul unconfined The curve of the smile Fits the curve of my mind A half told anecdote Unnoticed excellence in the mundane Quiet anticipation Jolting epiphanies of keyframe Emotional nutrients of xeno Ecstatic shock and sonder Ambedo and nodus tollens Forever I wonder and wander
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Oct 16, 2017
Oct 16, 2017 at 12:59 PM UTC
The Intangible Danceable
danceable organs, displaced like a lumpscum of heartfelt messages. somewhere in the distant past, we passed along our spit, shared syns and field-grade forgettables.
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Apr 6, 2014
Apr 6, 2014 at 7:35 AM UTC
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